by Alex Bledsoe
“I think y’all need to step back,” Aiden said.
“You’re not leaving with that gun,” Craig said seriously.
“The hell I’m not,” he said, and began tugging to get it away from Terry-Joe. Craig jumped forward to intercede just as a loud crack filled the room. Terry-Joe jumped back, and Aiden dropped the gun.
Craig put his foot on the barrel to keep anyone else from grabbing it. For a moment no one moved. Then he asked, “Are you two hurt?”
Terry-Joe shook his head. Aiden stared wide eyed at the wall. The bullet had passed through a framed picture, shattering the brittle glass. Craig glanced at it, then looked more closely; it appeared to be a piece of sandpaper. He tentatively touched it and confirmed this, then saw an X drawn with a Sharpie. The words, I’m going here were written beside it, and the signature, Love, Pvt. Bronwyn Hyatt.
Craig picked up the gun, unscrewed the tube, and poured the little gold cartridges out into his hand. He worked the bolt action several times to make sure nothing was left in the chamber. Then he tossed the weapon onto the couch. “That wasn’t real bright,” he said through his teeth, forcing his anger down. The boy had just gotten terrible news, after all.
Aiden turned to Terry-Joe. “Sorry, Terry-Joe, I wasn’t trying to hurt you,” he said flatly, as if discussing a ball game. “But I reckon I have to kill your brother, either tonight or eventually.”
Craig turned Aiden’s face to him. “Aiden, listen to me. Right now the living need you more than the dead. Your mom, dad, and sister are at the hospital, and they want us to take you there. Unarmed. Okay?”
Aiden nodded. Then his lower lip began to tremble.
Craig managed a wry, sad smile. “I don’t blame you, I’d cry, too.”
Aiden burst out with a sob, splattering saliva and mucus in Craig’s face. He ignored it, dropped to his knees, and wrapped the boy in a big hug.
Terry-Joe, still shaken by the gunshot, suddenly had a thought. He ran into Bronwyn’s bedroom and grabbed her mandolin from under the bed.
Craig picked Aiden up and carried him outside. The boy cried all the way to the hospital.
30
At the hospital, Bronwyn was back in her bed, her parents seated in chairs beside her. Kell’s body was now in the morgue, evidence of a capital crime. The police had been notified, and the search for Dwayne Gitterman went from casual to much more serious.
None of the Hyatts spoke. They knew that, in the lobby, members of the Tufa community had begun to gather, but none of them felt like making an appearance.
The wrapping around Bronwyn’s chest had begun to pinch and itch, and the artificial weariness of the pain medication kept her mind fuzzy. She fought the drowsiness, though; she couldn’t imagine sleeping through a time like this.
Kell. Was. Dead. The certainty of that encircled her and cinched far worse than the bandages. The older brother who’d taught her to shoot and drive, who’d helped her hide from her parents the first time she came in drunk, who’d advised her repeatedly not to hang out with that no-account Dwayne Gitterman, was now gone.
Dwayne. The bad boy with the good heart. Except he didn’t have a good heart, or it had gone bad while she was away in Iraq. Whatever the cause, he couldn’t be allowed to roam free anymore.
Suddenly her mind cleared. The dream returned, its meaning suddenly obvious.
Dwayne hadn’t turned to petty crime out of a desire for wealth or power, but from simple laziness; it was easier to steal something than work for the money to buy it. Now that he’d killed someone, he’d apply the same logic. From this point on, it would be easier to just eliminate someone than try to deal with them. That meant others would, sooner or later, die. Like an animal that had tasted human blood, Dwayne now knew what he’d been missing.
The police would arrest him. He would stand trial, probably be convicted, probably sent away for life. He had enough Tufa in him to understand how torturous that would be, separated from the night wind. So he would fight.
He would run.
He was running now.
And only she could catch him. Only she should catch him.
She started to throw back the sheet when a hand gently touched her wrist, startling her. She winced at the jolts of pain through her side, and glared at Bliss Overbay. “A little warning next time.”
“Sorry. But you’re in no shape to be leaving.”
Chloe, who had spent an hour simply staring into space, blinked back to the moment. “You’re leaving?”
“She’s not leaving,” Deacon said simply. It was the voice he used when he wanted no discussion from his children.
Bronwyn glared at all of them now. “First off, none of y’all can tell me what I’m going to do anymore. Second, you’re all assuming I don’t have sense enough to make a good decision. Granted that’s been true in the past, and might even be true now, but it’s nobody’s business or trouble but mine.”
Deacon stood, his face dark with rage. She knew its source; the urge to hunt down Dwayne must be eating him up, too, yet he had the control to sit quietly with the surviving members of his family, those who needed him most right now. “I said, you’re not leaving. For once in your whiny little spit of a life, think of something besides yourself.”
No one spoke for a long moment. Deacon’s eyes burned with suppressed fury; then he looked away and sat again, staring at the space between his feet.
Bronwyn swallowed hard. Her face simmered in the cold hospital air, bright red with emotions she couldn’t sort. She was about to speak when Bliss began to sing, so softly, her voice was a whisper that broke on the higher notes:
Near yonder stream that flows so free,
Where storms can never rave,
Beneath a drooping willow tree,
Is gentle Annie’s grave.
