Barrie, J M - Peter Pan 01 - The Little White Bird

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by The Little White Bird


  I felt I could complain to the committee.

  Oh, you selfish young zany of a man, after all you have said to her, won't you make it up and let me return to my coffee? Not he.

  Little nursery governess, I appeal to you. Annoying girl, be joyous as of old during the five minutes of the day when you are anything to me, and for the rest of the time, so far as I am concerned, you may be as wretched as you list. Show some courage. I assure you he must be a very bad painter; only the other day I saw him looking longingly into the window of a cheap Italian restaurant, and in the end he had to crush down his aspirations with two penny scones.

  You can do better than that. Come, Mary.

  All in vain. She wants to be loved; can't do without love from morning till night; never knew how little a woman needs till she lost that little. They are all like this.

  Zounds, madam, if you are resolved to be a drooping little figure till you die, you might at least do it in another street.

  Not only does she maliciously depress me by walking past on ordinary days, but I have discovered that every Thursday from two to three she stands afar off, gazing hopelessly at the romantic post-office where she and he shall meet no more. In these windy days she is like a homeless leaf blown about by passers-by.

  There is nothing I can do except thunder at William.

  At last she accomplished her unworthy ambition. It was a wet Thursday, and from the window where I was writing letters I saw the forlorn soul taking up her position at the top of the street: in a blast of fury I rose with the one letter I had completed, meaning to write the others in my chambers. She had driven me from the club.

  I had turned out of Pall Mall into a side street, when whom should I strike against but her false swain! It was my fault, but I hit out at him savagely, as I always do when I run into anyone in the street. Then I looked at him. He was hollow-eyed; he was muddy; there was not a haw left in him. I never saw a more abject young man; he had not even the spirit to resent the testy stab I had given him with my umbrella. But this is the important thing: he was glaring wistfully at the post-office and thus in a twink I saw that he still adored my little governess. Whatever had been their quarrel he was as anxious to make it up as she, and perhaps he had been here every Thursday while she was round the corner in Pall Mall, each watching the post-office for an apparition. But from where they hovered neither could see the other.

  I think what I did was quite clever. I dropped my letter unseen at his feet, and sauntered back to the club. Of course, a gentleman who finds a letter on the pavement feels bound to post it, and I presumed that he would naturally go to the nearest office.

  With my hat on I strolled to the smoking-room window, and was just in time to see him posting my letter across the way. Then I looked for the little nursery governess. I saw her as woe-begone as ever; then, suddenly--oh, you poor little soul, and has it really been as bad as that!

  She was crying outright, and he was holding both her hands. It was a disgraceful exhibition. The young painter would evidently explode if he could not make use of his arms. She must die if she could not lay her head upon his breast. I must admit that he rose to the occasion; he hailed a hansom.

  "William," said I gaily, "coffee, cigarette, and cherry brandy."

  As I sat there watching that old play David plucked my sleeve to ask what I was looking at so deedily; and when I told him he ran eagerly to the window, but he reached it just too late to see the lady who was to become his mother. What I told him of her doings, however, interested him greatly; and he intimated rather shyly that he was acquainted with the man who said, "Haw-haw-haw." On the other hand, he irritated me by betraying an idiotic interest in the two children, whom he seemed to regard as the hero and heroine of the story. What were their names? How old were they? Had they both hoops? Were they iron hoops, or just wooden hoops? Who gave them their hoops?

  "You don't seem to understand, my boy," I said tartly, "that had I not dropped that letter, there would never have been a little boy called David A----." But instead of being appalled by this he asked, sparkling, whether I meant that he would still be a bird flying about in the Kensington Gardens.

  David knows that all children in our part of London were once birds in the Kensington Gardens; and that the reason there are bars on nursery windows and a tall fender by the fire is because very little people sometimes forget that they have no longer wings, and try to fly away through the window or up the chimney.

  Children in the bird stage are difficult to catch. David knows that many people have none, and his delight on a summer afternoon is to go with me to some spot in the Gardens where these unfortunates may be seen trying to catch one with small pieces of cake.

  That the birds know what would happen if they were caught, and are even a little undecided about which is the better life, is obvious to every student of them. Thus, if you leave your empty perambulator under the trees and watch from a distance, you will see the birds boarding it and hopping about from pillow to blanket in a twitter of excitement; they are trying to find out how babyhood would suit them.

  Quite the prettiest sight in the Gardens is when the babies stray from the tree where the nurse is sitting and are seen feeding the birds, not a grownup near them. It is first a bit to me and then a bit to you, and all the time such a jabbering and laughing from both sides of the railing. They are comparing notes and inquiring for old friends, and so on; but what they say I cannot determine, for when I approach they all fly away.

  The first time I ever saw David was on the sward behind the Baby's Walk. He was a missel-thrush, attracted thither that hot day by a hose which lay on the ground sending forth a gay trickle of water, and David was on his back in the water, kicking up his legs. He used to enjoy being told of this, having forgotten all about it, and gradually it all came back to him, with a number of other incidents that had escaped my memory, though I remember that he was eventually caught by the leg with a long string and a cunning arrangement of twigs near the Round Pond. He never tires of this story, but I notice that it is now he who tells it to me rather than I to him, and when we come to the string he rubs his little leg as if it still smarted.

