Of course, Gene knows now that this was not the reality of it. He knows: He was a drunk, and DJ was just a sad, scared little kid, trying to deal with a rotten situation. Later, when he was in detox, these memories of his son made him actually shudder with shame, and it was not something he could bring himself to talk about even when he was deep into his twelve steps. How could he say how repulsed he’d been by the child, how actually frightened he was. Jesus Christ, DJ was a poor wretched five-year-old kid! But in Gene’s memory there was something malevolent about him, resting his head pettishly on his mother’s chest, talking in that singsong, lisping voice, staring hard and unblinking at Gene with a little smile. Gene remembers catching DJ by the back of the neck. “If you’re going to talk, talk normal,” Gene had whispered through his teeth, and tightened his fingers on the child’s neck. “You’re not a baby. You’re not fooling anybody.” And DJ had actually bared his teeth, making a thin, hissing whine.
He wakes and he can’t breathe. There is a swimming, suffocating sensation of being stared at, being watched by something that hates him, and he gasps, choking for air. A lady is bending over him, and for a moment he expects her to say, “You’re very lucky, young man. You should be dead.”
But it’s Karen. “What are you doing?” she says. It’s morning, and he struggles to orient himself—he’s on the living room floor, and the television is still going.
“Jesus,” he says, and coughs. “Oh, Jesus.” He is sweating, his face feels hot, but he tries to calm himself in the face of Karen’s horrified stare. “A bad dream,” he says, trying to control his panting breaths. “Jesus,” he says, and shakes his head, trying to smile reassuringly for her. “I got up last night and I couldn’t sleep. I must have passed out while I was watching TV.”
But Karen just gazes at him, her expression frightened and uncertain, as if something about him is transforming. “Gene,” she says. “Are you all right?”
“Sure,” he says, hoarsely, and a shudder passes over him involuntarily. “Of course.” And then he realizes that he is naked. He sits up, covering his crotch self-consciously with his hands, and glances around. He doesn’t see his underwear or his pajama bottoms anywhere nearby. He doesn’t even see the afghan, which he had draped over him on the couch while he was watching the mummies on TV. He starts to stand up, awkwardly, and he notices that Frankie is standing there in the archway between the kitchen and the living room, watching him, his arms at his sides like a cowboy who is ready to draw his holstered guns.
“Mom?” Frankie says. “I’m thirsty.”
He drives through his deliveries in a daze. The bees, he thinks. He remembers what Frankie had said a few mornings before, about bees inside his head, buzzing and bumping against the inside of his forehead like a windowpane they were tapping against. That’s the feeling he has now. All the things that he doesn’t quite remember are circling and alighting, vibrating their cellophane wings insistently. He sees himself striking Mandy across the face with the flat of his hand, knocking her off her chair; he sees his grip tightening around the back of DJ’s thin, five-year-old neck, shaking him as he grimaced and wept; and he is aware that there are other things, perhaps even worse, if he thought about it hard enough. All the things that he’d prayed that Karen would never know about him.
He was very drunk on the day that he left them, so drunk that he can barely remember. It was hard to believe that he’d made it all the way to Des Moines on the interstate before he went off the road, tumbling end over end, into darkness. He was laughing, he thought, as the car crumpled around him, and he has to pull his van over to the side of the road, out of fear, as the tickling in his head intensifies. There is an image of Mandy, sitting on the couch as he stormed out, with DJ cradled in her arms, one of DJ’s eyes swollen shut and puffy. There is an image of him in the kitchen, throwing glasses and beer bottles onto the floor, listening to them shatter.
And whether they are dead or not, he knows that they don’t wish him well. They would not want him to be happy—in love with his wife and child. His normal, undeserved life.
When he gets home that night, he feels exhausted. He doesn’t want to think anymore, and for a moment, it seems that he will be allowed a small reprieve. Frankie is in the yard, playing contentedly. Karen is in the kitchen, making hamburgers and corn on the cob, and everything seems okay. But when he sits down to take off his boots, she gives him an angry look.
