The Immortal Circus (Cirque des Immortels)

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The Immortal Circus (Cirque des Immortels) Page 21

by Алекс Р. Калер A. R. Kahler


  “Does this mean…does this mean I’m one of you? Fey?”

  She shakes her head. “You asked never to know the specifics, and I refuse to break your contract. There’s been far too much of that lately for my liking.” She says it like we’ve just been stealing cookies from a cookie jar, rather than dying because of Penelope’s interference.

  “I need some sort of answer,” I say. I look to my hands. “I know I’m not normal. Normal people can’t do…whatever it was I did.” Oracle, the Night Terror had called me. What did that entail?

  “Normal is a horribly overrated word,” she says. She leans across the table as though she’s going to take my hand. She doesn’t, just looks at me closely. “You aren’t quite human,” she says. “I can tell you that much. And your abilities — which you fervently requested I hide from you — are more than just seeing glimpses of the future. You have much, much more power than that. But until you are ready to use it, your contract expressly forbids we speak of it.”

  Not for the first time, I wonder what horrible power is resting inside of me, what past is lingering behind me. What could I possibly have wanted locked away forever? I push the question away and try to focus on the things I can get an answer for.

  “What happened? With Lilith? Everything?”

  She just smiles. “I’m afraid I can’t tell you that, either. Let’s just say that you’ve lived to see a side of our dear Lilith that very few have. Your abilities allowed you to face that side. And win.”

  “Did I kill her?” I ask, remembering her screams, her darkened, cracking face.

  “Of course not,” she says. “Lilith is far too dear to me to allow for it. You merely helped restrain her.”

  “So she’s still out there,” I say. I begin to push myself from my chair, heart doing double-time. “She’s still killing — ”

  “Sit,” she commands. I do. “Lilith is no longer a problem. She has been dealt with. You are both safe.”

  “But Oberos, the Summer Fey — we’re under attack.”

  “Love, you try my patience.” She sighs and examines her nails. “If we were under attack, do you think I’d be here right now? No. Oberos has fallen, and our Lilith has made sure that no Summer Fey has lived to tell their king what happened. You and I, we are the few who remember.”

  “But Oberon…he’ll come back. He’ll try to take over again.”

  She just shrugs and looks at me over her nails. She smiles. “The Summer King and I will always be at war. That’s what makes this so much fun.”

  * * *

  Kingston and Melody are standing outside of the trailer when Mab lets me go. I barely step out the door before both of them leap on top of me, crushing me in their hugs and jabbering nonstop. It’s only after they’ve both kissed me on the cheeks a dozen times that they pull back and let me breathe. Melody looks livelier than ever, and even Kingston — though his eyes are dark with sleeplessness — is beaming. I look away from them and realize we’re no longer in the abandoned cornfield. We’re on a baseball pitch surrounded by pine trees, a lake in the distance.

  “What happened?” I ask, because Mab still hasn’t given me a solid answer — just told me that in light of circumstances, she has changed my obligation from juggling to sideshow psychic. Consider it a promotion, she said, and sent me on my way.

  Kingston shakes his head and looks at Mel.

  “Let’s go somewhere else,” Melody says.

  We walk to the edge of the lake, none of us talking. It’s early afternoon, and there are families and dogs spread out across the beach. Kingston leads us to a spot away from the main crowd, taking off his shoes to wade out into the soft surf.

  “Well?” I ask.

  “Well,” Melody says. “Turns out I’m the tent.”

  I raise an eyebrow. “What?”

  She sighs. “I’m the bloody tent. That’s why I’m here, why Mab signed me on.”

  I look to Kingston, thinking maybe she’d had some sort of mental injury after being kidnapped. “What is she talking about?”

  “It’s her story,” he says, and puts a hand on her wrist.

  “And I only just found out. Okay, well, you know how you don’t age?” she asks.

  I nod.

  “Yeah. Magic doesn’t just work like that. There’s a tithe; for many to be young, one must bear the burden of age. The same works for immortality. In order for everyone to remain immortal, someone has to die. The only catch is that that someone has to remain with the tent at all times, otherwise the tithe is broken.”

