by Anne Rice
"Yes," Marius whispered. Remarkable to see the emotion in his face, the faint blush of human color again and the subtle light in the eyes that always defies description. "One family and all families-" he said. He went towards the enormous map and lifted his hands irresistibly as he looked up at it, studying the course of lights moving over the carefully modeled terrain.
Jesse felt the atmosphere of that long ago night enfold her; and then unaccountably those memories-flaring for an instant- faded, as though they didn't matter anymore. She was here with all the secrets; she was standing again in this room.
She moved closer to the dark, fine engraving on the wall. She looked at the myriad tiny names inscribed in black ink; she stood back and followed the progress of one branch, one thin delicate branch, as it rose slowly to the ceiling through a hundred different forks and twists.
And through the dazzle of all her dreams fulfilled now, she thought lovingly of all those souls who had made up the Great Family that she had known; of the mystery of heritage and intimacy. The moment was timeless; quiet for her; she didn't see the white faces of her new kin, the splendid immortal forms caught in their eerie stillness.
Something of the real world was alive still for her now, something that evoked awe and grief and perhaps the finest love she had ever been capable of; and it seemed for one moment that I natural and supernatural possibility were equal in their mystery.
They were equal in their power. And all the miracles of the immortals could not outshine this vast and simple chronicle. The Great Family.
Her hand rose as if it had a life of its own. And as the fight caught Mael's silver bracelet which she wore around her wrist still, she laid her fingers out silently on the wall. A hundred names covered by the palm of her hand. .
"This is what is threatened now," Marius said, his voice softened by sadness, his eyes still on the map.
It startled her, that a voice could be so loud yet so soft. No, she thought, no one will hurt the Great Family. No one will hurt the Great Family!
She turned to Maharet; Maharet was looking at her. And here we are, Jesse thought, at the opposite ends of this vine, Maharet and I.
A terrible pain welled in Jesse. A terrible pain. To be swept away from all things real, that had been irresistible, but to think that all things real could be swept away was unendurable.
During all her long years with the Talamasca, when she had seen spirits and restless ghosts, and poltergeists that could terrify their baffled victims, and clairvoyants speaking in foreign tongues, she had always known that somehow the supernatural could never impress itself upon the natural. Maharet had been so right! Irrelevant, yes, safely irrelevant- unable to intervene!
But now that stood to be changed. The unreal had been made real. It was absurd to stand in this strange room, amid these stark and imposing forms, and say, This cannot happen. This thing, this thing called the Mother, could reach out from behind the veil that had so long separated her from mortal eyes and touch a million human souls.
What did Khayman see when he looked at her now, as if he understood her. Did he see his daughter in Jesse?
"Yes," Khayman said. "My daughter. And don't be afraid. Mekare will come. Mekare will fulfill the curse. And the Great Family will go on."
Maharet sighed. "When I knew the Mother had risen, I did not guess what she might do. To strike down her children, to annihilate the evil that had come out of her, and out of Khayman and me and all of us who out of loneliness have shared this power- that I could not really question!
What right have we to live? What right have we to be immortal? We are accidents; we are horrors. And though I want my life, greedily, I want it as fiercely as ever I wanted it-I cannot say that it is wrong that she has slain so many-"
"She'll slay more!" Eric said desperately.
"But it is the Great Family now which falls under her shadow," Maharet said. "It is their world! And she would make it her own. Unless . . ."
"Mekare will come," Khayman said. The simplest smile animated his face.
"Mekare will fulfill the curse. I made Mekare what she is, so that she would do it. It is our curse now."
Maharet smiled, but it was vastly different, her expression. It was sad, indulgent, and curiously cold. "Ah, that you believe in such symmetry, Khayman."
"And we'll die, all of us!" Eric said.
"There has to be a way to kill her," Gabrielle said coldly, "without killing us. We have to think on this, to be ready, to have some sort of plan."
"You cannot change the prophecy," Khayman whispered.
"Khayman, if we have learned anything," Marius said, "it is that there is no destiny. And if there is no destiny then there is no prophecy. Mekare comes here to do what she vowed to do; it may be all she knows now or all she can do, but that does not mean that Akasha can't defend herself against Mekare. Don't you think the Mother knows Mekare has risen? Don'1 you think the Mother has seen and heard her children's dreams?"
"Ah, but prophecies have a way of fulfilling themselves," Khayman said. "That's the magic of it. We all understood it in ancient times. The power of charms is the power of the will; you might say that we were all great geniuses of psychology in those dark days, that we could be slain by the power of another's designs. And the dreams, Marius, the dreams are but part of a great design."
"Don't talk of it as if it were already done," Maharet said. "We have another tool. We can use reason. This creature speaks now, does she not? She understands what is spoken to her. Perhaps she can be diverted-"
"Oh, you are mad, truly mad!" Eric said. "You are going to speak to this monster that roamed the world incinerating her offspring!" He was becoming more frightened by the minute. "What does this thing know of reason, that inflames ignorant women to rise against their men? This thing knows slaughter and death and violence, that is all it has ever known, as your story makes plain. We don't change, Maharet. How many times have you told me. We move ever closer to the perfection of what we were meant to be."
