“But how do you know that, for God’s sake? The alethiometer again?”
“Yes. Lyra has a part to play in all this, and a major one. The irony is that she must do it all without realizing what she’s doing. She can be helped, though, and if my plan with the Tokay had succeeded, she would have been safe for a little longer. I would have liked to spare her a journey to the North. I wish above all things that I were able to explain it to her …”
“She wouldn’t listen,” the Librarian said. “I know her ways only too well. Try to tell her anything serious and she’ll half-listen for five minutes and then start fidgeting. Quiz her about it next time and she’ll have completely forgotten.”
“If I talked to her about Dust? You don’t think she’d listen to that?”
The Librarian made a noise to indicate how unlikely he thought that was.
“Why on earth should she?” he said. “Why should a distant theological riddle interest a healthy, thoughtless child?”
“Because of what she must experience. Part of that includes a great betrayal.…”
“Who’s going to betray her?”
“No, no, that’s the saddest thing: she will be the betrayer, and the experience will be terrible. She mustn’t know that, of course, but there’s no reason for her not to know about the problem of Dust. And you might be wrong, Charles; she might well take an interest in it, if it were explained in a simple way. And it might help her later on. It would certainly help me to be less anxious about her.”
“That’s the duty of the old,” said the Librarian, “to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.”
They sat for a while longer, and then parted, for it was late, and they were old and anxious.
3
LYRA’S JORDAN
Jordan College was the grandest and richest of all the colleges in Oxford. It was probably the largest, too, though no one knew for certain. The buildings, which were grouped around three irregular quadrangles, dated from every period from the early Middle Ages to the mid-eighteenth century. It had never been planned; it had grown piecemeal, with past and present overlapping at every spot, and the final effect was one of jumbled and squalid grandeur. Some part was always about to fall down, and for five generations the same family, the Parslows, had been employed full time by the College as masons and scaffolders. The present Mr. Parslow was teaching his son the craft; the two of them and their three workmen would scramble like industrious termites over the scaffolding they’d erected at the corner of the library, or over the roof of the chapel, and haul up bright new blocks of stone or rolls of shiny lead or balks of timber.
The College owned farms and estates all over England. It was said that you could walk from Oxford to Bristol in one direction and London in the other, and never leave Jordan land. In every part of the kingdom there were dye works and brick kilns, forests and atomcraft works that paid rent to Jordan, and every quarter-day the bursar and his clerks would tot it all up, announce the total to Concilium, and order a pair of swans for the feast. Some of the money was put by for reinvestment—Concilium had just approved the purchase of an office block in Manchester—and the rest was used to pay the Scholars’ modest stipends and the wages of the servants (and the Parslows, and the other dozen or so families of craftsmen and traders who served the College), to keep the wine cellar richly filled, to buy books and anbarographs for the immense library that filled one side of the Melrose Quadrangle and extended, burrow-like, for several floors beneath the ground, and, not least, to buy the latest philosophical apparatus to equip the chapel.
It was important to keep the chapel up to date, because Jordan College had no rival, either in Europe or in New France, as a center of experimental theology. Lyra knew that much, at least. She was proud of her College’s eminence, and liked to boast of it to the various urchins and ragamuffins she played with by the canal or the claybeds; and she regarded visiting Scholars and eminent professors from elsewhere with pitying scorn, because they didn’t belong to Jordan and so must know less, poor things, than the humblest of Jordan’s under-Scholars.
As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the notion that it was concerned with magic, with the movements of the stars and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had dæmons just as humans did, and experimental theology involved talking to them. Lyra imagined the Chaplain speaking loftily, listening to the star dæmons’ remarks, and then nodding judiciously or shaking his head in regret. But what might be passing between them, she couldn’t conceive.
Nor was she particularly interested. In many ways Lyra was a barbarian. What she liked best was clambering over the College roofs with Roger, the kitchen boy who was her particular friend, to spit plum stones on the heads of passing Scholars or to hoot like owls outside a window where a tutorial was going on, or racing through the narrow streets, or stealing apples from the market, or waging war. Just as she was unaware of the hidden currents of politics running below the surface of College affairs, so the Scholars, for their part, would have been unable to see the rich seething stew of alliances and enmities and feuds and treaties which was a child’s life in Oxford. Children playing together: how pleasant to see! What could be more innocent and charming?
In fact, of course, Lyra and her peers were engaged in deadly warfare. There were several wars running at once. The children (young servants, and the children of servants, and Lyra) of one college waged war on those of another. Lyra had once been captured by the children of Gabriel College, and Roger and their friends Hugh Lovat and Simon Parslow had raided the place to rescue her, creeping through the Precentor’s garden and gathering armfuls of small stone-hard plums to throw at the kidnappers. There were twenty-four colleges, which allowed for endless permutations of alliance and betrayal. But the enmity between the colleges was forgotten in a moment when the town children attacked a colleger: then all the collegers banded together and went into battle against the townies. This rivalry was hundreds of years old, and very deep and satisfying.
