He laughed politely, for her sake. “I know what you mean.” He saw her drop her eyes to her kneading hands, divined that her next movement would be toward the door. He felt he couldn’t bear that, not just now. “How about—uh—a cup of tea or something. Sandwich. I was just going to—” He rose.
She went pink and smiled again. “Why, I—”
There was a short, sibilant sound in the doorway, a sniff, a small snort of anger. Mary Haunt stood there glowering. Miss Schmidt said, faintly, “No, no thank you, I’d better, I mean, just go and . . . I only wanted to see if Mr. Bittelman was—” She faded out altogether and tiptoed apologetically to the door. Mary Haunt swung her shoulders but did not move her feet. Miss Schmidt slid out and escaped past her.
Halvorsen found himself standing, half angry, half foolish. His own last words echoed in his mind: “Sandwich. I was just going to—” and he let them push him to the other end of the kitchen. He was furious, but why? Nothing had happened; a lot had happened. He would have liked to rear back on his hind legs and blast her for persecuting a little defenseless rabbit like Miss Schmidt; yet what had she actually done? Couldn’t she say with absolute truth, “Why, I never said a word to her!”? He felt ineffectual, unmanned; and the picture of the flimsy gun flickered inside his eyelids and shocked him. He trembled, pulled himself together, painfully aware of the bright angry eyes watching his back from the doorway. He fumbled into the breadbox and took out half a loaf of Bitty’s magnificent home-baked bread. He took down the breadboard and got a knife from the drawer, and began to saw. Behind him he heard a sharp slap as Mary Haunt tossed her magazine on the table beside the coffeepot, and then he was conscious of her at his elbow. If she had said one word, she would have faced a blaze of anger out of all proportion to anything that had happened. But she didn’t, and didn’t: she simply stood there and watched him. He finished cutting the first slice started on the second. He almost swung to face her but checked the motion, whereupon the knife bit into the first joint of his thumb. He closed his eyes, finished cutting the bread, and turned away to the refrigerator. He opened it and then bent over the shelves, holding his cut thumb in his other hand.
“What do you think you’re doing?” asked the girl.
“What’s it look like?” he growled. His cut suddenly began to hurt.
“I couldn’t say,” said Mary Haunt. She stepped to the breadboard) picked up the knife and with it whisked the bread he had cut into the sink.
“Hey!”
“You better push that cut up against the freezer coils for a second,” she said with composure. She put a hand on the loaf and with one sweep straightened its hacked end. “Sit down,” she said as he filled his lungs to roar at her. “If there’s anything I hate] it’s to see someone clumsy paddling around in food.” One, two, three, four even slices fell to the board as she spoke. And again she interrupted him just as he was forming a wounded-bear bellow, “You want a sandwich or not? Just sit down over there and stay out from underfoot.”
Slackjawed, he watched her. Was she doing him a kindness? Mary Haunt doing someone a kindness?
He found himself obeying her, pressing his cut against the freezer coils. It felt good. He withdrew his hand just as she came toward the refrigerator, and dodged out of her way. He backed to the table, sat down, and watched her
She was something to watch. The pale, over-manicured hands flew. She set out mayonnaise, cream cheese, a platter of cold-cuts, parsley, radishes. With almost a single motion she put a small frying pan and a butter-melter on the stove and lit the fire under them. Into the frying pan went a couple of strips of bacon; into the other, two tablespoons of water and half the fluid from a jar of capers. She added spices, “by ear”—a shake, a pinch: poultry seasoning, oregano, garlic salt. The tiny pan began to hiss, and suddenly the kitchen smelt like the delivery entrance to paradise. She snatched it off, scraped the contents into a bowl, added cream cheese and mayonnaise, and thrust it under the electric mixer. She turned the bacon, shoved two of the bread slices into the toaster, and busied herself with a paring knife and the radishes.
Halvorsen shook his head unbelievingly and muttered an exclamation. The girl threw him a look of such intense scorn that he dropped his eyes. He found them resting on her magazine. It was called Family Day and was a home-making publication from a chain supermarket—in no way a movie magazine.
