“Your death taps you on the shoulder, or takes your hand, and says, ‘Come along o’ me, it’s time.’ It might happen when you’re sick with a fever, or when you choke on a piece of dry bread, or when you fall off a high building; in the middle of your pain and travail, your death comes to you kindly and says, ‘Easy now, easy, child, you come along o’ me,’ and you go with them in a boat out across the lake into the mist. What happens there, no one knows. No one’s ever come back.”
The woman told a child to call the deaths in, and he scampered to the door and spoke to them. Will and Lyra watched in wonder, and the Gallivespians drew closer together, as the deaths—one for each of the family—came in through the door: pale, unremarkable figures in shabby clothes, just drab and quiet and dull.
“These are your deaths?” said Tialys.
“Indeed, sir,” said Peter.
“Do you know when they’ll tell you it’s time to go?”
“No. But you know they’re close by, and that’s a comfort.”
Tialys said nothing, but it was clear that he felt it would be anything but a comfort. The deaths stood politely along the wall, and it was strange to see how little space they took up, and to find how little notice they attracted. Lyra and Will soon found themselves ignoring them altogether, though Will thought: Those men I killed—their deaths were close beside them all the time—they didn’t know, and I didn’t know …
The woman, Martha, dished the stew onto chipped enamel plates and put some in a bowl for the deaths to pass among themselves. They didn’t eat, but the good smell kept them content. Presently all the family and their guests were eating hungrily, and Peter asked the children where they’d come from, and what their world was like.
“I’ll tell you all about it,” said Lyra.
As she said that, as she took charge, part of her felt a little stream of pleasure rising upward in her breast like the bubbles in champagne. And she knew Will was watching, and she was happy that he could see her doing what she was best at, doing it for him and for all of them.
She started by telling about her parents. They were a duke and duchess, very important and wealthy, who had been cheated out of their estate by a political enemy and thrown into prison. But they managed to escape by climbing down a rope with the baby Lyra in her father’s arms, and they regained the family fortune, only to be attacked and murdered by outlaws. Lyra would have been killed as well, and roasted and eaten, had not Will rescued her just in time and taken her back to the wolves, in the forest where he was being brought up as one of them. He had fallen overboard as a baby from the side of his father’s ship and been washed up on a desolate shore, where a female wolf had suckled him and kept him alive.
The people ate up this nonsense with placid credulity, and even the deaths crowded close to listen, perching on the bench or lying on the floor close by, gazing at her with their mild and courteous faces as she spun out the tale of her life with Will in the forest.
He and Lyra stayed with the wolves for a while, and then moved to Oxford to work in the kitchens of Jordan College. There they met Roger, and when Jordan was attacked by the brickburners who lived in the clay beds, they had to escape in a hurry; so she and Will and Roger captured a gyptian narrow boat and sailed it all the way down the Thames, nearly getting caught at Abingdon Lock, and then they’d been sunk by the Wapping pirates and had to swim for safety to a three-masted clipper just setting off for Hang Chow in Cathay to trade for tea.
And on the clipper they’d met the Gallivespians, who were strangers from the moon, blown down to the earth by a fierce gale out of the Milky Way. They’d taken refuge in the crow’s nest, and she and Will and Roger used to take turns going up there to see them, only one day Roger lost his footing and plunged down into Davy Jones’s locker.
They tried to persuade the captain to turn the ship around and look for him, but he was a hard, fierce man only interested in the profit he’d make by getting to Cathay quickly, and he clapped them in irons. But the Gallivespians brought them a file, and …
And so on. From time to time she’d turn to Will or the spies for confirmation, and Salmakia would add a detail or two, or Will would nod, and the story wound itself up to the point where the children and their friends from the moon had to find their way to the land of the dead in order to learn, from her parents, the secret of where the family fortune had been buried.
