by Greg Iles
You sure? asks the second guy.
What the fuck, am I
sure
? My dad went to school with the guy, dude.
On another night I would ask the young cop who his father is, but not this time. Guys, I've got to go. Somebody took that house apart. You need to lock it down. Dont let anybody inside.
The wifes not here? asks the young cop.
I answer him while climbing in to my car. Still trying to find her. I'll update the chief later.
I jerk the Saab into gear and head back to Highway 61. I can be at my house on Washington Street in less than five minutes, and I need a plan of action by the time I get there. Julia could come apart in less time than that, and a wrong move on her part could be fatal. But my options are almost nonexistent. All the resources I would normally use in this kind of situation have been placed out of bounds by Tims warnings. Last night I wasn't sure his caution was warranted, but after seeing the condition of his body and the state of his house, I have no intention of risking the lives of his wife and son on assumptions.
I've called on other, private resources in extraordinary situations, but none are ready to hand tonight. The man I trust most to help me in a crisis is in Afghanistan, working for a security contractor based in Houston. His company may have some operators Stateside who could help protect Julia, but none would be any closer than Houstonseven hours away by car.
Most people who felt they couldn't trust local law enforcement
would probably call the FBI, but that option presents problems for me. Seven years ago I forced the resignation of the Bureaus director, when I proved that hed been involved in the cover-up of a civil rights murder in Natchez in 1968. That won me few admirers in the Bureau (open ones, anyway) and made me a liability to the field agents Id befriended during my successful career as an assistant district attorney in Houston.
Damn it!
I shout, pounding the wheel in frustration.
What the fuck is going on?
Its like screaming inside a bell jar, but at least my outburst gives vent to the rage and frustration that have been building since I saw Tims body. Closing my right hand into a fist, I pound the passenger seat until my wrist aches. When the national park at Melrose Plantation flashes by, I realize I'm driving eightyforty miles an hour over the speed limit.
Settle down,
I tell myself, remembering my father, who becomes calmer the more dire the medical emergency. When everything is at risk, good judgment, not haste, makes the difference between life and death.
Panic is the enemy .
My decision to run every stop sign on Washington Street is perfectly rational. They are four-way stops, and unless someone else is doing the same thing I am at exactly the same place and time, I have enough visual clearance to safely jump the intersections.
I park on the street, exit my car, and move toward the house in continuous motion, my mind in flux. Taking the porch steps at a near run, I notice that the cast-iron lamp hanging above me is out. Mom must have inadvertently switched it off. That isnt like her, but I don't have time to worry about personal inconsistencies tonight. I'm slipping my key into the lock when a mans voice speaks from the shadows to my right.
Thatll do, Mr. Cage. Stand easy where you are. No need to disturb the women.
I fight the urge to whirl toward the sound. I've tried too many cases where people were shot because they saw the face of someone who didn't want to be remembered. Yet from the voice alone, I'm almost certain that the man in the shadows is Seamus Quinn, the security chief on the
Magnolia Queen.
I've never heard an Irish accent like Quinns outside the movies, and even then only in Irish-made films.
What do you want me to do? I ask.
I want you to listen. Its all right to turn. I
want
you to see.
By now my eyes have adapted to the darkness, so when I turn, I see enough to register how wrong I was: The face staring at me out of the shadows belongs not to Seamus Quinn, but to his boss, Jonathan Sands.
Wait,
I think,
the voice is all wrong.
Gone is the refined English accent of the
Magnolia Queen
s general manager, replaced by a coarse, working-class Irish accent identical to that possessed by Quinn. Then it hits me: I'm looking at Sands, but it was Quinn who spoke.
The Irishman must be standing behind his boss, down in the flower bed.
I glance past Sands, but all I register is something low and pale in the blackness behind him, like a crouching animal.
Sands moves his hand slightly, which pulls my eyes back to him, and then I see his gun, a small but efficient-looking automatic held at waist level.
Easy now, darlin, he says. I only brought this wee pipe so I don't have to lay hands on you.
With a start I realize it was Sands who spoke the first time. Hes simply speaking with Seamus Quinns voice rather than the cultured English accent he doles out for public consumption. I only know about British accents because my sister, Jenny, lives in England. She went to Britain as a visiting professor of literature at Trinity College, dated a Dubliner for several years, then married an Englishman and settled in Bath. For this reason, what would sound like a British accent to most other Southerners sounds like Belfast to me, and it tells me I know a lot less about Jonathan Sands than I thought I did. Tonight he sounds like a cross between Bono and the lead singer of the Pogues.
Youre not English, I murmur, trying to get my mind around it. Youre
Irish.
As Paddys goat, Your Honor, he says, chuckling softly. But lets keep that between us, eh?
While Sandss eyes flicker with private mirth, the evil that Tim hinted at fills my soul like a squids ink. I know without doubt that everything my dead friend suspected must be true.
What do you want?
Your undivided attention. Do I have that, Mr. Cage?
Obviously.
Before we talk, I'll ask you to hand over that weapon you've got in your pocket. Two fingers only.