But even this was forgotten when the other enemies threatened. One enemy was perennial: the brickburners’ children, who lived by the claybeds and were despised by collegers and townies alike. Last year Lyra and some townies had made a temporary truce and raided the claybeds, pelting the brickburners’ children with lumps of heavy clay and tipping over the soggy castle they’d built, before rolling them over and over in the clinging substance they lived by until victors and vanquished alike resembled a flock of shrieking golems.
The other regular enemy was seasonal. The gyptian families, who lived in canal boats, came and went with the spring and autumn fairs, and were always good for a fight. There was one family of gyptians in particular, who regularly returned to their mooring in that part of the city known as Jericho, with whom Lyra’d been feuding ever since she could first throw a stone. When they were last in Oxford, she and Roger and some of the other kitchen boys from Jordan and St. Michael’s College had laid an ambush for them, throwing mud at their brightly painted narrowboat until the whole family came out to chase them away—at which point the reserve squad under Lyra raided the boat and cast it off from the bank, to float down the canal, getting in the way of all the other water traffic while Lyra’s raiders searched the boat from end to end, looking for the bung. Lyra firmly believed in this bung. If they pulled it out, she assured her troop, the boat would sink at once; but they didn’t find it, and had to abandon ship when the gyptians caught them up, to flee dripping and crowing with triumph through the narrow lanes of Jericho.
That was Lyra’s world and her delight. She was a coarse and greedy little savage, for the most part. But she always had a dim sense that it wasn’t her whole world; that part of her also belonged in the grandeur and ritual of Jordan College; and that somewhere in her life there was a connection with the high world of politics represented by Lord Asriel. All she did
with that knowledge was to give herself airs and lord it over the other urchins. It had never occurred to her to find out more.
So she had passed her childhood, like a half-wild cat. The only variation in her days came on those irregular occasions when Lord Asriel visited the College. A rich and powerful uncle was all very well to boast about, but the price of boasting was having to be caught by the most agile Scholar and brought to the Housekeeper to be washed and dressed in a clean frock, following which she was escorted (with many threats) to the Senior Common Room to have tea with Lord Asriel and an invited group of senior Scholars. She dreaded being seen by Roger. He’d caught sight of her on one of these occasions and hooted with laughter at this beribboned and pink-frilled vision. She had responded with a volley of shrieking curses that shocked the poor Scholar who was escorting her, and in the Senior Common Room she’d slumped mutinously in an armchair until the Master told her sharply to sit up, and then she’d glowered at them all till even the Chaplain had to laugh.
What happened on those awkward, formal visits never varied. After the tea, the Master and the other few Scholars who’d been invited left Lyra and her uncle together, and he called her to stand in front of him and tell him what she’d learned since his last visit. And she would mutter whatever she could dredge up about geometry or Arabic or history or anbarology, and he would sit back with one ankle resting on the other knee and watch her inscrutably until her words failed.
Last year, before his expedition to the North, he’d gone on to say, “And how do you spend your time when you’re not diligently studying?”
And she mumbled, “I just play. Sort of around the College. Just … play, really.”
And he said, “Let me see your hands, child.”
She held out her hands for inspection, and he took them and turned them over to look at her fingernails. Beside him, his dæmon lay sphinxlike on the carpet, swishing her tail occasionally and gazing unblinkingly at Lyra.
“Dirty,” said Lord Asriel, pushing her hands away. “Don’t they make you wash in this place?”
“Yes,” she said. “But the Chaplain’s fingernails are always dirty. They’re even dirtier than mine.”
“He’s a learned man. What’s your excuse?”
“I must’ve got them dirty after I washed.”
“Where do you play to get so dirty?”
She looked at him suspiciously. She had the feeling that being on the roof was forbidden, though no one had actually said so. “In some of the old rooms,” she said finally.
“And where else?”
“In the claybeds, sometimes.”
“And?”
“Jericho and Port Meadow.”
“Nowhere else?”
“No.”
“You’re a liar. I saw you on the roof only yesterday.”
She bit her lip and said nothing. He was watching her sardonically.
“So, you play on the roof as well,” he went on. “Do you ever go into the library?”
“No. I found a rook on the library roof, though,” she went on.
“Did you? Did you catch it?”
“It had a hurt foot. I was going to kill it and roast it but Roger said we should help it get better. So we gave it scraps of food and some wine and then it got better and flew away.”
“Who’s Roger?”
“My friend. The kitchen boy.”
“I see. So you’ve been all over the roof—”
“Not all over. You can’t get onto the Sheldon Building because you have to jump up from Pilgrim’s Tower across a gap. There’s a skylight that opens onto it, but I’m not tall enough to reach it.”
“You’ve been all over the roof except the Sheldon Building. What about underground?”
“Underground?”
“There’s as much College below ground as there is above it. I’m surprised you haven’t found that out. Well, I’m going in a minute. You look healthy enough. Here.”
He fished in his pocket and drew out a handful of coins, from which he gave her five gold dollars.
“Haven’t they taught you to say thank you?” he said.
“Thank you,” she mumbled.
“Do you obey the Master?”