"None of us wants to die, Eric," Maharet said patiently. But something suddenly distracted her.
At the same moment, Khayman too felt it. Jesse studied both of them, attempting to understand what she was seeing. Then she realized that Marius had undergone a subtle change as well. Eric was petrified. Mael, to Jesse's surprise, was staring fixedly at her.
They were hearing some sound. It was the way they moved their eyes that revealed it; people listen with their eyes; their eyes dance as they absorb the sound and try to locate its source.
Suddenly Eric said: "The young ones should go to the cellar immediately."
"That's no use," Gabrielle said. "Besides, I want to be here." She couldn't hear the sound, but she was trying to hear it.
Eric turned on Maharet. "Are you going to let her destroy us, one by one?"
Maharet didn't answer. She turned her head very slowly and looked towards the landing.
Then Jesse finally heard the sound herself. Certainly human ears couldn't hear it; it was like the auditory equivalent of tension without vibration, coursing through her as it did through every particle of substance in the room. It was inundating and disorienting, and though she saw that Maharet was speaking to Khayman and that Khayman was answering, she couldn't hear what they were saying. Foolishly, she'd put her hands to her ears. Dimly, she saw that Daniel had done the same thing, but they both knew it did no good at all.
The sound seemed suddenly to suspend all time; to suspend momentum.
Jesse was losing her balance; she backed up against the wall; she stared at the map across from her, as if she wanted it somehow to sustain her. She stared at the soft flow of the lights streaming out of Asia Minor and to the north and to the south.
Some dim, inaudible commotion filled the room. The sound had died away, yet the air rang with a deafening silence.
In a soundless dream, it seemed, she saw the figure of the Vampire Lestat appear in the door; she saw him rush into Ga-brielle's arms; she saw Louis move tow
ards him and then embrace him. And then she saw the Vampire Lestat look at her-and she caught the flashing image of the funeral feast, the twins, the body on the altar. He didn't know what it meant! He didn't know.
It shocked her, the realization. The moment on the stage came back to her, when he had obviously struggled to recognize some fleeting image, as they had drawn apart.
Then as the others drew him away now, with embraces and kisses again-and even Armand had come to him with his arms out-he gave her the faintest little smile. "Jesse," he said.
He stared at the others, at Marius, at the cold and wary faces. And how white his skin was, how utterly white, yet the warmth, the exuberance, the almost childlike excitement-it was exactly as it had been before.
PART IV
THE QUEEN OF THE DAMNED
Wings stir the sunlit dust of the cathedral in which the Past is buried to its chin in marble.
STAN RICE - From "Poem on Crawling into Bed: Bitterness" Body of Work (1983)
In the glazed greenery of hedge, and ivy, and inedible strawberries the lilies are white; remote; extreme.
Would they were our guardians.
They are barbarians.
STAN RICE - from "Greek Fragments" Body of Work (1983)
SHE SAT AT THE END OF THE TABLE, WAITING FOR them; so still, placid, the magenta gown giving her skin a deep carnal glow in the light of the fire.
The edge of her face was gilded by the glow of the flames, and the dark window glass caught her vividly in a flawless mirror, as if the reflection were the real thing, floating out there in the transparent night.
Frightened. Frightened for them and for me. And strangely, for her. It was like a chill, the presentiment. For her. The one who might destroy all that I had ever loved.
At the door, I turned and kissed Gabrielle again. I felt her body collapse against me for an instant; then her attention locked on Akasha. I felt the faint tremor in her hands as she touched my face. I looked at Louis, my seemingly fragile Louis with his seemingly invincible composure; and at Armand, the urchin with the angel's face. Finally those you love are simply . . . those you love.
Marius was frigid with anger as he entered the room; nothing could disguise this. He glared at me-I, the one who had slain those poor helpless mortals and left them strewn down the mountain. He knew, did he not? And all the snow in the world couldn't cover it up. I need you, Marius. We need you.
His mind was veiled; all their minds were veiled. Could they keep their secrets from her?
As they filed into the room, I went to her right hand because she wanted me to. And because that's where I knew I ought to be. I gestured for Gabrielle and Louis to sit opposite, close, where I could see them. And the look on Louis's face, so resigned, yet sorrowful, struck my heart.
The red-haired woman, the ancient one called Maharet, sat at the opposite end of the table, the end nearest the door. Marius and Armand were on her right. And on her left was the young red-haired one, Jesse. Maharet looked absolutely passive, collected, as if nothing could alarm her. But it was rather easy to see why. Akasha couldn't hurt this creature; or the other very old one, Khayman, who sat down now to my right.
The one called Eric was terrified, it was obvious. Only reluctantly did he sit at the table at all. Mael was afraid too, but it made him furious. He glowered at Akasha, as if he cared nothing about hiding his disposition.
And Pandora, beautiful, brown-eyed Pandora-she looked truly uncaring as she took her place beside Marius. She didn't even look at Akasha. She looked out through the glass walls, her eyes moving slowly, lovingly, as she saw the forest, the layers and layers of dim forest, with their dark streaks of redwood bark and prickling green.
