"A splendid girl and a splendid story," he cried. "I feel as if I were in love again myself, not so much with her as with Eve or Helen of Troy, or some such tower of beauty in the morning of the world. Don't you love all heroic things, that gravity and great candor, and the way she took one step from a sort of throne to stand in a wilderness with a vagabond? Oh, believe me, it is she who is the poet; she has the higher reason, and honor and valor are at rest in her soul."
"In short, she is uncommonly pretty," replied Ashe, with some cynicism. "I knew a murderess rather well who was very much like her, and had just that colored hair."
"You talk as if a murderer could be caught red-haired instead of red-handed," retorted Paynter. "Why, at this very minute, you could be caught red-haired yourself. Are you a murderer, by any chance?"
Ashe looked up quickly, and then smiled.
"I'm afraid I'm a connoisseur in murderers, as you are in poets," he answered, "and I assure you they are of all colors in hair as well as temperament. I suppose it's inhumane, but mine is a monstrously interesting trade, even in a little place like this. As for that girl, of course I've known her all her life, and--but--but that is just the question. Have I known her all her life? Have I known her at all? Was she even there to be known? You admire her for telling the truth; and so she did, by God, when she said that some people wake up late, who have never lived before. Do we know what they might do--we, who have only seen them asleep?"
"Great heavens!" cried Paynter. "You don't dare suggest that she--"
"No, I don't," said the lawyer, with composure, "but there are other reasons.... I don't suggest anything fully, till we've had our interview with this poet of yours. I think I know where to find him."
They found him, in fact, before they expected him, sitting on the bench outside the Vane Arms, drinking a mug of cider and waiting for the return of his American friend; so it was not difficult to open conversation with him. Nor did he in any way avoid the subject of the tragedy; and the lawyer, seating himself also on the long bench that fronted the little market place, was soon putting the last developments as lucidly as he had put them to Barbara.
"Well," said Treherne at last, leaning back and frowning at the signboard, with the colored birds and dolphins, just about his head; "suppose somebody did kill the Squire. He'd killed a good many people with his hygiene and his enlightened landlordism."
Paynter was considerably uneasy at this alarming opening; but the poet went on quite coolly, with his hands in his pockets and his feet thrust out into the street.
"When a man has the power of a Sultan in Turkey, and uses it with the ideas of a spinster in Tooting, I often wonder that nobody puts a knife in him. I wish there were more sympathy for murderers, somehow. I'm very sorry the poor old fellow's gone myself; but you gentlemen always seem to forget there are any other people in the world. He's all right; he was a good fellow, and his soul, I fancy, has gone to the happiest paradise of all."
The anxious American could read nothing of the effect of this in the dark Napoleonic face of the lawyer, who merely said: "What do you mean?"
"The fool's paradise," said Treherne, and drained his pot of cider.
The lawyer rose. He did not look at Treherne, or speak to him; but looked and spoke straight across him to the American, who found the utterance not a little unexpected.
"Mr. Paynter," said Ashe, "you thought it rather morbid of me to collect murderers; but it's fortunate for your own view of the case that I do. It may surprise you to know that Mr. Treherne has now, in my eyes, entirely cleared himself of suspicion. I have been intimate with several assassins, as I remarked; but there's one thing none of them ever did. I never knew a murderer to talk about the murder, and then at once deny it and defend it. No, if a man is concealing his crime, why should he go out of his way to apologize for it?"
"Well," said Paynter, with his ready appreciation, "I always said you were a remarkable man; and that's certainly a remarkable idea."
"Do I understand," asked the poet, kicking his heels on the cobbles, "that both you gentlemen have been kindly directing me toward the gallows?"
"No," said Paynter thoughtfully. "I never thought you guilty; and even supposing I had, if you understand me, I should never have thought it quite so guilty to be guilty. It would not have been for money or any mean thing, but for something a little wilder and worthier of a man of genius. After all, I suppose, the poet has passions like great unearthly appetites; and the world has always judged more gently of his sins. But now that Mr. Ashe admits your innocence, I can honestly say I have always affirmed it."
The poet rose also. "Well, I am innocent, oddly enough," he said. "I think I can make a guess about your vanishing well, but of the death and dry bones I know no more than the dead; if so much. And, by the way, my dear Paynter"--and he turned two bright eyes on the art critic--"I will excuse you from excusing me for all the things I haven't done; and you, I hope, will excuse me if I differ from you altogether about the morality of poets. As you suggest, it is a fashionable view, but I think it is a fallacy. No man has less right to be lawless than a man of imagination. For he has spiritual adventures, and can take his holidays when he likes. I could picture the poor Squire carried off to elfland whenever I wanted him carried off, and that wood needed no crime to make it wicked for me. That red sunset the other night was all that a murder would have been to many men. No, Mr. Ashe; show, when next you sit in judgment, a little mercy to some wretched man who drinks and robs because he must drink beer to taste it, and take it to drink it. Have compassion on the next batch of poor thieves, who have to hold things in order to have them. But if ever you find ME stealing one small farthing, when I can shut my eyes and see the city of El Dorado, then"--and he lifted his head like a falcon--"show me no mercy, for I shall deserve none."
