In Cold Blood

by Трумен Капоте

  "Next thing, I brought the boy down. First I put him in the room with his dad. Tied his hands to an overhead steam pipe.

  Then I figured that wasn't very safe. He might somehow get loose and undo the old man, or vice versa. So I cut him down and I took him to the playroom, where there was a comfortable looking couch. I roped his feet to the foot of the couch, roped his hands, then carried the rope up and made a loop around his neck, so if he struggled he'd choke himself. Once, while I was working, I put the knife down on this - well, it was a freshly varnished cedar chest; the whole cellar smelled of varnish - and he asked me not to put my knife there. The chest was a wedding present he'd built for somebody. A sister, I believe he said. Just as I was leaving, he had a coughing fit, so I stuffed a pillow under his head. Then I turned off the lights - "

  Dewey says, "But you hadn't taped their mouths?"

  "No. The taping came later, after I'd tied both the women in their bedrooms. Mrs. Clutter was still crying, at the same time she was asking me about Dick. She didn't trust him, but said she felt I was a decent young man. I'm sure you are, she says, and made me promise I wouldn't let Dick hurt anybody. I think what she really had in mind was her daughter. I was worried about that myself. I suspected Dick was plotting something, something I wouldn't stand for. When I finished tying Mrs. Clutter, sure enough, I found he'd taken the girl to her bedroom. She was in the bed, and he was sitting on the edge of it talking to her. I stopped that; I told him to go look for the safe while I tied her up. After he'd gone, I roped her feet together and tied her hands behind her back. Then I pulled up the covers, tucked her in till just her head showed. There was a little easy chair near the bed, and I thought I'd rest a minute; my legs were on fire - all that climbing and kneeling. I asked Nancy if she had a boy friend. She said yes, she did. She was trying hard to act casual and friendly. I really liked her. She was really nice. A very pretty girl, and not spoiled or anything. She told me quite a lot about herself. About school, and how she was going to go to a university to study music and art. Horses. Said next to dancing what she liked best was to gallop a horse, so I mentioned my mother had been a champion rodeo rider.

  "And we talked about Dick; I was curious, see, what he'd been saying to her. Seems she'd asked him why he did things like this. Rob people. And, wow, did he toss her a tear jerker - said he'd been raised an orphan in an orphanage, and how nobody had ever loved him, and his only relative was a sister who lived with men without marrying them. All the time we were talking, we could hear the lunatic roaming around below, looking for the safe. Looking behind pictures. Tapping the walls. Tap tap tap. Like some nutty woodpecker. When he came back, just to be a real bastard I asked had he found it. Course he hadn't, but he said he'd come across another purse in the kitchen. With seven dollars."

  Duntz says, "How long now had you been in the house?"

  "Maybe an hour."

  Duntz says, "And when did you do the taping?"

  "Right then. Started with Mrs. Clutter. I made Dick help me - because I didn't want to leave him alone with the girl. I cut the tape in long strips, and Dick wrapped them around Mrs. Clutter's head like you'd wrap a mummy. He asked her, 'How come you keep on crying? Nobody's hurting you,' and he turned off the bedside lamp and said, 'Good night, Mrs. Clutter. Go to sleep. ' Then he says to me, as we're heading along the hall toward Nancy's room, I'm gonna bust that little girl. ' And I said, 'Uh-huh. But you'll have to kill me first. ' He looked like he didn't believe he'd heard right. He says, 'What do you care? Hell, you can bust her, too. ' Now, that's something I despise. Anybody that can't control themselves sexually. Christ, I hate that kind of stuff. I told him straight, 'Leave her alone. Else you've got a buzz saw to fight. ' That really burned him, but he realized it wasn't the time to have a flat-out free-for-all. So he says, 'O. K., honey. If that's the way you feel.' The end of it was we never even taped her. We switched off the hall light and went down to the basement."

  Perry hesitates. He has a question but phrases it as a statement: "I'll bet he never said anything about wanting to rape the girl."

  Dewey admits it, but he adds that except for an apparently somewhat expurgated version of his own conduct, Hickock's story supports Smith's. The details vary, the dialogue is not identical, but in substance the two accounts - thus far, at least - corroborate one another.

  "Maybe. But I knew he hadn't told about the girl. I'd have bet my shirt."

  Duntz says, "Perry, I've been keeping track of the lights. The way I calculate it, when you turned off the upstairs light, that left the house completely dark."

