When the Snow Moon came he moved with Graytail to the Castle Frank woods, where food was plenty as well as grand old trees. There was in particular, on the east slope among the creeping hemlocks, a splendid pine. It was six feet through, and its first branches began at the tops of the other trees. Its top in summer-time was a famous resort for the bluejay and his bride. Here, far beyond the reach of shot, in warm spring days the jay would sing and dance before his mate, spread his bright blue plumes and warble the sweetest fairyland music, so sweet and soft that few hear it but the one for whom it is meant, and books know nothing at all about it.
This great pine had an especial interest for Redruff, now living near with his remaining young one, but its base, not its far-away crown, concerned him. All around were low, creeping hemlocks, and among them the partridge-vine and the wintergreen grew, and the sweet black acorns could be scratched from under the snow. There was no better feeding-ground, for when that insatiable gunner came on them there it was easy to run low among the hemlock to the great pine, then rise with a derisive whirr behind its bulk, and keeping the huge trunk in line with the deadly gun, skim off in safety. A dozen times at least the pine had saved them during the lawful murder season, and here it was that Cuddy, knowing their feeding habits, laid a new trap. Under the bank he sneaked and watched in ambush while an accomplice went around the Sugar Loaf to drive the birds. He came trampling through the low thicket where Redruff and Graytail were feeding, and long before the gunner was dangerously near Redruff gave a low warning 'rrr-rrr' (danger) and walked quickly toward the great pine in case they had to rise.
Graytail was some distance up the hill, and suddenly caught sight of a new foe close at hand, the yellow cur, coming right on. Redruff, much farther off, could not see him for the bushes, and Graytail became greatly alarmed.
'Kwit, kwit' (Fly, fly), she cried, running down the hill for a start. 'Kreet, k-r-r-r' (This way, hide), cried the cooler Redruff, for he saw that now the man with the gun was getting in range. He gained the great trunk, and behind it, as he paused a moment to call earnestly to Graytail, 'This way, this way,' he heard a slight noise under the bank before him that betrayed the ambush, then there was a terrified cry from Graytail as the dog sprang at her, she rose in air and skimmed behind the shielding trunk, away from the gunner in the open, right into the power of the miserable wretch under the bank.
Whirr, and up she went, a beautiful, sentient, noble being.
Bang, and down she fell—battered and bleeding, to gasp her life out and to lie a rumpled mass of carrion in the snow.
It was a perilous place for Redruff. There was no chance for a safe rise, so he squatted low. The dog came within ten feet of him, and the stranger, coming across to Cuddy, passed at five feet, but he never moved till a chance came to slip behind the great trunk away from both. Then he safely rose and flew to the lonely glen by Taylor's Hill.
One by one the deadly cruel gun had stricken his near ones down, till now, once more, he was alone. The Snow Moon slowly passed with many a narrow escape, and Redruff, now known to be the only survivor of his kind, was relentlessly pursued, and grew wilder every day.
It seemed, at length, a waste of time to follow him with a gun, so when the snow was deepest, and food scarcest, Cuddy hatched a new plot. Right across the feeding-ground, almost the only good one now in the Stormy Moon, he set a row of snares. A cottontail rabbit, an old friend, cut several of these with his sharp teeth, but some remained, and Redruff, watching a far-off speck that might turn out a hawk, trod right in one of them, and in an instant was jerked into the air to dangle by one foot.
Have the wild things no moral or legal rights? What right has man to inflict such long and fearful agony on a fellow-creature, simply because that creature does not speak his language? All that day, with growing, racking pains, poor Redruff hung and beat his great, strong wings in helpless struggles to be free. All day, all night, with growing torture, until he only longed for death. But no one came. The morning broke, the day wore on, and still he hung there, slowly dying; his very strength a curse. The second night crawled slowly down, and when, in the dawdling hours of darkness, a great Horned Owl, drawn by the feeble flutter of a dying wing, cut short the pain, the deed was wholly kind.