My heart is sad for Annie dear,
She’s left me here alone,
And over her grave I weep a tear,
For Annie’s lost and gone.
Bronwyn began to tremble. Without conscious intent, she came in on the chorus, singing harmony, her voice shaky and thin:
She’s gone, she’s gone, we’ll shed a tear,
Over gentle Annie’s grave,
We’ll never forget in memory dear,
Who sleeps where flowers wave.
Chloe stood and came to the bed. She put one hand on Bliss’s shoulder, and the other stroked her daughter’s hair. She sang the next verse alone:
Alas, my gentle Annie’s gone,
She’ll ride the wind no more,
We never can wander here alone,
As we have done before,
Where I have plucked the flowers of spring
And placed them in her hair,
The little birds still sweetly sing
But Annie is not there.
Deacon continued to stare at the floor between his shoes, his arms tightly folded. This was a woman’s song; his own, the song of a man seeking justice, would come later.
The three women harmonized on the final chorus. It was something Bronwyn hadn’t fully experienced since childhood: the Tufa bonding over song. All three of them were purebloods, their connection strongest to the night wind that brought them here and still guided their lives. And in music, they connected even more, their emotions surging into the other and finding balance as they were smoothed out and redistributed.
When they finished, Chloe wiped her eyes and said calmly, “Thank you, Bliss.”
“Yeah, thank you,” Bronwyn agreed. Then she pushed the sheet aside and swung her legs over the edge. “But I’m still going.”
She turned to her father, and her rage matched his own. “And right now I don’t give a fuck what you think, old man. Something has to be done, and I’m the one who has to do it. And if you try to stop me, you’ll learn what other songs I know.”
That was the greatest single threat one Tufa could make to another, the promise to sing their personal dirge and hasten—or even cause—their death. As a purebl
ood, Bronwyn could certainly carry it out. And the steady gaze in her eyes told Deacon she was close to doing so.
Yet he was a pureblood, too, and her father. After a long moment he said with chilling calm, “You left home as my daughter. You came back as a stranger. Now I know you, though. You’re nothing but the killer the army made you. You’re worse than Dwayne, because you enjoy it.” He paused. “Now get out of my sight, Bronwyn,” he added, then resumed staring at the floor.
Bliss said nothing. Chloe seemed not to have noticed.
“I’m sorry, Daddy,” Bronwyn said softly. Then she added, “Now, where are my goddamned pants?”
* * *
Bronwyn strode into the waiting room, arm curled protectively around her side, and stopped as nearly two dozen people stood to greet her. They were frighteningly, ridiculously similar: black hair, dark skin, perfect white teeth, all gazing at her with the kind of sympathy that normally would’ve made her roll her eyes. Yet there was no pity to them, just genuine shared grief. Kell had been a pureblood, too, one of their elite. They felt his loss as well.
She found she could not move. There was no way to get to the exit without pushing through the crowd, yet how could she do that? They needed her now, her guidance and her strength. They needed, in a different way, the Bronwynator.
Mrs. Chandler stepped toward Bronwyn, autoharp clutched to her chest. A nurse passed between them, frowned at the gathering, and continued on. Bronwyn smiled at Mrs. Chandler, who began to play and sing:
I dreamed that over my soul there came,
A grief that moved my stricken heart;
And as I mourned, the earthbound world
Did taunt me with its wicked art.…
The others didn’t hesitate, but began to sing along, taking harmony parts by instinct and experience. Mrs. Chandler strummed her autoharp, and someone joined in with a banjo. A guitar’s strum came from the back. Her own fingers ached for Magda, but the song now had its own life, and bore them along like the night wind did its riders.
She sang as she moved through the crowd, touching shoulders and feeling hands on her own arms. This was the Tufa community forming around whoever most needed them, and she felt the connection through the music and song. She also knew that at this moment, it wasn’t for her.
Then she saw Terry-Joe standing beside the door, her mandolin case in his hand. He wasn’t smiling, because that would be inappropriate, but she saw the pleasure in his eyes that said he’d read the signs correctly and knew she’d want her instrument. He put down the case, opened it, and offered Magda to her.
She reached for it, then stopped. Although the song continued around her, she felt herself separate from it, withdrawing into isolation. She closed her hand into a fist and pulled it back. Then before her resolve faltered, she ran out through the sliding glass doors. She would explain later. If there was a later.
She stopped beneath the weather overhang, feeling the night’s heat and rawness. A storm was brewing in the sky, the kind that brought violence and change. She waited to see if anyone would pursue and try to bring her back, but no one did. She stepped out into the open and looked up at the stars, already blurring as the clouds coalesced. The wind would be vicious up there, slapping back and forth as it built toward release. Only the strongest of Tufa could ride it.
“You really have to tell me how you manage to heal so quickly,” a voice said.
She turned. Craig Chess leaned against one of the brick pillars supporting the overhang. In the dim light he looked mysterious, like a detective in an old movie.
