Work of Art ~ the Collection

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Work of Art ~ the Collection Page 26

by Ruth Clampett


  “No,” I groan, reaching for the paintings, as if I can undo the mess with a wave of my hand. I stumble forward and Jess catches me. Max has crushed me with his final message scrawled across his work. My eyes move left to right, painting to painting.

  A-V-A.

  One letter per painting, each one a cry in the dark, a surrender, a loss.

  If there’d been any lingering doubts about Dylan’s theory that Max was obsessed with me, there aren’t anymore. Replacing them is a feeling of anguish that, if I’d understood the depths of Max’s feelings, perhaps I could’ve handled everything differently.

  “I’m fucking tempted to just send them to Barcelona like this, damn it!” Dylan spits out, as he paces back and forth in front of the paintings.

  “I don’t think so. You don’t want to leave him open for ridicule,” Jess says.

  “What the fuck was he thinking, Jess? He knew these paintings were late.”

  “Obviously, he wasn’t thinking. That’s the problem.”

  “Can’t he fix them?” I ask.

  “Well, we’d have to find him first, wouldn’t we?” Dylan says, exasperated.

  “And so far, we have no idea where he is.” Jess’s defeated expression and the hopeless tone in her voice surprise me.

  “Did you reach Sheila?” I ask Jess.

  “Yes, but she wasn’t very helpful. She said she hoped she never saw the fucker again. Before she hung up, she said she left Friday night right after you; she didn’t know about the rest of what happened around here.”

  The jealous part of me is happy to know she didn’t stay and party with Max after I’d left.

  “Dylan, what about that art restoration guy? The one you used last year after the rain damage at your place,” Jess says.

  “I’ve already called him and he’s on his way. Hopefully, he can fix them. I’m going to try him again to see where he is.” Dylan steps into the garden with his cell phone.

  “Now do you see why I called you, Ava? You had to see all this to understand the depth of it,” Jess says gently.

  I nod but I’m confused. Is this an obsession or something more?

  Jess shakes her head. “Remember my party in New York? I had an argument with Max that night because I wanted him to stay away from you. He’s too messed up for a relationship right now.”

  I study her face. I know she’s right . . . he’s a mess . . . and now he’s a missing mess.

  “I see now that he tried to avoid falling for you, but in the end, he couldn’t help himself. Max is a force of nature. Once he focuses on something or someone, I’ve learned to just get out of the way. There’s no stopping him. And now that he knows he’s ruined everything . . .”

  “But Jess, none of us can know for sure what he’s thinking.”

  “I have two more things to show you.” Jess leads me to his desk and carefully opens a large folder. On top, there’s a computer printout. In the margin of the print-out I notice that he’s doodled my name a number of times in different sizes and styles.

  “This doesn’t mean anything. He could’ve been talking to me on the phone while he was doodling,” I argue.

  “Really?” she asks with raised brows like I’m deluded.

  I give her an exasperated, wide-eyed look and let out a long sigh.

  She gently lifts the paper out of the folder and holds it up me. “It’s a love poem, Ava.”

  I take it out of her hand to examine it more closely.

  The printout is of an E. E. Cummings poem, “Somewhere I Have Never Travelled, Gladly Beyond.” My breath catches—he couldn’t possibly know it’s one of my favorite poems. My gaze drops down to the last graph and I silently recite it to myself.

  (i do not know what it is about you that closes

  and opens; only something in me understands

  the voice of your eyes is deeper than all roses)

  nobody, not even the rain, has such small hands

  “Oh, Jess,” I whisper. I press my hand on my chest to keep my heart from unfolding.

  She rests her hand on my shoulder to steady me.

  “But Jess . . . all this time I thought he had no romantic interest in me. Sure, he’d flirt, but more often than not he’d treat me like a buddy. I didn’t know what his intentions were until the night of the printing, and even then I thought he only wanted sex.”