“Oh, yes.”
“And respect the Scholars?”
“Yes.”
Lord Asriel’s dæmon laughed softly. It was the first sound she’d made, and Lyra blushed.
“Go and play, then,” said Lord Asriel.
Lyra turned and darted to the door with relief, remembering to turn and blurt out a “Goodbye.”
So Lyra’s life had been, before the day when she decided to hide in the Retiring Room, and first heard about Dust.
And of course the Librarian was wrong in saying to the Master that she wouldn’t have been interested. She would have listened eagerly now to anyone who could tell her about Dust. She was to hear a great deal more about it in the months to come, and eventually she would know more about Dust than anyone in the world; but in the meantime, there was all the rich life of Jordan still being lived around her.
And in any case there was something else to think about. A rumor had been filtering through the streets for some weeks: a rumor that made some people laugh and others grow silent, as some people scoff at ghosts and others fear them. For no reason that anyone could imagine, children were beginning to disappear.
It would happen like this.
East along the great highway of the River Isis, thronged with slow-moving brick barges and asphalt boats and corn tankers, way down past Henley and Maidenhead to Teddington, where the tide from the German Ocean reaches, and further down still: to Mortlake, past the house of the great magician Dr. Dee; past Falkeshall, where the pleasure gardens spread out bright with fountains and banners by day, with tree lamps and fireworks by night; past White Hall Palace, where the king holds his weekly council of state; past the Shot Tower, dropping its endless drizzle of molten lead into vats of murky water; further down still, to where the river, wide and filthy now, swings in a great curve to the south.
This is Limehouse, and here is the child who is going to disappear.
He is called Tony Makarios. His mother thinks he’s nine years old, but she has a poor memory that the drink has rotted; he might be eight, or ten. His surname is Greek, but like his age, that is a guess on his mother’s part, because he looks more Chinese than Greek, and there’s Irish and Skraeling and Lascar in him from his mother’s side too. Tony’s not very bright, but he has a sort of clumsy tenderness that sometimes prompts him to give his mother a rough hug and plant a sticky kiss on her cheeks. The poor woman is usually too fuddled to start such a procedure herself; but she responds warmly enough, once she realizes what’s happening.
At the moment Tony is hanging about the market in Pie Street. He’s hungry. It’s early evening, and he won’t get fed at home. He’s got a shilling in his pocket that a soldier gave him for taking a message to his best girl, but Tony’s not going to waste that on food, when you can pick up so much for nothing.
So he wanders through the market, between the old-clothes stalls and the fortune-paper stalls, the fruitmongers and the fried-fish seller, with his little dæmon on his shoulder, a sparrow, watching this way and that; and when a stall holder and her dæmon are both looking elsewhere, a brisk chirp sounds, and Tony’s hand shoots out and returns to his loose shirt with an apple or a couple of nuts, and finally with a hot pie.
The stall holder sees that, and shouts, and her cat dæmon leaps, but Tony’s sparrow is aloft and Tony himself halfway down the street already. Curses and abuse go with him, but not far. He stops running at the steps of St. Catherine’s Oratory, where he sits down and takes out his steaming, battered prize, leaving a trail of gravy on his shirt.
And he’s being watched. A lady in a long yellow-red fox-fur coat, a beautiful young lady whose dark hair falls, shining delicately, under the shadow of her fur-lined hood, is standing in the doorway of the oratory, half a dozen steps above him. It might be t
hat a service is finishing, for light comes from the doorway behind her, an organ is playing inside, and the lady is holding a jeweled breviary.
Tony knows nothing of this. His face contentedly deep in the pie, his toes curled inward and his bare soles together, he sits and chews and swallows while his dæmon becomes a mouse and grooms her whiskers.
The young lady’s dæmon is moving out from beside the fox-fur coat. He is in the form of a monkey, but no ordinary monkey: his fur is long and silky and of the most deep and lustrous gold. With sinuous movements he inches down the steps toward the boy, and sits a step above him.
Then the mouse senses something, and becomes a sparrow again, cocking her head a fraction sideways, and hops along the stone a step or two.
The monkey watches the sparrow; the sparrow watches the monkey.
The monkey reaches out slowly. His little hand is black, his nails perfect horny claws, his movements gentle and inviting. The sparrow can’t resist. She hops further, and further, and then, with a little flutter, up on to the monkey’s hand.
The monkey lifts her up, and gazes closely at her before standing and swinging back to his human, taking the sparrow dæmon with him. The lady bends her scented head to whisper.
And then Tony turns. He can’t help it.
“Ratter!” he says, half in alarm, his mouth full.
The sparrow chirps. It must be safe. Tony swallows his mouthful and stares.
“Hello,” says the beautiful lady. “What’s your name?”
“Tony.”
“Where do you live, Tony?”
“Clarice Walk.”
“What’s in that pie?”
“Beefsteak.”
“Do you like chocolatl?”
“Yeah!”
“As it happens, I’ve got more chocolatl than I can drink myself. Will you come and help me drink it?”
His Dark Materials Omnibus Page 4