In spite of the unbridled verse of Hugo and the even more unbridled prose of Kinglake, Napoleon III. is really and solely discredited in history because of the catastrophe of 1870. Hugo hurled any amount of lightning on Louis Napoleon; but he threw very little light on him. Some passages in the "Chtiments" are really caricatures carved in eternal marble. They will always be valuable in reminding generations too vague and soft, as were the Victorians, of the great truth that hatred is beautiful, when it is hatred of the ugliness of the soul. But most of them could have been written about Haman, or Heliogabalus, or King John, or Queen Elizabeth, as much as about poor Louis Napoleon; they bear no trace of any comprehension of his quite interesting aims, and his quite comprehensible contempt for the fat-souled senatorial politicians. And if a real revolutionist like Hugo did not do justice to the revolutionary element in Csarism, it need hardly be said that a rather Primrose League Tory like Tennyson did not. Kinglake's curiously acrid insistence upon the _Coup d'tat_ is, I fear, only an indulgence in one of the least pleasing pleasures of our national pen and press, and one which afterwards altogether ran away with us over the Dreyfus case. It is an unfortunate habit of publicly repenting for other people's sins. If this came easy to an Englishman like Kinglake, it came, of course, still easier to a German like Queen Victoria's husband and even to Queen Victoria herself, who was naturally influenced by him. But in so far as the sensible masses of the English nation took any interest in the matter, it is probable that they sympathised with Palmerston, who was as popular as the Prince Consort was unpopular. The black mark against Louis Napoleon's name until now, has simply been Sedan; and it is our whole purpose to-day to turn Sedan into an interlude. If it is not an interlude, it will be the end of the world. But we have sworn to make an end of that ending: warring on until, if only by a purgatory of the nations and the mountainous annihilation of men, the story of the world ends well.
There are, as it were, valleys of history quite close to us, but hidden by the closer hills. One, as we have seen, is that fold in the soft Surrey hills where Cobbett sleeps with his still-born English Revolution. Another is under that height called The Spy of Italy, where a new Napoleon brought back the golden eagles against the black eagles of Austria. Yet that French adventure in support of the Italian insurrection was very important; we are only beginning to understand its importance. It was a defiance to the German Reaction and 1870 was a sort of revenge for it, just as the Balkan victory was a defiance to the German Reaction and 1914 was the attempted revenge for it. It is true that the French liberation of Italy was incomplete, the problem of the Papal States, for instance, being untouched by the Peace of Villafranca. The volcanic but fruitful spirit of Italy had already produced that wonderful, wandering, and almost omnipresent personality whose red shirt was to be a walking flag: Garibaldi. And many English Liberals sympathised with him and his extremists as against the peace. Palmerston called it "the peace that passeth all understanding": but the profanity of that hilarious old heathen was nearer the mark than he knew: there were really present some of those deep things which he did not understand. To quarrel with the Pope, but to compromise with him, was an instinct with the Bonapartes; an instinct no Anglo-Saxon could be expected to understand. They knew the truth; that Anti-Clericalism is not a Protestant movement, but a Catholic mood. And after all the English Liberals could not get their own Government to risk what the French Government had risked; and Napoleon III. might well have retorted on Palmerston, his rival in international Liberalism, that half a war was better than no fighting. Swinburne called Villafranca "The Halt before Rome," and expressed a rhythmic impatience for the time when the world
"Shall ring to the roar of the lion Proclaiming Republican Rome."
But he might have remembered, after all, that it was not the British lion, that a British poet should have the right to say so imperiously, "Let him roar again. Let him roar again."
It is true that there was no clear call to England from Italy, as there certainly was from Denmark. The great powers were not bound to help Italy to become a nation, as they were bound to support the unquestioned fact that Denmark was one. Indeed the great Italian patriot was to experience both extremes of the English paradox, and, curiously enough, in connection with both the two national and anti-German causes. For Italy he gained the support of the English, but not the support of England. Not a few of our countrymen followed the red shirt; but not in the red coat. And when he came to England, not to plead the cause of Italy but the cause of Denmark, the Italian found he was more popular with the English than any Englishman. He made his way through a forest of salutations, which would willingly have turned itself into a forest of swords. But those who kept the sword kept it sheathed. For the ruling class the valour of the Italian hero, like the beauty of the Danish Princess, was a thing to be admired, that is enjoyed, like a novel--or a newspaper. Palmerston was the very type of Pacifism, because he was the very type of Jingoism. In spirit as restless as Garibaldi, he was in practice as cautious as Cobden. England had the most prudent aristocracy, but the most reckless democracy in the world. It was, and is, the English contradiction, which has so much misrepresented us, especially to the Irish. Our national captains were carpet knights; our knights errant were among the dismounted rabble. When an Austrian general who had flogged women in the conquered provinces appeared in the London streets, some common draymen off a cart behaved with the direct quixotry of Sir Lancelot or Sir Galahad. He had beaten women and they beat him. They regarded themselves simply as avengers of ladies in distress, breaking the bloody whip of a German bully; just as Cobbett had sought to break it when it was wielded over the men of England. The boorishness was in the Germanic or half-Germanic rulers who wore crosses and spurs: the gallantry was in the gutter. English draymen had more chivalry than Teuton aristocrats--or English ones.