The other one who didn't care was Daniel. This one I'd seen at the concert too. I hadn't guessed that Armand had been with him! Hadn't picked up the faintest indication that Armand had been there, And to think, whatever we might have said to each other, it was lost now forever. But then that couldn't be, could it? We would have our time together, Armand and I; all of us. Daniel knew it, pretty Daniel, the reporter with his little tape recorder who with Louis in a room on Divisadero Street had somehow started all of this! That's why he looked so serenely at Akasha; that's why he explored it moment by moment.
I looked at the black-haired Santino-a rather regal being, who was appraising me in a calculating fashion. He wasn't afraid either. But he cared desperately about what happened here. When he looked at Akasha he was awed by her beauty; it touched some deep wound in him. Old faith flared for a moment, faith that had meant more to him than survival, and faith that had been bitterly burnt away.
No time to understand them all, to evaluate the links which connected them, to ask the meaning of that strange image-the two red-haired women and the body of the mother, which I saw again in a glancing flash when I looked at Jesse, I was wondering if they could scan my mind and find in it ail the things I was struggling to conceal; the things I unwittingly concealed from myself.
Gabrielle's face was unreadable now. Her eyes had grown small and gray, as if shutting out all light and color; she looked from me to Akasha and back again, as if trying to figure something out.
And a sudden terror crept over me. Maybe it had been there all the time. They would never yield either. Something inveterate would prevent it, just as it had with me. And some fatal resolution would come before we left this room.
For a moment I was paralyzed. I reached out suddenly and took Akasha's hand, I felt her fingers close delicately around mine.
"Be quiet, my prince," she said, unobtrusively and kindly. "What you feel in this room is death, but it is the death of beliefs and strictures. Nothing more." She looked at Maharet. "The death of dreams, perhaps," she said, "which should have died a long time ago."
Maharet looked as lifeless and passive as a living thing can look. Her violet eyes were weary, bloodshot. And suddenly I realized why. They were human eyes. They were dying in her head. Her blood was infusing them over and over again with life but it wasn't lasting. Too many of the tiny nerves in her own body were dead.
I saw the dream vision again. The twins, the body before them. What was the connection?
"It is nothing," Akasha whispered. "Something long forgotten; for there are no answers in history now. We have transcended history. History is built on errors; we will begin with truth."
Marius spoke up at once:
"Is there nothing that can persuade you to stop?" His tone was infinitely more subdued than I'd expected. He sat forward, hands folded, in the attitude of one striving to be reasonable. "What can we say? We want you to cease the apparitions. We want you not to intervene."
Akasha's fingers tightened on mine.- The red-haired woman was staring at me now with her bloodshot violet eyes.
"Akasha, I beg you," Marius said. "Stop this rebellion. Don't appear again to mortals; don't give any further commands."
Akasha laughed softly. "And why not, Marius? Because it so upsets your precious world, the world you've been watching for two thousand years, the way you Romans once watched life and death in the arena, as if such things were entertainment or theater, as if it did not matter-the literal fact of suffering and death- as long as you were enthralled?"
"I see what you mean to do," Marius said. "Akasha, you do not have the right."
"Marius, your student here has given me those old arguments," she answered. Her tone was now as subdued and eloquent of patience as his. "But more significantly, I have given them a thousand times to myself. How long do you think I have listened to the prayers of the world, pondering a way to terminate the endless cycle of human violence? It is time now for you to listen to what I have to say."
"We are to play a role in this?" Santino asked. "Or to be destroyed as the others have been destroyed?" His manner was impulsive rather than arrogant.
And for the first time the red-haired woman evinced a flicker of emotion, her weary eyes fixing on him immediately, her mouth tense.
"You will be my
angels," Akasha answered tenderly as she looked at him. "You will be my gods. If you do not choose to follow me, I'll destroy you. As for the old ones, the old ones whom I cannot so easily dispatch"--she glanced at Khayman and Maharet again-"if they turn against me, they shall be as devils opposing me, and all humanity shall hunt them down, and they shall through their opposition serve the scheme quite well. But what you had before-a world to roam in stealth-you shall never have again."
It seemed Eric was losing his silent battle with fear. He moved as if he meant to rise and leave the room.
Akasha smiled.
"How is it possible," Maharet asked in a low voice, "to break a cycle of violence through more wanton violence? You are destroying the males of the human species. What can possibly be the outcome of such a brutal act?"
"You know the outcome as well as I do," Akasha said. "It's too simple and too elegant to be misunderstood. It has been unimaginable until now. All those centuries I sat upon my throne in Marius's shrine; I dreamed of an earth that was a garden, a world where beings lived without the torment that I could hear and feel. I dreamed of people achieving this peace without tyranny. And then the utter simplicity of it struck me; it was like dawn coming. The people who can realize such a dream are women; but only if all the men-or very nearly all the men-are removed.
"In prior ages, such a thing would not have been workable. But now it is easy; there is a vast technology which can reinforce it. After the initial purgation, the sex of babies can be selected; the unwanted unborn can be mercifully aborted as so many of both sexes are now. But there is no need to discuss this aspect of it, really. You are not fools, any of you, no matter how emotional or impetuous you are.