Sealed with a promise

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Sealed with a promise Page 29

by Mary Margret Daughtridge


  When her hands went to his belt, he pul­led them away. “Now I get what I want.”

  His dec­la­ra­ti­on shoc­ked her and sca­red her. He had be­en ur­ging her to ta­ke the le­ad, en­co­ura­ging her un­til she had be­gun to think it was her show.

  “Did you think it was all yo­ur way? Oh, no, swe­et lady. You say what you want. I say what I want.”

  His hands went to the wa­ist but­ton of her slacks. The zip­per his­sed. He pus­hed the slacks off her hips the sa­me way he had the swe­ater, ma­king it bla­tantly se­xu­al. It wasn’t abo­ut re­mo­ving slacks, it was abo­ut to­uc­hing her. Cla­iming his right to her.

  He ska­ted his hands over her hips, he sha­ped the cur­ves of her but­tocks, squ­e­ezed them and kne­aded them with strong stro­kes. He wor­ked his fin­gers down in­to the cleft and the mo­ist flesh, mo­ving aro­und her cen­ter, but ne­ver qu­ite to­uc­hing.

  He pus­hed the slacks off her hips and drop­ped to his kne­es so he co­uld fol­low with his hands. “Step out,” he sa­id when his hand we­re on her an­k­les. He tos­sed the slacks to one si­de.

  Aga­in, he grip­ped the glo­bes of her but­tocks. “Co­me clo­ser…” She in­c­hed her to­es for­ward. “Clo­ser.”

  The pres­su­re on her but­tocks ma­de go­ing bac­k­wards im­pos­sib­le, but any clo­ser and she wo­uld be… his fa­ce wo­uld be… “Clo­ser.” He dug in­to her but­tocks, and she had to inch for­ward or fall. She grab­bed the only part of him she co­uld re­ach, which was his he­ad.

  He pres­sed his fa­ce to the jun­c­tu­re of her thighs. He in­ha­led de­eply.

  She stif­fe­ned and dug her fin­gers thro­ugh his ha­ir to grip his skull. She wasn’t su­re if she in­ten­ded to push him away or bra­ce her­self. Her kne­es went we­ak.

  Stren­g­t­he­ning his grip to ke­ep her sup­por­ted, he tur­ned his fa­ce up to her. “Did I shock you? Am I mo­ving too fast?”

  She was shoc­ked and sur­p­ri­sed, but mo­re by his fa­ce than his ac­ti­ons. Em­mie wasn’t su­re when they’d ta­ken the steps that car­ri­ed them in­to the bed­ro­om. With the only light co­ming from the kit­c­hen, his fa­ce was in de­ep sha­dow. All nu­an­ce of ex­p­res­si­on that cre­ated the sur­fa­ce, so­ci­al man was hid­den, only the most ba­sic com­po­nents of who he was we­re vi­sib­le. His words might ha­ve so­un­ded sen­si­ti­ve, but his fa­ce lo­oked har­der and mo­re in­ten­se than she had ever se­en it.

  Sud­denly, his te­eth flas­hed whi­te in an un­re­pen­tant grin. “I’ve be­en wan­ting to do that for fo­ur­te­en days and ten ho­urs.”

  Emmie did the math. “When we went to ta­ke ca­re of the ca­ke?” she cla­ri­fi­ed. All the ti­me he had be­en ac­ting so ar­ro­gant and con­des­cen­ding. Was that pos­sib­le?

  “The first ti­me I put you in the truck,” he con­fir­med.

  “Ca­leb, no!”

  “Emmie, yes!”

  “Re­al­ly?”

  He tig­h­te­ned his fin­gers on her but­tocks with frank pos­ses­si­on, and his smi­le ed­ged to­ward ma­ra­uder. “I wan­ted to push yo­ur sha­pe­less, be­ige skirt up, pull down yo­ur pla­in, whi­te cot­ton pan­ti­es, and bury my fa­ce in yo­ur wo­man smell un­til I had you all over me. And I had be­en all over you.”