  “I know, babe. And now you know you meant so much more to him. Here’s the last thing . . . look at this.” She turns back to the folder and tenderly peels back a sheet of parchment paper. There’s a piece of heavy watercolor paper with a drawing of the photo he emailed me from the day we went thrift store shopping for paintings. It’s exquisitely detailed with accents of soft pastels.

  He’s rendered me far more beautiful than I am, and for a moment I’m transported away from our current crisis and my heart soars. It takes my breath away that such a beautiful piece of art was created in my likeness. But more than that, this drawing was done when things were good between us. Unlike my angel painting, which was my gift, this drawing was for him. It’s quietly beautiful, not the rage-filled scrawl of my name on the paintings that stand before us.

  This drawing holds the truth of how Max once saw me, and I ache now for all that we’ve lost.

  Jess points out something in the bottom corner and I lean in closer to see. Handwritten in small letters Max has written: My Ava . . .

  Overcome, I rush out of the studio and down to the beach. Tears fight their way down my face as my mind races. I need to get away from all of this, both the drawing Max created, and the paintings he destroyed as he pulled me into his heart and ripped me out again.

  When I reach the shore, I stop, close my eyes and picture Max’s face, from his brilliant eyes to his perfectly-sculpted jaw. When he smiled, he was too beautiful. Everything about him was too much, perhaps more than I could ever handle. His presence was so commanding that, even when he was quietly standing, I was drawn to his energy.

  Now I understand that he was powerfully drawn to me too.

  In my heart, I know I won’t be at peace until Max is found and gets help. So I make up my mind that I’ll be a force of nature too, if that’s what it takes to bring Max home. Only then can I know what the next chapter of our gothic romance novel holds, or if the cover is closed forever, forcing us to move on with our lives.

  I look to the horizon and brace against the gale that curls off the ocean, carrying part of its mysteries and the stories from its depths yet to be told. I wish my words could travel with the current to places near and far, where answers linger in hallways and nestle in corners, waiting to be revealed. I close my eyes and whisper into the wind . . .

  Max . . . where are you?

  Chapter One / Thank God for Girlfriends

  A work of art which did not begin in emotion is not art.

  ~ Paul Cezanne

  I roll the window down and tip my head out into the ocean breeze, taking a deep breath as my hair whips around my face.

  “Earth to Ava . . . what are you thinking about, girl?” Jess glances at me before refocusing on the road.

  “That I’m done with crazy artists.”

  “So you think,” she states cryptically.

  I shrug. “I mean it.”

  “Well, let’s find him first, and then you can decide.”

  Jess’s phone chirps. “It’s a text from Laura. Can you read it?”

  I grab her phone from the car console. “She’s already at the cafe and has a table.”

  Jess’s grip on the steering wheel loosens as she takes a deep breath. “Okay, good.”

  We’re silent the rest of the drive down PCH. The beautiful weather belies our somber moods, but I’m hopeful we’ll figure out what we can do about Max’s disappearance.

  There’s nothing countryish about Malibu Country Mart, with its collection of chic boutiques that surround a lush lawn and little playground in Malibu.

  Luckily, Jess and Laura know the maître d` at the Italian café, so L
aura gets us a choice table outside, facing the playground.

  After we settle into our seats, my gaze wanders. There are certainly interesting people here to watch. Nannies gently push babies on the bucket swings, while the beautiful mothers chat and text on their phones from nearby benches.

  I imagine the cool dads with their worn designer jeans and aviator sunglasses are talking about their cars and the price of private schools. Small children in whimsical designer clothes chase each other around the playground. It’s another world in Malibu. Despite all the money and hipness, it’s more relaxed here than the vibe in West Hollywood or Beverly Hills.

  Must be the sea air, I conclude.

  It feels ridiculous, being here when we’re all sick with worry over Max. The panoramic view of the beautiful people versus our dark, worried moods is a lot to take. I’ve never felt so out of place, and I can’t tell if Jess and Laura are feeling the same, or just too shell-shocked to know how they feel.