“And if we knew our deaths, in our land,” she said, “like you do here, it would be easier, probably; but I think we’re really lucky to find our way here, so’s we could get your advice. And thank you very much for being so kind and listening, and for giving us this meal, it was really nice.
“But what we need now, you see, or in the morning maybe, is we need to find a way out across the water where the dead people go, and see if we can get there, too. Is there any boats we could sort of hire?”
They looked doubtful. The children, flushed with tiredness, looked with sleepy eyes from one grownup to the other, but no one could suggest where they could find a boat.
Then came a voice that hadn’t spoken before. From the depths of the bedclothes in the corner came a dry-cracked-nasal tone—not a woman’s voice—not a living voice: it was the voice of the grandmother’s death.
“The only way you’ll cross the lake and go to the land of the dead,” he said, and he was leaning up on his elbow, pointing with a skinny finger at Lyra, “is with your own deaths. You must call up your own deaths. I have heard of people like you, who keep their deaths at bay. You don’t like them, and out of courtesy they stay out of sight. But they’re not far off. Whenever you turn your head, your deaths dodge behind you. Wherever you look, they hide. They can hide in a teacup. Or in a dewdrop. Or in a breath of wind. Not like me and old Magda here,” he said, and he pinched her withered cheek, and she pushed his hand away. “We live together in kindness and friendship. That’s the answer, that’s it, that’s what you’ve got to do, say welcome, make friends, be kind, invite your deaths to come close to you, and see what you can get them to agree to.”
His words fell into Lyra’s mind like heavy stones, and Will, too, felt the deadly weight of them.
“How should we do that?” he said.
“You’ve only got to wish for it, and the thing is done.”
“Wait,” said Tialys.
Every eye turned to him, and those deaths lying on the floor sat up to turn their blank, mild faces to his tiny, passionate one. He was standing close by Salmakia, his hand on her shoulder. Lyra could see what he was thinking: he was going to say that this had gone too far, they must turn back, they were taking this foolishness to irresponsible lengths.
So she stepped in. “Excuse me,” she said to the man Peter, “but me and our friend the Chevalier, we’ve got to go outside for a minute, because he needs to talk to his friends in the moon through my special instrument. We won’t be long.”
And she picked him up carefully, avoiding his spurs, and took him outside into the dark, where a loose piece of corrugated iron roofing was banging in the cold wind with a melancholy sound.
“You must stop,” he said as she set him on an upturned oil drum, in the feeble light of one of those anbaric bulbs that swung on its cable overhead. “This is far enough. No more.”
“But we made an agreement,” Lyra said.
“No, no. Not to these lengths.”
“All right. Leave us. You fly on back. Will can cut a window into your world, or any world you like, and you can fly through and be safe, that’s all right, we don’t mind.”
“Do you realize what you’re doing?”
“Yes.”
“You don’t. You’re a thoughtless, irresponsible, lying child. Fantasy comes so easily to you that your whole nature is riddled with dishonesty, and you don’t even admit the truth when it stares you in the face. Well, if you can’t see it, I’ll tell you plainly: you cannot, you must not risk your death. You must come back with us now. I’ll call Lord Asriel and we can be safe in the fort
ress in hours.”
Lyra felt a great sob of rage building up in her chest, and stamped her foot, unable to keep still.
“You don’t know,” she cried, “you just don’t know what I got in my head or my heart, do you? I don’t know if you people ever have children, maybe you lay eggs or something, I wouldn’t be surprised, because you’re not kind, you’re not generous, you’re not considerate—you’re not cruel, even—that would be better, if you were cruel, because it’d mean you took us serious, you didn’t just go along with us when it suited you … Oh, I can’t trust you at all now! You said you’d help and we’d do it together, and now you want to stop us—you’re the dishonest one, Tialys!”