The wind blew down the valley from the north. The snow-horses went racing over the wrinkled ice, over the Don Flats, and over the marsh toward the lake, white, for they were driven snow, but on them, scattered dark, were riding plumy fragments of partridge ruffs—the famous rainbow ruffs. And they rode on the wind that night, away, away to the south, over the dark lake, as they rode in the gloom of his Mad Moon flight, riding and riding on till they were engulfed, the last trace of the last of the Don Valley race.
For no partridge is heard in Castle Frank now—and in Mud Creek Ravine the old pine drum-log, unused, has rotted in silence away.
RAGGYLUG
THE STORY OF A COTTONTAIL RABBIT
Raggylug, or Rag, was the name of a young cottontail rabbit. It was given him from his torn and ragged ear, a life-mark that he got in his first adventure. He lived with his mother in Olifant's swamp, where I made their acquaintance and gathered, in a hundred different ways, the little bits of proof and scraps of truth that at length enabled me to write this history.
Those who do not know the animals well may think I have humanized them, but those who have lived so near them as to know somewhat of their ways and their minds will not think so.
Truly rabbits have no speech as we understand it, but they have a way of conveying ideas by a system of sounds, signs, scents, whisker-touches, movements, and example that answers the purpose of speech; and it must be remembered that though in telling this story I freely translate from rabbit into English, I repeat nothing that they did not say.
I
The rank swamp grass bent over and concealed the snug nest where Raggylug's mother had hidden him. She had partly covered him with some of the bedding, and, as always, her last warning was to 'lay low and say nothing, whatever happens.' Though tucked in bed, he was wide awake and his bright eyes were taking in that part of his little green world that was straight above. A bluejay and a red-squirrel, two notorious thieves, were loudly berating each other for stealing, and at one time Rag's home bush was the centre of their fight; a yellow warbler caught a blue butterfly but six inches from his nose, and a scarlet and black ladybug, serenely waving her knobbed feelers, took a long walk up one grassblade, down another, and across the nest and over Rag's face—and yet he never moved nor even winked.
'Mammy, Mammy!' he screamed, in mortal terror.
After awhile he heard a strange rustling of the leaves in the near thicket. It was an odd, continuous sound, and though it went this way and that way and came ever nearer, there was no patter of feet with it. Rag had lived his whole life in the swamp (he was three weeks old) and yet had never heard anything like this. Of course his curiosity was greatly aroused. His mother had cautioned him to lay low, but that was understood to be in case of danger, and this strange sound without footfalls could not be any to fear.
The low rasping went past close at hand, then to the right, then back, and seemed going away. Rag felt he knew what he was about, he wasn't a baby; it was his duty to learn what it was. He slowly raised his roly-poly body on his short, fluffy legs, lifted his little round head above the covering of his nest and peeped out into the woods. The sound had ceased as soon as he moved. He saw nothing, so took one step forward to a clear view, and instantly found himself face to face with an enormous Black Serpent.
"Mammy," he screamed in mortal terror as the monster darted at him. With all the strength of his tiny limbs he tried to run. But in a flash the Snake had him by one ear and whipped around him with his coils to gloat over the helpless little baby bunny he had secured for dinner.
"Mammy—Mammy," gasped poor little Raggylug as the cruel monster began slowly choking him to death. Very soon the little one's cry would have ceased, but bounding through the woods straight
as an arrow came Mammy. No longer a shy, helpless little Molly Cottontail, ready to fly from a shadow: the mother's love was strong in her. The cry of her baby had filled her with the courage of a hero, and-hop, she went over that horrible reptile. Whack, she struck down at him with her sharp hind claws as she passed, giving him such a stinging blow that he squirmed with pain and hissed with anger.
"M-a-m-m-y," came feebly from the little one. And Mammy came leaping again and again and struck harder and fiercer until the loathsome reptile let go the little one's ear and tried to bite the old one as she leaped over. But all he got was a mouthful of wool each time, and Molly's fierce blows began to tell, as long bloody rips were torn in the Black Snake's scaly armor.
