The Essential G. K. Chesterton

by G. K. Chesterton

  "And the end is about as reliable as the beginning, I should say," said Vane. "Yours is a nice plain tale for a small tea-party; a quiet little bit of still-life, that is."

  "What a queer, horrible story," exclaimed Barbara. "It makes one feel like a cannibal."

  "Ex Africa," said the lawyer, smiling. "It comes from a cannibal country. I think it's the touch of the tar-brush, that nightmare feeling that you don't know whether the hero is a plant or a man or a devil. Don't you feel it sometimes in 'Uncle Remus'?"

  "True," said Paynter. "Perfectly true." And he looked at the lawyer with a new interest. The lawyer, who had been introduced as Mr. Ashe, was one of those people who are more worth looking at than most people realize when they look. If Napoleon had been red-haired, and had bent all his powers with a curious contentment upon the petty lawsuits of a province, he might have looked much the same; the head with the red hair was heavy and powerful; the figure in its dark, quiet clothes was comparatively insignificant, as was Napoleon's. He seemed more at ease in the Squire's society than the doctor, who, though a gentleman, was a shy one, and a mere shadow of his professional brother.

  "As you truly say," remarked Paynter, "the story seems touched with quite barbarous elements, probably Negro. Originally, though, I think there was really a hagiological story about some hermit, though some of the higher critics say St. Securis never existed, but was only an allegory of arboriculture, since his name is the Latin for an ax."

  "Oh, if you come to that," remarked the poet Treherne, "you might as well say Squire Vane doesn't exist, and that he's only an allegory for a weathercock." Something a shade too cool about this sally drew the lawyer's red brows together. He looked across the table and met the poet's somewhat equivocal smile.

  "Do I understand, Mr. Treherne," asked Ashe, "that you support the miraculous claims of St. Securis in this case. Do you, by any chance, believe in the walking trees?"

  "I see men as trees walking," answered the poet, "like the man cured of blindness in the Gospel. By the way, do I understand that you support the miraculous claims of that--thaumaturgist?"

  Paynter intervened swiftly and suavely. "Now that sounds a fascinating piece of psychology. You see men as trees?"

  "As I can't imagine why men should walk, I can't imagine why trees shouldn't," answered Treherne.

  "Obviously, it is the nature of the organism", interposed the medical guest, Dr. Burton Brown; "it is necessary in the very type of vegetable structure."

  "In other words, a tree sticks in the mud from year's end to year's end," answered Treherne. "So do you stop in your consulting room from ten to eleven every day. And don't you fancy a fairy, looking in at your window for a flash after having just jumped over the moon and played mulberry bush with the Pleiades, would think you were a vegetable structure, and that sitting still was the nature of the organism?"

  "I don't happen to believe in fairies," said the doctor rather stiffly, for the argumentum ad hominem was becoming too common. A sulphurous subconscious anger seemed to radiate from the dark poet.

  "Well, I should hope not, Doctor," began the Squire, in his loud and friendly style, and then stopped, seeing the other's attention arrested. The silent butler waiting on the guests had appeared behind the doctor's chair, and was saying something in the low, level tones of the well-trained servant. He was so smooth a specimen of the type that others never noticed, at first, that he also repeated the dark portrait, however varnished, so common in this particular family of Cornish Celts. His face was sallow and even yellow, and his hair indigo black. He went by the name of Miles. Some felt oppressed by the tribal type in this tiny corner of England. They felt somehow as if all these dark faces were the masks of a secret society.

  The doctor rose with a half apology. "I must ask pardon for disturbing this pleasant party; I am called away on duty. Please don't let anybody move. We have to be ready for these things, you know. Perhaps Mr. Treherne will admit that my habits are not so very vegetable, after all." With this Parthian shaft, at which there was some laughter, he strode away very rapidly across the sunny lawn to where the road dipped down toward the village.

  "He is very good among the poor," said the girl with an honorable seriousness.

  "A capital fellow," agreed the Squire. "Where is Miles? You will have a cigar, Mr. Treherne?" And he got up from the table; the rest followed, and the group broke up on the lawn.

  "Remarkable man, Treherne," said the American to the lawyer conversationally.

  "Remarkable is the word," assented Ashe rather grimly. "But I don't think I'll make any remark about him."

  The Squire, too impatient to wait for the yellow-faced Miles, had betaken himself indoors for the cigars, and Barbara found herself once more paired off with the poet, as she floated along the terrace garden; but this time, symbolically enough, upon the same level of lawn. Mr. Treherne looked less eccentric after having shed his curious cloak, and seemed a quieter and more casual figure.

  "I didn't mean to be rude to you just now," she said abruptly.