I have dwelt a little on this Italian experiment because it lights up Louis Napoleon as what he really was before the eclipse, a politician--perhaps an unscrupulous politician--but certainly a democratic politician. A power seldom falls being wholly faultless; and it is true that the Second Empire became contaminated with cosmopolitan spies and swindlers, justly reviled by such democrats as Rochefort as well as Hugo. But there was no French inefficiency that weighed a hair in the balance compared with the huge and hostile efficiency of Prussia; the tall machine that had struck down Denmark and Austria, and now stood ready to strike again, extinguishing the lamp of the world. There was a hitch before the hammer stroke, and Bismarck adjusted it, as with his finger, by a forgery--for he had many minor accomplishments. France fell: and what fell with her was freedom, and what reigned in her stead only tyrants and the ancient terror. The crowning of the first modern Kaiser in the very palace of the old French kings was an allegory; like an allegory on those Versailles walls. For it was at once the lifting of the old despotic diadem and its descent on the low brow of a barbarian. Louis XI. had returned, and not Louis IX.; and Europe was to know that sceptre on which there is no dove.
The instant evidence that Europe was in the grip of the savage was as simple as it was sinister. The invaders behaved with an innocent impiety and bestiality that had never been known in those lands since Clovis was signed with the cross. To the naked pride of the new men nations simply were not. The struggling populations of two vast provinces were simply carried away like slaves into captivity, as after the sacking of some prehistoric town. France was fined for having pretended to be a nation; and the fine was planned to ruin her forever. Under the pressure of such impossible injustice France cried out to the Christian nations, one after another, and by name. Her last cry ended in a stillness like that which had encircled Denmark.
One man answered; one who had quarrelled with the French and their Emperor; but who knew it was not an emperor that had fallen. Garibaldi, not always wise but to his end a hero, took his station, sword in hand, under the darkening sky of Christendom, and shared the last fate of France. A curious record remains, in which a German comma
nder testifies to the energy and effect of the last strokes of the wounded lion of Aspromonte. But England went away sorrowful, for she had great possessions.
VIII--_The Wrong Horse_
In another chapter I mentioned some of the late Lord Salisbury's remarks with regret, but I trust with respect; for in certain matters he deserved all the respect that can be given to him. His critics said that he "thought aloud"; which is perhaps the noblest thing that can be said of a man. He was jeered at for it by journalists and politicians who had not the capacity to think or the courage to tell their thoughts. And he had one yet finer quality which redeems a hundred lapses of anarchic cynicism. He could change his mind upon the platform: he could repent in public. He could not only think aloud; he could "think better" aloud. And one of the turning-points of Europe had come in the hour when he avowed his conversion from the un-Christian and un-European policy into which his dexterous Oriental master, Disraeli, had dragged him; and declared that England had "put her money on the wrong horse." When he said it, he referred to the backing we gave to the Turk under a fallacious fear of Russia. But I cannot but think that if he had lived much longer, he would have come to feel the same disgust for his long diplomatic support of the Turk's great ally in the North. He did not live, as we have lived, to feel that horse run away with us, and rush on through wilder and wilder places, until we knew that we were riding on the nightmare.
What was this thing to which we trusted? And how may we most quickly explain its development from a dream to a nightmare, and the hair's-breadth escape by which it did not hurl us to destruction, as it seems to be hurling the Turk? It is a certain spirit; and we must not ask for too logical a definition of it, for the people whom it possesses disown logic; and the whole thing is not so much a theory as a confusion of thought. Its widest and most elementary character is adumbrated in the word Teutonism or Pan-Germanism; and with this (which was what appeared to win in 1870) we had better begin. The nature of Pan-Germanism may be allegorised and abbreviated somewhat thus:
The horse asserts that all other creatures are morally bound to sacrifice their interests to his, on the specific ground that he possesses all noble and necessary qualities, and is an end in himself. It is pointed out in answer that when climbing a tree the horse is less graceful than the cat; that lovers and poets seldom urge the horse to make a noise all night like the nightingale; that when submerged for some long time under water, he is less happy than the haddock; and that when he is cut open pearls are less often found in him than in an oyster. He is not content to answer (though, being a muddle-headed horse, he does use this answer also) that having an undivided hoof is more than pearls or oceans or all ascension or song. He reflects for a few years on the subject of cats; and at last discovers in the cat "the characteristic equine quality of caudality, or a tail"; so that cats _are_ horses, and wave on every tree-top the tail which is the equine banner. Nightingales are found to have legs, which explains their power of song. Haddocks are vertebrates; and therefore are sea-horses. And though the oyster outwardly presents dissimilarities which seem to divide him from the horse, he is by the all-filling nature-might of the same horse-moving energy sustained.