Things were now looking bad for the Snake; and bracing himself for the next charge, he lost his tight hold on Baby Bunny, who at once wriggled out of the coils and away into the underbrush, breathless and terribly frightened, but unhurt save that his left ear was much torn by the teeth of that dreadful Serpent.
Molly had now gained all she wanted. She had no notion of fighting for glory or revenge. Away she went into the woods and the little one followed the shining beacon of her snow-white tail until she led him to a safe corner of the Swamp.
II
Old Olifant's Swamp was a rough, brambly tract of second-growth woods, with a marshy pond and a stream through the middle. A few ragged remnants of the old forest still stood in it and a few of the still older trunks were lying about as dead logs in the brushwood. The land about the pond was of that willow-grown, sedgy kind that cats and horses avoid, but that cattle do not fear. The drier zones were overgrown with briars and young trees. The outermost belt of all, that next the fields, was of thrifty, gummy-trunked young pines whose living needles in air and dead ones on earth offer so delicious an odor to the nostrils of the passer-by, and so deadly a breath to those seedlings that would compete with them for the worthless waste they grow on.
All around for a long way were smooth fields, and the only wild tracks that ever crossed these fields were those of a thoroughly bad and unscrupulous fox that lived only too near.
The chief indwellers of the swamp were Molly and Rag. Their nearest neighbors were far away, and their nearest kin were dead. This was their home, and here they lived together, and here Rag received the training that made his success in life.
Molly was a good little mother and gave him a careful bringing up. The first thing he learned was 'to lay low and say nothing.' His adventure with the snake taught him the wisdom of this. Rag never forgot that lesson; afterward he did as he was told, and it made the other things come more easily.
The second lesson he learned was 'freeze.' It grows out of the first, and Rag was taught it as soon as he could run.
'Freezing' is simply doing nothing, turning into a statue. As soon as he finds a foe near, no matter what he is doing, a well-trained Cottontail keeps just as he is and stops all movement, for the creatures of the woods are of the same color as the things in the woods and catch the eye only while moving. So when enemies chance together, the one who first sees the other can keep himself unseen by 'freezing' and thus have all the advantage of choosing the time for attack or escape. Only those who live in the woods know the importance of this; every wild creature and every hunter must learn it; all learn to do it well, but not one of them can beat Molly Cottontail in the doing. Rag's mother taught him this trick by example. When the white cotton cushion that she always carried to sit on went bobbing away through the woods, of course Rag ran his hardest to keep up. But when Molly stopped and 'froze,' the natural wish to copy made him do the same.
But the best lesson of all that Rag learned from his mother was the secret of the Brierbrush. It is a very old secret now, and to make it plain you must first hear why the Brierbrush quarrelled with the beasts.
Long ago the Roses used to grow on bushes that had no thorns. But the Squirrels and Mice used to climb after them, the cattle used to knock them off with their horns, the Possum would twitch them off with his long tail, and the Deer, with his sharp hoofs, would break them down. So the Brierbrush armed itself with spikes to protect its roses and declared eternal war on all creatures that climbed trees, or had horns, or hoofs, or long tails. This left the Brierbrush at peace with none but Molly Cottontail, who could not climb, was hornless, hoof-less and had scarcely any tail at all.
In truth the Cottontail had never harmed a Brierrose, and having now so many enemies the Rose took the Rabbit into especial friendship, and when dangers are threatening poor Bunny he flies to the nearest Brierbrush, certain that it is ready, with a million keen and poisoned daggers, to defend him.
So the secret that Rag learned from his mother was, 'The Brierbrush is your best friend.'
Much of the time that season was spent in learning the lay of the land, and the bramble and brier mazes. And Rag learned them so well that he could go all around the swamp by two different ways and never leave the friendly briers at any place for more than five hops.
It is not long since the foes of the Cottontails were disgusted to find that man had brought a new kind of bramble and planted it in long lines throughout the country. It was so strong that no creatures could break it down, and so sharp that the toughest skin was torn by it. Each year there was more of it and each year it became a more serious matter to the wild creatures. But Molly Cottontail had no fear of it. She was not brought up in the briers for nothing. Dogs and foxes, cattle and sheep, and even man himself might be torn by those fearful spikes: but Molly understands it and lives and thrives under it. And the further it spreads the more safe country there is for the Cottontail. And the name of this new and dreaded bramble is—the barbed-wire fence.