  "And that's the worst of it," replied the man of letters, "for I'm horribly afraid I did mean to be rude to you. When I looked up and saw you up there something surged up in me that was in all the revolutions of history. Oh, there was admiration in it too! Perhaps there was idolatry in all the iconoclasts."

  He seemed to have a power of reaching rather intimate conversation in one silent and cat-like bound, as he had scaled the steep road, and it made her feel him to be dangerous, and perhaps unscrupulous. She changed the subject sharply, not without it movement toward gratifying her own curiosity.

  "What DID you mean by all that about walking trees?" she asked. "Don't tell me you really believe in a magic tree that eats birds!"

  "I should probably surprise you," said Treherne gravely, "more by what I don't believe than by what I do."

  Then, after a pause, he made a general gesture toward the house and garden. "I'm afraid I don't believe in all this; for instance, in Elizabethan houses and Elizabethan families and the way estates have been improved, and the rest of it. Look at our friend the woodcutter now." And he pointed to the man with the quaint black beard, who was still plying his ax upon the timber below.

  "That man's family goes back for ages, and it was far richer and freer in what you call the Dark Ages than it is now. Wait till the Cornish peasant writes a history of Cornwall."

  "But what in the world," she demanded, "has this to do with whether you believe in a tree eating birds?"

  "Why should I confess what I believe in?" he said, a muffled drum of mutiny in his voice. "The gentry came here and took our land and took our labor and took our customs. And now, after exploitation, a viler thing, education! They must take our dreams!"

  "Well, this dream was rather a nightmare, wasn't it?" asked Barbara, smiling; and the next moment grew quite grave, saying almost anxiously: "But here's Doctor Brown back again. Why, he looks quite upset."

  The doctor, a black figure on the green lawn, was, indeed, coming toward them at a very vigorous walk. His body and gait very much younger than his face, which seemed prematurely lined as with worry; his brow was bald, and projected from the straight, dark hair behind it. He was visibly paler than when he left the lunch table.

  "I am sorry to say, Miss Vane," he said, "that I am the bearer of bad news to poor Martin, the woodman here. His daughter died half an hour ago."

  "Oh," cried Barbara warmly, "I am SO sorry!"

  "So am I," said the doctor, and passed on rather abruptly; he ran down the stone steps between the stone urns; and they saw him in talk with the woodcutter. They could not see the woodcutter's face. He stood with his back to them, but they saw something that seemed more moving than any change of countenance. The man's hand holding the ax rose high above his head, and for a flash it seemed as if he would have cut down the doctor. But in fact he was not looking at the doctor. His face was set toward the cliff, where, sheer out of the dwarf forest, rose, gigantic and gilded by the sun, the
trees of pride.

  The strong brown hand made a movement and was empty. The ax went circling swiftly through the air, its head showing like a silver crescent against the gray twilight of the trees. It did not reach its tall objective, but fell among the undergrowth, shaking up a flying litter of birds. But in the poet's memory, full of primal things, something seemed to say that he had seen the birds of some pagan augury, the ax of some pagan sacrifice.

  A moment after the man made a heavy movement forward, as if to recover his tool; but the doctor put a hand on his arm.

  "Never mind that now," they heard him say sadly and kindly. "The Squire will excuse you any more work, I know."

  Something made the girl look at Treherne. He stood gazing, his head a little bent, and one of his black elf-locks had fallen forward over his forehead. And again she had the sense of a shadow over the grass; she almost felt as if the grass were a host of fairies, and that the fairies were not her friends.

  II. THE WAGER OF SQUIRE VANE

  It was more than a month before the legend of the peacock trees was again discussed in the Squire's circle. It fell out one evening, when his eccentric taste for meals in the garden that gathered the company round the same table, now lit with a lamp and laid out for dinner in a glowing spring twilight. It was even the same company, for in the few weeks intervening they had insensibly grown more and more into each other's lives, forming a little group like a club. The American aesthete was of course the most active agent, his resolution to pluck out the heart of the Cornish poet's mystery leading him again and again to influence his flighty host for such reunions. Even Mr. Ashe, the lawyer, seemed to have swallowed his half-humorous prejudices; and the doctor, though a rather sad and silent, was a companionable and considerate man. Paynter had even read Treherne's poetry aloud, and he read admirably; he had also read other things, not aloud, grubbing up everything in the neighborhood, from guidebooks to epitaphs, that could throw a light on local antiquities. And it was that evening when the lamplight and the last daylight had kindled the colors of the wine and silver on the table under the tree, that he announced a new discovery.

  "Say, Squire," he remarked, with one of his rare Americanisms, "about those bogey trees of yours; I don't believe you know half the tales told round here about them. It seems they have a way of eating things. Not that I have any ethical objection to eating things," he continued, helping himself elegantly to green cheese. "But I have more or less, broadly speaking, an objection to eating people."

