Savage Art (A Chilling Suspense Novel)

by Danielle Girard

  His grip tightened.

  Focused, she contained her breathing until she felt a slight loosening of his tension. Then, in a lash of anger, she freed one leg and rammed her shin into his groin.

  With a groan, he rolled off her onto his back. She was on him before he could recover.

  Shaking off the pain in her head, she pulled her cuffs from her belt. His right hand in her grasp, she bent it back and rolled him over with a forceful tug. Her heel digging into his back, she cuffed his right hand. "Didn't your mother teach you any manners?"

  "Fuck off."

  She wrenched his left arm behind him and cuffed it. "I don't think so."

  With a hard yank, she dragged him to his feet and shoved him toward the street.

  Just then, Greg pulled around the corner and jumped out of the car. "Saw the car down the street and knew something had happened. You okay?"

  She nodded, pushing the perp toward the car and letting Greg handle him. As Greg put the suspect in the back, she touched the area just above her ear and felt a warm spot of blood. She moaned.

  In the car, she leaned back as Greg drove toward Shattuck. "Arbor's bringing the woman down to the station to identify him," Greg said. He motioned to the perp. "We just have to drop him off. Arbor should meet us out front. He'll do the paperwork."

  "Yeah, yeah, fine, but where's my coffee?"

  "I didn't have time to get it. We've got to run back after we drop the thug off."

  A moan fell from her lips as she closed her eyes.

  In front of the station, Greg stopped and pulled the suspect out of the car, handing him over to Arbor.

  Alex waved to Arbor as Greg drove off again.

  "Let's get some coffee before you attack your next victim," Greg joked.

  "I'm serious. I don't think I could do it again without some caffeine."

  He parked in front of Noah's. "This one's on me, Wonder Woman."

  She smiled. "It's the least you could do, Robin."

  "I don't even get to be Batman?"

  "Not the way you drive."

  In less than a minute, he was back. When he opened the door to hand her the coffee, he touched her head.

  Wincing, she pulled away.

  "Jesus Christ, Kincaid. You're bleeding."

  "No shit, Sherlock."

  "You need a doctor."

  "It's barely a scrape. Come on."

  As Alex took a long sip of French roast and started to relax, a call came through.

  "Adam Nine, code four-fifty-nine at the corner of Henry and Yolo. Please report."

  Alex nearly choked at the address. Yolo Avenue.

  Ruthless Game

  by

  Danielle Girard

  ~

  To purchase

  Ruthless Game

  from your favorite eBook Retailer,

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  CHASING DARKNESS

  A Taut Psychological Thriller

  Excerpt from

  Chasing Darkness

  A Taut Psychological Thriller

  Winner of the

  Romantic Times Reviewers Choice Award

  by

  Danielle Girard

  Award-winning Author

  Prologue

  June 26, 1993

  Walnut Creek, California

  Sam Chase left the house at 6:50 A.M. for her three-mile loop. The run was the single part of her day that remained consistent, five days a week. Twenty-four minutes later she would be home again. Twenty-four long, torturous minutes that she would spend cursing the fact that she could never find a rhythm. She'd met runners, people who loved to run and talked about the high they got from it like it was a drug. Sam had never understood that. For her, it was all pain from start to finish. She did it because she had to and that was it. Five days a week, three miles each time. Then she could settle into bed at night with a bowl of ice cream and a book and not feel guilty.

  One mile in, she passed John Muir Elementary School and waved hello to another runner she often saw on her loop. He wore yellow nylon shorts, the kind with the slits up the sides that, in his case, exposed sinewy legs. As he moved forward, his legs created tall, staccato arches, the motion graceful and smooth, unlike the shuffling, flat shape of her own strides.