Sands materialized so suddenly on my porch that I actually forgot I was carrying a gun. But his ability to spot my concealed pistol in the dark tells me that trying to use it against him would be the last thing Id do on earth. As directed, I carefully draw the Smith & Wesson and pass it to him, butt first.
With the sure movements of a man accustomed to handling firearms, he slips the gun into his waistband at the small of his back, then gives me a courteous nod. Fair play to you, Mr. Mayor. I'm going to pay you the compliment of speaking frankly, because this town is full of
cute hoors,
but youre not one of them. A friend of yours died tonight, and died hard. He died because he stepped over the line into other mens business. Timmy Jessup thought he was the little Dutch boy with his finger in the dike. When the flood rose and rolled over him, he sucked in his breath and kept his finger where it was. Pity, really, because he was all alone. Everyone else in this
culchie
town is swimming in the floodsunbathing beside it,
windsurfing
on it. Because its a flood of money, Mr. Mayor, not water. And if you try to put your finger in the hole Jessup left Well. What matters now is that hes dead, and nothing can bring him back.
As the initial shock of being surprised on my own doorstep begins to fade, my outrage boils over. You sorry son of a bitch. Are you telling me you killed
Sands silences me with an upraised hand. Quiet now, mate. Youre in more danger than you know.
CHAPTER
12
My mouth has gone dry. Its not the screamers who scare me; its the men who don't let emotion get in the way of what they want. Theyre the ones wholl kill without hesitation. I'm listening.
Grand. Because this is all the talking I'm going to do. After this, I act, immediately and irrevocably. Understood?
I nod.
Sands puts his hands behind his back and looks down like an officer contemplating a job in progress. A born soldier was my immediate impression of the man when I met him, for his bearing seems altogether military, though somewhat more fluid than that of the regular officers I've known. Sands has little skin fat; his face looks like a skull overlaid with the optimum amount of muscle, and little else. Hes losing his hair in front, but his baldness gives no impression of weakness; rather, the heavy brow and blue-gray machine gunners eyes give one the feeling that hair was simply an inconvenience better dispensed with. He stands right at six feet, but his trim waist and thickly muscled shoulders give one a much more aggressive perception of his height.
I have a problem, Mr. Cage, he says. I'm here because I want you to solve it for me.
Whats your problem?
Your friend Jessup stole something from his place of employment.
I blink slowly, a man trying to find an appropriate response.
You don't look surprised enough to suit me, Mr. Mayor. Not nearly.
Tim wasn't exactly a Boy Scout, I say as calmly as I can. What did he steal? Money? Drugs?
The Irishman gives me a tight smile. You know better than that.
What I know about Tim Jessup is that he was a fuckup. And I don't know what any of this has to do with me.
Sands takes a deep breath and exhales slowly. I have a decision to make tonight, Mr. Mayor. A decision about you. And youre not helping yourself. Your family either.
At the word
family,
something squirms in my belly.
The question, Sands enunciates softly, is can I trust you? For example, you may already know what Jessup stole from my boat. Do you know that, Mr. Cage? Dont lie. If you lie, I'll know it.
By God, I just about believe you.
I have no idea.
The blue eyes don't waver; this man has spent a lifetime calculating odds. Dont you now?
I shake my head deliberately.
After what seems a full minute, Sands says, Would you bet your daughters life on that answer?
An image of Seamus Quinn holding Annie prisoner upstairs fills my mind, and terror compresses my heart. I grab for the door handle, but before I can turn it, something white explodes out of the flower bed, and iron jaws clamp around my wrist, pinning it motionless in the air. I try to jerk away, but the jaws tighten, numbing my fingers as surely as a nerve block.
A white dog more than half my size stands like an apparition between Sands and me, its eyes cold and blue above the wolfish mouth locked around my arm. Hot saliva runs down my tingling fingers, yet I cant quite accept the evidence of my eyes. No sound preceded this attack, not a growl or a bark or a word of commandonly a quick swish of foliage from behind Sands.
Easy now, he says either to me or to the dog, maybe to both of us. Your daughters just fine, Mr. Cage. For the moment, at least.
Shes sleeping soundly, with your sainted mother beside her in the scratcher. But if you step through that door before we come to an accommodation, that could change very quickly.
I try to back away from the door, but the dogs forelegs are braced like white-painted fence posts, its jaw locked like a steel wrench. After a few moments, Sands makes a clicking sound with his tongue. The dog releases my arm, then walks to his masters side and sits at attention like an obedient soldier. I stare at the animal as I rub the circulation back into my hand. I've never seen its like before, not even a similar breed; an oversize pit bull might be its closest cousin, but this dog has a wrinkled face that throws me. White from nose to tail, he has cropped ears and a thickly muscled chest to match his masters. The animal has an unearthly silence about him, as though spectral and not a thing of blood and flesh, but I can still feel the imprints of his teeth in my muscles; I'll have blood bruises in the morning.
