Lord Westfield toyed with his pomander while the two ladies buzzed around him in a flurry of satin. Their whispered entreaties were very much to his taste and helped him to reach a decision.
'I would see this comedy again, sir.'
'Again, my lord?' Firethorn concealed his rising disquiet. Yes, uncle,' said Jordan with genial enthusiasm. 'I would have it played at Parkbrook House, in the long hall, when my refurbishment is complete. Order shall be given for it. The idea grows on me apace. With your permission, I am resolved on it.'
'Would you have these merry devils in your home, Francis?' ,
'They will bring a feast of joy to the occasion.'
'Have you no qualms, nephew?'
'None, sir. Parkbrook welcomes such jollity.'
'So be it, then. I'll indulge your whim.'
'Thank you, uncle, with all my heart!'
Francis Jordan had recently taken possession of a property on Lord Westfield's estate in Hertfordshire and he was having alterations made before he moved in. He planned to have a banquet to mark his arrival as the new master of Parkbrook House and that day of celebration would now include The Merry Devils as its central feature.
Lord Westfield voiced a slight reservation.
'When will the work be done, Francis?'
'In a month or so.'
'That is too long to wait,' said his uncle impatiently. 'I'll not tarry until Parkbrook be in a fit state to receive my company. In ten days, I return to the country myself. These merry devils will caper for my delight before I leave. See to it, Master Firethorn.'
The actor-manager started and gave an apologetic shrug. : 'Your request is not easy to satisfy, my lord.'
'Then my request will become my command.'
'But we already have plans for our next performances.'
'Change them, sir.'
'The Merry Devils does not figure in our list.'
'Insert it.'
Firethorn gritted his teeth. Having survived one ordeal with the play, he did not wish to be confronted with another quite so soon. Nor did he relish the idea of forcing a reluctant company to present a work which had such unfortunate associations for them.
'Is there no other comedy in our repertoire that would please you, my lord?' he said. 'You have only to choose.'
'That is what I have done, sir.'
'The Merry Devils will be very difficult to mount again.'
'No more evasion,' said his patron with a dismissive sweep of his hand. 'We would have this play again and we would have it with that fiery creature in his flash of red smoke. We shall know when to expect him next time and he will not make our hearts leap so readily into our mouths.' He drained his wine. 'Make arrangements, sir.'
'And do not forget the visit to Parkbrook House," said Jordan seriously. 'That still stands, Master Firethorn. I would have devilry in my own home, so I would. You will be recompensed.'
Lawrence Firethorn capitulated with a deep bow.
'We are, as always, my lord, your most obedient servants.'
A submissive smile covered his face but his mind was wrestling with practical problems. If they risked staging the play again, how could they guarantee the requisite number of devils? Would the intruder deign to return on cue? Could they, indeed, prevent him from doing so?
*
St Benet Grass Church had served its parishioners with unwavering devotion for over four long centuries and in that time it had witnessed all manner of worship, but it had never before encountered anything quite so incongruous as the sight which now presented itself in the chancel. Kneeling at the altar rail was a figure of such showy elegance that he seemed more fitted for a gaming den than for a house of prayer. It was as if he had wandered into the church by mistake and been vanquished by the power of God. A shudder went through his body then he prostrated himself on the cold stone steps, assuming an attitude of extreme penitence so that he could have conference with his Maker.
A mitred bishop in the meanest brothel could not have looked more out of place. The man remained prone for several minutes, a colourful guest in the consecrated shadows, a living embodiment of the sacred and the profane. When he raised his eyes to the crucifix, they were awash with tears of contrition. Racked with guilt and speared with pain, he muttered a stream of prayers under his breath then slowly dragged himself to his feet. He backed down the aisle and genuflected when he reached the door.
Ralph Willoughby went out into bustling Gracechurch Street.
His affability returned at once. In his cheerful progress through the crowd, there was no hint of the malaise which took him to St Benet's, still less of the turbulence he experienced while he was there. His innermost feelings were cloaked once more. Willoughby now gave the impression that he did not have a care in the world.
When he reached the Queen's Head, he went straight to the yard where the stage was being dismantled. Westfield's Men were not due to perform there until the following week and so their temporary playhouse could make way for the ordinary business of the inn. Everybody worked with unwonted alacrity, eager to clear away all trace of The Merry Devils so that they could put behind them the memory of what had happened that afternoon. There was none of the usual idle chat. They went about their task in grim silence.
Nicholas Bracewell came out of a door and crossed the yard. He had laboured long and hard with Marwood and the effort had taken its toll, but it had brought a modicum of success. The landlord had been sufficiently quelled by the book holder's reasoning to hold back from tearing up the contract with Westfield's Men. The players were neither welcome nor expelled from the Queen's Head. Nicholas had won them a period of grace.
