Tomoe crouched to one knee and held her sword, edge upward, pointed at Shi-u’s belly. Shi-u held back, judging the strange posture. There was no answer to it, for it was wholly defensive, like a hermit crab drawn into its shell. “That won’t do!” said Shi-u.
“If it works,” retorted Tomoe.
The defensive posture could be exceedingly dangerous to anyone who attacked from above; yet the nun was crouched so low that Shi-u could not possibly get underneath the sword. Where science fails, stubborn insistence often suffices. Shi-u rushed forward in a deliberately suicidal attack. Tomoe fell sideways, for both of them would have died in the same moment if she had insisted on her tactic.
Only when Tomoe tried to stand did she realize her ankle had been cut. It was a deep cut, probably crippling. Shi-u had been too clever. The suicidal attack had been more carefully planned than Tomoe had thought.
Moving swiftly toward the nun, who crawled backward between two bleached logs, Shi-u’s downward slice missed when Tomoe rolled up and over one log. Shi-u’s sword imbedded itself deep into the wood. Tomoe slammed her own sword atop the other, embedding it less deeply and insuring the difficulty of Shi-u’s getting her steel loose.
Shi-u gazed at her stuck sword and began keening and pulling like a beast with its leg in a trap. To Tomoe’s amazement, it came out! Shi-u stumbled backward several paces on the momentum of her terrific yank.
Tomoe slid weaponless to a seated position, her back to the log; and she waited. She said quietly, “This is the end,” and at that moment, the boy Hayo appeared from above the grassy margin. He leapt, screaming, tears streaming, straight at Tomoe Gozen, and laminated himself to the front of her. Shi-u, too crazed and swift to break the attack, plunged her sword into the boy’s back. Hayo ceased bellowing.
Tomoe wrapped her arms around the boy. He gritted his teeth and raised his face to look at her. He said softly, with gentleness, “I found something for you.” In his dirty hand was a haircomb made of tortoise shell. It was a foolish gift for a nun with hair cropped to shoulders, but a costly treasure, beautiful, and well-intended. “Hayo,” said Tomoe. “Did you steal it?” She closed her hand around the comb and Hayo’s fingers. He replied, “I bought it. With the big coin you left me.” He grinned, dirty-faced; then his head fell upon her breasts; and he was dead.
Tomoe Gozen pushed the small, limp corpse from herself, then clawed her way to a standing position in spite of the muscle cut near her ankle. She grabbed hold of her sword’s handle and wrenched it up and down until it came loose from the log. She could not step forward, for the ankle would make her fall. She caressed the haircomb, noting its delicate carving of the hototogisu bird.
Shi-u stood in a woeful posture, staring at the child she had slain through awkward insistence. Then she looked toward the object proffered by the bikuni. “Shi-u, it has a cuckoo signifying lost love. Come see it, if you only will.” Tomoe Gozen held the comb in her left hand; she held it toward Shi-u. In her right, she held her sword, raised high. Shi-u stumbled dumbly forward, dragging her sword left-handed. Her face was a horrifying mask of torment and self-torture. She reached out, clung to the comb in Tomoe’s hand; and in the next instant, Tomoe’s sword had cleaved her from left shoulder to heart. Tomoe waited three heartbeats before letting go of the comb and drawing her sword out from between Shi-u’s breasts. Only then did Shi-u’s rent body fall. Her hand, holding the comb, slowly relaxed.
Sheathing her sword, then pulling the sheathed weapon from her belt to use for a cane, the esoteric nun limped away from the Beach of Tears.
About the Author
Jessica Amanda Salmonson lives in the Pacific Northwest. She loves rats and Chihuahuas and has a big collection of gray-market samurai movies. Salmonson is a recipient of the World Fantasy Award, the Lambda Literary Award, and the ReaderCon Certificate. She is a biblical scholar, atheist, vegetarian, progressive, and often annoyed.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 1984 by Jessica Amanda Salmonson
Illustrations copyright © 1984 by Wendy Wees
Cover design by Andy Ross
ISBN: 978-1-4532-9383-6
This edition published in 2015 by Open Road Integrated Media, Inc.
345 Hudson Street
New York, NY 10014
www.openroadmedia.com
EARLY BIRD BOOKS
FRESH EBOOK DEALS, DELIVERED DAILY
BE THE FIRST TO KNOW ABOUT
FREE AND DISCOUNTED EBOOKS
NEW DEALS HATCH EVERY DAY!
THE TOMOE GOZEN SAGA
FROM OPEN ROAD MEDIA
Available wherever ebooks are sold
Open Road Integrated Media is a digital publisher and multimedia content company. Open Road creates connections between authors and their audiences by marketing its ebooks through a new proprietary online platform, which uses premium video content and social media.
Videos, Archival Documents, and New Releases
Sign up for the Open Road Media newsletter and get news delivered straight to your inbox.
Sign up now at
www.openroadmedia.com/newsletters
FIND OUT MORE AT
WWW.OPENROADMEDIA.COM
FOLLOW US:
@openroadmedia and
Facebook.com/OpenRoadMedia
Thousand Shrine Warrior Page 32