The Collected Short Fiction

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The Collected Short Fiction Page 57

by Robert Aickman


  "What else has happened there?"

  "Fishermen have seen treasure ships there. Sailors in the service once fought a big battle there—suffered deaths and casualties too. Men whose lives were due to end have crossed the lake on calm nights and perished there, or at least vanished there."

  "Anything else, Spalt?"

  "Yes, your Highness. A boy I was fond of, already a brilliant scholar, saw a phantom there, and is now screaming in the Margrave's madhouse."

  "How often do you suggest that these things happen?"

  "Rarely, your Highness. Or so I suppose. But when they do happen it is always in that region of the water. However infrequently it be. I have sometimes thought there have been unacknowledged reasons why that part of the lake has been left unpossessed."

  "Yes," said Elmo. "I'm not sure I don't accept every word you say."

  "There is believed to be a certain truth among us peasants," said Spalt quietly, and pulling heavily on the long glass of spirits, which, indeed, he emptied.

  "I don't see you as a peasant, Spalt, splendid fellows though most of them are."

  "None the less, I am a peasant, your Highness."

  "Be that as it may," said Elmo, "you are a very deep man. I've always known that."

  "There is hardly a man on the lakeside who cannot tell a story about No Man's Water, your Highness, often many stories."

  "In that case, why have I never heard of this before?"

  "It is unheimlich, your Highness. Men do not speak of it. It is like the secrets of the heart, the true secrets which one man only knows."

  "An exalted comparison, Spalt."

  "We are most of us two people, your Highness. There is something lacking in the man who is one man only, and so, as he believes, at peace with the world and with himself."

  "Is there, Spalt?"

  "And the two people within us seldom communicate. Even when both are present together in consciousness, there is little communication. Neither can confront the other without discomfort."

  "One of the two sometimes dies before the other," observed Elmo.

  "Life is primarily directed to seeing that that happens, your Highness. Life, as we know it, could hardly continue if men did not soon slay the dreamer inside them. There are the children to think of; the mothers who breed them and thus enable our race to endure; the economy; the ordered life of society. Of such factors as these your Highness will be always particularly aware, in view of your Highness's station and responsibilities."

  "Yes," said Elmo. "As you say, it is my duty, which, naturally, we all perform as best we can." He came over with the bottle. "Fill up, Spalt. Let me rekindle the dying fire." But Elmo's hand was shaking as he poured, so that he splashed the drink on the table, already in need of a finer polish; and even on the schoolmaster's worn trousers, though Spalt remained motionless.

  "Men's dreams, their inner truth, are unhelmlich also, your Highness. If any man examines his inner truth with both eyes wide open, and his inner eye wide open also, he will be overcome with terror at what he finds. That, I have always supposed, is why we hear these stories about a region of our lake. Out there, on the water, in darkness, out of sight, men encounter the image within them. Or so they suppose. It is not to be expected that many will return unscathed."

  "Thus with men, Spalt. What about women?"

  "Women have no inner life that is so decisively apart. With women the inner life merges ever with the totality. That is why women seem to men either deceitful and elusive, or moralistic and uninteresting. Women have no problem comparable with the problem of merely being a man. They do not need our lake."

  "Have you ever been married, Spalt? I imagine not at all."

  "Certainly, I have been married, your Highness. As I reminded your Highness, I am but a peasant."

  "And what happened?"

  "She died in childbirth. Our first-born."

  "I am sorry, Spalt."

  "No doubt it also saved much sadness for both of us. There is always that to remember."

  "Did the child die too?"

  "No, your Highness. She did not. The father had no inclination to remarry; and a woman to look after the child—the little girl—would have led at once to malice when the father was a schoolmaster, and required to be an example. I was fortunate in being able to leave the child in a good home. As schoolmaster, I was of course informed about all the homes. She is now in your Highness's employ, but she has no idea that I am her father, and would suffer much if she knew, so that I request your Highness to be silent, if the occasion ever occurs."