Pleased to see Willoughby, he bore down on him.
'A word in your ear, Ralph,' he said.
'As many as you choose, dear fellow.'
'Master Firethorn was roused by that third devil of ours.'
'So we were all!'
'His anger glows. Avoid him until it has cooled.'
'Why so, Nick?'
'Be warned. He lays the blame on you.'
'Ah!' sighed the other softly.
'Away, sir!' urged Nicholas. 'He'll be here anon. He stays but for brief converse with Lord Westfield.'
'This is kind advice but I'll stand my ground in spite of it.'
'Fly the place now, Ralph.'
'I'll not turn tail for any man.'
'Master Firethorn will rant and rave unjustly at you.'
'He has good cause.'
'What's that?'
'It was my fault.' Willoughby shook his head and smiled wryly. 'Lay it at my door, Nick. I penned that scene and I summoned that furious devil from Hell.'
'No, not from Hell. His journey was of much shorter length.'
'How say you?'
'It was a creature of flesh and blood, Ralph.'
'But I saw the fiend with my own eyes.'
'Only in a twinkling.' Nicholas pointed to the trestles that were being taken down. 'If that was one of Satan's brood, why did he leave by an open trap whose device had been cut for the purpose?'
'A devil may do as he wishes,' argued Willoughby. 'He could have disappeared down the trap or up the nearest chimney, if fancy had seized him that way. This was no illusion, Nick. It was real and authenticate.'
'I cannot believe that.'
'What other explanation suits the case?'
'T he creature was placed there for our discomfort.'
'By whom, sir?'
'We have rivals, we have enemies.'
'But how came they to have intelligence of our play? This was no random fiend, breaking forth wildly to mar all our doings. This merry devil knew exactly when to appear. No rival could have prompted him.'
It was a valid point and it halted Nicholas in his tracks. Plays were the exclusive property of the companies who staged them and they were jealously guarded during the rehearsal period. Plagiarism was rife and Westfield's Men--it was an article of faith with Firethorn--took especial care to protect their interests
while, at the same time, keeping a close eye on the work of their rivals to see if they themselves might filch an occasional idea or steal some occasional thunder. Only one complete copy of The Merry Devils existed and it had been entrusted to the capable hands of Nicholas Bracewell, who kept it under lock and key when not using it as a prompt book.
Nobody outside the company had had a sight of the full text of the play. It was impossible for someone to introduce a third merry devil into the action without prior knowledge of the time, place and manner in which George Dart and Roper Blundell emerged on to the stage.
Ralph Willoughby jabbed a finger to reinforce his argument.
'The devil came forth in answer to my call.'
'If devil it was,' said Nicholas sceptically.
'Of that there can be no doubt.'
'I am not persuaded, Ralph.
'Then I must unfold something to you,' said the other, peering around to make sure that they were not overheard. 'The speeches of Doctor Castrato were not invention. Those incantations were not the product of my wayward brain. I took counsel.'
'From whom?'
'A man well-versed in such matters.'
'A sorcerer?'
'An astrologer of some renown, practised in all the arts of medicine, alchemy and necromancy. Every aspect of demonology is known to him and he instructed me patiently in the subject.'
Nicholas did not need to be told the name. The description could only apply to one person in London, an astrologer of such eminence that his services had been retained by Queen Elizabeth herself and by various members of the royal household. An educated man like Ralph Willoughby would have no dealings with mountebanks who performed their wizardry in back alleys. He would search out the best advice and that would surely come from the celebrated Doctor John Mordrake of Knightrider Street.
'He showed me the charms to use,' said Willoughby. 'He taught me the correct form of words.'
'Did Edmund know of all this?'
'I had no reason to tell him, Nick. It fell to me to write that fatal scene and I wanted a ring of truth in it. I had no notion that I would raise a devil in broad daylight.'
'Were you not warned against it?'
'My mentor assured me that the summons would only work in private, in some cloistered place where darkness was softened by candlelight. Yet here was this fiend of Hell for all to see.'
Ralph Willoughby was no credulous fool who could be tricked by a flash of gunpowder and a flame-red costume. Watching intently from the gallery, he was convinced that he had seen a real devil materialise upon the stage. Nicholas still had vestigial doubts.
'The cord was cut, the trap was up.'
'A devil could have done that.'
'But why?'
'To spread more confusion, Nick. To mislead us afresh.'
'My instinct takes me to another explanation.'
'It was a devil,' insisted Willoughby. 'I was the one who called him and I was the one who was punished. Master Firethorn is right to put the blame on me. I raised up this spirit.'