  Through the row of sycamore trees that lined the schoolyard, Sam could make out a few summer school kids just starting to sprinkle onto the playground. Their brightly colored outfits contrasted with the dull gray pavement of the yard. On the far side, a pack of them stood beside the fence. Their parents dropped them off as early as seven o'clock and could pick them up as late as six whenever school was in session. It was a great service for the parents, but it had to be hard on the kids to be at school for so long. Still, they were shouting and playing kickball and hanging upside down from the jungle gym with the energy that only children could have at such an early hour—and without the help of caffeine.

  Sam ran by, noting the slow progression of cars heading toward the freeways. She thought about the upcoming day and her meetings. Anything to avoid thinking about the ache in her side and the numbing pain in her thighs. She reached the halfway mark and picked up the pace on her way back, eager to be home. As she did every morning, she'd set the timer on the coffee machine before she left, and she looked forward to the smell of freshly brewed Mocha Java as she walked in the front door.

  The wind picked up, and she could smell eucalyptus and lemon verbena, their scents intensifying as the temperature rose. June in Walnut Creek was hot, this June hotter than usual. September and October, the months of Indian summer in Northern California, would be scorching. Hot was fine by Sam. The heat cleared her head. And the arid heat cleared memories of the damp, miserable South of her youth.

  Rounding the corner by the school, Sam caught sight of an adult standing on the edge of the playground where the kids were gathered. The prickle of adrenaline spiked in her neck and shoulders. She took two steps forward and changed her course. Something about the khaki coat and the hunched form of the shoulders was suspicious. Silent alarms rang in her head as she pushed herself further, faster. She heard a child's high-pitched scream and shot forward.

  She could see the kids staring at the man with looks of horror. What had he done?

  "You!" she screamed when she was within thirty feet.

  The man spun around and Sam could see his pale nakedness beneath the coat. He quickly shut his coat and ran. He was six-two, maybe six-three, Caucasian with scraggly black curly hair that hung just over the collar of his coat. The shadow on his face suggested he hadn't shaved in a while, and she cursed herself for not spotting him sooner.

  He wore clunky work boots and between the shoes and holding himself through his coat, she was on him before he reached the other side of the street. She grasped his shoulders and swung him around, tripping him and landing him on the ground, face up. Before he could move, she rolled him onto his face, brought his right hand behind his back, and jerked it up toward his head.

  He yelped.

  He smelled like chocolate and cologne and she knew he'd had candy to offer the kids. All the good perverts kept treats. "Don't move, you sick bastard. What's your name?"

  "I don't—I don't know—"

  She jerked his arm harder. "What's your goddamn name?"

  "Gerry. Gerry Hecht."

  "You been arrested before, Gerry?"

  "Uh, no. No, I—"

  Trapping his arm under her knee, she grabbed his hair and pulled his head back. "I'm a fucking cop. Don't lie to me. Have you been arrested before?"

  "Yeah, yeah," he grunted. "A couple of times."

  Sam let his hair go and smiled. "Then this time makes three."

  * * *

  After an hour of wait
ing for the proper authorities to show up and answering questions and completing paperwork, Sam walked in her front door just as the phone started to ring.

  The woman said, "Samantha Jean Everett?"

  The sound of that name, her old name, rose like thick tar in her throat. She hadn't used the name since she'd left the South. It had been almost twelve years. "Who is this?" she asked, hearing terror behind the harshness in her own voice.

  "My name is Francis Mason. I'm with Child Protection Services in Jackson, Mississippi."

  Sam stared at the phone, trying to remember a case—any case—that had involved someone in Mississippi. There hadn't been one. She would have remembered. Just the word "Mississippi" burned like flaming crosses in her mind. "What do you want?"

  The woman cleared her throat. "I'm calling on behalf of Polly Ann Austin."

  Sam gripped the phone in terror. "What's happened?"

  * * *

  The constant buzz and whir of planes overhead, mixed with the booming loudspeaker calling out passengers and flights, made it difficult for Sam to think. Behind her she could hear a voice welcoming passengers to San Francisco International Airport and directing them to baggage claim and ground transportation. Families swarmed around her, reuniting in a dance as foreign to her as the apprehension knotted in her gut. College students returning home for the summer, siblings and cousins, aunts and uncles visiting. Even after all these years, the low drawl of Southern accents in the crowd made her slightly nauseated.