Out of the frying pan came the bacon, crackling. She drained it on a paper towel and crumbled it into the bowl where the mixer was working. As if some kitchen choreographer was directing the work, the toast popped up as she reached out her hand for it. She dropped in the other two slices and went back to her alchemy with the radishes. In a moment she turned off the mixer and spread the contents of the bowl on the toast. On this she laid cold-cuts, narrow strips of various kinds, daftly weaving them so they formed a beautiful basket pattern. As she finished the first two, the second pair popped out of the toaster; it was a continuous thing, the way she did all the different things she did; it was like music or a landscape flowing by a train window.
She did something swift with the knife, and set the results out on two plates: bite-sized sandwiches arranged like a star, and in the center what looked like a tiny bouquet of rosebuds—the radishes, prepared with curled petals and nested in a neat bed of parsley, its stems all drawn together by one clever half-hitch in one of them. The whole amazing performance had taken perhaps six minutes. “You can make your own coffee,” she snapped.
He came over and picked up one of the plates. “Why, this is—is—well, thanks!” He looked at her and smiled. “Come on, let’s sit down.”
“With you? She stalked to the table, carrying the other plate, and scooped up the magazine as if it were a guilty secret. She Went to the door. “You can clean up,” she said, “and if you ever tell anyone about this I’ll snatch you bald-headed.”
Staring after her, stunned, he absently picked up one of the sandwiches and bit into it, and for a moment forgot even his amazement, it was so delicious. He sat down slowly, and for the first time since he had started comparing violins with guitars in the pawn-shop, he gave himself up completely to his senses and forgot his troubles. He ate the sandwiches slowly and appreciatively and let them own him.
EXCERPT FROM FIELD EXPEDITION [NOTEBOOK]: So [weary-irritated] [I] can barely [write]. As if this kind of research wasn’t arduous enough at the best of times, which this is not, with the best of equipment, which [we] lack, [I] am plagued by a [partner-teammate] with insuperable enthusiasm and a quality [I] can only describe as headlong stubbornness. [Smith] means well, of course, but the universe is full of well-meaning [individuals] [who] have succeeded only in making [ ]s of themselves.
All during the tedious and infuriating process of re[charging] the [wadget] [Smith] argued that purely objective observation would get [us] nowhere and would take [forever]; that [we] have sufficient data now to apply stimuli to these specimens and determine once and for all if a reliable, functional condition of Synapse Beta sub Sixteen is possible to them. [I] of course objected that it is against [our] highest [ethic] to apply [force] to alien species; [Smith] then argued that it would not really be [force], but only the [magnification-amplification-increased efficiency] of that which they already possessed. [I] then pointed out that even if [we] succeed, [we] can only test the final result by means which may readily kill some or all of the specimens. This [Smith] is willing to worry about only when the time comes. [I] pointed out further that in order to supply the necessary stimuli [we] shall have to re[wire] not only the [widget], but that [ ]ed, inefficient, [stone] age excuse for a [mechanism], the [wadget]. [Smith] readily agreed, and while [I] went on arguing [he] began re[wiring], and [I] argued, and [he] [wired], and by the time [l]‘d [made my point] [he] was practically finished and [I] found [myself] holding the [light] as well.
[I] forgot to ask [Smith] what [he] planned to do if one of the specimens finds out what [we]’re up to. Kill it? Kill them all? It wouldn’t [surprise]
[me]. In the name of [research] [Smith] would happily [watch] [his] [elderly forebear]’s [knuckles] being [knurled].
CHAPTER FOUR
Miss Schmidt, muffled up to the pharynx in a quilted robe, bed-socked, slippered and shawled, halfdozed in her easy chair. When she heard the sounds she had waited for, she jumped up, went to her door, which was ajar, and stood a moment to listen and be sure. Then she tightened her sash, checked the hooks-and-eyes under her chin, tugged her voluminous robe downward at the hips, and pulled the shawl a little higher on her shoulders. She crossed her arms at the wrists and pressed her. hands modestly against her collarbones and scurried silently past the bathroom, down the long hall to the foyer. Bitty was in the kitchen and Sam Bittelman was hanging up a damp trench coat on the hall tree.