Further dispute with him was useless. He would never be shifted from his belief and Nicholas was forced to admit that his friend did actually witness the supernatural event. So did the four actors on stage at the time and they were of the same mind as Ralph Willoughby. Panic scattered the entire company with the honourable exceptions of Lawrence Firethorn and Edmund Hoode. It was the latter who now excited curiosity.
'Why was Edmund not unnerved?' said Willoughby.
'He is a brave man in his own way.'
'His performance went beyond bravery, Nick.'
'He was driven forward.
'It was Youngthrust to the life.'
'That was his fervent hope.'
'In his place, I would have been trembling with fear.'
'Edmund was armoured against it. There is something that is even stronger than fear, Ralph.'
'Is there?'
'Love.'
'That is the cause?'
'Why do you think he chose to play Youngthrust?' asked Nicholas with a kind smile. 'Edmund Hoode is in love.'
*
Grace Napier was not an overwhelming vision of loveliness. Men beholding her for the first time would notice her pleasant features and her trim figure, her seemly attire and her modest demeanour. They were impressed but never smitten. Hers was a stealthy beauty that crept up on its prey and pounced when least expected. She could reveal a vivacity that was usually banked down, a hidden radiance that came through to suffuse her whole personality. Those who stayed long enough to become fully acquainted with Grace Napier found that she was a remarkable young woman. Behind her many accomplishments lay a strong will and a questing intelligence, neither of which involved the slightest sacrifice of her femininity.
'You deserve congratulation, Master Hoode,' she said.
'Thank you, thank you!'
'Your portrayal was sublime.'
'I dedicate it to you, mistress.'
'It is the finest I have seen of your performances.'
'The role was created with my humble talents in mind.'
'There is nothing humble about your talent, sir,' she said firmly. 'As a poet and as a player, you are supremely gifted.'
'Your praise redeems everything.'
Edmund Hoode was in a private room at the Queen's Head, enjoying a rare meeting with Grace Napier. The presence of her companion, the pert Isobel Drewry, imposed a restraint as well as a propriety on the occasion but Hoode was not deterred by it. In the few short weeks that he had known her, he had fallen deeply in love with Grace Napier and would have shared the room with a hundred female companions if it gave him the opportunity to speak with his beloved.
Isobel Drewry giggled as she offered her critique.
'It was such a happy comedy,' she said, tapping the ends of her Fingers together. 'I laughed so much at Droopwell and Justice Wildboare. And as for Doctor...' Another giggle surfaced. 'There! I cannot bring myself to say his name but he gave us much mirth.'
'Barnaby Gill is one of our most experienced players,' said Hoode. 'No matter what lines are written for him, he will find the humour in them. He has no equal as a comedian.'
'Unless it be that third merry devil,' observed Grace.
'Indeed, sir,' agreed Isobel. 'He gave us all a wondrous shock.'
That was our intent,' said Hoode dismissively, anxious to keep off the topic of the uninvited devil. 'Tell me, Mistress Napier, for which of his several good parts did you admire Youngthrust the most?'
Isobel suppressed a giggle but Grace gave a serious answer.
'I was touched by his sighing,' she said.
Were you?' he sighed.
'He suffered so much from the pangs of love.'
'Oh, he did, he did!'
Hoode was thrilled by this new evidence of her sensitivity. With so many other things to choose from, Grace Napier singled out the quality he had tried above all else to project. The sighing and suffering that was provoked by Lucy Hembrow in the play was really aimed at Grace herself and she seemed almost to acknowledge the fact. In every conceivable way, she was a rare creature. Unlike most young ladies, Grace came to the playhouse to see rather than to be seen, and her knowledge of drama was wide. She watched most of the London companies but her favourite--Hoode gave silent thanks for it--was Westfield's Men.
Isobel Drewry might be thought by some to be the more attractive of the two. Her features were prettier, her eye bolder, her lips fuller and her manner less guarded. Again, Isobel's dress was more arresting in its cut and colours. Her combination of worldliness and innocence was very appealing but Hoode did not even notice it. All his attention was devoted to Grace Napier. This was the first time she had come to the Queen's Head without bringing her brother as a chaperone and Hoode saw this as an important sign. She consented to a brier meeting with him after the play and she confessed that she had been touched by the pathos of his performance. That was progress enough for one afternoon.
'We must bid you adieu, sir
,' she said.
'A thousand thanks for your indulgence!'
'It was a pleasure, Master Hoode.'
'You do me a great honour.'
I would see you play again,' said Isobel brightly. 'When will Westfield's Men take the stage again?'
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