  Des­pi­te his rat­her pri­de­ful dec­la­ra­ti­on, the throb of raw, ac­hing lon­ging in his vo­ice-lon­ging that went far de­eper than the ne­ed for se­xu­al re­le­ase-bro­ught te­ars to her eyes. De­si­re to suc­cor sent all her se­xu­al cra­ving in­to so­met­hing ric­her, mo­re com­pel­ling and mo­re com­p­lex than she had ever known. It ma­de her crad­le his fa­ce in her hands. She re­lis­hed the fa­int pric­k­les along his jaw, the subtly thic­ker fe­el of mas­cu­li­ne skin. She tra­ced his per­fect lips with her fin­ger­tips. She stro­ked the silky wi­ri­ness of his brows, and when she drew her fin­gers down the sharp strong wed­ge of his no­se, he clo­sed his eyes, le­aving a wet glit­ter in his las­hes.

  “Stand up,” she whis­pe­red, lif­ting his fa­ce to hers as if it we­re ma­de of glass. Her fin­gers went to the but­tons of his shirt. “You ha­ve on too many clot­hes.”

  Emmie had the shirt un­but­to­ned and was nuz­zling the tiny flat nip­ples she fo­und in the springy thatch ac­ross his pecs. He tra­iled his own kis­ses down the ex­po­sed si­de of her neck, then gently pus­hed her away.

  “I was pla­ying!” she pro­tes­ted.

  “You can play to yo­ur he­art’s con­tent in a mi­nu­te. Let me get out of the­se clot­hes. Why don’t you get in­to bed, so I’ll know whe­re to find you?”

  He swit­c­hed on the re­ading light be­si­de the bed and saw the six or eight tex­t­bo­oks, so­me open fa­ce­down on the bed­s­p­re­ad. “Are you ex­pec­ting to ne­ed all the­se?”

  “Pub­lis­hing com­pa­ni­es send me ad­van­ce co­pi­es.”

  “And you use them for bed­ti­me re­ading?” He was get­ting him­self back un­der con­t­rol af­ter ne­arly lo­sing it in un­ci­vi­li­zed, raw, ru­de, ra­ve­no­us ne­ed, and now this. She had a bed full of tex­t­bo­oks! It sho­ok a pla­ce so ten­der, so pro­tec­ti­ve, his who­le in­si­des shi­ve­red with it. His di­ap­h­ragm flut­te­red in what felt li­ke a chuc­k­le, but not be­ca­use so­met­hing was funny. Be­ca­use so­met­hing was so inex­p­li­cably, per­fectly, mi­ra­cu­lo­usly right.

  “Hand them to me.” One by one he to­ok them and stac­ked them on the flo­or. To­mor­row he’d ha­ve to see abo­ut fin­ding mo­re bo­ok­ca­ses or may­be talk her in­to get­ting a lar­ger pla­ce. He hung his shirt on the back of a cha­ir and fol­ded his slacks ca­re­ful­ly ac­ross the se­at.

  “Now le­an back on the pil­lows, so I can see you.”

  She ob­li­ged. Her ho­ney and cre­am ha­ir flo­wed aro­und her fa­ce and lightly kis­sed her sho­ul­der. The per­fect whi­te glo­bes of her bre­asts, the skin li­ke tran­s­lu­cent sa­tin, gle­amed in the lam­p­light. As he lo­oked at them the lit­tle pink nip­ples puc­ke­red. Just li­ke that his own de­si­re do­ub­led. “You li­ke for me to lo­ok at yo­ur bre­asts, don’t you?”

  She to­uc­hed her ha­ir, a de­li­ci­o­us com­bi­na­ti­on of shy and wan­ton. “Yes.”

  He for­got ever­y­t­hing. All the re­asons he ne­eded to stay in con­t­rol, stay fo­cu­sed, stay se­pa­ra­te. All he knew was he had to fe­el tho­se lit­tle nip­ples in his mo­uth, push his ton­gue aga­inst the hard lit­tle tips, and mold the de­li­ci­o­us, slightly co­ol, flu­id we­ight of her bre­asts in his hands.

  With no in­ter­ve­ning mo­ti­on he was be­si­de her on the bed, his mo­uth fas­te­ned on her, his hands full to over­f­lo­wing, exactly as he’d dre­amed. She ar­c­hed aga­inst him and mo­aned. “Was that a go­od mo­an?”

  “The best.”

  “Then let’s ma­ke lo­ve.”

  And they did… and they did… and they did.

  His won­der­ful we­ight was on her, her skin so sen­si­ti­ve she was one qu­ive­ring ner­ve en­ding. His hard, vel­vety length to­uc­hed, just to­uc­hed, at her cen­ter, and she tri­ed to squ­irm it to whe­re she wan­ted it to be.