Now this horse is intellectually the wrong horse. It is not perhaps going too far to say that this horse is a donkey. For it is obviously within even the intellectual resources of a haddock to answer, "But if a haddock is a horse, why should I yield to you any more than you to me? Why should that singing horse commonly called the nightingale, or that climbing horse hitherto known as the cat, fall down and worship you because of your horsehood? If all our native faculties are the accomplishments of a horse--why then you are only another horse without any accomplishments." When thus gently reasoned with, the horse flings up his heels, kicks the cat, crushes the oyster, eats the haddock and pursues the nightingale, and that is how the war began.
This apologue is not in the least more fantastic than the facts of the Teutonic claim. The Germans do really say that Englishmen are only Sea-Germans, as our haddocks were only sea-horses. They do really say that the nightingales of Tuscany or the pearls of Hellas must somehow be German birds or German jewels. They do maintain that the Italian Renaissance was really the German Renaissance, pure Germans having Italian names when they were painters, as cockneys sometimes have when they are hair-dressers. They suggest that Jesus and the great Jews were Teutonic. One Teutonist I read actually explained the fresh energy of the French Revolution and the stale privileges of its German enemies by saying that the Germanic soul awoke in France and attacked the Latin influence in Germany. On the advantages of this method I need not dwell: if you are annoyed at Jack Johnson knocking out an English prize-fighter, you have only to say that it was the whiteness of the black man that won and the blackness of the white man that was beaten. But about the Italian Renaissance they are less general and will go into detail. They will discover (in their researches into 'istry, as Mr. Gandish said) that Michael Angelo's surname was Buonarotti; and they will point out that the word "roth" is very like the word "rot." Which, in one sense, is true enough. Most Englishmen will be content to say it is all rot and pass on. It is all of a piece with the preposterous Prussian history, which talks, for instance, about the "perfect religious tolerance of the Goths"; which is like talking about the legal impartiality of chicken-pox. He will decline to believe that the Jews were Germans; though he may perhaps have met some Germans who were Jews. But deeper than any such practical reply, lies the deep inconsistency of the parable. It is simply this; that if Teutonism be used for comprehension it cannot be used for conquest. If all intelligent peoples are Germans, then Prussians are only the least intelligent Germans. If the men of Flanders are as German as the men of Frankfort, we can only say that in saving Belgium we are helping the Germans who are in the right against the Germans who are in the wrong. Thus in Alsace the conquerors are forced into the comic posture of annexing the people for being German and then persecuting them for being French. The French Teutons who built Rheims must surrender it to the South German Teutons who have partly built Cologne; and these in turn surrender Cologne to the North German Teutons, who never built anything, except the wooden Aunt Sally of old Hindenburg. Every Teuton must fall on his face before an inferior Teuton; until they all find, in the foul marshes towards the Baltic, the very lowest of all possible Teutons, and worship him--and find he is a Slav. So much for Pan-Germanism.
But though Teutonism is indefinable, or at least is by the Teutons undefined, it is not unreal. A vague but genuine soul does possess all peoples who boast of Teutonism; and has possessed ourselves, in so far as we have been touched by that folly. Not a race, but rather a religion, the thing exists; and in 1870 its sun was at noon. We can most briefly describe it under three heads.
The victory of the German arms meant before Leipzic, and means now, the overthrow of a certain idea. That idea is the idea of the Citizen. This is true in a quite abstract and courteous sense; and is not meant as a loose charge of oppression. Its truth is quite compatible with a view that the Germans are better governed than the French. In many ways the Germans are very well governed. But they might be governed ten thousand times better than they are, or than anybody ever can be, and still be as far as ever from governing. The idea of the Citizen is that his individual human nature shall be constantly and creatively active in _altering_ the State. The Germans are right in regarding the idea as dangerously revolutionary. Every Citizen _is_ a revolution. That is, he destroys, devours and adapts his environment to the extent of his own thought and conscience. This is what separates the human social effort from the non-human; the bee creates the honey-comb, but he does not criticise it. The German ruler really does feed and train the German as carefully as a gardener waters a flower. But if the flower suddenly began to water the gardener, he would be much surprised. So in Germany the people really are educated; but in France the people educates. The French not only make up the State, but make the State; not only make it, but remake it. In Germany the ruler
is the artist, always painting the happy German like a portrait; in France the Frenchman is the artist, always painting and repainting France like a house. No state of social good that does not mean the Citizen _choosing_ good, as well as getting it, has the idea of the Citizen at all. To say the Germanies are naturally at war with this idea is merely to respect them and take them seriously: otherwise their war on the French Revolution would be only an ignorant feud. It is this, to them, risky and fanciful notion of the critical and creative Citizen, which in 1870 lay prostrate under United Germany--under the undivided hoof.
The Essential G. K. Chesterton Page 116