We stared at each other for several seconds; then her glance dropped and she unbuttoned and pulled off her jacket, hesitated, and laid it on the rug at her feet. Reluctantly, she unzipped and unhooked the fastenings at the side of her skirt. I put the knife away and got the gun back into my right hand. I used to be a passable shot with my left hand, too-we all had to be-but that was a long time ago.
"Just let it fall and step out of it," I said as she still stood there, clinging to her opened, sagging skirt. "Keep working, I haven't any designs on your white body, Mrs. Chatham, but I'm apt to get some if you keep teasing me like this."
She flushed, and hurried up the rhythm of her undressing. As might have been expected from her low heels and tweedy outer garments, her lingerie was as unglamorous as could be found outside a men's wear department. There was no lace or embroidery, there were no little pleated nylon ruffles to tickle Mr. Chatham's fancy, if there was a Mr. Chatham and if he had a fancy. Probably his name was Joe Jones, he liked small blondes, and he was just along for the ride, on orders.
When we got down to it, her figure was quite admirable, although it was, if you'll pardon the expression, a studio figure rather than a bedroom figure. It made my fingers itch, but only for a camera.
"All right," I said, "come away from your clothes. Over here." She obeyed, and tried to confront me defiantly, but she couldn't look me in the face. Well, it was kind of nice to meet one who was self-conscious about her body, for a change… I checked that line of thought. Tina was gone. There wasn't anything to be gained by being bitter, at least until I knew for sure I had something to be bitter about. "Lock your hands behind your back," I said to the girl. "Okay, now bend towards me. If those hands let go of each other, I'll club you down."
She bent forward, and I ran my fingers through her lightbrown hair. I found only a small lump over her ear that I had put there. There was nothing taped to her scalp. There was nothing under her armpits or in any of the other crevices of her body. I don't know where they got her, she was almost a pathological case. She'd have to get over it before she could be trusted with serious work. In other respects, she'd done quite well, but who can use an operative, male or female, who can't stand being searched without half dying of embarrassment?
I made her place her hands flat against the wall, leaning well forward, and hold that position precariously while I searched her clothes. If she was carrying so much as a cyanide capsule, it was too well hidden for me to find without methodically dissecting her outfit, seam by seam, and it wasn't that important. She was certainly packing no major weapon, not even a razorblade.
"All right, Mrs. Chatham," I said. "You may cover it up now." She didn't seem to catch on right away. I said gently, "It's all right, Shorty. The nightmare is over. Put your things back on."
She didn't speak until she'd got dressed as far as her slip, a very plain and practical white garment. Then, with enough clothes on to give her courage again, she glanced at me quickly. "I hope somebody does shoot you!" she breathed. "I hope they're careful, so you don't die too fast. And now go ahead and hit me for talking without permission!"
I said, "It's all right. Blow off steam if you want to. You're pretty good, you know, but you've got to get over dying of shame just because some guy who doesn't give a damn sees you with your clothes off… I mean, just a little advice from one pro to another."
She said, "What makes you think I'm a-"
"You made two mistakes, Mrs. Chatham. Or let's say you made the same mistake twice."
"I don't know what you're talking about!"
I said, "Despite what you're thinking of me, I'm not really a sadist. I don't jab pretty girls with knives just for kicks."
Her eyelids flickered. Practically everybody's got some little give-away, particularly the young ones who need further instruction. This was hers. She rubbed her side with her forearm, where I'd stuck her. "What do you mean?"
"I mean," I said, "it was a test and you failed it, Shorty. You should have screamed. A nice, innocent, sheltered young girl, suddenly stuck with a knife, would have jumped six feet in the air and yelled bloody murder, even in the middle of a hotel lobby. She couldn't have helped herself. And when I smacked you with the gun-barrel, you didn't clap your hand to the spot-the nonnal reaction. Oh, you started to, all right, but you remembered that there was a weapon covering you and that if you made a sudden move I might get nervous and shoot. After a painful crack on the head, no untrained young bride from the country would have remembered that, or had the self-control to act on it..