“Don’t do that in the kitchen,” she says, icily. “Please. I’ve asked you before.”
He looks down at his feet: one shoe unlaced, half-off. “Oh,” he says. “Sorry.”
But when he retreats to the living room, to his recliner, she follows him. She leans against the door frame, her arms folded, watching as he releases his tired feet from the boots and rubs his hand over the bottom of his socks. She frowns heavily.
“What?” he says, and tries on an uncertain smile.
She sighs. “We need to talk about last night,” she says. “ I need to know what’s going on.”
“Nothing,” he says, but the stern way she examines him activates his anxieties all over again. “I couldn’t sleep, so I went out to the living room to watch TV. That’s all.”
She stares at him. “Gene,” she says after a moment. “People don’t usually wake up naked on their living room floor, and not know how they got there. That’s just weird, don’t you think?”
Oh, please, he thinks. He lifts his hands, shrugging—a posture of innocence and exasperation, though his insides are trembling. “I know,” he says. “It was weird to me, too. I was having nightmares. I really don’t know what happened.”
She gazes at him for a long time, her eyes heavy. “I see,” she says, and he can feel the emanation of her disappointment like waves of heat. “Gene,” she says. “All I’m asking is for you to be honest with me. If you’re having problems, if you’re drinking again, or thinking about it. I want to help. We can work it out. But you have to be honest with me.”
“I’m not drinking,” Gene says, firmly. He holds her eyes, earnestly. “I’m not thinking about it. I told you when we met, I’m through with it. Really.” But he is aware again of an observant, unfriendly presence, hidden, moving along the edge of the room. “I don’t understand,” he says. “What is it? Why would you think I’d lie to you?”
She shifts, still trying to read something in his face, still, he can tell, doubting him. “Listen,” she says, at last, and he can tell she is trying not to cry. “Some guy called you today. A drunk guy. And he said to tell you that he had a good time hanging out with you last night, and that he was looking forward to seeing you again soon.” She frowns hard, staring at him as if this last bit of damning information will show him for the liar he is. A tear slips out of the corner of her eye and along the bridge of her nose. Gene feels his chest tighten.
“That’s crazy,” he says. He tries to sound outraged, but he is in fact suddenly very frightened. “Who was it?”
She shakes her head, sorrowfully. “I don’t know,” she says. “Something with a ‘B.’ He was slurring so badly I could hardly understand him. B.B. or B.J. or . . .”
Gene can feel the small hairs on his back prickling. “Was it DJ?” he says, softly.
And Karen shrugs, lifting a now teary face to him. “I don’t know!” she says, hoarsely. “I don’t know. Maybe.” And Gene puts his palms across his face. He is aware of that strange, buzzing, tickling feeling behind his forehead.
“Who is DJ?” Karen says. “Gene, you have to tell me what’s going on.”
But he can’t. He can’t tell her, even now. Especially now, he thinks, when to admit that he’d been lying to her ever since they met would confirm all the fears and suspicions she’d been nursing for—what?—days? weeks?
“He’s someone I used to know a long time ago,” Gene tells her. “Not a good person. He’s the kind of guy who might . . . call up, and get a kick out of upsetting you.”
They sit at the kitchen table, silently wa
tching as Frankie eats his hamburger and corn on the cob. Gene can’t quite get his mind around it. DJ, he thinks, as he presses his finger against his hamburger bun, but doesn’t pick it up. DJ. He would be fifteen by now. Could he, perhaps, have found them? Maybe stalking them? Watching the house? Gene tries to fathom how DJ might have been causing Frankie’s screaming episodes. How he might have caused what happened last night—snuck up on Gene while he was sitting there watching TV and drugged him or something. It seems far-fetched.
“Maybe it was just some random drunk,” he says at last, to Karen. “Accidentally calling the house. He didn’t ask for me by name, did he?”
“I don’t remember,” Karen says, softly. “Gene . . .”
