by Adam Hall
'Yes,' I said. The Secretary of Defence had a tag on him last night at 22:00 hours,'
'What sort?'
'I'd say it was someone from a local cell or someone working for a bigger organization, probably blind or at least without any specific rdv's or cut-outs. Routine training, smaller than a hit-man, bigger than a peep. Gun carried but a lot of trouble taken to remain unidentifiable in case of arrest. His job was to signal when the Secretary of Defence arrived at the Quaker House Hotel and he did it by telephone.'
In a minute Ferris said: 'All right.'
He sounded very tense but I didn't make any comment or ask any silly questions: if your director in the field isn't tense most of the time it means you're not getting warm.
The last of the passengers went past and I memorized them, concentrating on those walking by themselves.
'All right,' Ferris said again. 'You know the objective for this phase.' I began listening very carefully. 'I want you to take him over without letting the other two know.'
'Two?'
'The third one's just been hospitalized in Bellevue. He's in intensive care.'
Shown his hand.
This was conceivably why Ferris sounded so worried.
'For Christ's sake get me running,' I said.
'Yes.' Another brief pause. The objective is in Room 23 of the Lulu Belle Hotel on Broadway and West 69th Street. As soon as you feel you've got full control I'll call the other two off. Questions?'
Couple of dozen but none that I could ask. London was probably in a flap over Finberg but Ferris wouldn't tell me that: it doesn't do the man in the field any good to know the network's got the shakes. My report on Burdick's tag could have been vital or useless and he wouldn't tell me that either unless it would help me to know. What 1 had to do now was go after Satynovich Zade and leave the rest to Ferris. 'No questions.'
05:17.
The place was at the end of a long alley where a group of dustbins stood under one of the three lamps. The cop on the beat had gone past twice since I'd arrived and I kept out of his way. Ten minutes ago I'd located one of our people: he was sitting in a parked VW on West 69th with a long-distance view of the Lulu Belle entrance. The road was up at that point and he was tucked in alongside some machinery in a roped area and I passed across his line of vision only once, He would be using field glasses.
Five minutes later I saw the other one: the pale blob of a face in the corner of a pool-room window. The place looked abandoned and had a padlock and chain across the doors and Ferris must have paid him inside through one of our people in place as an intermediary.
The set-up amounted to a bracket: the only part of the Lulu Belle that neither of them could see was a blank wall at the rear and they could see each other at a distance of some sixty yards with a fairly wide signalling vector if the VW had to move around. They wouldn't have had to rearrange this setup since the third man had been got at, because they'd have been working three-hourly shifts, but it was a good deal more dangerous now. He must have been exposed in some way at his base or en route, or the remaining two wouldn't still be manning the peep: the zone was extremely small and they would have been flushed.
I went back twice to the blue Dodge Charger and moved it a few yards, taking half an hour to work out the optimum station and going on foot from the corner of Broadway and West 69th Street to the next intersection south. I was very restricted because I had to move around without being seen by the two peeps or seen too often by the cop on the beat, but even at this pre-dawn hour there were one or two bums on the street and a group of winos lying in a doorway thirty yards south of the hotel entrance. I don't think it would have been possible to find an effective station without this degree of camouflage.
With the amount of sleep I'd taken in transit from Taiwan to Washington I was good for at least twenty-four hours before performance diminished, and the concussion in Phnom Penh had left me with no after-effects. The only difficulty about the take-over would be to signal Ferris that I was in control of Zade and that could only be done when he stopped moving again. Until then I'd have to run the surveillance in conjunction with the other two people and try not to let them see me.
That could be extremely sensitive and of course dangerous.
Ferris wouldn't normally have gone after a disinformation ploy: it was an ideal, not an essential. But Kobra was running hard and determined to drive any surveillance into the ground before they made their rendezvous: they'd killed three men and put a fourth into hospital and brought Control to the point where he was being pressured to call off the mission and Ferris had been brought in from Tokyo to do two things in New York.
One: to lock me on to Satynovich Zade and keep me with him all the way to the rendezvous.
Two: to let it be thought that the two people now surveying him had lost him beyond any hope of picking him up again.
This was logical. In given circumstances one man can stay with the objective more easily than a dozen: his image is smaller. At the point of locking on the final surveillance Ferris wanted to make it seem that the reverse had happened:.that all surveillance had now stopped. The disinformation component was a refinement: the take-over zone was extremely hot and one of us could be picked up and killed out of hand as in Milan, Geneva and Phnom Penh: but at any phase the Kobra people could try a straight snatch and grill whoever they took, and the disinformation would come up during the interrogation: Zade had been irretrievably lost.
05:43.
First light was touching along the roofs of the buildings.
A work gang had gone past in a truck two minutes ago and I prepared for a sudden rearrangement of the set-up because the VW would have to move off when the road works started up for the day.
The telephone I'd picked was on the other side of a small drug store near the end of the alley, two minutes' walk from die Lulu Belle Hotel. Ferris had told me to signal at ten minutes past each hour, leaving the exact hour interval for the other two.