“I wouldn’t let a child of my own speak to me in the insolent, high-handed way you’re speaking, Lyra—why I haven’t punished you before—”
“Then go ahead! Punish me, since you can! Take your bloody spurs and dig ’em in hard, go on! Here’s my hand—do it! You got no idea what’s in my heart, you proud, selfish creature—you got no notion how I feel sad and wicked and sorry about my friend Roger—you kill people just like that”—she snapped her finger—“they don’t matter to you—but it’s a torment and a sorrow to me that I never said good-bye to him, and I want to say sorry and make it as good as I can—you’d never understand that, for all your pride, for all your grown-up cleverness—and if I have to die to do what’s proper, then I will, and be happy while I do. I seen worse than that. So if you want to kill me, you hard man, you strong man, you poison bearer, you Chevalier, you do it, go on, kill me. Then me and Roger can play in the land of the dead forever, and laugh at you, you pitiful thing.”
What Tialys might have done then wasn’t hard to see, for he was ablaze from head to foot with a passionate anger, shaking with it; but he didn’t have time to move before a voice spoke behind Lyra, and they both felt a chill fall over them. Lyra turned around, knowing what she’d see and dreading it despite her bravado.
The death stood very close, smiling kindly, his face exactly like those of all the others she’d seen; but this was hers, her very own death, and Pantalaimon at her breast howled and shivered, and his ermine shape flowed up around her neck and tried to push her away from the death. But by doing that, he only pushed himself closer, and realizing it, he shrank back toward her again, to her warm throat and the strong pulse of her heart.
Lyra clutched him to her and faced the death directly. She couldn’t remember what he’d said, and out of the corner of her eye, she could see Tialys quickly preparing the lodestone resonator, busy.
“You’re my death, en’t you?” she said.
“Yes, my dear,” he said.
“You en’t going to take me yet, are you?”
“You wanted me. I am always here.”
“Yes, but … I did, yes, but … I want to go to the land of the dead, that’s true. But not to die. I don’t want to die. I love being alive, and I love my dæmon, and … Dæmons don’t go down there, do they? I seen ’em vanish and just go out like candles when people die. Do they have dæmons in the land of the dead?”
“No,” he said. “Your dæmon vanishes into the air, and you vanish under the ground.”
“Then I want to take my dæmon with me when I go to the land of the dead,” she said firmly. “And I want to come back again. Has it ever been known, for people to do that?”
“Not for many, many ages. Eventually, child, you will come to the land of the dead with no effort, no risk, a safe, calm journey, in the company of your own death, your special, devoted friend, who’s been beside you every moment of your life, who knows you better than yourself—”
“But Pantalaimon is my special and devoted friend! I don’t know you, Death, I know Pan and I love Pan and if he ever—if we ever—”
The death was nodding. He seemed interested and kindly, but she couldn’t for a moment forget what he was: her very own death, and so close.
“I know it’ll be an effort to go on now,” she said more steadily, “and dangerous, but I want to, Death, I do truly. And so does Will. We both had people taken away too soon, and we need to make amends, at least I do.”
“Everyone wishes they could speak again to those who’ve gone to the land of the dead. Why should there be an exception for you?”
“Because,” she began, lying, “because there’s something I’ve got to do there, not just seeing my friend Roger, something else. It was a task put on me by an angel, and no one else can do it, only me. It’s too important to wait till I die in the natural way, it’s got to be done now. See, the angel commanded me. That’s why we came here, me and Will. We got to.”
Behind her, Tialys put away his instrument and sat watching the child plead with her own death to be taken where no one should go.
The death scratched his head and held up his hands, but nothing could stop Lyra’s words, nothing could deflect her desire, not even fear: she’d seen worse than death, she claimed, and she had, too.
So eventually her death said:
“If nothing can put you off, then all I can say is, come with me, and I will take you there, into the land of the dead. I’ll be your guide. I can show you the way in, but as for getting out again, you’ll have to manage by yourself.”
“And my friends,” said Lyra. “My friend Will and the others.”
“Lyra,” said Tialys, “against every instinct, we’ll go with you. I was angry with you a minute ago. But you make it hard …”
Lyra knew that this was a time to conciliate, and she was happy to do that, having gotten her way.