And he can’t stand the doubtfulness, the lack of trust in her expression. He strikes his fist hard against the table, and his plate clatters in a circling echo. “I did not go out with anybody last night!” he says. “I did not get drunk! You can either believe me, or you can . . .”
They are both staring at him. Frankie’s eyes are wide, and he puts down the corncob he was about to bite into, as if he doesn’t like it anymore. Karen’s mouth is pinched.
“Or I can what?” she says.
“Nothing,” Gene breathes.
There isn’t a fight, but a chill spreads through the house, a silence. She knows that he isn’t telling her the truth. She knows that there’s more to it. But what can he say? He stands at the sink, gently washing the dishes as Karen bathes Frankie and puts him to bed. He waits, listening to the small sounds of the house at night. Outside, in the yard, there is the swing set, and the willow tree—silver-gray and stark in the security light that hangs above the garage. He waits for a while longer, watching, half-expecting to see DJ emerge from behind the tree as he’d done in Gene’s dream, creeping along, his bony hunched back, the skin pulled tight against the skull of his oversized head. There is that smothering, airless feeling of being watched, and Gene’s hands are trembling as he rinses a plate under the tap.
When he goes upstairs at last, Karen is already in her nightgown, in bed, reading a book.
“Karen,” he says, and she flips a page, deliberately.
“I don’t want to talk to you until you’re ready to tell me the truth,” she says. She doesn’t look at him. “You can sleep on the couch, if you don’t mind.”
“Just tell me,” Gene says. “Did he leave a number? To call him back?”
“No,” Karen says. She doesn’t look at him. “He just said he’d see you soon.”
He thinks that he will stay up all night. He doesn’t even wash up, or brush his teeth, or get into his bedtime clothes. He just sits there on the couch, in his uniform and stocking feet, watching television with the sound turned low, listening. Midnight. One AM.
He goes upstairs to check on Frankie, but everything is okay. Frankie is asleep with his mouth open, the covers thrown off. Gene stands in the doorway, alert for movement, but everything seems to be in place. Frankie’s turtle sits motionless on its rock, the books are lined up in neat rows, the toys put away. Frankie’s face tightens and untightens as he dreams.
Two AM. Back on the couch, Gene startles, half-asleep as an ambulance passes in the distance, and then there is only the sound of crickets and cicadas. Awake for a moment, he blinks heavily at a rerun of Bewitched, and flips through channels. Here is some jewelry for sale. Here is someone performing an autopsy.
In the dream, DJ is older. He looks to be nineteen or twenty, and he walks into a bar where Gene is hunched on a stool, sipping a glass of beer. Gene recognizes him right away—his posture, those thin shoulders, those large eyes. But now, DJ’s arms are long and muscular, tattooed. There is a hooded, unpleasant look on his face as he ambles up to the bar, pressing in next to Gene. DJ orders a shot of Jim Beam—Gene’s old favorite.
“I’ve been thinking about you a lot, ever since I died,” DJ murmurs. He doesn’t look at Gene as he says this, but Gene knows who he is talking to, and his hands are shaky as he takes a sip of beer.
“I’ve been looking for you for a long time,” DJ says, softly, and the air is hot and thick. Gene puts a trembly cigarette to his mouth and breathes on it, choking on the taste. He wants to say, I’m sorry. Forgive me. But he can’t breathe. DJ shows his small, crooked teeth, staring at Gene as he gulps for air.
“I know how to hurt you,” DJ whispers.
Gene opens his eyes, and the room is full of smoke. He sits up, disoriented: For a second he is still in the bar with DJ before he realizes that he’s in his own house.
There is a fire somewhere: he can hear it. People say that fire “crackles,” but in fact it seems like the amplified sound of tiny creatures eating, little wet mandibles, thousands and thousands of them, and then a heavy, whispered whoof, as the fire finds another pocket of oxygen.
