by Ross King
Exhibition (Doré, 1913), 267–68
Pound, Ezra, 267, 268, 395
Pratt, E.J., Newfoundland Verse,
393, 394, 395–96
Public Reference Library
(Toronto), 47, 89, 123
Quebec, 320, 354–58, 402
Quebec (Jackson, 1913), 88
Quebec Village (Jackson), 365
Quinn, John, 78–79
Rackenmålarna (Racken Group), 74–75
Radford, J.A., 412
Ranger, Henry Ward, 46, 117
Ranney, Arthur, 244
Raphael, William, 365
Realism, 31
The Red Maple (Jackson, 1914),
14, 155–56, 168, 207, 421
Reid, Dennis, 414–15, 435n4
Reid, George A., 133, 153, 278, 321–24,
322, 456n12; An Idyll, 166
Reitlinger, Adrien M., 167
Respa, Karl, 240
Richard, Auguste, 388
Richardson, Frederick, 82
Rijksmuseum (Amsterdam), 83
Roberts, Charles G.D., The Land of
Evangeline and the Gateways Thither, 359
Roberts, William, 312
Robert Simpson Company gallery, 46
Robertson, Beatrice Hagarty, 145, 146
Robertson, Sarah, 355, 356, 403, 410
Robinson, Albert, 327, 338, 358
Robinson, Charles Robert Edwards, 233
Robinson, Mark: on Bletcher, 239–40;
as outdoorsman, 208–9; on Thomson
and Scrim, 232–33; on Thomson and Winnie, 236; on Thomson’s disappearance and death, 241, 242, 245, 248–49;
on Thomson’s enlistment attempts,
178; on Thomson’s guiding efforts, 180;
on Thomson’s social skills, 128
Robinson, Percy J., 382–83
Robinson, Theodore, 347
Robinson Treaties (1850), 43
Robson, Albert H., 176, 423n32
Rock and Maple
(MacDonald, 1915–16), 191, 288
Roerich, Nicholas, 277, 377, 404
Rogers, Grace McLeod, Stories of
the Land of Evangeline, 385, 394
Rogers, Will, 326
Rood, Ogden N., 119
Roosevelt, Theodore, 79
Rose Hill, 8
Rosenberg, Isaac, 333
Rouart, Henri, 164
Rous and Mann, 93, 153, 161,
263, 286, 324, 412
Rowe, George, 233, 238, 240, 243, 249, 251
A Row of Houses, Wellington Street (Harris), 36
Roy, J., The History of Canada, 140
Royal Academy of Fine Arts
(Antwerp), 62, 63, 153
Royal Canadian Academy of Arts,
18, 265, 306, 391, 392
Ruskin, John, 193, 212, 287, 323
Ruskin Museum, 212
Russell, Charles M., 326–27
Russell, George (ae), 330, 331
Ryle, Herbert, 229
Saguenay region, 345–46
St. Anne’s Anglican Church, 396–98, 398
Sala, Paolo, 164
Salons: Paris Salon, 83, 201, 265;
Salon d’Automne, 84, 86;
Salon de la Rose + Croix, 303;
Salon de la Société nationale
des beaux-arts, 216; Salon
des Indépendants, 217
Sanders, Jimmy, 53
Sandwell, B.K., “The Annexation
of Our Stage,” 344
Sangster, Charles, 345
Saturday Night, 167, 193, 196,
279, 386, 387, 391–92
Sault Ste. Marie, ON, 280, 281
Savage, Anne, 355, 356, 357, 410
Scandinavia, painting in, 67–75, 167
Schaefer, Carl, 397
Schlabitz, Adolf Gustav, 32
School of Pont-Aven, 215–16
Schreiber, Charlotte, 306
Schwabe, Carlos, The Gravedigger’s Death, 177
Scott, Duncan Campbell, 53, 165;
“Night Burial in the Forest,” 116
Scott, F.R., 420
Scott, William Edouard, 87
Scrim, Charlie, 232–33, 242, 447n3
Seath, John, 93
Segantini, Giovanni, 121–23
A September Gale, Georgian Bay
(Lismer), 403, 406, 415
Sérusier, Paul, 145, 189
Seton, Ernest Thompson, 8;
The Arctic Prairies, 56
Seurat, Georges, 79, 223; A
Sunday on La Grande Jatte, 119
Severini, Gino, 334
Shacks (Harris), 337–38, 341, 403
Shacks, Earlscourt (Harris), 307
Shaw, George Bernard, 61
Sheffield School of Art, 60, 61, 63
Sheldon-Williams, Inglis, 403
Sheppard, Peter Clapham, 40; The
Arrival of the Circus, 383; The Building of the Bloor Street Viaduct, 383; Toronto Gasworks with Locomotives, 39
Shoreham Camp, 257
A Side Street (Harris), 382
Signac, Paul, 119, 120, 217–18, 219, 223
Simpson, Charles W., 265–66, 290
Simpsons (Toronto), 213
Skarbina, Franz, 27, 29, 30, 31–32, 34,
82; Courtyard in the Snow (Hof im