  After glancing at the menu, I wrap my arms around my waist and curl forward. “I don’t know if I can eat.”

  Laura sets her menu on the table. “I know, me too.”

  Jess gives Laura a stern look. “We’ve got to eat, baby. You don’t want your blood sugar to crash again. Get some protein, or you’ll just feel worse.”

  Laura sighs and opens her menu again.

  Jess picks up the wine list. “Wine anyone? I know I could use some.”

  “Sounds good. I could use some brain numbing about now,” I say.

  The waiter brings us a basket of freshly-baked bread with a little dish of chopped olives and garlic in olive oil for dipping. I take a piece and pull off a bit to chew on.

  Jess slaps her hands on the table. “So, about Max . . .”

  “Did he really trash his house?” Laura asks.

  Jess sighs. “He sure did.”

  I tip my head to the side. “I’m trying to understand this obsessive side of Max that lead to his meltdowns. You mentioned his old college girlfriend had a big impact on that side of his personality.”

  Jess gets a sour look on her face. “Yeah, that bitch, Chloe.”

  “What happened?”

  She gives me a dubious look. “I don’t know. You really want to hear the story about Max and his first love?”

  I rest my cheek in my hand as I lean into the table. “Maybe we’ll get some clues about why he did this and where he is.”

  Laura turns to Jess. “You know, I think I want to hear it too. I’ve only heard bits and pieces.”

  Jess waits for the waiter to finish pouring our wine. “I guess it started our first week at Pratt. She was one of those girls—you know the sparkly blonde everyone was drawn to. And damn, she knew how to work it. She had her pick of men. And, of course, there was Max, gorgeous and so talented—the best in our class by far.”

  “The thing is, Max had an odd personality, very antisocial. We were roommates our first year, but we didn’t even talk that much. I was always out with friends, and he preferred to be alone. I think Chloe saw him as a challenge—she did whatever it took to get under his skin.”

  My fingers tighten over my napkin. Is it possible to genuinely dislike someone you’ve never met?

  “It was such a gradual progression. Most of us didn’t realize until the second year how much he’d changed. It was around this time that we were working on a big project together. By that time, he was comfortable around me. He told me shit—how wild he was about her, and sometimes it was too much. I kept telling him to give her some space, not be so obsessive and smothering.”

  The edges of Jess’s mouth turn down. “The hardest part was that I knew she didn’t feel the same. By the end of the first year, she was fucking around with other guys. I have no idea how she hid it from him. Maybe he was in denial and believed anything she told him.”

  I simmer inwardly. How could she do that to Max?

  “As she started to pull away, he realized what was happening and panicked. Holding onto her took over his life, and everything else suffered: his work, his health, and his mind. It was painful to watch. He’d never been in love before, so he couldn’t imagine how to go on without her if she left him.

  “Then, one evening, almost halfway through our second year, he came back from a long day in the studio, and all that was left was a note. She’d cleared her stuff out of their place. Just like that . . . done. He managed to call me that night before he went over the edge, and I rushed over. God, that was a scary time . . . he was so far gone.”

  I press my hands to my face, hurting for Max. There’s so much about him I don’t know, and what I’m learning changes every thought I’ve ever had about him.

  Jess grimaces as she continues. “The bitch had run off to Florida with one of her teachers. He had some project in Miami, and he took her with him. When Max found out, he didn’t eat or speak for three days. I finally called his mom. It was either that or have him committed, and I couldn’t do that. That would’ve killed him.”

  “He’s talked about his mom with great reverence,” I say.

  “His mom . . . God, I loved that woman. She stayed by his side, hoping he’d get a grip. But it soon became apparent he needed more time. She formally pulled him out of school and took him home for the rest of spring semester and the following summer.

  “He never told me exactly what he did during that time, but I know his mom got him a lot of help. I emailed him almost every day, and he would send me little drawings. I’ve often thought that his art was all he had left, so he poured himself into his work two-hundred-percent.”