  So when David saw his chance of being a missel-thrush again he called out to me quickly: "Don't drop the letter!" and there were tree-tops in his eyes.

  "Think of your mother," I said severely.

  He said he would often fly in to see her. The first thing he would do would be to hug her. No, he would alight on the water- jug first, and have a drink.

  "Tell her, father," he said with horrid heartlessness, "always to have plenty of water in it, 'cos if I had to lean down too far I might fall in and be drownded."

  "Am I not to drop the letter, David? Think of your poor mother without her boy!"

  It affected him, but he bore up. When she was asleep, he said, he would hop on to the frilly things of her night-gown and peck at her mouth.

  "And then she would wake up, David, and find that she had only a bird instead of a boy."

  This shock to Mary was more than he could endure. "You can drop it," he said with a sigh. So I dropped the letter, as I think I have already mentioned; and that is how it all began.

  III

  Her Marriage, Her Clothes, Her Appetite, and an Inventory of Her Furniture

  A week or two after I dropped the letter I was in a hansom on my way to certain barracks when loud above the city's roar I heard that accursed haw-haw-haw, and there they were, the two of them, just coming out of a shop where you may obtain pianos on the hire system. I had the merest glimpse of them, but there was an extraordinary rapture on her face, and his head was thrown proudly back, and all because they had been ordering a piano on the hire system.

  So they were to be married directly. It was all rather contemptible, but I passed on tolerantly, for it is only when she is unhappy that this woman disturbs me, owing to a clever way she has at such times of looking more fragile than she really is.

  When next I saw them, they were g
azing greedily into the window of the sixpenny-halfpenny shop, which is one of the most deliciously dramatic spots in London. Mary was taking notes feverishly on a slip of paper while he did the adding up, and in the end they went away gloomily without buying anything. I was in high feather. "Match abandoned, ma'am," I said to myself; "outlook hopeless; another visit to the Governesses' Agency inevitable; can't marry for want of a kitchen shovel." But I was imperfectly acquainted with the lady.

  A few days afterward I found myself walking behind her. There is something artful about her skirts by which I always know her, though I can't say what it is. She was carrying an enormous parcel that might have been a bird-cage wrapped in brown paper, and she took it into a bric-a-brac shop and came out without it. She then ran rather than walked in the direction of the sixpenny- halfpenny shop. Now mystery of any kind is detestable to me, and I went into the bric-a-brac shop, ostensibly to look at the cracked china; and there, still on the counter, with the wrapping torn off it, was the article Mary had sold in order to furnish on the proceeds. What do you think it was? It was a wonderful doll's house, with dolls at tea downstairs and dolls going to bed upstairs, and a doll showing a doll out at the front door. Loving lips had long ago licked most of the paint off, but otherwise the thing was in admirable preservation; obviously the joy of Mary's childhood, it had now been sold by her that she might get married.

  "Lately purchased by us," said the shopwoman, seeing me look at the toy, "from a lady who has no further use for it."

  I think I have seldom been more indignant with Mary. I bought the doll's house, and as they knew the lady's address (it was at this shop that I first learned her name) I instructed them to send it back to her with the following letter, w hich I wrote in the shop: "Dear madam, don't be ridiculous. You will certainly have further use for this. I am, etc., the Man Who Dropped the Letter."

  It pained me afterward, but too late to rescind the order, to reflect that I had sent her a wedding present; and when next I saw her she had been married for some months. The time was nine o'clock of a November evening, and we were in a street of shops that has not in twenty years decided whether to be genteel or frankly vulgar; here it minces in the fashion, but take a step onward and its tongue is in the cup of the ice-cream man. I usually rush this street, which is not far from my rooms, with the glass down, but to-night I was walking. Mary was in front of me, leaning in a somewhat foolish way on the haw-er, and they were chatting excitedly. She seemed to be remonstrating with him for going forward, yet more than half admiring him for not turning back, and I wondered why.

  And after all what was it that Mary and her painter had come out to do? To buy two pork chops. On my honour. She had been trying to persuade him, I decided, that they were living too lavishly. That was why she sought to draw him back. But in her heart she loves audacity, and that is why she admired him for pressing forward.

  No sooner had they bought the chops than they scurried away like two gleeful children to cook them. I followed, hoping to trace them to their home, but they soon out-distanced me, and that night I composed the following aphorism: It is idle to attempt to overtake a pretty young woman carrying pork chops. I was now determined to be done with her. First, however, to find out their abode, which was probably within easy distance of the shop. I even conceived them lured into taking their house by the advertisement, "Conveniently situated for the Pork Emporium."