  "Eating people!" repeated Barbara Vane.

  "I know a globe-trotter mustn't be fastidious," replied Mr. Paynter. "But I repeat firmly, an objection to eating people. The peacock trees seem to have progressed since the happy days of innocence when they only ate peacocks. If you ask the people here--the fisherman who lives on that beach, or the man that mows this very lawn in front of us--they'll tell you tales taller than any tropical one I brought you from the Barbary Coast. If you ask them what happened to the fisherman Peters, who got drunk on All Hallows Eve, they'll tell you he lost his way in that little wood, tumbled down asleep under the wicked trees, and then--evaporated, vanished, was licked up like dew by the sun. If you ask them where Harry Hawke is, the widow's little son, they'll just tell you he's swallowed; that he was dared to climb the trees and sit there all night, and did it. What the trees did God knows; the habits of a vegetable ogre leave one a little vague. But they even add the agreeable detail that a new branch appears on the tree when somebody has petered out in this style."

  "What new nonsense is this?" cried Vane. "I know there's some crazy yarn about the trees spreading fever, though every educated man knows why these epidemics return occasionally. And I know they say you can tell the noise of them among other trees in a gale, and I dare say you can. But even Cornwall isn't a lunatic asylum, and a tree that dines on a passing tourist--"

  "Well, the two tales are reconcilable enough," put in the poet quietly. "If there were a magic that killed men when they came close, it's likely to strike them with sickness when they stand far off. In the old romance the dragon, that devours people, often blasts others with a sort of poisonous breath."

  Ashe looked across at the speaker steadily, not to say stonily.

  "Do I understand," he inquired, "that you swallow the swallowing trees too?"

  Treherne's dark smile was still on the defensive; his fencing always annoyed the other, and he seemed not without malice in the matter.

  "Swallowing is a metaphor," he said, "about me, if not about the trees. And metaphors take us at once into dreamland--no bad place, either. This garden, I think, gets more and more like a dream at this corner of the day and night, that might lead us anywhere."

  The yellow horn of the moon had appeared silently and as if suddenly over the black horns of the seaweed, seeming to announce as night something which till then had been evening. A night breeze came in between the trees and raced stealthily across the turf, and as they ceased speaking they heard, not only the seething grass, but the sea itself move and sound in all the cracks and caves round them and below them and on every side. They all felt the note that had been struck--the American as an art critic and the poet as a poet; and the Squire, who believed himself boiling with an impatience purely rational, did not really understand his own impatience. In him, more perhaps than the others--more certainly than he knew himself--the sea wind went to the head like wine.

  "Credulity is a curious thing," went on Treherne in a low voice. "It is more negative than positive, and yet it is infinite. Hundreds of men will avoid walking under a ladder; they don't know where the door of the ladder will lead. They don't really think God would throw a thunderbolt at them for such a thing. They don't know what would happen, that is just the point; but yet they step aside as from a precipice. So the poor people here may or may not believe anything; they don't go into those trees at night."

  "I walk under a ladder whenever I can," cried Vane, in quite unnecessary excitement.

  "You belong to a Thirteen Club," said the poet. "You walk under a ladder on Friday to dine thirteen at a table, everybody spilling the salt. But even you don't go into those trees at night."

  Squire Vane stood up, his silver hair flaming in the wind.

  "I'll stop all night in your tomfool wood and up your tomfool trees," he said. "I'll do it for twopence or two thousand pounds, if anyone will take the bet."

  Without waiting for reply, he snatched up his wide white hat and settled it on with a fierce gesture, and had gone off in great leonine strides across the lawn before anyone at the table could move.

  The stillness was broken by Miles, the butler, who dropped and broke one of the plates he carried. He stood looking after his master with his long, angular chin thrust out, looking yellower where it caught the yellow light of the lamp below. His face was thus sharply in shadow, but Paynter fancied for a moment it was convulsed by some passion passing surprise. But the face was quite as usual when it turned, and Paynter realized that a night of fancies had begun, like the cross purposes of the "Midsummer Night's Dream."

  The wood of the strange trees, toward which the Squire was walking, lay so far forward on the headland, which ultimately almost overhung the sea, that it could be approached by only one path, which shone clearly like a silver ribbon in the twilight. The ribbon ran along the edge of the cliff, where the single row of deformed trees ran beside it all the way, and eventually plunged into the closer mass of trees by one natural gateway, a mere gap in the wood, looking dark, like a lion's mouth. What became of the path inside could not be seen, but it doubtless led round the hidden roots of the great central trees. The Squire was already within a yard or two of this dark entry when his daughter rose from the table and took a step or two after him as if to call him back.