  Laura gazes at her lover with a soft expression. “That was so sweet that you checked on him every day.”

  Jess leans toward us. “I was really worried about him. That fall, he returned to school, and the day he moved back, I went over to make sure he was okay. I thought it would be a rough transition, but man, was I wrong. He was a completely different person: confident and cocky, aggressive and flirtatious. I was shocked.”

  “Within weeks, he’d fucked half the girls in our class, and then most of the women in the art department, with little regard to preference or decorum. Whatever point he was trying to make, I thought it was gross.”

  “But sometimes, I’d see the old Max, like when we hung out with Joe and some of the other guys. Otherwise, I just stayed out of the drama, and believe me, there was lots of drama. He never cared about the women he slept with and always left a path of destruction in his wake.”

  The birth of Max the womanizer makes me shudder. “So, he never came close to falling in love with someone else?”

  “Oh, no. He made sure that would never happen again. Once Chloe burned him, he wasn’t going to go there again.”

  “Did Chloe ever come back? Did she contact him again?”

  “Nope. One time, when we were drunk, Max said his new persona was all for Chloe. I still don’t know exactly what he meant, but I have my theories. She didn’t want him the way he used to be. So he turned himself into someone almost the complete opposite of who he was.”

  Laura shakes her head. “That’s so awful . . . and sad for Max.”

  “I know, baby,” Jess says, as she squeezes Laura’s hand. “That’s probably why he pushed himself so hard with his work. Maybe he thought that if he became successful, she’d want him again. But the more successful he became, the more troubled he seemed to be.”

  Max expressed something very similar once about himself. This paints Max in a different light and shows how much chasing Chloe’s ghost has influenced his life.

  “A few years ago, I ran into one of our old classmates who had stayed in contact with Chloe. Evidently, she and the art teacher had a kid. Now she’s a part-time tour guide in Florida for some kind of hokey ‘art experience.’ That loser bitch—all high and mighty that she was going to turn the art world upside down—is riding around in a bus and lecturing fat tourists in their Bermuda shorts. Fuck her. The bitch got what she deserved.”

  “Does Max know?�
� Inwardly, I enjoy the image of her on the tour bus a little too much.

  “No, I didn’t tell him. I thought I’d only make him feel worse, knowing she dumped him for that kind of life.”

  She’s right. That news would be like salt in his wound.

  “I wish his mom were here, especially during times like this. He adored her and would do anything to make her proud. And she just wanted him to be happy. He needs that kind of support. He can depend on his small circle of old friends, but it just isn’t the same.”

  I sigh, knowing all too well what she means.

  “But still, guys, Max has us, and we have to make a plan,” Laura says.

  Jess nods. “Yeah, a plan.”

  I finger the stem of my wine glass. “So, what about Max’s family? Is there anyone who can help us find him?”

  “I don’t know. Max and his dad are estranged. The only other person I can think of is Ann, his aunt. I met her a couple of times; the last time was at Elizabeth’s funeral. The two sisters were very close, but I believe she lives in New York.”

  “Do you think that’s where he went?” I look up as the busboy fills my water glass.

  “It’s possible, but I have no idea how to find her. I don’t even know her last name.” Jess rests her chin in her hand.

  “Can he be tracked from his cell phone?” Laura asks.

  “No. We found his cell phone and laptop in the house. So, wherever he went, he can’t be easily reached. We tried to get on his computer to find clues, but we didn’t have his password, and his phone is locked.”

  A wave of frustration rolls through me, but I’m determined not to give up. Max has become a real-life Where’s Waldo? puzzle. L.A. is one of the biggest cities in the world. It’s not like you can go door-to-door asking about a thirty-year-old runaway. Perhaps Adam and Katherine can help me find Max’s aunt.

  We polish off most of the wine and rehash all the possible places Max might be when Jess’s phone rings. She looks at her screen and immediately takes the call.

  “Dylan, what’s up?” Her eyes widen.

  “You got an email? When did he send it?”

 

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