  He pul­led back, and she clut­c­hed at him, dig­ging her na­ils in when her strength wasn’t suf­fi­ci­ent to hold him. “Don’t pull back. I ne­ed you now.”

  “I know. I know.” He to­re open a fo­il pac­ket and she­at­hed him­self. He lif­ted her he­els to his sho­ul­ders and po­si­ti­oned him­self.

  “I want to hold you!”

  “Not to­night. I can’t let you put stra­in on yo­ur sho­ul­der. This will be go­od. I’ll ma­ke it go­od. This way you can get lots of le­ve­ra­ge with yo­ur hips.”

  The ti­me for ca­re­ful fe­at­her to­uc­hes was over, and he knew it. He stro­ked her back to front, front to back. He ope­ned her with his fin­gers and po­si­ti­on
ed him­self at her en­t­ran­ce.

  Fo­ur long, smo­oth stro­kes, three short ones. Fo­ur long smo­oth stro­kes, three short ones. Over and over with bo­di­es slick with swe­at, stra­ining to­get­her in an agony of ple­asu­re and an­ti­ci­pa­ti­on of the pe­ak.

  Sud­denly, she was the­re. It was li­ke hot whi­te light shot from whe­re they we­re jo­ined, ran up her spi­ne, and ex­p­lo­ded out the top of her he­ad, en­ve­lo­ping him in in­s­tant, spon­ta­ne­o­us an­s­we­ring in­can­des­cen­ce.

  Yes, she felt it, in his body.

  It is the hu­man con­di­ti­on that pe­aks may be sca­led, but they can­not be sus­ta­ined.

  302 Mary Mar­g­ret Da­ug­h­t­rid­ge

  So­me­ti­me la­ter they drif­ted back in­to or­di­nary ti­me. How or when they had co­me to be lying fa­ce to fa­ce, arms aro­und each ot­her, ne­it­her knew.

  “Did that re­al­ly hap­pen?” Em­mie as­ked when the world se­emed firm eno­ugh aga­in to da­re spe­ech.

  “The light? Ye­ah.”

  “I co­uld fe­el it in yo­ur body. I co­uld fe­el yo­ur body fe­el my body.”

  “Ye­ah.”

  They slept.

  Chapter 30

  En­t­re’act

  “What’s the plan for to­day?” Ca­leb sip­ped his cof­fee sit­ting at the tab­le in the kit­c­hen. When he ran in the mor­nings he was ta­king ro­utes thro­ugh dif­fe­rent ne­ig­h­bor­ho­ods, le­ar­ning what was whe­re and chec­king out apar­t­ment com­p­le­xes and con­dos. The­re re­al­ly wasn’t spa­ce for two pe­op­le in this cot­ta­ge.

  What he’d re­al­ly li­ke wo­uld be a ho­use over on one of the bar­ri­er is­lands. A con­do was the next re­aso­nab­le step. The be­ach ho­use co­uld co­me af­ter they we­re mar­ri­ed. In the me­an­ti­me, whi­le Em­mie got re­ady for work, he sta­yed in one pla­ce, and they co­uld talk as Em­mie mo­ved from ro­om to ro­om.

  “To­day. To­day is pac­ked,” Em­mie an­s­we­red from the li­ving ro­om. “I ha­ve two clas­ses to me­et. Six ad­vi­se­es to com­fort. Then a de­par­t­men­tal me­eting. That will go on un­til fi­ve-thirty.”

  “Wo­uld you li­ke to do so­met­hing to­night?”

  “To­night is my cho­ral so­ci­ety.”

  He la­ug­hed. “You be­long to a cho­ral so­ci­ety?”

  Emmie po­ked her he­ad in the kit­c­hen do­or­way. “I don’t un­der­s­tand yo­ur re­ac­ti­on. Sho­uld I be of­fen­ded?”

  “It’s so aca­de­mic. So cul­tu­red.” He ra­ised his mug and cro­oked a pin­kie. “What do you do at me­etings of the cho­ral so­ci­ety?”