Schnee), 32; The Matthiasstrasse in Hamburg, 31, 360; Railway Tracks in
North Berlin (Gleisanlage des Güterbahnhofs Weißensee), 2, 31, 37, 39
Skey, Lawrence, 396–97
Ski-ing (MacDonald), 49
The “Skinny Dip” (Lismer, 1915), 188
Slade School of Fine Art
(London), 160, 268
The Sleighing Party (MacDonald), 49
Sloan, John, 349
Smith, A.J.M., 420
Smith, Donald A., 421
Smith, Eden, 35, 110–11, 397–98
Smith, Lewis, 210, 385
Snow-Bound (MacDonald), 166, 176
Snow Fantasy (Harris, c. 1917), 20
Snow ii (Harris, 1915), 202
Snow Pattern (Harris), 166
Snowstorm—Steamboat off a
Harbour’s Mouth (Turner, 1842), 207
Snow v (Harris), 307
Snow vi (Harris), 307–8
Société Anonyme, 411
Société des peintres et sculpteurs
(formerly Société nouvelle), 67
Society of Berlin Artists, 29
Society of Six, 330
Soft Maple in Autumn (Thomson, 1914), 143
Sohlberg, Harald, 69–70, 71
The Solemn Land (MacDonald, 1921), 359, 364–65, 415, 421
Some Day the People Will Return
(Varley, 1918), 29, 293–94, 296
Sonderbund-Ausstellung (Cologne), 86
Soper, Warren Y., 388–89
Spencer, Stanley, 258
Spring (Carmichael), 403
Spring, French River (Thomson, 1914), 138
Spring Ice (Thomson, 1915–16), 190, 201
Springtime in Picardy
(Jackson, 1919), 26, 272, 295
Squally Weather, Georgian Bay
(Varley, 1916), 263, 264, 296,
451n33. See also Stormy Weather,
Georgian Bay (Varley, 1916)
Stedelijk Museum (Amsterdam), 84
Stein, Gertrude, 86, 109, 297
Stein, Leo, 64, 84, 86
Steiner, Rudolf, 278
Stella, Joseph, 411
Stewart, William Kilborne, 27
Stieglitz, Alfred, 67, 314, 348
Stopping the Tempest (MacDonald, 1923), 397
Stormy Weather, Georgian Bay
(Varley, 19
16), 365, 366, 379, 403.
See also Squally Weather, Georgian
Bay (Varley, 1916)
Strathcona, Lord, 400
Strindberg, August, 29
Stringer, Arthur, Open Water, 385
The Studio, 50, 123–24, 163–64, 259, 297
Studio Building for Canadian Art, 110–15,
111, 121, 154, 166, 310, 435n4
Suddaby, Jeremiah, 260, 260n
Sunglow (Lismer), 167
The Sunken Road (Varley, 1919), 311, 338
Sunset (Thomson, 1915), 182
Superior, Lake, 373–77
Suzor-Coté, Marc-Aurèle de Foy,
304, 354, 356, 389, 390, 403;
Autumn Landscape, 135
Symbolism, 70, 71, 165, 177
The Tangled Garden ( MacDonald,
1916), 21, 191, 192–93, 201, 339–40
Tanner, Henry O., 87
Tate Gallery, 406
Ten American Painters, 304, 330
Tenth Street Studio Building
(New York), 111–12
Terre sauvage (Jackson, 1913),
10, 119–21, 126, 216, 339, 349, 403
Theosophical Society, 277–78,
331, 362, 377
Thiem, Paul, 32–33
Thomas, Edward, 181–82, 228
Thomas Cranage, 97
Thompson, T. Phillips, 362
Thomson, George, 9, 117, 242, 246,
314; Lyme Pastures, 117
Thomson, John, 7, 8
Thomson, Louise, 180
Thomson, Tom (before wwi): in Algonquin Provincial Park (1914), 127–32, 130;
artistic influences on, 117, 131–32; at Canoe Lake (1912), 4–6; character and appearance, 6–7, 7, 10, 64, 92, 128–29, 423n32; early years and education, 7–9; at Go Home Bay (1914), 138; from Go Home Bay to Algonquin Provincial Park (1914),
139–44, 437n15; as graphic designer, Seattle (1901–04), 9–10; at Grip Limited, 10–11, 12, 13, 25; and Harris (1913), 116–17; and Jackson, 115–16, 118–20, 156; and Lismer, 63; and MacCallum, 59–60, 116–17; in Mattagami and Toronto (1913), 116–17; Mississagi expedition (1912), 51–57, 59–60; OSA exhibition (1913), 92–93; painting style of (1914), 131–32, 143; at Parry Sound (1914), 136–39; Studio Building (1913), 112; and Varley, 63–65; wilderness skills, 129–30