He can hear this, even as he chokes blindly in the smoky air. The living room has a filmy haze over it, as if it is atomizing, fading away, and when he tries to stand up it disappears completely. There is a thick membrane of smoke above him, and he drops again to his hands and knees, gagging and coughing, a thin line of vomit trickling onto the rug in front of the still chattering television.
He has the presence of mind to keep low, crawling on his knees and elbows underneath the thick, billowing fumes. “Karen!” he calls. “Frankie!” but his voice is swallowed into the white noise of diligently licking flame. “Ach,” he chokes, meaning to utter their names.
When he reaches the edge of the stairs he sees only flames and darkness above him. He puts his hands and knees on the bottom steps, but the heat pushes him back. He feels one of Frankie’s action figures underneath his palm, the melting plastic adhering to his skin, and he shakes it away as another bright burst of flame reaches out of Frankie’s bedroom for a moment. At the top of the stairs, through the curling fog he can see the figure of a child watching him grimly, hunched there, its face lit and flickering. Gene cries out, lunging into the heat, crawling his way up the stairs, to where the bedrooms are. He tries to call to them again, but instead, he vomits.
There is another burst that covers the image that he thinks is a child. He can feel his hair and eyebrows shrinking and sizzling against his skin as the upstairs breathes out a concussion of sparks. He is aware that there are hot, floating bits of substance in the air, glowing orange and then winking out, turning to ash. The air is thick with angry buzzing, and that is all he can hear as he slips, turning end over end down the stairs, the humming and his own voice, a long vowel wheeling and echoing as the house spins into a blur.
And then he is lying on the grass. Red lights tick across his opened eyes in a steady, circling rhythm, and a woman, a paramedic, lifts her lips up from his. He draws in a long, desperate breath.
“Shhhhh,” she says, softly, and passes her hand along his eyes. “Don’t look,” she says.
But he does. He sees, off to the side, the long black plastic sleeping bag, with a strand of Karen’s blonde hair hanging out from the top. He sees the blackened, shriveled body of a child, curled into a fetal position. They place the corpse into the spread, zippered plastic opening of the body bag, and he can see the mouth, frozen, calcified, into an oval. A scream.
Catskin
By KELLY LINK
The witch had made her children what they were—literally. But
when her blood cried out for revenge, only one had the wit and
courage to undo her murderer.
Cats went in and out of the witch’s house all day long. The windows stayed open, and the doors, and there were other doors, cat-sized and private, in the walls and up in the attic. The cats were large and sleek and silent. No one knew their names, or even if they had names, except for the witch.
Some of the cats were cream-colored and some were brindled. Some were black as beetles. They were about the witch’s business. Some came into the witch’s bedroom with live things in their mouths. When they came out again, their mouths were empty.
The cats trotted
and slunk and leapt and crouched. They were busy. Their movements were catlike, or perhaps clockwork. Their tails twitched like hairy pendulums. They paid no attention to the witch’s children.
The witch had three living children at this time, although at one time she had had dozens, maybe more. No one, certainly not the witch, had ever bothered to tally them up. But at one time the house had bulged with cats and babies.
Now, since witches cannot have children in the usual way—their wombs are full of straw or bricks or stones, and when they give birth, they give birth to rabbits, kittens, tadpoles, houses, silk dresses, and yet even witches must have heirs, even witches wish to be mothers— the witch had acquired her children by other means: she had stolen or bought or made them.
She’d had a passion for children with a certain color of red hair. Twins she had never been able to abide (they were the wrong kind of magic) although she’d sometimes attempted to match up sets of children, as though she had been putting together a chess set, and not a family. If you were to say a witch’s chess set, instead of a witch’s family, there would be some truth in that. Perhaps this is true of other families as well.
One girl she had grown like a cyst, upon her thigh. Other children she had made out of things in her garden, or bits of trash that the cats brought her: aluminum foil with strings of chicken fat still crusted to it, broken television sets, cardboard boxes that the neighbors had thrown out. She had always been a thrifty witch.
McSweeney's Mammoth Treasury of Thrilling Tales Page 7