  “And that someone’s you,” I whisper. I don’t look at her; I’m watching Kingston, at the way he's staring at her with that sad, protective look in his eyes.

  “Yep,” Mel says. “No superpowers for this lesbian. I just get to grow old and watch you all stay young. But hey, so long as I’m healthy and near the tent, you all are safe and immortal, so I guess it works out.”

  Suddenly, I understand: her illness whenever the tent or performers were hurt, the reason Penelope needed to get her out of the way. If Melody was gone, the tent became vulnerable — everyone became vulnerable. Penelope had sworn she was saving Mel by having her taken away, that she hadn't altered her contract. By severing the bond between Mel and the tent, she had in the process spared my friend's life. Penelope hadn't been as full of shit as I'd thought.

  “That’s horrible,” I say. It's really all there is to say.

  She shrugs and looks out over the water. “That’s the contract. Apparently, it’s a genetic thing, nothing magical at all. Kingston found me when I was born and brought me here. I was raised in the circus, and I’ll die in the circus. Thankfully, though, I don’t have to remember that if I don’t want to. I can believe I’ve been whatever age I am for eternity.” She turns to Kingston, but he doesn’t flinch. He just wraps his fingers around her hand and drops his head. Now I know why he felt so responsible for her; he was going to have to watch her die. And he would have to keep changing her memory so she would have no clue.

  “Your mom would have been proud of you,” Kingston says. “She was an amazing woman.”

  I can’t even begin to imagine what sort of mother would allow that to happen to her kid. That said, I can’t imagine what my own mom would have done to make me leave and run away to join this place. Whatever it was, I’m almost glad Kingston erased the memory of it.

  We don’t say anything for a while after that.

  Finally, I whisper.

  “What happens now?”

  “You know Mab,” Kingston says. “She’s already signed on a new cast to make up for those we lost in the fire. The next show’s in four days.”

  “The fire?”

  “Yes,” he says, with more emphasis in his words than is necessary. “The freak tent fire. We lost half the troop. Thank the gods Mel was away, or we'd have lost her too.”

  I open my mouth to ask him what the hell he’s talking about, because it wasn’t a fire that killed everyone, it was Oberos and Lilith and — But his glare stops me short. He knows. We are the few who remember, Mab said. Kingston, Mab, and I. We are the only ones who know what really happened. Every other survivor had their memory wiped by Kingston. I wonder if they tried to erase mine again. I wonder if there’s a reason it keeps failing. Keeping track of all these secrets is going to be impossible.

  “Right,” I say instead.

  “You should see the new tent,” Melody says, either completely missing or deliberately ignoring the look that Kingston gives me. “It’s gorgeous. Much sexier than the old one.”

  “It suits you,” Kingston says with a small grin. I try to smile as well, but I can’t share the amusement. I don’t know how Kingston does it, remembering it all. Every time I close my eyes, I see and hear and smell the chaos of battle. If it weren’t for sheer stubbornness, I’d ask him to make me forget. Or, at least, try.

  * * *

  The pie cart that night is bustling with faces I’ve never seen. There are a few people close to my age and s
ome older men and women. Everyone’s talking loudly, everyone’s excited for their new acts and new costumes. It will be an entirely new show, Kingston explains to me at the table. Everything’s going to be different. I can't help but stare at them all and wonder what sort of bind caught them in Mab's well-manicured clutches. Did everyone here have blood on their hands? Or were there darker secrets hidden behind those smiles?

  I nearly jump out of my skin when Lilith sits down beside me bearing a tray heaped with macaroni and cheese. She looks just like she always did — blue porcelain-doll dress, black hair in ringlets, smooth face. Only no cat. She looks naked without Poe. I wonder if she even remembers she had a cat. I decide I’m not about to ask. She smiles at me and cocks her head to the side.

  “You okay?” she says. “Jumpy jumpy Vivienne.”