  "Did. And we never used the lights again. Except the flashlight. Dick carried the flashlight when we went to tape Mr. Clutter and the boy. Just before I taped him, Mr. Clutter asked me - and these were his last words - wanted to know how his wife was, if she was all right, and I said she was fine, she was ready to go to sleep, and I told him it wasn't long till morning, and how in the morning somebody would find them, and then all of it, me and Dick and all, would seem like something they dreamed. I wasn't kidding him. I didn't want to harm the man. I thought he was a very nice gentleman. Soft-spoken. I thought so right up to the moment I cut his throat.

  "Wait. I'm not telling it the way it was." Perry scowls. He rubs his legs; the handcuffs rattle. "After, see, after we'd taped them, Dick and I went off in a corner. To talk it over. Remember, now, there were hard feelings between us. Just then it made my stomach turn to think I'd ever admired him, lapped up all that brag. I said, 'Well, Dick. Any qualms?' He didn't answer me. I said, 'Leave them alive, and this won't be any small rap. Ten years the very least.' He still didn't say anything. He was holding the knife. I asked him for it, and he gave it to me, and I said, 'All right, Dick. Here goes.' But I didn't mean it. I meant to call his bluff, make him argue me out of it, make him admit he was a phony and a coward. See, it was something between me and Dick. I knelt down beside Mr. Clutter, and the pain of kneeling - I thought of that goddam dollar. Silver dollar. The shame. Disgust. And they'd told me never to come back to Kansas. But I didn't realize what I'd done till I heard the sound. Like somebody drowning. Screaming under water. I handed the knife to Dick. I said, 'Finish him. You'll feel better.' Dick tried - or pretended to. But the man had the strength of ten men - he was half out of his ropes, his hands were free. Dick panicked. Dick wanted to get the hell out of there. But I wouldn't let him go. The man would have died anyway, I know that, but I couldn't leave him like he was. I told Dick to hold the flashlight, focus it. Then I aimed the gun. The room just exploded. Went blue. Just blazed up. Jesus, I'll never understand why they didn't hear the noise twenty miles around."

  Dewey's ears ring with it - a ringing that almost deafens him to the whispery rush of Smith's soft voice. But the voice plunges on, ejecting a fusillade of sounds and images: Hickock hunting the discharged shell; hurrying, hurrying, and Kenyon's head in a circle of light, the murmur of muffled pleadings, then Hickock again scrambling after a used cartridge; Nancy's room, Nancy listening to boots on hardwood stairs, the creak of the steps as they climb toward her, Nancy's eyes, Nancy watching the flashlight's shine seek the target ("She said, 'Oh, no! Oh, please. No! No! No! No! Don't! Oh, please don't! Please!' I gave the gun to Dick. I told him I'd done all I could do. He took aim, and she turned her face to the wall"); the dark hall, the assassins hastening toward the final door. Perhaps, having heard all she had, Bonnie welcomed their swift approach.

  "That last shell was a bitch to locate. Dick wiggled under the bed to get it. Then we closed Mrs. Clutter's door and went downstairs to the office. We waited there, like we had when we first came. Looked through the blinds to see if the hired man was poking around, or anybody else who might have heard the gunfire. But it was just the same - not a sound. Just the wind - and Dick panting like wolves were after him. Right there, in those few seconds before we ran out to the car and drove away, that's when I decided I'd better shoot Dick. He'd said over and over, he'd drummed it into me: No witnesses. And I thought, He's a witness
. I don't know what stopped me. God knows I should've done it. Shot him dead. Got in the car and kept on going till I lost myself in Mexico."

  A hush. For ten miles and more, the three men ride without speaking.

  Sorrow and profound fatigue are at the heart of Dewey's silence. It had been his ambition to learn "exactly what happened in that house that night." Twice now he'd been told, and the two versions were very much alike, the only serious discrepancy being that Hickock attributed all four deaths to Smith, while Smith contended that Hickock had killed the two women. But the confessions, though they answered questions of how and why, failed to satisfy his sense of meaningful design. The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning. Except for one thing: they had experienced prolonged terror, they had suffered. And Dewey could not forget their sufferings. Nonetheless, he found it possible to look at the man beside him without anger - with, rather, a measure of sympathy - for Perry Smith's life had been no bed of roses but pitiful, an ugly and lonely progress toward one mirage and then another. Dewey's sympathy, however, was not deep enough to accommodate either forgiveness or mercy. He hoped to see Perry and his partner hanged - hanged back to back.

  Dunn asks Smith, "Added up, how much money did you get from the Clutters?"

  "Between forty and fifty dollars."