“Mr. Bittelman—”
“Sam,” he, corrected jovially. “Top of the morning to you, Miss Schmidt. It turned morning, y’know’, ten minutes ago.”
“Oh dear yes, I know it’s late,” she whispered. “And I’m terribly sorry, really I am, I wouldn’t for the world trouble you. I mean, I am sorry, I don’t want to be a nuisance. Oh dear!” Her perennially frightened face crinkled with her small explosion of distress.
“Now you just tell me what’s troubling you, lady, and we’ll get it fixed,” he said warmly.
“You’re very kind. Very kind. It happens there is something. I mean, something to fix. In . . . in my room.” She bent forward with this, as with a deep confidence.
“Well, let’s go have a look. Bitty!” Miss Schmidt put a shocked hand over her lips as he raised his voice. “I’m going to fix something for the lady. Be right with you.” He turned back to Miss Schmidt and made a jocular bow. “Lead on.”
“We mustn’t wake the . . . anybody,” she reproved him, then blushed because she had. He only grinned, and followed her back to her room. She entered, opened the door as wide as it would go, and self-consciously picked up the waste-paper basket and set it to hold the door open. She looked up from this task right into Sam’s twinkling eyes, and sent up a prayer that he wouldn’t tease her about it. One never knew what Sam was going to say; sometimes he was beyond understanding and sometimes he was just—awful. “The window,” she said. “The blind.”
He looked at it. “Oh, that again. Durn things are always getting the cords frayed.” The Venetian blind hung askew, the bottom slats almost vertical, leaving a lower corner of the window exposed. Sam tugged at the raising-cord. It was double; one part was jammed tight and the other ran free. He pulled it all the way out and ruefully exhibited the broken end. “See? That’s it, all right. Have to see if I can’t put in a new cord for you in the morning, if I can find one.”
“In the morning? But—I mean, well, Mr. uh—Sam, what about now? That is, what am I going to do?”
“Why, just don’t worry your pretty little head about it! Get your beauty-sleep, little lady, and by the time you’re back from school tomorrow I’ll have it—”
“You don’t understand,” she wailed softly, “I can’t go to bed with it like that. That’s why I waited up for you. I’ve tried everything. The drapes won’t go across it and there’s nothing to hang a towel to and the chairback isn’t high enough to cover it and—and—oh, dear!”
“Oh-h-h.”
Struck by something in his single, slow syllable, she looked sharply at him. There was something—what was it? like a hum in the room. But it wasn’t a sound. He hadn’t changed . . . and yet there was something in his eyes she had never seen before. She had never seen it in anyone’s eyes. About Sam Bittelman there had always been a leisurely strength, and it was there now, but easier, stronger, more comforting than ever. To her, with her multiple indecisions, unsurenesses, his friendly certitude was more wondrous than a halo might have been. He said, “Just what bothers you about that window?”
Her usual self moved quite clearly to indicate, indignantly, that part of the window was uncovered and surely that spoke for itself; yet her usual self was unaccountably silent, and she gave him his answer: “Somebody might look in!”
“You know what’s outside that window?”
“Wh—Oh. Oh, the back of the garage.”
“So nobody’s going to see in. Well now, suppose there was no garage, and you turned out your lights. Could anybody see in?”
“N-no . . .”
“But it still bothers you.”
“Yes, of course it does.” She looked at the triangle of exposed glass, black with night outside, and shuddered. He leaned against the doorpost and scratched his head. “Let me ask you something,” he said, as if her permission might make a difference. “S’pose we took away the garage, and you forgot and left your light on, and somebody saw you?”
She squeaked.
“Really bothers you, don’t it?” He laughed easily, and instead of infuriating her, the sound flooded her with comfort. “What exactly is bothersome about that, aside from the fact that it’s bothersome?”
“Why . . . why,” she, said breathlessly, “I know what I’d think of a hussy that would parade around that way with the lights on and—”
“I didn’t say parade. Nor ‘prance,’ either, which is the other word people use, I don’t know why. So what really bothers you is what some peepin’ Tom might think, hm? Now, Miss Schmidt, is that really anything to worry about? What do you care what he thinks you are? Don’t you know what you are?” He paused, but she had nothing to say. “You ever sleep naked?”