“Yes,” she said, “I am sorry, Tialys, but if you hadn’t got angry, we’d never have found this gentleman to guide us. So I’m glad you were here, you and the Lady, I’m really grateful to you for being with us.”
So Lyra persuaded her own death to guide her and the others into the land where Roger had gone, and Will’s father, and Tony Makarios, and so many others; and her death told her to go down to the jetty when the first light came to the sky, and prepare to leave.
But Pantalaimon was trembling and shivering, and nothing Lyra could do could soothe him into stillness, or quiet the soft little moan he couldn’t help uttering. So her sleep was broken and shallow, on the floor of the shack with all the other sleepers, and her death sat watchfully beside her.
20
I gained it so— / By Climbing slow— / By Catching at the Twigs that grow—
Between the Bliss—and me—
• EMILY DICKINSON •
CLIMBING
The mulefa made many kinds of rope and cord, and Mary Malone spent a morning inspecting and testing the ones Atal’s family had in their stores before choosing what she wanted. The principle of twisting and winding hadn’t caught on in their world, so all the cords and ropes were braided; but they were strong and flexible, and Mary soon found exactly the sort she wanted.
What are you doing? said Atal.
The mulefa had no term for climb, so Mary had to do a lot of gesturing and roundabout explaining. Atal was horrified.
To go into the high part of the trees?
I must see what is happening, Mary explained. Now you can help me prepare the rope.
Once in California, Mary had met a mathematician who spent every weekend climbing among the trees. Mary had done a little rock climbing, and she’d listened avidly as he had talked about the techniques and equipment. She had decided to try it herself as soon as she had the chance. Of course she’d never expected to be climbing trees in another universe, and climbing solo didn’t greatly appeal, either, but there was no choice about that. What she could do was make it as safe as possible beforehand.
She took a coil long enough to reach over one of the branches of a high tree and back down to the ground, and strong enough to bear several times her weight. Then she cut a large number of short pieces of a smaller but very tough cord and made slings with them: short loops tied with a fisherman’s knot, which could make hand- and footholds when she tied them to the main line.
Then there was the problem of getting the rope over the branch in the first place. An hour or two’s experimenting with some fine tough cord and a length of springy branch produced a bow; the Swiss Army knife cut some arrows, with stiff leaves in place of feathers to stabilize them in flight; and finally, after a day’s work, Mary was ready to begin. But the sun was setting, and her hands were tired, and she ate and slept, preoccupied, while the mulefa discussed her endlessly in their quiet, musical whispers.
First thing in the morning, she set off to shoot an arrow over a branch. Some of the mulefa gathered to watch, anxious for her safety. Climbing was so alien to creatures with wheels that the very thought of it horrified them.
Privately Mary knew how they felt. She swallowed her nervousness and tied an end of the thinnest, lightest line to one of her arrows, and sent it flying upward from the bow.
She lost the first arrow: it stuck in the bark partway up and wouldn’t come out. She lost the second because, although it did clear the branch, it didn’t fall far enough to reach the ground on the other side, and pulling it back, she caught it and snapped it. The long line fell back attached to the broken shaft, and she tried again with the third and last, and this time it worked.
Pulling carefully and steadily so as not to snag the line and break it, she hauled the prepared rope up and over until both ends were on the ground. Then she tied them both securely to a massive buttress of one of the roots, as thick around as her own hips. So it should be fairly solid, she thought. It had better be. What she couldn’t tell from the ground, of course, was what kind of branch the whole thing, including her, would be depending on. Unlike climbing on rock, where you could fasten the rope to pitons on the cliff face every few yards so you never had far to fall, this business involved one very long free length of rope, and one very long fall if anything went wrong. To make herself a little more secure, she braided together three small ropes into a harness, and passed it around both hanging ends of the main rope with a loose knot that she could tighten the moment she began to slip.
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