  “Sing to­get­her.” Em­mie di­sap­pe­ared back in­to the li­ving ro­om. He co­uld he­ar her mo­ving bo­oks aro­und, put­ting things in her bri­ef­ca­se. “Cho­ral sin­ging is a to­tal­ly dif­fe­rent ex­pe­ri­en­ce from sin­ging by one­self or sin­ging along with the ra­dio. It’s li­ke the dis­tin­c­ti­on bet­we­en run­ning and pla­ying fo­ot­ball. You can prac­ti­ce the mo­ves of fo­ot­ball alo­ne, but by de­fi­ni­ti­on, if you want to play it, you ne­ed ot­her pe­op­le to play with you.” She re­ap­pe­ared in the do­or­way to lo­ok down her ado­rab­le no­se at him. “ You can call it ‘cul­tu­re’ if you want to. I call it rec­re­ati­on.”

  He grin­ned at her so the­re to­ne. “Con­si­der me chas­ti­sed.”

  “And hum­b­led, I ho­pe.”

  “Don’t ask for too much.”

  She la­ug­hed, that rich, ro­bust wo­man so­und that al­ways tur­ned him on. He set down his cof­fee and clo­sed the dis­tan­ce bet­we­en them-a mat­ter of two steps. An­yo­ne who co­uld la­ugh li­ke that de­ser­ved a kiss, so he kis­sed her. “What do you sing?”

  “Sac­red mu­sic mostly. Al­most all the gre­at cho­ral mu­sic has be­en writ­ten in the con­text of Chris­ti­anity. I think the­re’s a de­eper me­aning in the mu­sic abo­ut our se­arch for unity and har­mony among all our se­pa­ra­te parts. We’re prac­ti­cing for the Chris­t­mas con­cert right now.”

  Fin­ding the ro­om in which the cho­ral so­ci­ety met was easy. He fol­lo­wed the so­und down the po­lis­hed, and not brightly lit, cor­ri­dor of the rec­re­ati­on cen­ter.

  He didn’t think it was his kind of mu­sic-might not ever be. He li­ked a few gro­ups, but he’d ne­ver got­ten his iden­tity from po­pu­lar mu­sic and fol­lo­wed cer­ta­in bands the way so­me did. He hadn’t co­me to he­ar the mu­sic.

  Most of the lar­ge ro­oms in this wing we­re dark. He didn’t li­ke the idea of Em­mie wal­king in this big si­nis­ter bu­il­ding at night. He al­so had a fe­eling he’d bet­ter ke­ep his mo­uth shut abo­ut it.

  He lo­ca­ted a si­de do­or, out­si­de the li­ne of sight of most of the pe­op­le in the ro­om, and slip­ped in, ke­eping to the sha­dows. He wan­ted to ob­ser­ve wit­ho­ut be­ing se­en. It had ne­ver oc­cur­red to him to won­der how a cho­ir re­he­ar­sed, and now he was cu­ri­o­us. He wan­ted to know how re­he­ar­sal was do­ne. He co­uld he­ar in Em­mie’s vo­ice that it mat­te­red.

  After twen­ty-two mi­nu­tes he tho­ught a cho­rus re­he­ar­sal was as in­te­res­ting as wat­c­hing pa­int dry. They wo­uld sing for may­be thirty se­conds. The con­duc­tor wo­uld stop them, say so­met­hing usu­al­ly in­com­p­re­hen­sib­le, and they wo­uld do the who­le thing over, with no dif­fe­ren­ce he co­uld dis­cern. One po­si­ti­ve was that he now un­der­s­to­od the mu­si­cal de­fi­ni­ti­ons of words li­ke al­leg­ro and stac­ca­to.

  He al­so knew that they we­re a mo­re dis­cip­li­ned lot than he had se­en in any con­text, ex­cept SE­AL tra­ining. Ra­rely did the ot­hers talk if the di­rec­tor was wor­king with a small gro­up. No mat­ter how of­ten they we­re stop­ped, no one grew ir­ri­ta­ted. In­s­te­ad, they did it over and over. The di­rec­tor did not ha­ve to ask for the­ir at­ten­ti­on. Well, ex­cept for the ti­mes he yel­led, “Lo­ok up! Lo­ok up!” me­aning he wan­ted the at­ten­ti­on on him, not the she­et mu­sic.

  Mostly, he wat­c­hed Em­mie and her shi­ning ha­ir-a lo­ok so pu­re, so full of ar­dor, and so tran­s­cen­dent of all hu­man emo­ti­on, she ap­pe­ared al­most in­hu­man. He had se­en that lo­ok on SE­ALs’ fa­ces when they prac­ti­ced fi­ring drills.

  The con­duc­tor snap­ped off the li­ne of mu­sic with one whack of his ba­ton.