Thomson, Tom (during wwi): in Algonquin Provincial Park (1915–17), 179–84, 206–10, 209, 213, 232–38; artistic and intellectual influences (1915), 163–65; as boxing fan, 160; Carmichael as studio-mate (1914–15), 157–59; character and appearance, 233, 233; disappearance and death (July 1917), 231, 238–50; and Florence McGillivray, 214–16; Go Home Bay murals (1915), 186–87, 189; and McGillivray, 222; memorial cairn (1917), 251; OSA exhibitions (1915, 1916), 166, 192–93; painting style of (1915), 182; quarrel with Varley (1915), 168–69; relationships with women, 169–71; shack home (1915), 156–57, 157, 439n5; in
“Too Much Mulligan”, 188; and Winnie Trainor, 169–70, 234–37; wwi, attitude towards, 149–50, 177–79, 196, 199
Thomson, Tom (legacy): at British Empire Exhibition (1924), 403–4; as Canadian icon, 415; controversy over support by National Gallery (1922), 387; critics’ comments (1920), 351; and David Milne, compared, 314; exhibition, Arts Club (1919), 299; and Group of Seven, 329; Mackenzie King on, 388; Northern River (1915), 403; and Varley, compared, 263; works purchased by Massey (1918), 340
Thomson, Tom (titles of works): Autumn’s
Garland (1915–16), 190, 364; Boathouse, Go Home Bay (914), 138; Crib and Rapids (1915), 183–84; Evening (1915), 18, 182;
Fire-Swept Hills (1915), 183; Forest Undergrowth iii (1915–1916), 19, 189;
Hot Summer Moonlight (1915), 182;
In the Northland (1915–16), 190; Islands, Canoe Lake (1916), 25, 241; The Jack Pine (1916–17), 23, 221–22, 364, 403, 404,
415, 420; Larry Dickson’s Shack (1914),
132, 138; Little Cauchon Lake (1916),
207–8; Moonlight (1914), 123–24, 135;
A Northern Lake (1913), 92–93; Northern Lights (1917), 237; Northern River (1915),
15, 163–64, 166, 167, 190, 216, 403; Northern Shore, 163; Old Lumber Dam, Algonquin Park (1912), 6; Parry Sound Harbour (1914), 137–38; Petawawa Gorges (1914), 132, 210; Petawawa Gorges, Night (fall, 1916), 11; Pine Trees at Sunset, 415; The Pointers (Pageant of the North) (1915), 24, 223–24; Soft Maple in Autumn (1914), 143; Spring, French River (1914), 138; Spring Ice (1915–16), 190, 201; Sunset (1915), 182; Twisted Maple (1914), 12, 143; The West Wind (c. 1917), 22, 216–17, 218, 219, 221, 263, 349, 403, 406, 415; Winter Thaw, 415
Thoreau, Henry David, Walden, 176–77
Tommei, Ugo, 333
Tom Thomson’s Camp (Lismer, 1914), 132
“Too Much Mulligan” (Lismer, 1915), 187, 188
Toronto, ON: art galleries and exhibitions
(c. 1912), 46–50; artistic optimism (1913), 89–92; Arts and Letters Club,
23; beautification of, 321–22; conscription crisis (1918), 320; Earlscourt, 279–80;
in early 1900s, 14–15; in Harris’s art,
34–36, 386; materialism of, 94–95; Ontario Society of Artists exhibitions, 47–50; Prospect Cemetery, 279; Public Reference Library, 47; Silverthorn Park Addition, 37; the Ward, 35–36, 38–39, 279; waterfront area and industrialization (1912), 36–40; in World War i, 144,
196–97, 220
Toronto Art Students’ League, 5, 21, 45, 47
Toronto Daily Star: reviews, 91–92, 106–8,
124, 159, 180, 193–96, 199–200; war coverage, 144, 145, 197
Toronto Eighteen, 38, 135–36
Toronto Guild of Civic Art, 47, 321
Toronto Theosophical Society, 322
Toulouse-Lautrec, Henri de, 14, 158
Tracks and Traffic (MacDonald,1912),
4, 39–40, 49, 50
Traill, Catharine Parr, 43, 95, 234
Trainor, Hugh, 169
Trainor, Margaret, 247
Trainor, Winnifred, 169–70, 234–37,
235, 238, 245–46, 247, 248
The Transfiguration (MacDonald, 1923), 397
Traubel, Horace, 371
Tudor-Hart, Percyval, 334
Turner, J.M.W., 39, 183; Snowstorm—Steamboat off a Harbour’s Mouth
(1842), 207
Twisted Maple (Thomson, 1914), 12, 143
Tyrell, J.W., Across the Sub-Arctics
of Canada, 113
University of Toronto, 27, 274
van Amstel, Jan, 264
Vancouver, bc, and Emily Carr, 104
Vancouver School of Decorative and
Applied Arts, 412