  Only yesterday everything had been normal. Curled in the navy flannel sheets that covered her bed year-round to fight off a constant chill, Sam had cut herself off from reality with a book, the way she loved to do when she could find an evening away from work. Last night she had been in the middle of Joyce Carol Oates' Black Water, a modern re-creation of the Chappaquiddick incident with a Kelly instead of Mary Jo.

  Sam read, feeling her grip on the book tense as the senator pressed Kelly down, killing her to free himself. Sam knew what that felt like. She'd felt Kelly's fear. The only difference was, it hadn't killed her.

  Her focus back in the present, Sam found Gate 31 and waited as the people moved off the plane. She stood off to one side, the squeals of families barely audible over the pounding of her heart in her ears.

  She imagined the familiar support of her gun under her arm and wished she was on a case, wished she was knee-deep in anything but this.

  A woman stepped out of the jetway and raised a rectangular placard with the words "Samantha Chase" written in thick black ink. Sam forced herself into the throng of people. She barely glanced at the woman, instead studying the eight-year-old twin blond boys who stood on either side of her.

  They were so much like Polly Ann that Sam reeled back, but not before the woman had caught her eye. The boys were tiny images of Sam's sister and, she knew, of herself. Sam saw Polly's bright blue eyes and oval face, her blondish-brown hair, wavy like the pattern the ocean left on the Southern shore.

  The woman pushed the boys in her direction. One was walking with crutches. The woman had told her about that on the phone. The surgeons had put a pin in his hip after the car accident. The conversation swept past her again, flitting only long enough for her to feel her own confusion. She was inheriting her nephews, she reminded herself. Polly was dead and Sam had been appointed guardian. For some reason she couldn't get the idea to stick.

  "Are you Samantha Jean?" the woman asked.

  Sam continued to stare at the boys, unable to speak.

  "Ma'am?" she repeated. "You are Samantha Jean Everett—I mean, Chase?"

  Sam cringed. "Yes, that's me—that was me. I'm Sam Chase."

  "May I see some I.D., please?" the woman asked, as though Sam were going to write a bad check for the boys. Sam presented her driver's license and the woman presented the boys. A neat exchange.

  "Mrs. Chase, then," she said. "As we discussed on the phone, Polly Ann Austin was killed in a car accident. In her will, you are named guardian of the children."

  Sam blinked hard. "Polly Ann."

  "Austin," the woman repeated, glancing at a piece of paper she held in her fist. "Relationship says sister. This should have all been discussed on the phone."

  Sam nodded.

  The woman pushed the children forward, and Sam focused in on their wide blue eyes—Polly's eyes. How in the world could she ever protect them from people like Gerry Hecht?

  Chapter 1

  June 25, 2001

  Walnut Creek, California

  "Chase," the voice said when Sam mumbled "Hello" into the receiver. "It's Thomas. I'm in the Diablo foothills. You'd better come."

  Sam sat up straight and fumbled for the clock on the bedside table, tilting it until the red numbers came into focus: 2:15 a.m. Blinking, she surveyed the room for a sign of something wrong. "What is it? Has something happened to Rob?" Her throat had the gritty texture of sandpaper as she spoke.

  "I sure as hell hope not. Rob's supposed to be with you. It's the middle of the night. You want to check his room?"

  "I'll look when we're done. Why are you calling?"

  "We found Walters."

  The tone of Detective Thomas' voice let Sam know this was business, and the business was that a child was dead. Not a fun business to be in. A victim of child abuse, Molly Walters had been removed from her mother's home more than once in her seven years. Sam wished she had been able to keep her away for good. She sighed, rubbing the back of her hand over her eyes to clear the fog of sleep from her brain. "Damn."

  "Uh, it's not the one you're thinking."

  "What do you mean?"

  "It's not Molly."

  "Nick, for God's sake, say it in English. What the hell are you talking about?"