  I try to laugh and take a deep breath to keep from screaming. I go about eating my food, but find my appetite is gone with her around. I keep imagining the way she burned Penelope without so much as a pause, the way she lit the whole world aflame. All through dinner I wait for her to turn on me, wait for her features to break apart and reveal a monster of brimstone and sulfur, but it doesn’t happen. She keeps to herself and eats almost everything on her plate and shapes the rest into a smiley face, then gets up and wanders off, leaving the tray behind.

  “Odd one, her,” says one of the new girls sitting across from us. She’s got curly brown hair and a scar near her left eye, but her smile is bright.

  “You have no idea,” I say, and reach out a hand to introduce myself. She shakes it.

  “Sara,” she says. “Pleasure to meet you.”

  She goes on to tell me about her training as an aerialist, her tours of New England and the Midwest, but I can’t follow. She reminds me of someone, and the thought makes my stomach churn.

  Kingston sits next to me later on, when some of the troupe has wandered off to the beach. Melody and Sara are chatting on the other side of the table, the new girl leaning in just a little closer than socially acceptable for a first chat. Kingston seems amused by this as he slides his hand in mine.

  “About earlier,” he says. “I’m sorry.”

  “For kissing me, or for kissing Lilith?” The rest of my memories might be a tumble of fire and screaming, but those two stand out clear and strong.

  “You know I just did that so she’d help us.”

  I look away. “Turned out well.”

  He puts his hand on my cheek and makes me look at him. He smiles, a little sad.

  “Witches don’t apologize very often, V,” he says. “Don’t make me regret it.”

  I don’t know what I’m more surprised by — the new nickname or the fact that he actually seems to mean it — but I don’t care. I lean in and kiss him. I close my eyes and let the rest of the world melt away under his cinnamon lips. Melody whistles. Without opening my eyes, I flip her off. She laughs, and I chuckle too, pulling Kingston tighter, never wanting him to go away.

  * * *

  I lie in my tiny twin bed, curled against Kingston, with one arm wrapped tightly over his smooth, bare stomach. I can just imagine his tattoo curling beneath my hands. His breathing is slow and deep and I listen to it like I would the waves of the ocean. I smile and nuzzle my face against his neck. His scent is so familiar, his body fits so well against mine. It’s easy to forget the horrors of the past couple days when I’m next to him, easy to convince myself that none of it ever happened. When I told him what Melody said about not dating within the troupe, he just laughed and said it was because she was the only gay acrobat, and her view would probably be changing rapidly with Sara’s arrival. Then he drew me down onto my bed and kissed me, and that seemed like answer enough.

  I try not to think of the past few days. It’s easier that way. I try to ignore the way my hands tingle when they wrap around him, try to block out the awful light that swept through me on the battlefield: the bloodlust, the innate knowledge of how to kill. The power that seared through my fingertips. I focus instead on his breathing, on his scent. Deep down, some small part of me knows without a doubt that this isn’t over, that I’ve only stumbled over the tip of the iceberg that holds Mab’s secrets. And it’s not what she’s keeping from me that scares me; it’s what I’m keeping from myself that makes my blood run cold.

  No. Focus on his breath. Focus on how his muscles move beneath his skin and how right this feels, how normal.

  Normal. Things can go back to normal…

  When I close my eyes, sleep laps over me in warm, grey folds.

  I dream.

  My pulse is racing. We’re crouched in a shabby room in some old apartment complex, the browning wallpaper peeling off and curling on the linoleum. I can barely breathe, but it’s not me gagging. Every joint in my body is tensed and like iron, the knife in my hands gripped in white knuckles. The blade bleeds.

  My sister’s face stares up at me, brown eyes open, mouth open. Curly brown hair, red dripping between her fingers that clutch at her chest. There’s blood on my hands, blood on my jeans, blood pooling on the floor around us. Blood and iron and all I can smell is brimstone, all I can see is flame and white.

  “Vivienne, please,” she says. She’s gagging blood between her words. She’s crying. “Don’t.”

  I’m sobbing. I have to do this, I have to do this, I have to do this.