  “You’re la­te!” His eyeb­rows bun­c­hed in a fi­er­ce scowl. “The al­tos are la­te every ti­me. Don’t wa­it for yo­ur en­t­ran­ce. If you wa­it un­til it’s ti­me to co­me in, you’ll be la­te every ti­me. A phra­se do­esn’t start with the first no­te, it starts with the bre­ath. You must bre­at­he on the last no­te the bas­ses sing.” Lec­tu­re over, he com­po­sed him­self. “Try it aga­in. Be­gin at let­ter D.” He tap­ped aga­in, a merry, en­co­ura­ging so­und, and pi­ano and sin­gers star­ted.

  This ti­me it was dif­fe­rent. The mu­sic so­ared li­ke a pa­rag­li­der cat­c­hing lift from de­sert ther­mals. It gli­ded and swo­oped, and all ri­ding with it, to­ok wing. Fi­nal­ly, in the kind of hush that so­unds li­ke a mi­rac­le, it to­uc­hed down.

  After a long si­len­ce in which no one mo­ved or spo­ke, the con­duc­tor gently la­id his stick on the po­di­um, so ca­re­ful­ly it to­uc­hed with only the ti­ni­est click. “My fri­ends, you hum­b­le me and to­uch me. That was it. You went be­yond the vo­ice, be­yond the sco­re. You ma­de mu­sic. The chan­ce to do that, just the chan­ce, is why we’re he­re.”

  “How did you fa­ke yo­ur IQ?” Em­mie’s qu­es­ti­on ca­me out of the dark. He’d be­en clo­se to drif­ting off.

  “Do you get chatty af­ter sex?”

  The­re was a short pa­use whi­le she adj­us­ted her pil­low.

  “You know, I think I do,” she sa­id in a to­ne of dis­co­very. “Answer the qu­es­ti­on.”


  “It’s easy to fa­ke it down. It’s hard to be smar­ter than you are, but easy to be dum­ber. And you know, most pe­op­le find it easi­er to be­li­eve you’re dum­ber than you lo­ok.”

  “That’s not what I me­ant. The Stan­ford-Bi­net sco­res aren’t sup­po­sed to vary mo­re than one stan­dard de­via-ti­on-that’s just fif­te­en po­ints, right? So he­re you are with sco­res all over the map. Didn’t so­me­one smell a rat?”

  “Well, now, that was a prob­lem. A Navy psycho­lo­gist ac­tu­al­ly wro­te a pa­per on the ef­fects of in­tel­lec­tu­al sti­mu­la­ti­on in la­te ado­les­cen­ce on the IQ sco­re of an en­lis­ted man.”

  “Me­aning he tho­ught jo­ining the Navy ma­de you smar­ter?”

  “Pretty much.”

  Emmie snor­ted. “You co­un­t­ry-slic­ker, you. He bo­ught the bac­k­wo­ods hick act.”

  “What can I say? When I co­uld see for myself that the world was ro­und, it chan­ged the way I lo­oked at ever­y­t­hing.”

  They had din­ner with the Cal­ho­uns on Thur­s­day night. A wo­man iden­tif­ying her­self as Mrs. Cal­ho­un’s sec­re­tary had cal­led on Mon­day to is­sue the pro­mi­sed in­vi­ta­ti­ons.

  Cal­ho­un him­self an­s­we­red the do­or in cor­du­roy slacks, stri­ped dress shirt, and ma­ro­on car­di­gan swe­ater. He smel­led of to­bac­co and bo­ur­bon.

  “Glad you co­uld co­me. As I told Char­lot­te, we are in yo­ur debt. A din­ner is the le­ast we can do, and I ho­pe if the­re’s an­y­t­hing el­se, you will tell us.”

  With only a few lights on, the entry hall se­emed even lar­ger than it had on Sa­tur­day. Two hu­ge Chris­t­mas tre­es, one at each end, pro­vi­ded the only lights in the hu­ge re­cep­ti­on par­lor. The ef­fect was dra­ma­tic and pro­fes­si­onal­ly de­sig­ned, and to Em­mie’s eyes, a lit­tle sad.

  “You’re he­re!” Vicky ca­me pel­ting down the sta­ir­ca­se, her ha­ir drawn up in a pon­y­ta­il that bob­bed and bo­un­ced with each step. She wo­re gre­en je­ans and a swe­ater em­b­ro­ide­red with snow­men.

 

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