It's the old Trojan-Horse routine, isn't it?"
I watched her eyes. There was that little twitch of the lids that she'd have to learn to control, now that she was in the big time.
She licked her lips. "I don't know what you mean. If you'd only listen to me-"
The telephone rang. She didn't look at it right away; she wasn't that good. You can't wait for something through intolerable ages of fear and humiliation, and then act quite naturally when it happens. But if she hadn't been expecting it, she'd have jumped at the first ring.
We stood there, facing each other, and let the instrument tinkle away on the table between the beds. After the fifth ring it fell silent.
I said, "The old Trojan-Horse routine, and very cleverly done, too. The purpose being to get an accomplice into the enemy camp, somehow. First they showed us a car we'd recognize, following us. That put us on the alert. Then they showed us you, sitting there. I'd seen you yesterday, so I'd be sure to recognize you. What would I do when I saw you? Well, I might lose my nerve and try to make a run for it-they'd have to allow for that possibility. But I might also, being a bold and impetuous character, do something direct and melodramatic, like walking right up to you and taking you along for a hostage or a source of information. If I did, fine. Where would I bring you? Why, up here, of course. Where else in San Antonio could I go?"
She was silent. All around us the hotel was silent, but I could feel them closing in. There wasn't much time left.
"Up here," I said. "Why they chose to move in on us in the middle of a big city full of people and policemen, I don't know, when they could have taken us out in the open, but they've undoubtedly got their reasons. And up here you'd put on the big innocence act until we weren't quite sure we hadn't made a mistake. We'd find that you were unarmed and presumably harmless- no girl who can blush all over can be anything but harmless, can she? And then the telephone would ring. If I picked it up, it would be a wrong number, but it wasn't the wrong number to you. It was the signal to tell you to get ready. And then there'd be a knock on the door, threatening voices perhaps, or just a key in the lock, and as we turned that way, forgetting all about you, you'd whip a gun from somewhere and have us covered from behind… Somewhere?" I looked around the room. "But where, Mrs. Chatham? Where did they cache the gun for you, while we were out to dinner? Or did they? Why hide a gun that might be found and tip off the play, when there was already one handy, as they'd discover soon enough, looking the place over in our absence. All they had to do was tell you where it was."
Still watching her, I moved sideways towards the big chair by the window. Her eyelids betrayed her again, as my hand dipped down behind the cushion and came up with the snubnosed revolver I'd hidden there earlier in the day, the gun that had once belonged to Barbara Herrera.
Her face had changed. When she spoke, so had her voice. It was older and stronger and firmer than it had been. She was no longer a scared young bride trapped in a terrifying and incomprehensible situation, but then, she never had been.
"Mr. Helm…"
I grinned briefly. "So you know my name." -
"Of course I know your name!" she said quickly. "I know your other one, too: Eric. I've been trying to tell you… Yes, yes, you're quiteright about me, but you've got to listen, you can't-"
It was the same old desperate last-minute chatter. They won't let you do it in golf, to make the guy miss his putt, or in trap-shooting or target shooting or chess
, but we've got no rules of sportsmanship in our racket; you can talk all you want to, if the guy's fool enough to let you. It made no difference at all what she had to say. It might be the pure, golden, 18-carat truth, but it probably wasn't, and I had no time to run an assay on it.
I said, "If you go over by the door and lie down against the wall, I'll try not to hit you with any stray bullets when your friends break in."
She said fiercely, "You don't understand! You're making a terrible mistake, you've got to listen to me! It's not what you think, you mustn't start shooting-"
"Who's starting anything?" I said. "If nobody comes through that door, nobody'll be hurt. If you want them alive, just call them off."
"I can't," she cried, "I can't, they're already-"
Somebody put a key in the lock. I drew a long breath, held it, and steadied the two guns. I felt it come, the thing that had been missing since the war, the thing that's very close to sex, except that it deals in death instead of life. The girl was staring at me as if I'd suddenly grown twelve feet tall, and perhaps in a sense I had. A man is always just a little bigger when he's ready to kill.