  "Of course, of course, Spalt. I grieve for you that things did not work out better."

  "All things must go ill one day, your Highness, or what seems to be ill. That is the message of the memento mori. And usually it is one day soon." His long glass was empty again, and he was gazing with apparent absorption at the patches of discoloration on the backs of his hands.

  The Bodensee is not precisely a mountain lake. Only at the eastern end, in the territory of the Austrian Empire, above and around Bregenz, are the mountains immediate. Elsewhere they are but background, sometimes distant; occasionally fanciful, as behind Bodman, where the primitives live; often invisible through the transforming atmosphere. None the less, around the wider perimeter the mountains wait and watch, as do the immense, unknowable entities that on and within them dwell. When the moon is clouded or withdrawn, there are those areas where the lake seems as large as the sea, as black, as treacherous, as omnipotent; and no one can tell how cold who has not been afloat there in a small boat alone.

  So it was now with Elmo. There was no gleam or spark of light anywhere, but there was a faint swell on the surface of the water, and every now and then the clink of ice against the boat, though one might not have supposed the season for ice quite arrived. Never before in his life had he experienced such total darkness. Never in his childhood had he been locked in a dark cellar or cupboard, and never in manhood had he known serious action in the field. Somewhere between the rickety but, as he embarked, reasonably visible castle jetty, with its prohibitory notices, and the part of the lake where he now was, he had realized that the fabric of the boat had suffered from neglect; but he could not see the water that had seeped in, or for that matter yet hear it swill. It was merely that he could feel dampness, and a little more than dampness, when, having paused in his progress, he had placed his hand on the floor planks; which he had been led to do by the almost uncanny coldness of his ten toes.

  Still it was no matter to go back for. Life's challenge (or menace) can, after all, never be evaded; and Elmo realized that, within his world of pain, he was fortunate that to him the contest presented itself in a shape so clear-cut, so four-square, defined with such comparative precision by a schoolmaster. Whatever else might happen (if anything did), the little boat would not sink yet awhile.

  Indeed, it was perhaps not such a little boat at that: Elmo was finding it heavier and heavier to pull with every minute that passed, or was it with every hour? The darkness was so thick that it impeded his movements like frozen black treacle. The darkness also smelt. Whoever can tell what lies beneath deep waters after all the centuries and millennia; especially under such unmastered and comparatively remote waters as Elmo now traversed?

  Soon it seemed as if not merely the darkness but the lake itself were holding him back. It was almost as if he were sweating to pull or push the vessel through frozen mud; through a waste such as only the earliest seekers for the North West Passage had had to include among their trials. For all his exertion, Elmo could feel the ice quickly forming not merely on his face, but all over his body. Soon he might be encased, and doubtless the ill-maintained boat also.

  The boat was lower in the water. Elmo realized this as he tried to pull. And it was no matter of a possible leak in the hull. There was no more water in the bottom of the boat than formerly. It was still possible for Elmo to check that; which he did with his cold right hand. For the purpose he had to leave hold of the oar o
r scull; but the boat was so far down that somehow the oar left its rowlock, thereby left the boat also, and vanished into the darkness with an odd crash. Elmo in horror clutched at the other oar with both hands at once; but this action merely swung the boat's course many points to port, and the other oar vanished likewise as she twisted through the mysteriously resistant water. Elmo's hands were too frozen to hold on to the unwieldy object under such conditions.

  Elmo realized that something had hold of the bottom of the boat. He could feel the straining of her timbers, robust enough looking on shore, but out here truly matchwood or less. Indeed, the drag and stress on the boat's planks was by now the only thing he could feel, and he felt it through all his muscles. Nor was there a thing to be seen; though the confused odours were being subtly alembicated into one single sweet perfume. The crackling of the ice against the boat seemed to Elmo to be rising to a roar, although, surely, it was yet but autumn.