Van Gogh, Vincent: colour and emotion, 70–71, 101, 147, 190, 370; expelled
from Royal Academy, 62; influence of, 30, 84–85, 264; and Jackson, compared, 295; negative reviews, 104; as Post-Impressionist, 79; rejected literal transcriptions of nature, 217–18; spiritual beliefs, 287, 293; The Starry Night, 121, 237; A Wheatfield with Cypresses, 121
Varley, Dorothy, 396
Varley, Frederick Horsman (before
wwi), 63–65, 64, 145–46
Varley, Frederick Horsman (during wwi):
in Algonquin Provincial Park (1914),
145–48; artistic influences on, 148;
OSA exhibitions, 168, 264–65; quarrel with Thomson (1915), 168–69; solo exhibition (1916), 263; in Toronto, interest in landscapes (1916–18), 262–65; as war artist (1918), 262, 265–67, 271, 273,
289–94, 295, 296, 310–11
Varley, Frederick Horsman (postwar life): Anderson Galleries exhibition (1919), 312; financial difficulties (1923), 393–96;
Group of Seven exhibitions, 327–29, 331, 338, 340–41, 384; as illustrator (1923), 393–96, 394; in London (1919), 311; marriage and family, 379–80, 396, 412; murals in St. Anne’s Church (1923
), 396–97, 398; as portrait painter, 364,
379, 380; promoted by Fairley (1920), 336; in Rockies (1924), 409; in Toronto (1919), 311; at Vancouver School of Decorative
and Applied Arts (1926), 412
Varley, Frederick Horsman (titles of works): Autumn, 168; Eden (1912), 146; Evening in Camp (1923), 396; For What? (1917/1919), 28, 292–93, 296; Gas Chamber at Seaford (1918), 289; German Prisoners (1919), 311; Gypsy Blood, 379, 396; Gypsy Head, 396; Indian Summer (1914), 148, 296, 311;
Night Before a Barrage (1919), 310–11; Portrait of Vincent Massey (1920), 32, 340–41, 403; Some Day the People Will Return (1918), 29, 293–94, 296; Squally Weather, Georgian Bay (1916), 263, 264, 296, 451n33; Stormy Weather, Georgian Bay (1916), 365, 366, 379, 403; The
Sunken Road (1919), 311, 338
Varley, Maud, 63, 65, 148, 168, 265, 311,
379–80, 396, 412
Varley, Peter, 396
Vauxcelles, Louis, 217, 218
Victoria Memorial Museum. See National Gallery of Canada
Victoria School of Art and Design (Halifax), 210, 211–13, 310
View from Split Rock, Sunlit Water (MacDonald), 59
Vlaminck, Maurice de, 84, 191–92
Voaden, Herman, 420–21
Voltaire, 166
Vorticism, 267, 268, 312, 334
Vuillard, Jean-Édouard, 147
Wadsworth, Edward, 312
Walker, Edmund: Algoma Sketches and Pictures exhibition (1919), 308; British Empire Exhibition controversy, 392; character and appearance, 133–34, 134; city beautification, 322; on cne exhibition, 313; death of, 399; Group of Seven controversy, 387; ignored David Milne, 316–17; on MacDonald, 211; Mackenzie King on, 388, 389; Murphy’s criticism
of, 364; on National Gallery board, 134–36; on patriotic memorials, 184; purchases from Group of Seven exhibition, 364–65; supported Johnston, 353; supported
war artists, 257, 286
Walker, Horatio, 19, 45, 111, 304, 356, 392, 403; Oxen Drinking, 135
Wallace, Henry A., 377
Walton, Izaak, 55, 165
War Paintings and Drawings exhibition (Leicester Galleries, 1918), 269
Watson, David, 320
Watson, Homer, 19, 350, 388, 390,
403; A Hillside Gorge, 135
Watson, James, 244
Wattie, Tom, 181, 208–9
Waugh, Evelyn, 259
Way, C.J., 346
Weaver, Lawrence, 402
Went, Ada, 158, 170
The West Wind (Thomson, c. 1917), 22, 216–17, 218, 219, 221, 263, 349, 403, 406, 415
West Wind Island (Island 158),
58–59, 93, 97–98
Whistler, James McNeill, 67, 108, 193, 296
Whitby, ON, 214
Whitman, Walt, 371; “By Blue Ontario’s Shore,” 346; Civilisation: Its Cause and Cure, 96; influence of, 95, 176, 287–88, 368–69, 371–73; Leaves of Grass, 96, 371, 372–73; Specimen Days, 345, 346, 373