"Well," remarked Ashe, after a pause, "I must go and fix things up for the inquest. Mr. Treherne, your attitude is singularly interesting; I really almost wish I could add you to my collection of murderers. They are a varied and extraordinary set."
"Has it ever occurred to you," asked Paynter, "that perhaps the men who have never committed murder are a varied and very extraordinary set? Perhaps every plain man's life holds the real mystery, the secret of sins avoided."
"Possibly," replied Ashe. "It would be a long business to stop the next man in the street and ask him what crimes he never committed and why not. And I happen to be busy, so you'll excuse me."
"What," asked the American, when he and the poet were alone, "is this guess of yours about the vanishing water?"
"Well, I'm not sure I'll tell you yet," answered Treherne, something of the old mischief coming back into his dark eyes. "But I'll tell you something else, which may be connected with it; something I couldn't tell until my wife had told you about our meeting in the wood." His face had grown grave again, and he resumed after a pause:
"When my wife started to follow her father I advised her to go back first to the house, to leave it by another door and to meet me in the wood in half an hour. We often made these assignations, of course, and generally thought them great fun, but this time the question was serious, and I didn't want the wrong thing done in a hurry. It was a question whether anything could be done to undo an experiment we both vaguely felt to be dangerous, and she especially thought, after reflection, that interference would make things worse. She thought the old sportsman, having been dared to do something, would certainly not be dissuaded by the very man who had dared him or by a woman whom he regarded as a child. She left me at last in a sort of despair, but I lingered with a last hope of doing something, and drew doubtfully near to the heart of the wood; and there, instead of the silence I expected, I heard a voice. It seemed as if the Squire must be talking to himself, and I had the unpleasant fancy that he had already lost his reason in that wood of witchcraft. But I soon found that if he was talking he was talking with two voices. Other fancies attacked me, as that the other was the voice of the tree or the voices of the three t
rees talking together, and with no man near. But it was not the voice of the tree. The next moment I knew the voice, for I had heard it twenty times across the table. It was the voice of that doctor of yours; I heard it as certainly as you hear my voice now."
After a moment's silence, he resumed: "I left the wood, I hardly knew why, and with wild and bewildered feelings; and as I came out into the faint moonshine I saw that old lawyer standing quietly, but staring at me like an owl. At least, the light touched his red hair with fire, but his square old face was in shadow. But I knew, if I could have read it, that it was the face of a hanging judge."
He threw himself on the bench again, smiled a little, and added: "Only, like a good many hanging judges, I fancy, he was waiting patiently to hang the wrong man."
"And the right man--" said Paynter mechanically. Treherne shrugged his shoulders, sprawling on the ale bench, and played with his empty pot.
IV. THE CHASE AFTER THE TRUTH
Some time after the inquest, which had ended in the inconclusive verdict which Mr. Andrew Ashe had himself predicted and achieved, Paynter was again sitting on the bench outside the village inn, having on the little table in front of it a tall glass of light ale, which he enjoyed much more as local color than as liquor. He had but one companion on the bench, and that a new one, for the little market place was empty at that hour, and he had lately, for the rest, been much alone. He was not unhappy, for he resembled his great countryman, Walt Whitman, in carrying a kind of universe with him like an open umbrella; but he was not only alone, but lonely. For Ashe had gone abruptly up to London, and since his return had been occupied obscurely with legal matters, doubtless bearing on the murder. And Treherne had long since taken up his position openly, at the great house, as the husband of the great lady, and he and she were occupied with sweeping reforms on the estate. The lady especially, being of the sort whose very dreams "drive at practice," was landscape gardening as with the gestures of a giantess. It was natural, therefore, that so sociable a spirit as Paynter should fall into speech with the one other stranger who happened to be staying at the inn, evidently a bird of passage like himself. This man, who was smoking a pipe on the bench beside him, with his knapsack before him on the table, was an artist come to sketch on that romantic coast; a tall man in a velvet jacket, with a shock of tow-colored hair, a long fair beard, but eyes of dark brown, the effect of which contrast reminded Paynter vaguely, he hardly knew why, of a Russian. The stranger carried his knapsack into many picturesque corners; he obtained permission to set up his easel in that high garden where the late Squire had held his al fresco banquets. But Paynter had never had an opportunity of judging of the artist's work, nor did he find it easy to get the artist even to talk of his art. Cyprian himself was always ready to talk of any art, and he talked of it excellently, but with little response. He gave his own reasons for preferring the Cubists to the cult of Picasso, but his new friend seemed to have but a faint interest in either. He insinuated that perhaps the Neo-Primitives were after all only thinning their line, while the true Primitives were rather tightening it; but the stranger seemed to receive the insinuation without any marked reaction of feeling. When Paynter had even gone back as far into the past as the Post-Impressionists to find a common ground, and not found it, other memories began to creep back into his mind. He was just reflecting, rather darkly, that after all the tale of the peacock trees needed a mysterious stranger to round it off, and this man had much the air of being one, when the mysterious stranger himself said suddenly:
"Well, I think I'd better show you the work I'm doing down here."