"Come on, boys," I murmured, watching the door. "Come to papa! Come and get it!"
Mary Frances Chatham threw a desperate glance towards the opening door, shouted a cry of warning, and launched herself directly at me. I'd expected that. It was no problem. She had yards to go, and I was ready for her..
She was dead, you understand. It was all over. She was on the floor with a bullet in her brain. There wasn't anything left to do but cart her out and plant her. It was all taken care of, just a distraction from the main business, and I was thinking ahead, about the opening door and how to take care of the first man through so he'd make the most trouble for the guys behind… And then I discovered that I hadn't shot at all. I was still standing there, watching foolishly as she came driving at me like a Notre Dame fullback with goal to go. The sights were steady, the target was clear, and I couldn't pull the damn trigger. I suppose it was the years of peace that betrayed me-that, and the fact that she did look just a little like Beth.
She hit me hard, drove me back against the wall by the window, and tied me up with a kind of suicidal frenzy. It was no longer a question of not shooting her, it was a question of keeping her from shooting herself with one of the guns I was holding. Behind her, the door swung fully open, and Mac came in.
CHAPTER 21
I RECOGNIZED him instantly, of course; he wasn't a man you forgot. But there was a wild and crazy moment when I couldn't understand what he was doing there. All kinds of fantastic possibilities went through my mind in the space of a second or two. Then I made the logical connection: Tina had slipped away, Mac was here. It added up right, and it made me feel fine. I hadn't allowed myself to speculate too much about Tina's disappearance; but I discovered that it was a pleasure to be able to reassure myself that she hadn't deserted me, after all. She'd just gone for reinforcements.
I said, defending myself awkwardly, "Mac, for God's sake pull this female off me before one of these guns goes bang and kills her."
He closed the door, came forward, got a grip on the Chatham from behind, and applied some scientific leverage. I was interested to see that he knew how. One school of thought, during the war, had it that although he was great at picking, and setting up training programs for, dangerous men, Mac himself couldn't fight his way out of a lightweight airmail envelope.
"All right, Miss," he said. "Behave yourself now." Mary Frances stopped struggling in his grasp and stood there head down, panting. Her light-brown hair was a tangled cloud over her face, and there was a wide white gap between her sweater and skirt-but then, I suppose in actual life Joan of Arc went to the bonfire with stringy hair and dirty fingernails.
At the moment, I didn't care how the girl looked. She'd spoiled my Horatio-at-the-bridge act, to be sure, and made me look and feel pretty silly; but as things had turned out, it was just as well she'd interfered. I make a practice of seeing what I'm shooting at before I pull the trigger, so I probably wouldn't have fired at Mac in any case; but nevertheless, a girl who'll deliberately throw herself at two loaded guns doesn't have to comb her hair to earn my respect, no matter what her politics.
I looked from her to Mac, as he released her and stepped back. The funny thing was, he hadn't changed a bit. He was the same spare, gray man to whom I'd said goodbye in Washington, just before I picked up Beth and took off to get married. He might still have been wearing the same gray suit, for all I could tell. Oh, perhaps there was a shade more white in his closeclipped hair; perhaps the lines in his young-old face were a little more pronounced; perhaps his bleak gray eyes had retreated just a little into his skull-but they'd always been set deep beneath the dark eyebrows. I'd forgotten those eyebrows, startlingly black, seemingly immune to the aging process that had drawn the pigment from his hair. Or perhaps he dyed them for effect-there'd been some speculation about that, during the war, I remembered now, but I'd never believed it.
I said, "It's been a long time, sir."
He glanced at the guns I was holding. "Expecting trouble, Eric?"
"It seems indicated," I said. "For a moment, there, I thought you were it. Tina didn't tell me you were anywhere around."
Mac hesitated. "Well, she wasn't supposed to," he said dryly.