The cop was still the same one, working die midnight-to-eight.
There was no sign of the opposition.
But they were here.
The deadline for the Kobra rendezvous was close. They hadn't run this far and this fast as a delaying action: they'd done it in an attempt to run our surveillance into the ground. They would zero in to the rendezvous the moment they were satisfied that the field was clear and when Ferris called off the last of the tags and left me in control, it would look like that.
05:49.
Two men.
They hadn't been there before.
I was at the Broadway end of the alley that ran alongside the hotel and I saw them when I checked the south vector. They were keeping to the dark where they could: in the patches of shadow thrown within doorways and in the cover of the hoardings where building was going on in the daytime. They moved about quite a lot but after five minutes I saw they had a focus.
Note. Review. Formulate.
Formulate what action to take if and when they came Work out escape lines. Control the situation to the point where there was nothing they could do without counteraction or a get-out.
That was ideal but of course you can't always do it because you don't always know the terrain well enough to use it for your defence and you don't always know what support they can call on when you select an escape line and find it blocked It was a good suit I'd bought for the interview at the White House and in this area it looked a little incongruous and they could be a couple of muggers.
I didn't think so.
There was a slight problem because the obvious escape lines were along Broadway and 69th Street but if I moved towards them from the alley I would have to cross exposure zones and I'd been avoiding them for the last thirty minutes These zones were the open areas directly opposite the front of the hotel, where anyone in the street could be seen from any one of its windows.
The danger was that the two men could in fact be a couple of muggers. If I could be certain of this, there was no problem. I was ideally
placed for a lure situation and if they followed me down the alley I could deal with them out of sight But I couldn't be certain, and if I assumed they were not muggers but hit-men from a Kobra cell I could take escape action that would expose me to actual Kobra surveillance in the area and that was what I'd been taking so much trouble to avoid.
It was a question of identity.
They were still moving.
But nothing had changed: I was their focus.
I waited.
Half a minute later the cop passed between their station and mine. He didn't check them and that could mean they were local and would therefore have nothing to do with Kobra. It was a clue to their identity but not reliable and I began worrying.
Milan. Geneva. Phnom Penh, Gut-think: discount.
The darkness was composed partially of light. The actual sources of the light — the street-lamps — were blinding to the eye and left the shadows almost black in places where doorways were deep and the hoardings threw an angular pattern. I had sufficient cover to use but couldn't reach it without showing my direction.
A Yellow Cab passed between the buildings, sending a wash of light along the walls. The two men turned their backs until it had gone. This was quite a professional move but not all that sophisticated: it was a street-crime skill and it didn't identify them as trained operators.
They were facing forward from the doorway again and watching me. I didn't think there was much chance of identifying them until they came close and if they came close it could be too late because if they were operationally trained they'd know how to kill.
Harrison. Hunter. Chepstow.
Gut-think: ignore.
They moved again, one going north and one south along me opposite pavement. In ten seconds they were out of sight because I was a few yards into the mouth of the alley and was therefore blinkered beyond a thirty-degree vector, I listened for them, Nothing.
Nothing close.
The rattle of a cab.
A Ship on the Hudson, Silence again.
Then their footsteps.
I walked halfway down the alley and turned round.
From this position I could assess their approach and if I thought they were professionals I could turn again and get out of the alley at the other end.
They became visible, their silhouettes moving against the back-lighting of the street behind them. They came quickly but were not running. There was a certain discipline in the way they walked. I couldn't see any sign of a weapon and certainly neither of them was holding a gun: their silhouettes were sharp and I could see their hands swinging freely as they walked.
They looked confident and I now assumed they were professionals. Their quick footsteps were taking on a strange echo and it alerted me: they were closer than they looked. I turned and began my run but stopped dead when I saw the two other men coming the other way.
Chapter Eleven: ZADE
The sky throbbed.
I lifted the bottle. It took all my strength The bottle was empty.
Light flared on the glass, blinding me… It came from the lamp.
The tall lamps burned in the sky, searing my eyes.
The man beside me stank.
My feet were in the gutter, one sock half off.
'Shit, man, git your ass outa here.'
'Shuddup,' I said, 'or I'll smash you.'
He stank of alcohol and vomit.
I lifted the bottle again, moaning.
'Shit, man,' he said.
He thought there was wine in the bottle, thought it was his.
'I'll smash you to a pulp,' I said, 'if you don't shuddup,'
He was dangerous.
He could get me killed.
My head throbbed and the sky throbbed.
But there wasn't any blood. Not enough for them to see.
Tyres squealed faintly at the intersection.
I saw one of them coming again, and lifted the bottle.
Consciousness began gaining now, faster, because of the danger.
He came past, walking steadily. I watched his feet.
His feet were at eye-level.
If he looked down, that would be it.
Finis.
His heel into my face: finis.
He stopped.
I looked up at him obliquely, squinting, my eyes almost shut against the blinding light, the bottle blazing. I didn't recognize him: he was one of the four who had been in the alley. One of the three still alive.