  Among Garden City's animals are two gray tomcats who are always together - thin, dirty strays with strange and clever habits. The chief ceremony of their day is performed at twilight. First they trot the length of Main Street, stopping to scrutinize the engine grilles of parked automobiles, particularly those stationed in front of the two hotels, the Windsor and Warren, for these cars, usually the property of travelers from afar, often yield what the bony, methodical creatures are hunting: slaughtered birds - crows, chickadees, and sparrows foolhardy enough to have flown into the path of oncoming motorists. Using their paws as though they are surgical instruments, the cats extract from the grilles every feathery particle. Having cruised Main Street, they invariably turn the corner at Main and Grant, then lope along toward Courthouse Square, another of their hunting grounds - and a highly promising one on the afternoon of Wednesday, January 6, for the area swarmed with Finney County vehicles that had brought to town part of the crowd populating the square. The crowd started forming at four o'clock, the hour that the county attorney had given as the probable arrival rime of Hickock and Smith. Since the announcement of Hickock's confession on Sunday evening, newsmen of every style had assembled in Garden City: representatives of the major wire services, photographers, newsreel and television cameramen, reporters from Missouri, Nebraska, Oklahoma, Texas, and, of course, all the principal Kansas papers - twenty or twenty-five men altogether. Many of them had been waiting three days without much to do except interview the service-station attendant James Spor, who, after seeing published photographs of the accused killers, had identified them as customers to whom he'd sold three dollars and six cents worth of gas the night of the Holcomb tragedy.

  It was the return of Hickock and Smith that these professional spectators were on hand to record, and Captain Gerald Murray, of the Highway Patrol, had reserved for them ample space on the sidewalk fronting the courthouse steps - the steps the prisoners must mount on their way to the county jail, an institution that occupies the top floor of the four-story limestone structure. One reporter, Richard Parr, of the Kansas City Star, had obtained a copy of Monday's Las Vegas Sun. The paper's headline raised grounds of laughter: fear lynch mob awaiting return or; killer suspects. Captain Murray remarked, "Don't look much like a necktie party to me."

  Indeed, the congregation in the square might have been expecting a parade, or attending a political rally. High-school students, among them former classmates of Nancy and Kenyon Clutter, chanted cheerleader rhymes, bubbled bubble gum, gobbled hotdogs and soda pop. Mothers soothed wailing babies. Men strolled about with young children perched on their shoulders. The Boy Scouts were present - an entire troop. And the middle-aged membership of a women's bridge club arrived en masse. Mr. J. P. (Jap) Adams, head of the local Veterans Commission office, appeared, attired in a tweed garment so oddly tailored that a friend yelled, "Hey, Jap! What ya doin' wearin' ladies' clothes?" - for Mr. Adams, in his haste to reach the scene, had unwittingly donned his secretary's coat. A roving radio reporter interviewed sundry other townsfolk, asking them what, in their opinion, the proper retribution would be for "the doers of such a dastardly deed," and while most of his subjects said gosh or gee whiz, one student replied, "I think they ought to be locked in the same cell for the rest of their lives. Never allowed any visitors. Just sit there staring at each other till the day they die." And a tough, strutty little man said, "I believe in capital punishment. It's like the Bible says - an eye for an eye. And even so we're two pair short!"

  As long as the sun lasted, the day had been dry and warm - October weather in January. But when the sun descended, when the shadows of the square's giant shade trees met and combined, the coldness as well as darkness numbed the crowd. Numbed and pruned it; by six o'clock, fewer than three hundred persons remained. Newsmen, cursing the undue delay, stamped their feet and slapped frozen ears with ungloved, freezing hands. Suddenly, a murmuring arose on the south side of the square. The cars were coming.

  Although none of the journalists anticipated violence, several had predicted shouted abuse. But when the crowd caught sight of the murderers, with their escort of blue-coated highway patrol-men, it fell silent, as though amazed to find them humanly shaped. The handcuffed men, white-faced and blinking blindly, glistened in the glare of flashbulbs and floodlights. The cameramen, pursuing the prisoners and the police into the courthouse and up three flights of stairs, photographed the door of the county jail slamming shut.

  No one lingered, neither the press corps nor any of the townspeople. Warm rooms and warm suppers beckoned them, and as they hurried away, leaving the cold square to the two gray cats, the miraculous autumn departed too; the year's first snow began to fall.