“What are you doing lurking out here?” she asked.
“I didn’t want to intrude. It looked like a Tufa-only thing.”
Through the glass doors, she saw the others still singing. “It is,” she agreed. “Where’s Aiden?”
He nodded toward his car, parked at the curb. “He cried himself to sleep on the way. I’ll bring him in when he wakes up. He was pretty upset, and there was a little bit of a scene. He wanted to take his squirrel gun and go shoot Dwayne Gitterman.”
She felt a jolt through her heart. “Yeah, well, he may have to take a number. Dad’s spitting nails, too.”
“I imagine. And how are you?”
“Set.”
“Set?”
“In what I need to do.” She looked at him closely. “Like you. You always know what to do, in every situation. You know what people need you to be. I just figured that out for myself tonight.”
Their eyes met. Then their hands touched, fingers threading together. She had no sense of moving closer, but then they were face-to-face, him looking down at her.
“You take this minister thing seriously, don’t you?” she said quietly.
“I do.”
“So you’d never sleep with me just to see what it was like? Just to see if we got along that way, before we made any more serious plans?”
He shook his head. “I knew the rules when I took the job.”
“What about kissing?”
Suddenly his mouth was on hers, his other hand tangled in her black hair and holding her close to him. She rose on her tiptoes to reach him. She could not recall a kiss that sent shivers through her like this since her very first one, at age ten.
When the kiss broke she stayed on her toes, her lips brushing his. “That’s been coming for a while,” she whispered.
“I think so,” he agreed.
“You think your God brought us together?”
“He’s everyone’s God. And yes.”
She patted his broad chest. “I have to go. I have to do something, but…”
He recalled the haint’s words: Be strong. Be honest. Be fearless. He looked deep into her dark eyes and said, “Do what you have to, Bronwyn. I’ll take care of things here. I’ll be here when you finish.”
She held his gaze for a long time. He heard a faint, tuneless humming in his ears. At last she said, “I believe you will.”
“I will,” he said. “But I need to ask you something first.”
“What?”
“What are you? What are the Tufa?”
She kissed him again. The trees planted along the edge of the parking lot began to sigh in the wind. “Go to the Library.”
“Beg pardon?”
“Go to the library over in Cricket. Ask to see the painting.”
“What painting?”
“They’ll know.” She stepped away. “And don’t look for me. When I’m done, I’ll find you.”
“Done?” he repeated. “I don’t understand.”
“That’s okay. Look behind you.”
He did, and saw nothing. When he turned back, she had vanished.
31
Don Swayback stared up at the stars. He could never recall doing that before, although he must’ve stargazed as a child. Yet now the vista above him seemed the most beautiful, amazing thing ever, and he wondered how he’d lived this long without noticing it.
The sky had been clear when he started, but now clouds began to edge in from the southwest. Wind made the tops of the trees wave in growing animation. And it was that wind that held his attention, that seemed to be whispering, humming, singing something he just couldn’t quite catch.
He glanced back at his house. Susie was home but asleep, after more vigorous lovemaking that caused her to wonder aloud, “You’re not stockpiling a certain little blue pill, are you?” He was exhausted, too, but ever since meeting the little girl earlier that day, he knew he’d end up outside looking up at the stars. He’d intended to tell Susie about it at dinner, but the altercation at the Waffle House made it slip his mind, and she was peacefully snoring by the time he remembered.
He’d met the girl when he drove through Needsville again. He’d taken to doing it at least once a day, spending his entire lunch hour in the car listening to CDs of the Carter Family and other bluegrass pioneers. The first few times he told himself it was to build up familiarity with the area for his eventual interview with Bronwyn Hyatt, but it had bec
ome its own reward, a kind of rolling meditation on the nature of his own nature.
This time, as he drove slowly down the main street, he recalled suddenly Susie asking him to pick up postage stamps. He parked outside the new brick post office building, and as he climbed the steps to the porch a voice said, “Hello.”
He turned. An old man sat in the far rocking chair, but he hadn’t spoken. Instead it had been the young girl in the chair beside him. She wore green cotton shorts, a sleeveless jersey, and flip-flops. Her black hair was in two braids. She held an old-fashioned bottled Coke with a bendy straw poking from the top.
“Hi,” Don said.
“You were at the barn dance the other night, weren’t you?”
Don smiled. “Yeah, I was. Were you there?”
She shook her head. “I just heard about it.”
“You heard about me?”
She patted the arm of the third rocking chair. “Sit down.”
The girl had an odd demeanor, nothing like a normal child, and he was a little disconcerted. The old man in the chair on her other side just looked at him, saying nothing. His eyes were narrow, squinting slits.
Don settled into the rocker and said, “Did you want to ask me something, Miss—?”
She shook her head. “My name is Mandalay. And I want to tell you something.” The seriousness in her words was belied by the way she slurped the last of the Coke through the straw.
“Okay,” he said. “What?”
She burped lightly, then said, “You’ve come awake inside, and it’s probably messing with you a little bit. You’ve been knowing things you didn’t think you were supposed to know, singing songs you’d never heard before. Am I right?”