  It was not, he thought, the same lady that he had seen, however momentarily, however dreamily, above the lake in the Tiergarten. But she was visible all the same; and Elmo at once apprehended how and why. It must indeed be that many hours had passed, though previously he had not really thought so; because here, once more, was the first, faint, frightening light of dawn. This lady, too, had large eyes and a large mouth; but now the mouth was open, showing white and pointed teeth, as many teeth as a strange fish. Although her mouth was so very open, this lady smiled not. And, of course, as in the earlier instance, she was gone almost as soon as come; but, also as in the earlier instance, she brought back to the eyes of the heart the vision of Elvira, dread and lethal and indestructible.

  Elmo laid himself down in the boat. He was an ice-man. "Receive one who is dead already," he half whispered to the spirits of the lake and mountains.

  The light was more yellow than grey; the surface ice by no means so dense, or even so serrated as Elmo supposed. It is to be repeated it was no later than autumn.

  The few remains were far beyond identification. The body had been gnashed and gnawed and ripped, so that even the bones were mostly sliced away and splintered. And, of course, there was no proper head. All had in truth to be guesswork. "There's nothing in that coffin," men mouthed to each other when, in a few days' time, the hour came for the noble ceremony. Moreover, from first finding to last disposing, throughout it was freezing winter, authentically and accurately.

  And what happened to Viktor, some have wondered? From the time of Elmo's presumed death, he seemed steadily to recapture his wits, until when the world war struck, a generation and a half later, he was deemed fit once more for service of a land, and, though stationed far behind the lines, had the misfortune to be annihilated, with all who were with him, in consequence of a freakish hit by the British artillery; a lucky shot, the British might have called it. Thus Viktor's death too was not without distinction.

  Marriage (1977)

  Helen Black and Ellen Brown: just a simple coincidence, and representative of the very best that life offers most of us by way of comedy and diversion. A dozen harmless accidents of that kind and one could spend a year of one's life laughing and wondering, and ever and anon recur to the topic in the years still to come.

  Laming Gatestead met Helen Black in the gallery of the theater. The only thing that mattered much about the play or the production was that Yvonne Arnaud was in it, which resulted in Helen adoring the play, whereas Laming merely liked it. However, the topic gave them something to talk about. This was welcome, because it was only in the second intermission that Laming had plucked up courage (or whatever the relevant quality was) to speak at all.

  Helen was a slightly austere-looking girl, with a marked bone structure and pale eyes. Her pale hair was entirely off the face, so that her equally pale ears were conspicuous. She might not have been what Laming would have selected had he been a playboy in Brussels or a casting director with the. latest "Spotlight" on his knees; but, in present circumstances, the decisive elements were that Helen was all by herself and still quite young, whereas he was backward, blemished, and impecunious. Helen wore a delightfully simple black dress, very neatly kept. When they rose at the end of the applause, to which Laming had contributed with pleasing vigor, Helen proved to be considerably the taller.

  Secretly, Laming was very surprised when she agreed to come with him for coffee and even more surprised when, after a second cup, she accepted his invitation to another gallery, this time with Marie Tempest as the attraction. A night was firmly settled upon for the following week. They were to find one another inside. Helen had appreciated how little money Laming might have, and being entertained to coffee was quite enough at that stage of their acquaintanceship.

  He took her hand, only to shake it, of course, but even that was something. It was, however, a dry, bony hand, more neutral, he felt, than his own.

  "Oh," he said, as if he had been speaking quite casually. "I don't know your name."

  "Helen Black."

  "Perhaps I'd better have your address? I might get a sore throat."

  "42 Washwood Court, N.W.6."

  Of course his Chessman's Diary for that year had been carefully though unobtrusively at the ready: an annual gift from his Aunty Antoinette.

  "I'm Laming Gatestead."

  "Like the place in the North?"

  "Not Gateshead. Gatestead."

  "So sorry." Her eyes seemed to warm a little in the ill-lit back street, on to which the gallery exit romantically debouched.

  "Everyone gets it wrong."

  "And what an unusual Christian name!"

  "My father was keen on Sir Laming Worthington-Evans. He used to be secretary of state for war. He's dead now."