  "You need to come up here."

  "The boys are still asleep. I'll come to the station house later."

  "No," Thomas insisted. "The boys are sixteen years old, Sam. They'll be fine. You need to come to the scene now."

  At the tone of his voice, Sam set her feet on the floor and focused on the far walls of her dark room. Her head swam, sleep pulling her eyelids closed like a wet cloth. "Why? What's going on?"

  "There's something you should see."

  Sam swallowed hard. She'd dealt with abuse and death since she left homicide, but rarely face-to-face. She handled perpetrators. It was mostly bullshit with them—trying to push their buttons and act tough. She could do that. She could be tougher than any gang of criminals, but the victims she left to someone else. It was a routine she wanted to maintain. She hesitated. "I don't know, Thomas."

  "Get your ass out of bed," he said, his tone urgent but not angry.

  "Watch it." If Molly wasn't dead, though, what was going on? "You picked up the mother?" she asked.

  "The mother's not going anywhere—ever. You coming or what?"

  Sam pushed the warm covers off her legs and was instantly cold. Unmoving, she tried to sort it out, unclear why she needed to see the dead Walters woman unless the police suspected that seven-year-old Molly was the killer. Doubtful. "I'll be there."

  "Good. And come with an empty stomach."

  Despite the ache in her gut, Sam tried to joke it off. "Doesn't sound pretty."

  "It's not. Take 680 to El Cerro. Head east until El Cerro becomes Diablo Boulevard. A mile later, take a left at the sign for Diablo Country Club. We're about a mile and a half up on the left in the wooded lot across from the pasture. You'll see the cars." As he rattled off his location, Sam committed it to memory. "You write that down?" he asked.

  "Never. See you in a few." Switching on her bedside light, Sam blinked yellow flashes until her vision cleared. She crossed the room, and found a pair of jeans and a cotton turtleneck and sweater from the night before and dressed quickly, thankful for the no-nonsense ease of her short hair and her taste for no makeup. It defied everything she'd ever known for the first eighteen years of her life. Even twenty years later, it still felt great.

  Pulling the holster from its post at th
e back of her closet, she strapped on her gun and hurried down the hall, pushing open the door to the first bedroom. Posters of Cal Ripken, hands raised to the crowd, at his record-breaking 2,131st game and Barry Bonds hitting his 73rd homer covered the two walls above the single bed. Several days' worth of clothes were scattered across the floor, creating patterns of gray that played in the shadows of the room. Despite the mess, she exhaled at the, sight of sheets pulled loose and strewn across Rob's body. He'd missed curfew again last night. At least he'd made it home. She watched the steady rise and fall of his chest as he slept. She would deal with him later.

  Closing his door, she moved to the next one and opened it. "Derek," she whispered.

  The sleepy boy shifted slightly, his blond hair covering his eyes. "Huh," he grumbled, his arm falling out of the covers and dangling toward the floor. Above his head hung a poster of the constellations, beside it a Bruce Springsteen poster from Darkness on the Edge of Town, an album that had come out while Sam was in college. His books were carefully stacked on the desk, clothes put in their place, only the most recent Grisham novel spread-eagled on the floor.

  "I've got to go to a scene. I'll be back before you're up. If you need me, page me."

  "Uh-huh," the sixteen-year-old mumbled back.

  She moved into the room. "Derek," she whispered a little louder.

  He opened his eyes and blinked hard, squinting as he pushed the hair from his face. "I heard you—you're out, page you if Rob sets the house on fire."

  She smiled and winked. "If you're up before I'm back, remind him he needs to clean that sty. And tell him not to go anywhere until we've talked. He missed curfew again. You know what time he got home?"

  Derek shook his head, turning away from her and tucking the covers under his chin.

  Sam had a feeling Derek knew exactly when his brother had come home, but she respected him for not ratting. She would talk to Rob herself. Something had to be done before it got out of hand. "Remind him about the room."

  "I'll tell him, but he won't do it."