And he wouldn't recognize me either, I knew that. We'd all been moving very fast and it had been half dark. But he'd see, if he looked down, that my clothes weren't filthy and torn. He'd see other signs that I hadn't been lying here for months, night after night for months, dying the way I wanted.
But there was nothing more that I could do except wait. My present position was as vulnerable as it had been before in the alley but that was academic. Fire, frying pan, so forth.
The organism had looked after itself without my having to do any more thinking. I'd done me necessary amount of thinking first and then given the instructions to the organism and it had taken over. With two of them coming at me from each end of the alley there'd been no point in waiting till they closed on me at their own pace. The only chance lay in immediate and very aggressive action and I had made my run flat out, choosing this end of the alley because the street at the other end had exposure zones that I wanted to leave alone.
I didn't know if the two men behind me had started running: it didn't make any difference because I was going so hard that they wouldn't gain on me. The strength of the opposition had now been halved and there were only two people to deal with. They'd both stopped and were waiting and I think one of them was pulling a gun as I reached them.
The techniques of unarmed combat taught at Norfolk are based partly on karate. I have only used them twice to save my life, once in Warsaw and once in Hong Kong. In those instances there was only one adversary. Here there were two. There is nothing new about the primordial components of speed and surprise: they are essential to any attack, by whatever technique. Two further psychological components come into play when life is actually threatened: the instinct to survive, and the ability to relax and allow the primitive animal to perform in its own right.
In civilized society the will to take life is seldom conscious. Most murders are committed by relatives or close friends of the victim and the motivation is subconscious, an expression of rage, jealousy, humiliation, so forth. The need is not to kill but to relieve the psyche of its stress, and to do it in the quickest and surest way available.
The animal will do it consciously in order to survive.
There is no name, at Norfolk, for the extended techniques based on classic karate. Most of them are psychological and the most effective is this ability to relax and leave the animal to protect itself: not by defensive tactics but by the most implacable ferocity. In brief it might be termed the invocation of blood-lust.
There is probably a spin-off involved: the instillation of fear in the adversary. As I reached the two men I was an animal totally committed to killing them and I would believe that my whole body projected a degree of menace that would give them doubts.
Doubts at the instant of lethal combat can be critical.
Basically I used the tobi-mae-geri and was in the air with my feet at the knife-edge angle when I crashed into them. The man on the right died immediately and this was to be expected because I am right-handed and since if wasn't possible to aim a specific blow at both of them I aimed it at this one and he had no chance. The most effective weapon I had for the other man was my left knee, the leg doubled, because it isn't possible to perform the tobi-mae-geri with both feet: the body has left the ground and the balance has to be maintained.
I don't think the knee connected. But the momentum was there and the animal had killed only one of its adversaries and its life was still in jeopardy and it wanted to go on killing and I felt my left foot strike into softness before I landed and there was a
clatter of metal and someone moaning as I spun and bounced, hitting the ground and getting up and going headlong out of the alley, the organism still performing at peak effectiveness and thinking for itself as I dragged my collar up and my tie off, sliding across the pavement to where the winos were huddled in the bleak light of the lamp, one shoe coming off and then the other as I dropped across the gutter where the empty bottle was lying.
The thing had been done half consciously and without rehearsal, but habit and experience came into play and issued some of the instructions during the six or seven seconds available before the other two men came from the alley in a headlong run. In a situation where there is no time to hide, the routine action is to change the image and make the new one conspicuous.
I raised the bottle again, shutting my eyes.
He went on standing there.
He was sweeping the whole street visually, checking the doorways and every other site for cover. I thought I heard the other man calling something from the opposite pavement. He didn't answer.
A vehicle went past, heavy, a truck or a bus. Its lights brightened against my closed eyelids, then faded.
'Gimme that goddamn juice, you — '
'Christ sake shut your mouth,' I said, 'you son of a bitch.'
I rolled over and tried to keep control of the situation, wanting to know things: where were my shoes, how much blood was visible, so forth. My shoes were in the gutter and I was lying on them, concealing them; there was very little blood visible but as I rolled over I let my sleeve cover it because it was fresh in colour and they would expect me to have been grazed when they'd seen me crash on to the ground.
Through my half-closed eyes I watched his feet, his shoes, the sharp edge of his heels.
He could do it without any problem, A crushing strike downwards.
Executive deceased.
We've all got a rough idea of the way we'd like to go when it gets too hot to hold. For most of us it doesn't work out like that, although Delacorte managed it last year on the end-phase of the Bulgarian thing when he took his Mercedes through the frontier at Svelingrad into Turkey, straight through the bloody barrier flat out at a hundred and ten miles an hour with the tank on fire where they'd shot him up with a sub-machine-gun and the stuff still coming at him from the guard post-finished up like a sieve 'but his director in the field was there at the rendezvous and got 'him out and found the stuff on him: military installation layouts, airfield preparedness schedules, Moscow directives and fifteen long-run tapes of the Sovinformburo breakdown of the tactical manoeuvres operation, the whole beautiful bonanza right in London's lap.