  “I’m sorry,” I say, over and over again. The walls move in closer, the light in my head blinds. I want to claw it all away, want to rip apart the howls inside my skull. I can’t get rid of the visions, can’t make the sounds of fire and death disappear. I can’t fight it, just like I couldn’t fight the other visions. I’ve seen everything, everything, and I never want to see it again. There are things no one should see. No one should see. No one should ever know. I’ve seen it. I know.

  And worse, I know in that blinding light that I’m the only one who can stop it.

  And I will fail.

  Claire isn’t fighting anymore. She never fought. Never would. I was the fighter, the older sister. I was the one who had to protect us: from Dad, from Mom, from this. I couldn’t. I failed. I tried so hard and I failed her, and now this is the only way to keep her safe. She’s flat on the floor and her eyes are searching mine, her mouth trying to voice the words I’ve already seen her say. I know how this ends. I’ve always known. There’s no escaping the visions. There’s no changing what I’ve seen myself do.

  “Why?” she gasps.

  “I’m saving you,” I say, sobbing, as I slide the knife in once more, this time between her ribs. She gasps, her eyes wince shut, and my whole body is shaking as I try to hold the light in. She’ll never understand, she’ll never run. She’d never escape what I’ve seen, the fire and brimstone and burning blood. She’d never escape a death worse than this. I lean down and press my head against her chest. Her blood pools against my lips as I whisper into her silent heart.

  “I’m saving you from what’s to come.”

  EPILOGUE: CIRCUS (REMIX)

  Kingston sits across the desk from Mab. Both stare at each other in silence. Perched between them on a curling iron stand is Mab’s top hat; it’s covered in black sequins and raven feathers, and in the center is a bright red ruby that casts the trailer in a bloody light. There is no other illumination save the stone, no sound save the howl of wolves in the distance.

  Finally, after what seems like hours, Kingston breaks the silence.

  “You can’t keep her in there forever,” he says.

  “That was never my intention,” Mab replies. She wears a dress of black cobweb and velvet. Her hair shines with a thousand dark pearls. She doesn’t look like a queen who recently lost half her kingdom, she looks like a goddess awaiting her tribute.

  “Then why?” Kingston says. “Why capture her in the first place? Why not just let her loose and be done with all this?”

  Mab pulls the hat closer to her and examines the ruby. Angry flames dance within.

  “Because,” she says. “It is not ye
t time. The show is not ready.”

  “You mean Vivienne isn’t ready,” Kingston replies. His voice is dangerous and low.

  “I fail to see a difference,” she says.

  “I won’t let you use her,” Kingston says. “Not like this. She can’t take on Kassia. She’s too young.”

  Mab just chuckles and tosses the hat toward Kingston. Kingston catches it and turns it within his hands. The very thing makes his palms tingle with uncomfortable warmth. He smells brimstone.

  “My dear friend,” Mab says, “don’t tell me you’ve grown soft. You know how little faith I have in love.”

  Kingston looks over the hat to his queen. He says nothing, but his cheeks flush. This is answer enough.

  “This show would play out no matter what,” Mab says. She stretches back in her chair and smiles. “I’ve merely done what I can to ensure it plays out in my favor. It cannot be stopped. Not by you, and not by me.”

  Kingston peers into the stone that holds all that’s left of Kassia, the strength and sulfur that grows stronger by the day. Even now, he can imagine the tiny cracks appearing in the stone’s surface. Even now, he can feel her hatred. It has always been there, the threat of the final battle. But it had been easy to ignore; it had been easy to pretend this really was just a show, just a way to cultivate dreams. Kingston had managed to ignore the darker aspects for years, had allowed himself to pretend that Lilith was just a girl and Poe was just her cat and he himself was just a stage magician. Until Vivienne showed up. Until the final clock began to tick.

  “She’s dreaming again,” Kingston whispers. “For the past few nights. She talks in her sleep.”

  “And what does the dreamer say, my friend?”

  “The end,” Kingston says. He looks into the depths of Kassia’s hatred and shivers against the flame. “She sees the end.”

  “Well then,” Mab says. She reaches over and snaps the hat from Kingston’s hands. “It would appear our Vivienne is almost ready to remember who she is. Your work is almost done.”

 

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