"I appreciate the confidence, sir," I said sourly. "There's nothing that cheers up the hired help like not knowing what the hell they're doing… Maybe, now that she's finally broken down and pried you out of hiding for me, you'll condescend to let me know what's going on." -
He smiled very faintly. "Hasn't she told you?"
"Tina?" I said. "Oh, you don't have to worry your head about Tina, sir. She never lets slip unauthorized information, not even in bed. I can recommend her, without reservations, for the Noble and Exalted Order of the Clam. All I know from her is that somebody's trying to murder Amos Darrel in Santa Fe, and that we're supposed to be misleading the forces of international Communism in some vague and beautiful way by acting as sitting ducks here in San Antonio-"
I broke off. Mary Frances Chatham had raised her head, and Mac was looking at me sharply.
"Amos Darrel?" he said. "Dr. Amos Darrel? You were told he's the target in Santa Fe?"
"Why, yes," I said. "Isn't that right?"
Mac didn't answer my question. Instead, he said curtly, after a moment's pause: "I wasn't aware you'd been given that information." He glanced at the girl. "And having been given it, you should know better than to discuss it before witnesses."
I winced. "Slap my wrist, sir. I guess I've forgotten my security training."
"We'll just have to see that she has no opportunity to tell her friends how much we know."
He looked hard at the girl. Her glance dropped, and she pushed the hair out of her face and began to straighten her clothes.
I said, "Well, there are a lot of questions I want to ask, but they'd better wait. We might have visitors any minute. Where's Tina?"
"She's around," Mac said. "Never mind Tina. She's following instructions."
I said, "I'll bet. Well, I'd love to have some instructions to follow, too. I'm getting just a little tired of playing this game of yours blindfolded."
He said, "Tina wasn't explicit, there wasn't time. Just what kind of trouble are you expecting here?"
"I don't know, exactly," I said. "I don't know just what they could want with Tina and me except revenge. But they've got something fancy in mind. Somebody real tricky is running their show."
"How many agents do you figure they have available?"
"I've seen three men and one woman."
"Descriptions?"
"A young fellow, drug-store-cowboy type or a reasonable facsimile, sideburns, black hat, driving a Plymouth hardtop. An older man with a moustache, in a four-wheel-drive jeep station wagon, white and green. A Harvard-Yale-Princeton type in a golf cap, driving a blue Morris two-door, with Shorty here acting as his blushing bride. There could be more,
but those are the ones who've showed."
Mac frowned thoughtfully. "It sounds as if we might be slightly outnumbered, for the moment. Arrangements are being made, but in the meantime perhaps I~ should have a gun, if you can spare one." He smiled that thin smile of his. "It's a long time since I've taken active-part in one of these affairs, Eric. Let's see if I still remember how."
I gave him the little.38. "You hold the wooden part, sir," I said respectfully, "and pull that little metal dingus sticking out from the bottom."
He chuckled, and regarded the weapon in his hand for a moment. "This is a heavier caliber than you used to favor," he said.
"It's not mine," I said. "Spoils of war, sir. Tina got it from one of their agents-the one she had to kill."
"Ah, yes," Mac said. "The one using the alias of Herrera."
"That's right."
He glanced at me from beneath the dark eyebrows.
"So it was Tina who killed the girl? That, I think, is all we needed to know."
He lifted the snubnosed revolver, and aimed it at my chest.
CHAPTER 22
STARING at him incredulously, I heard him say, "Please drop your pistol on the bed, Eric. You won't need it any more tonight… Sarah, attend to his weapon, if you please."
I didn't have to ask who Sarah was. That would be their code name for the tall girl standing nearby-the girl I'd known as Mary Frances. Well I'd guessed somebody clever was behind all the fancy maneuvering, but
Mac, for God's sake!
Yet, I must have suspected something, because the surprise wasn't quite paralyzing. And I suppose he could take some credit for that; he'd seen to having me well indoctrinated, at one time. I don't think any of us who went through the brutal wartime training program he set up can ever really be taken by surprise.
I was functioning again, and I looked at the little revolver with the big hole in the muzzle. And then I looked at Mac, and I grinned.
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