Youre not a stupid man, Sands says, rubbing the dogs head affectionately. Dont start playing at it now. I make it my business to know who I'm dealing with. I know you put a lot of hard men in prison back in Texas. Rapists. Robbers. Murderers. Aryan fanatics. Got some of them executed too. I also know you've taken on men from your own side of the table. That FBI bastard, for example. I only mention this because you need to understand something. Despite your grand experience, you've never come across a man like me. A smug smile. I'm sure you've heard that one before, eh? The innocent man on death row. The whore with a heart of gold. But every now and then you come across a bloke who knows what hes on about. Sands smiles to himself. That would be me. And this is how you know.
He utters a low whistle, and suddenly the dog is upon me again, rearing on his hind legs and pinning me to my front door with his forepaws. His mass and strength are astounding, and the hot breath in my face triggers a primitive, almost subhuman fear. The dog still hasn't made a sound, but its all I can do not to piss down my leg.
Starting this minute, Sands says, looking at this watch, you have twenty-four hours to find the property your friend stole and return it to me. Use any resource at your disposal, but don't mention me or my company to anyone. If you do, I'll know it, and a penalty
will be exacted. If you talk to the police or the sheriffs department, I'll know. If you contact the FBI, I'll find out faster than youd believe possible. If you talk to the state gaming commission, youre fucked. You call the governor, a senator, or your old friend the district attorney of Houston, I'll know that too. And if I find out you've done any of these things I'll kill the little girl sleeping upstairs.
Sands moves up beside his dog and drags the cold barrel of his gun along my stubbled jaw. And I won't use a gun. I'll use this.
A needle point of steel pierces the skin just below my navel, sending a shock of fear through my intestines.
I'm very good with a knife, Sands says softly. And Id take my time about it. Understand? Nowhe presses the gun into a hollow beside my trachea, and the knifepoint digs a little deeper
after
your daughters dead, you might bring me into a court and try to punish me. But you've dealt with enough victims families to know how useless that is. If you executed me five seconds after I killed her, it wouldn't bring her back, would it?
Out of the numbness that has enveloped me like a fog, I shake my head.
As Sands presses his right ear almost against my lips, the knifepoint vanishes; then I feel it burrowing into the skin between two ribs on my left side. I didn't hear you, Your Honor.
I understand.
Course you do, Sands says almost musically. But that quick mind of yours is already working, trying to squirm out of the trap. Hide the girl, yeah? Youd have to hide your mum and dad too. And of course your sister in Bath, and her husband, and the two brats. I have a lot of mates in England who owe me that kind of favor. Then theres yer one who owns the local bookstore, and her langer of a son. And lets not forget the lady newspaper publisher, fresh back from the big city. A mouthy cunt, I'll wager, but the prettiest piece of them all. So, lets put an end to that nonsense. Either you get me back what your friend stole, or you pay the price. Theres no third choice.
My hands have begun to shake, but whether from fear or rage I don't know. You still haven't told me what he stole.
And I don't intend to, do I? That's your job.
How can I find something when I don't know what it is?
The knife pierces skin again. I tense, and Sandss eyes flash. Give me your best guess.
Documents? I grunt. Data?
Brilliant. Its a disc, right? A DVD. Started out as one, anyway. The data could have been copied onto something else by now. USB drive, digital tape,
hard drive, even a fucking iPod. What the data is, I won't tell you, but youll know it when you see it.
How?
Its encrypted.
The knifepoint withdraws a fraction of an inch. Are you a betting man, Mr. Cage?
No.
Good. That's a sign of intelligence. I don't gamble either. Because the house always wins. People cant seem to remember that. But I'm trusting you will.
The knife again. I wince and try not to cry out.
I know this is a lot to take in, Sands says. You lost a mate tonight, and thats never easy. But the truth is, you cut yourself loose from Jessup a long time ago. And rightly so. The man was a header. Christ, he got weepy whenever he talked about how you two were lads together, watching the moon shots on the telly.
The revelation that this meant so much to Tim almost brings tears to my eyes. I steel myself and keep my eyes on Sandss face to avoid looking into the dogs eyes.
Listen to me now, he says. Let the rupies investigate Jessups death. Do everything you planned to do before Jessup died. Show the visiting CEO the town, give interviews, fly around in the balloons. But while youre having your
craic,
you find time to find my property. If I find it first, I'll let you know. Remember, I'll be watching. And listening. In a blur, he raises the knife and pricks the soft skin beneath my left eye. Dont play games with me, mate. Remember the first rule: The house always wins. And I'm the house.
Sands bends and slips his pistol into an ankle holster, then takes my gun from the small of his back, removes the clip, ejects the remaining round from the chamber, and hands the pistol to me. As he slides the clip into my front pants pocket, his dog pushes off my chest, retrieves the ejected bullet from the flower bed, and drops the
brass into his masters hand. Sands rubs the dog between its cropped ears, then drops the loose round into my pants pocket.
One last thing. Sands kneels at the edge of the porch, reaches down into the shadows behind him, and brings up a black leather briefcase.