Stein, Leo, 139-40, 149, 153, 159, 160, 173-74, 200, 202, 228; first P purchase, 139; reaction to “Desmoiselles d’Avignon, ” 152; on Cubism, 166; moves to Italy, 210
Steinlen, Theophile, 74, 83, 86, 87
Stieglitz, Alfred, 182
Still-lives, 319, 334, 354, 363, 367, 369, 376, 442-43, 445, 461, 467; Cubist, 260, 269, 270, 273, 287-88; Le Tremblay, 312, 324, 337; Royan, 348
Strachey, Lytton, 383
Stravinsky, Igor, 218, 220, 240, 241, 242, 243, 253, 264, 292; P’s portrait of, 242-43
Studio, 74
“Sueño y mentira de Franco, ” 318, 325, 326, 366
Sunyer, Jaume, 88, 275
Survage, Leopold, 183, 196,463
Surrealists, Surrealism, 236, 244, 263-64, 265-68, 274, 277-78, 285, 293, 303, 364
Symbolists, 50, 67, 72, 85
Synthetisme, 84
Tanguy, Yves, 85
Tapiés, Antoni, 471
Tate Gallery, P’s retrospective exhibition (1960), 221, 451-42
Tauromaquia o arte de torear (Delgado), 55; P’s illustrations for, 432
Tériade, A., 257, 292
Téry, Françoise, 376
“Tête de mort, ” 356, 360, 398
“Tête de taureau, ” 362, 365
“Tête d’homme, ” 200
Têted’Obsidienne, La (Malraux), 153
Thannhauser Gallery (Munich), 173
“Third of May” (Goya), 14, 402
Thomas, Dylan, 474
Thomas, Hugh, 317
“Three Dancers, ” (also “La Danse”), 235, 272-73, 287
“Three Musicians, ” 173
Titian, 55
Toklas, Alice, 133, 143, 158, 159, 160, 199,210
Toros y toreros (Dominguín), P’s drawings for, 443-44
Torra-Balari, Maurizio, 476
Toulouse-Lautrec, Henri de, 74, 78, 83, 85, 95, 98, 100, 103, 113,236
Train bleu (ballet), 255; P’s curtain for, 270
Tremblay-sur-Mauldre, Le, 311-12
“Tres de Mayo” (Goya), 14, 402
Tricorne, Le (ballet), P’s costumes and scenery for, 237-38, 241, 242
“Triumph of Pan” (Poussin), 369
“Trois baigneuses” (Cézanne), 149
“Trois Femmes à la fontaine, ” 252-53
“Trois musiciens aux masques, ” (two versions), 251-52
“Tub, Le, ” 113
Tzara, Tristan, 253, 262-63
Uccello, Paolo, 198, 438; as precursor to P, 168
Uhde, Wilhelm, 142-43, 152, 157, 158, 162, 173, 209, 247; P’s cubist portrait of, 178; auction of his confiscated collection, 247-48,253
“Ulysse et les sirenes, ” 389
Unanimisls, 132
UNESCO, 436, 438-39
Utrillo, Maurice, 67, 130, 229
Utrillo, Miguel, 66, 67, 74, 75, 76, 87, 96, 118
Valadon, Suzanne, 67
Valdez Leal, Juan de, 40
Valentin, Antonina, 121, 235, 244, 279, 310, 360, 428
Valéry, Paul, 240, 258
Vallauris, 392, 396, 398, 404-5, 413-14, 417 ff., 425, 427
Vallauris Chapel, P’s “La Guerre et la paix” in, 407-10
Vallotten, Félix, 84, 174
Van Dongen, Cornells, 130, 140, 161, 162, 177, 315, 442
Van Dyck, Antoine, 138
Van Gogh, Vincent, 51, 54, 71, 85, 98, 102, 103, 104, 153, 197, 236, 432; his influence on P, 95, 100, 138
Vanguardia, 47, 67, 70, 77
Vauvenargues, Comte de, 478
Vaugenargues, 440-41, 442 ff.. 453; P’s burial at, 454, 480
Vauxcelles, Louis, 165, 166
Velasquez, 19, 22, 37, 40, 54, 95, 436-38, 473; P’s copies of, 55, See also “Meninas, Las”
Ventosa, Joan Vidal, 111, 429
Verhaeren, Emile, 72, 93
Verlaine. Paul, 72, 86, 143
“Verred’Absinthe, ” 204
Vers el Prose, 132
Verve, P’s drawings for, 417-18, 430, 459
Victoria and Albert Museum (London), 380
Vidal, Lluisa, 76
“Vie, La, ” 116; explanations of, 121-22; preliminary studies for, 121, 122
Vie Parisinenne. La, 183
“Vieux Musicien” (Manet), P’s variations of, 447
Vilaro, Lluis, P’s portrait of, 120
Vilato, Fin, 342 (P’s nephew)
Vilato, Javier (P’s nephew), 342, 413
Villon, Jacques, 183, 186, 212
“Violon,”204
“Violon et Palette” (Braque), 185
“Vive la France, ” 207, 209, 214
Vlaminck, Maurice de, 130, 149, 153, 162, 217, 352; his attack on P, 353
Vollard, Ambroise, 85-86, 97-98, 105, 125, 136, 137, 144, 158, 162, 173, 184, 201, 202, 210, 213, 216, 226, 231, 237, 277, 303, 308, 340, 353, 364, 382, 417; P’s Cubist portrait of, 170, 178, 179; reaction to “Demoiselles d’Avignon, ” 152; offers P Le Tremblay studio, 311-12; P’s por- trait-etchings of, 330; his death, 342 Vuillard, Edouard, 84
Wagner, Richard, 66, 111
Wall-paintings, 121, 196
Walter, Marie-Thérèse, 284-85, 286, 288, 295, 296, 297, 304, 307, 312, 316-17, 353, 359, 369, 385, 398, 457, 458, 466; P’s portraits of, 290-91, 294, 319, 320, 339-40; her pregnancy, 297; birth of Maya, 300; P provides for during WW II, 347; on Jacqueline’s influence on P, 464
Warnold, André, 266
Weill, Berthe, 86, 88, 113, 136, 140, 143, 237, 380; P’s exhibitions at her gallery, 115
Weyler, Valeriano, 108
Woolf, Virginia, 383
World War I, 208 ff., 230, 233
World War II, 333-34, 343-44, 347-49, 350ff., 363
Xiro. Josep, 67
Yeats, William Butler, 94
Yeux fertiles. Les (Eluard), 309; P’s illustrations for, 304
Ymagier, L’, 158
Zayas, Marius de, 167, 257, 258
Zervos, Christian, 114, 146, 167, 243, 290, 303, 321, 358, 488
Zuloaga, Ignacio, 67, 89, 125
Zurbaran, Francisco de, 40, 446
Zut.the, 105-6, 121, 130
First published in 1976 by William Collins Sons &Co. Ltd.
© Patrick O’Brian 1976
First published as a Norton paperback 1994
by arrangement with the author
Max Jacob’s reading of Picasso’s palm
is reproduced by kind permission of
Editorial Gustavo Gili, S.A., of Barcelona
eISBN: 978-0-393-34445-5
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