III
Molly had no other children to look after now, so Rag had all her care. He was unusually quick and bright as well as strong, and he had uncommonly good chances; so he got on remarkably well.
All the season she kept him busy learning the tricks of the trail, and what to eat and drink and what not to touch. Day by day she worked to train him; little by little she taught him, putting into his mind hundreds of ideas that her own life or early training had stored in hers, and so equipped him with the knowledge that makes life possible to their kind.
Close by her side in the clover-field or the thicket he would sit and copy her when she wobbled her nose 'to keep her smeller clear,' and pull the bite from her mouth or taste her lips to make sure he was getting the same kind of fodder. Still copying her, he learned to comb his ears with his claws and to dress his coat and to bite the burrs out of his vest and socks. He learned, too, that nothing but clear dewdrops from the briers were fit for a rabbit to drink, as water which has once touched the earth must surely bear some taint. Thus he began the study of woodcraft, the oldest of all sciences.
As soon as Rag was big enough to go out alone, his mother taught him the signal code. Rabbits telegraph each other by thumping on the ground with their hind feet. Along the ground sound carries far; a thump that at six feet from the earth is not heard at twenty yards will, near the ground, be heard at least one hundred yards. Rabbits have very keen hearing, and so might hear this same thump at two hundred yards, and that would reach from end to end of Olifant's Swamp. A single thump means 'look out' or 'freeze.' A slow thump thump means 'come.' A fast thump thump means 'danger;' and a very fast thump thump thump means 'run for dear life.'
At another time, when the weather was fine and the bluejays were quarrelling among themselves, a sure sign that no dangerous foe was about, Rag began a new study. Molly, by flattening her ears, gave the sign to squat. Then she ran far away in the thicket and gave the thumping signal for 'come.' Rag set out at a run to the place but could not find Molly. He thumped, but got no reply. Setting carefully about his search he found her foot-scent, and following this strange guide, that the beasts all know so well and man does not know at all, he worked out the trail and found her where she was hidden. Thus he got his first lesson in trailing, and thus it was that the g
ames of hide and seek they played became the schooling for the serious chase of which there was so much in his after-life.
Before that first season of schooling was over he had learnt all the principal tricks by which a rabbit lives, and in not a few problems showed himself a veritable genius.
He was an adept at 'tree,' 'dodge,' and 'squat;' he could play 'log-lump' with 'wind,' and 'baulk' with 'back-track' so well that he scarcely needed any other tricks. He had not yet tried it, but he knew just how to play 'barb-wire,' which is a new trick of the brilliant order; he had made a special study of 'sand,' which burns up all scent, and he was deeply versed in 'change-off,' 'fence,' and 'double,' as well as 'hole-up,' which is a trick requiring longer notice, and yet he never forgot that 'lay-low' is the beginning of all wisdom and 'brierbrush' the only trick that is always safe.
He was taught the signs by which to know all his foes and then the way to baffle them. For hawks, owls, foxes, hounds, curs, minks, weasels, cats, skunks, coons, and men, each have a different plan of pursuit, and for each and all of these evils he was taught a remedy.
And for knowledge of the enemy's approach he learnt to depend first on himself and his mother, and then on the bluejay. "Never neglect the bluejay's warning," said Molly; "he is a mischief-maker, a marplot, and a thief all the time, but nothing escapes him. He wouldn't mind harming us, but he cannot, thanks to the briers, and his enemies are ours, so it is well to heed him. If the woodpecker cries a warning you can trust him, he is honest; but he is a fool beside the bluejay, and though the bluejay often tells lies for mischief you are safe to believe him when he brings ill news."
Lobo, Rag and Vixen / Being The Personal Histories Of Lobo, Redruff, Raggylug & Vixen Page 5