  Well, one day--now this really is romantic and I am rather proud of it. My chambers are on the second floor, and are backed by an anxiously polite street between which and mine are little yards called, I think, gardens. They are so small that if you have the tree your neighbour has the shade from it. I was looking out at my back window on the day we have come to when whom did I see but the whilom nursery governess sitting on a chair in one of these gardens. I put up my eye-glass to make sure, and undoubtedly it was she. But she sat there doing nothing, which was by no means my conception of the jade, so I brought a fieldglass to bear and discovered that the object was merely a lady's jacket. It hung on the back of a kitchen chair, seemed to be a furry thing, and, I must suppose, was suspended there for an airing.

  I was chagrined, and then I insisted stoutly with myself that, as it was not Mary, it must be Mary's jacket. I had never seen her wear such a jacket, mind you, yet I was confident, I can't tell why. Do clothes absorb a little of the character of their wearer, so that I recognised this jacket by a certain coquetry? If she has a way with her skirts that always advertises me of her presence, quite possibly she is as cunning with jackets. Or perhaps she is her own seamstress, and puts in little tucks of herself.

  Figure it what you please; but I beg to inform you that I put on my hat and five minutes afterward saw Mary and her husband emerge from the house to which I had calculated that garden belonged. Now am I clever, or am I not?

  When they had left the street I examined the house leisurely, and a droll house it is. Seen from the front it appears to consist of a door and a window, though above them the trained eye may detect another window, the air-hole of some apartment which it would be just like Mary's grandiloquence to call her bedroom. The houses on each side of this bandbox are tall, and I discovered later that it had once been an open passage to the back gardens. The story and a half of which it consists had been knocked up cheaply, by carpenters I should say rather than masons, and the general effect is of a brightly coloured van that has stuck for ever on its way through the passage.

  The low houses of London look so much more homely than the tall ones that I never pass them without dropping a blessing on their builders, but this house was ridiculous; indeed it did not call itself a house, for over the door was a board with the inscription "This space to be sold," and I remembered, as I rang the bell, that this notice had been up for years. On avowing that I wanted a space, I was admitted by an elderly, somewhat dejected looking female, whose fine figure was not on scale with her surroundings. Perhaps my face said so, for her first remark was explanatory.

  "They get me cheap," she said, "because I drink."

  I bowed, and we passed on to the drawing-room. I forget whether I have described Mary's personal appearance, but if so you have a picture of that sunny drawing-room. My first reflection was, How can she have found the money to pay for it all! which is always your first reflection when you see Mary herself a-tripping down the street.

  I have no space (in that little room) to catalogue all the whim- whams with which she had made it beautiful, from the hand-sewn bell-rope which pulled no bell to the hand-painted cigar-box that contained no cigars. The floor was of a delicious green with exquisite oriental rugs; green and white, I think, was the lady's scheme of colour, something cool, you observe, to keep the sun under. The window-curtains were of some rare material and the colour of the purple clematis; they swept the floor grandly and suggested a picture of Mary receiving visitors. The piano we may ignore, for I knew it to be hired, but there were many dainty pieces, mostly in green wood, a sofa, a corner cupboard, and a most captivating desk, which was so like its owner that it could have sat down at her and dashed off a note. The writing paper on this desk had the word Mary printed on it, implying that if there were other Marys they didn't count. There were many oil- paintings on the walls, mostly without frames, and I must mention the chandelier, which was obviously of fabulous worth, for she had encased it in a holland bag.

  "I perceive, ma'am," said I to the stout maid, "that your master is in affluent circumstances."

  She shook her head emphatically, and said something that I failed to catch.

  "You wish to indicate," I hazarded, "that he married a fortune."

  This time I caught the words. They were "Tinned meats," and having uttered them she lapsed into gloomy silence.

  "Nevertheless," I said, "this room must have cost a pretty penny."

  "She done it all herself," replied my new friend, with concentrated scorn.

  "But this green floor, so beautifully stained--"

  "Boiling oil
," said she, with a flush of honest shame, "and a shillingsworth o' paint."

  "Those rugs--"

  "Remnants," she sighed, and showed me how artfully they had been pieced together.

  "The curtains--"

  "Remnants."

  "At all events the sofa--"

  She raised its drapery, and I saw that the sofa was built of packing cases.

  "The desk--"

  I really thought that I was safe this time, for could I not see the drawers with their brass handles, the charming shelf for books, the pigeon-holes with their coverings of silk?

  "She made it out of three orange boxes," said the lady, at last a little awed herself.

  I looked around me despairingly, and my eye alighted on the holland covering. "There is a fine chandelier in that holland bag," I said coaxingly.

  She sniffed and was raising an untender hand, when I checked her. "Forbear, ma'am," I cried with authority, "I prefer to believe in that bag. How much to be pitied, ma'am, are those who have lost faith in everything." I think all the pretty things that the little nursery governess had made out of nothing squeezed my hand for letting the chandelier off.

  "But, good God, ma'am," said I to madam, "what an exposure."

  She intimated that there were other exposures upstairs.

  "So there is a stair," said I, and then, suspiciously, "did she make it?"

  No, but how she had altered it.

  The stair led to Mary's bedroom, and I said I would not look at that, nor at the studio, which was a shed in the garden.

  "Did she build the studio with her own hands?"

  No, but how she had altered it.

  "How she alters everything," I said. "Do you think you are safe, ma'am?"

 

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