  "Which of them is?"

  "Both are, I'm afraid."

  "I am sorry. Was your father a soldier?"

  "No, he just liked to follow political form, as he called it."

  They parted without Laming's address in Drayton Park having had to be prematurely divulged.

  After that, they saw Leslie Banks and Edith Evans in The Taming of the Shrew, and before they had even stirred their coffee, Helen said, "My roommate and I would like you to come to supper one of these evenings. Not before eight o'clock, please, and don't expect too much."

  Roommates were not always joined in such invitations, but Laming realized that, after all, Helen knew virtually nothing about him and might well have been advised not necessarily to believe a word men actually said.

  "My roommate will be doing most of the cooking," said Helen.

  Ah!

  "What's her name?"

  "Ellen Brown."

  "What an extraordinary coincidence!"

  "Isn't it? How about next Wednesday? Ellen comes home early on Wednesdays and will have more time."

  "What does Ellen do?"

  "She advises on baby clothes."

  "Not exactly my world. Well, not yet."

  "Ellen's very nice," said Helen firmly.

  Helen's face offered much expression, Laming reflected. Within her own limits, she seemed to do perfectly well without it.

  And, indeed, Ellen was nice. In fact, she was just, about the nicest girl that Laming had ever encountered (if that was the word). Her handshake was soft, lingering, and very slightly moist, and the deep V of her striped jumper implied a trustfulness that went straight to Laming's heart. She had large brown eyes, a gentle nose, and thick, short hair, very dark, into which one longed to plunge first one's fingers and then one's mouth. Laming found himself offering her the box of White Magic peppermint creams he had brought with him, before realizing that of course he should have proffered it first to Helen.

  In fact, Ellen, herself so like a soft round peppermint cream, immediately passed the unopened box to Helen, which hardly made an ideal start to what was bound to be a tricky evening.

  Ellen looked much younger than Helen. Fifteen years? Laming wondered. But he was no good at such assessments and had several times in his life made slightly embarrassing errors.
r />   "I'm quite ready when you both are," said Ellen, as if Helen had contributed nothing to the repast. There was no smell of cooking and no sign of a teacloth. Everything was calm and controlled.

  "Laming would like a glass of sherry first," said Helen. She wore a simple dark-blue dress.

  Again Laming had difficulty in not raising his glass primarily to Ellen.

  There was a little soup and then a cutlet each, with a few runner beans and pommes a la Suisse.

  Helen sat at the head of the small rectangular table, with Laming on her left and Ellen on her right.

  Laming was unable to meet Ellen's lustrous eyes for more than a second at a time, but there was no particular difficulty in gazing for longer periods at the glimpses of Ellen's slip, peony in color. Ellen's hand movements were beautiful too.

  Helen was talking about how much she adored Leslie Banks. She would go absolutely anywhere to see him, do absolutely anything. She said such things without a trace of gush or even any particular animation. It was possibly a manner she had acquired in the civil service. (She was concerned in some way with poultry statistics.)

  "I often dream of that mark on his face," said Helen calmly.

  "Is it a birthmark?" asked Ellen. Her very voice was like sweet chestnut puree at Christmas and, in the same way, offered only sparingly. She had said only five things since Laming had been in the room. Laming knew because he had counted them. He also remembered them, word perfect.

  "I think it's a war wound," said Laming, speaking toward his cutlet.

  "Ellen wouldn't know," said Helen. "She doesn't follow the stage very much. We must go and see Raymond Massey some time, Laming. I adore him too, though not as much as Leslie Banks."

  "Raymond Massey is a Canadian," offered Laming.

  "But with hardly a trace of an accent."

  "I once saw Fred Terry when I was a kid," said Laming. "In Sweet Nell of Old Drury."

  "I was brought up in Sidmouth, and Ellen in Church Win-shun," said Helen.

  "Only North London," said Laming, with exaggerated modesty. "But I saw Fred Terry and Julia Neilson at the King's Hammersmith when visiting my aunty."

 

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