She gasped, and, round-eyed, shook her head.
“Why not?” he demanded. “Why I—I—” She had to answer him; she had to. Fear rose like a thin column of smoke within her, and then a swift glance at his open, friendly face dispelled it completely. It was extraordinary, uncomfortable, exhilarating, disturbing, exciting all at once. He compelled her and comforted her at the same time.
She found her voice and answered him. “I just couldn’t sleep . . . like that. Suppose there was a fire?”
“Who said that?” he snapped.
“I beg your—”
“Who said ‘suppose there’s a fire’? Who told you that?”
“Why, I suppose it—yes, it was my mother.”
“Not your idea then. Figured as much. ‘Thou shalt not kill.’ Do you believe that?”
“Of course!”
“You do. How old were you when you learned that?”
“I don’t—know. All children—”
“Children seven, eight, nine? All right. How old were you when you were taught not to unpin your diapers? Not to let anyone see you?” She did not answer but the answer was there.
“Wouldn’t you say you’d learned ‘thou shalt not expose thy body’ earlier, better, more down-deep than ‘thou shalt not kill’?”
“I—yes.”
“Do you realize it’s a deeper commandment with you than any of the Ten? And aside from right-’n-wrong, isn’t it deeper than the deepest, strongest one of all—save thyself? Can’t you see yourself dying under a bush rather than walk naked out on the road and flag a car? ‘Suppose there’s a fire?’ Can’t you see yourself burn to death rather’n jump out a window without your bathrobe?”
She didn’t answer except from her round eyes and her whole heart.
“Does that make any sense, to believe a thing like that?”
“I don’t know,” she whispered. “I have to think.”
Surprisingly, he said, “Retroactive,” He pointed to the window. “What can we do about that?” he asked.
Absently she glanced at it. “Never mind it tonight, Mr. Bittelman.”
“Sam. Okay. Goodnight, little lady.”
She felt herself, abruptly, tottering on the edge of a bottomless pit. He had walked in here and disoriented her, ripped into shreds a whole idea-matrix which had rested undisturbed in the foundations of her thinking, like a cornerstone. Just at this startled second she had not made the admission, but she would have to admit to herself soon that she must think “retroactive,” as he had put it, and tha
t when she did she would find that the clothes convention was not the only one she would have to reappraise. The inescapable, horizonless, unfamiliar task loomed over her like a black cloud—her only comfort, her only handhold was Sam Bittelman, and he was leaving. “No!” she cried. “No! No! No!”
He turned back, smiling, and that magic happened again, his sureness and ease. She stood gasping as if she had run up a hill.
“It’s all right, little lady.”
“Why did you tell me all this? Why?” she asked pathetically.
“You know something? I didn’t tell you a thing,” he said gently. “I. just asked questions. They were all questions you could’ve asked yourself. And what’s got you scared is answers—answers that came from here—” He put a gentle knuckle against her damp forehead. “—and not from me. You’ve lived with it all quite a while; you got nothing to fear from it now.” And before she could answer he had waved one capable hand, winked, and was gone.
For a long time she stood there, trembling and afraid to think. At last she let her open eyes see again, and although they saw nothing but the open door, it was as if some of Sam’s comfort slipped in with vision. She turned around, and around again, taking in the whole room and reaping comfort and more comfort from the walls, as if Sam had hung it for her to gather like ripe berries. She put it all in the new empty place within her, not to fill, but at least to be there and to live with until she could get more. Suddenly her gaze met the silly little wastebasket sitting against the door, holding it open, and to her utter astonishment she laughed at it. She picked it up, shook her head at it as if it had been a ridiculous puppy which had been eating her talcum powder; she even spanked it lightly, once, and put it down, and closed the door. She got into bed and put out the light without even looking at the window.
CHAPTER FIVE
“Aw, you shouldn’t!” cried Bitty with a joyous sort of chagrin as she pushed open Sue Martin’s door. “Here I’ve got all your fresh linen and you’ve went and made the bed!”
A Treasury of Great Science Fiction 1 Page 50