He had his knapsack before him on the table, and he smiled rather grimly as he began to unstrap it. Paynter looked on with polite expressions of interest, but was considerably surprised when the artist unpacked and placed on the table, not any recognizable works of art, even of the most Cubist description, but (first) a quire of foolscap closely written with notes in black and red ink, and (second), to the American's extreme amazement, the old woodman's ax with the linen wrapper, which he had himself found in the well long ago.
"Sorry to give you a start, sir," said the Russian artist, with a marked London accent. "But I'd better explain straight off that I'm a policeman."
"You don't look it," said Paynter.
"I'm not supposed to," replied the other. "Mr. Ashe brought me down here from the Yard to investigate; but he told me to report to you when I'd got anything to go on. Would you like to go into the matter now?
"When I took this matter up," explained the detective, "I did it at Mr. Ashe's request, and largely, of course, on Mr. Ashe's lines. Mr. Ashe is a great criminal lawyer; with a beautiful brain, sir, as full as the Newgate Calendar. I took, as a working notion, his view that only you five gentlemen round the table in the Squire's garden were acquainted with the Squire's movements. But you gentlemen, if I may say so, have a way of forgetting certain other things and other people which we are rather taught to look for first. And as I followed Mr. Ashe's inquiries through the stages you know already, through certain suspicions I needn't discuss because they've been dropped, I found the thing shaping after all toward something, in the end, which I think we should have considered at the beginning. Now, to begin with, it is not true that there were five men round the table. There were six."
The creepy conditions of that garden vigil vaguely returned upon Paynter; and he thought of a ghost, or something more nameless than a ghost. But the deliberate speech of the detective soon enlightened him.
"There were six men and five gentlemen, if you like to put it so," he proceeded. "That man Miles, the butler, saw the Squire vanish as plainly as you did; and I soon found that Miles was a man worthy of a good deal of attention."
A light of understanding dawned on Paynter's face. "So that was it, was it!" he muttered.
"Does all our mythological mystery end with a policeman collaring a butler? Well, I agree with you he is far from an ordinary butler, even to look at; and the fault in imagination is mine. Like many faults in imagination, it was simply snobbishness."
"We don't go quite so fast as that," observed the officer, in an impassive manner. "I only said I found the inquiry pointing to Miles; and that he was well worthy of attention. He was much more in the old Squire's confidence than many people supposed; and when I cross-examined him he told me a good deal that was worth knowing. I've got it all down in these notes here; but at the moment I'll only trouble you with one detail of it. One night this butler was just outside the Squire's dining-room door, when he heard the noise of a violent quarrel. The Squire was a violent gentleman, from time to time; but the curious thing about this scene was that the other gentleman was the more violent of the two. Miles heard him say repeatedly that the Squire was a public nuisance, and that his death would be a good riddance for everybody. I only stop now to tell you that the other gentleman was Dr. Burton Brown, the medical man of this village.
"The next examination I made was that of Martin, the woodcutter. Upon one point at least his evidence is quite clear, and is, as you will see, largely confirmed by other witnesses. He says first that the doctor prevented him from recovering his ax, and this is corroborated by Mr. and Mrs. Treherne. But he says further that the doctor admitted having the thing himself; and this again finds support in other evidence by the gardener, who saw the doctor, some time afterward, come by himself and pick up the chopper. Martin says that Doctor Brown repeatedly refused to give it up, alleging some fanciful excuse every time. And, finally, Mr. Paynter, we will hear the evidence of the ax itself."
He laid the woodman's tool on the table in front of him, and began to rip up and unwrap the curious linen covering round the handle.
"You will admit this is an odd bandage," he said. "And that's just the odd thing about it, that it really is a bandage. This white stuff is the sort of lint they use in hospitals, cut into strips like this. But most doctors keep some; and I have the evidence of Jake the fisherman, with whom Doctor Brown lived for some time, that the do
ctor had this useful habit. And, last," he added, flattening out a corner of the rag on the table, "isn't it odd that it should be marked T.B.B.?"
The American gazed at the rudely inked initials, but hardly saw them. What he saw, as in a mirror in his darkened memory, was the black figure with the black gloves against the blood-red sunset, as he had seen it when he came out of the wood, and which had always haunted him, he knew not why.
"Of course, I see what you mean," he said, "and it's very painful for me, for I knew and respected the man. But surely, also, it's very far from explaining everything. If he is a murderer, is he a magician? Why did the well water all evaporate in a night, and leave the dead man's bones dry as dust? That's not a common operation in the hospitals, is it?"
The Essential G. K. Chesterton Page 382