  IV

  THE CORNER

  Institutional dourness and cheerful domesticity coexist on the fourth floor of the Finney County Courthouse. The presence of the county jail supplies the first quality, while the so-called Sheriff's Residence, a pleasant apartment separated from the jail proper by steel doors and a short corridor, accounts for the second.

  In January, 1960, the Sheriff's Residence was not in fact occupied by the sheriff, Earl Robinson, but by the undersheriff and his wife, Wendle and Josephine ("Josie") Meier. The Meiers, who had been married more than twenty years, were very much alike: tall people with weight and strength to spare, with wide hands, square and calm and kindly faces - the last being most true of Mrs. Meier, a direct and practical woman who nevertheless seems illuminated by a mystical serenity. As the undersheriff's helpmate her hours are long; between five in the morning, when she begins the day by reading a chapter in the Bible, and 10: 00p. m., her bedtime, she cooks and sews for the prisoners!, darns, does their laundry, takes splendid care of her husband, and looks after their five-room apartment, with its gemutlich melange of plump hassocks and squashy chairs and cream-colored lace window curtains. The Meiers have a daughter, an only child, who is married and lives in Kansas City, so the couple live alone - or, as Mrs. Meier more correctly puts it: "Alone except for whoever happens to be in the ladies' cell."

  The jail contains six cells; the sixth, the one reserved for female prisoners, is actually an isolated unit situated inside the Sheriff's Residence - indeed, it adjoins the Meiers' kitchen. "But," says Josie Meier, "that don't worry me. I enjoy the company. Having somebody to talk to while I'm doing my kitchen work. Most of these women, you got to feel sorry for them. Just met up with Old Man Trouble is all. Course Hickock and Smith was a different matter. Far as I know, Perry Smith was the first man ever stayed in the ladies' cell. The reason was, the sheriff wanted to keep him and Hickock separated from each other until after their trial. Th
e afternoon they brought them in, I made six apple pies and baked some bread and all the while kept track of the goings-on down there on the Square. My kitchen window overlooks the Square; you couldn't want a better view. I'm no judge of crowds, but I'd guess there were several hundred people waiting to see the boys that killed the Clutter family. I never met any of the Clutters myself, but from everything I've ever heard about them they must have been very fine people. What happened to them is hard to forgive, and I know Wendle was worried how the crowd might act when they caught sight of Hickock and Smith. He was afraid somebody might try to get at them. So I kind of had my heart in my mouth when I saw the cars arrive, saw the reporters, all the newspaper fellows running and pushing; but by then it was dark, after six, and bitter cold - more than half the crowd had given up and gone home. The ones that stayed, they didn't say boo. Only stared.

  "Later, when they brought the boys upstairs, the first one I saw was Hickock. He had on light summer pants and just an old cloth shirt. Surprised he didn't catch pneumonia, considering how cold it was. But he looked sick all right. White as a ghost. Well, it must be a terrible experience - to be stared at by a horde of strangers, to have to walk among them, and them knowing who you are and what you did. Then they brought up Smith. I had some supper ready to serve them in their cells, hot soup and coffee and some sandwiches and pie. Ordinarily, we feed just twice a day. Breakfast at seven-thirty, and at four-thirty we serve the main meal, I didn't want those fellows going to bed on an empty stomach; seemed to me they must be feeling bad enough without that. But when I took Smith his supper, carried it in on a tray, he said he wasn't hungry. He was looking out the window of the ladies' cell. Standing with his back to me. That window has the same view as my kitchen window: trees and the Square and the tops of houses. I told him, 'Just taste the soup, it's vegetable, and not out of a can. I made it myself. The pie, too.' In about an hour I went back for the tray and he hadn't touched a crumb. He was still at the window. Like he hadn't moved. It was snowing, and I remember saying it was the first snow of the year, and how we'd had such a beautiful long autumn right till then. And now the snow had come. And then I asked him if he had any special dish he liked; if he did I'd try and fix it for him the next day. He turned around and looked at me. Suspicious, like I might be mocking him. Then he said something about a movie - he had such a quiet way of speaking, almost a whisper. Wanted to know if I had seen a movie. I forget the name, anyway I hadn't seen it: never have been much for picture shows. He said this show took place in Biblical times, and there was a scene where a man was flung off a balcony, thrown to a mob of men and women, who tore him to pieces. And he said that was what came to mind when he saw the crowd on the Square. The man being torn apart. And the idea that maybe that was what they might do to him. Said it scared him so bad his stomach still hurt. Which was why he couldn't eat. Course he was wrong, and I told him so - nobody was going to harm him, regardless of what he'd done; folks around here aren't like that.