Her father was still in Medicine Bend, and Van Horn, much to her relief, had disappeared. When she left her bed she spent the morning trying to rehabilitate her riding suit. The task called for all her ingenuity and she was still in the kitchen working on it late in the afternoon when Bradley came in.
He had no sooner sat down by the door to report to Kate at his ease, than Kelly interrupted him with a call for wood. Even after he had filled the box, Kelly warned him he would have to split more next morning to get a supply ahead.
"Easy, Kelly," remonstrated Bradley, in his deeply tremulous voice. "Easy. I can't split no wood t'morrow mornin', not for nobody."
"Why not?"
"Got to go to town."
"What for?"
Bradley declined to answer, but Kelly, persistent, bored into his evasiveness until Kate tired at the discussion: "Tell him what you're going for and be done with it," she said tartly. The reaction of three days had not left her own nerves unaffected; she admitted to herself she was cross.
Bradley, taken aback by this unexpected assault, still tried to temporize. Kate refused to countenance it. When he saw he was in for it, he appealed to her generosity: "It'd be most 's much 's my job's worth if they knew here what I'm goin' to town tomorrow f'r."
"If that's all," said Kate, to reassure the old man, "I'll stand between you and losing your job."
Bradley drew his stubby chin and shabby beard in and threw his voice down into his throat: "D' y' mean that? Then don't say nothin', you and Kelly. Least said, soonest mended. I'm goin' t' town t'morrow t' see the biggest funeral ever pulled off in Sleepy Cat," he announced with bleary dignity.
"What do you mean—whose funeral?" demanded Kate, looking at him suddenly.
"Abe Hawk's. It's goin' t' be t'morrow er next day."
If the old man had meant to stupefy his questioner, he could not better have succeeded. Kate turned deathly white. She bent over the table and busied herself with her ironing. Bradley, pleased with his confidence safely made, talked on. He found a pride in talking to Kate, with Kelly in and out of the room, and launched into unrestrained eulogies of the famed rustler, always the friend of the poor man, once king of the great north range itself.
"It's a pity," murmured Kate, when she felt she must say something, "that he ever went wrong."
Bradley had a point to offer even on that. "It's a pity they ever blacklisted him; that was Stone's get-up. And Stone, when I was sheriff, was the biggest thief in the county an' the county was four times as big then as it is now—that's 'tween you 'n' me."
"Were you ever sheriff, Bill?"
"You won't believe it, but it's so—dash me 'n' dash drunkards one and all."
"I hear, though," returned Kate, only because in her distress of mind she could think of nothing else to say, "that Tom Stone has stopped drinking."
"That man," was Bradley's retort, and he kept his tremulous voice still far down in his throat, "is mean enough to do any d—d thing."
"You used to be sheriff?"
"Yes. And when I was sheriff, Kate, I found out it was better to trust an honest man turned thief than a thief turned honest man."
Kate, listening to his halting maunderings, hardly heeded them. She heard in her troubled ears the rush of mad waters; phantom voices cracked again in pistoled oaths at the horses, the fear of sudden death clutched at her heart, and in the dreadful dark a powerful arm caught her again and drew her, helpless, out of an engulfing flood.
She got out of doors. The sunshine, clear and calm, belied the possibility of a night such as Bradley's words had summoned. "Dead," she kept saying to herself. Laramie had been sure he would get out of the creek. What could it mean?
She went back to the kitchen where Bradley, eating supper, had switched from his long-winded topic. Kate had to question him: "What was the matter with Abe? When did he die?" she asked, as unconcernedly as she could.
There was little satisfaction in Bradley's slow, formal answer: "Some's got it one way and some's got it another, Kate. I can't rightly say what ailded him or when he died 'n' I guess nobody else can, f'r sure. Some says he got shot; some says he was drownded 'a' las' Tuesday night in the Crazy Woman; some says they's been a fight nobody's heard of yit, 't' all. The only man that knows for sure—if he does know—is the man that brought him into Sleepy Cat 'n' if he knows he won't tell." He held out his big enameled cup. "Kelly, gi' me jus' a squirt o' coffee, will y'?"
Kate, on nettles, waited to hear who had brought Hawk in. Bradley would not volunteer the name. Some deference was due him as the purveyor of the big news, and he meant that anyone curious of detail should do the asking. Kate, realizing this, framed with reluctance the question he was waiting for: "Who brought Abe in?"
Even so, she knew there would be but one answer. Bradley gulped another mouthful of scalding coffee and set down his cup. "Jim Laramie," he answered laconically.
She said to herself that Hawk had never got out of the creek; that he had drowned miserably in the flood. She tortured herself with conjecture as to exactly what had happened. And night brought no relief. Sleepless, she tossed, marveling at how close his death had come home to her. Every scrap of the meager news added to what she already knew—pointed to what she most feared.
She lay propped up on her pillows and looked through the open window out on the glittering stars. Strange constellations passed in brilliant procession before her eyes. And while she lay thus reflecting and revolving in her mind the loneliness and unhappiness of her surroundings, a startling suggestion far removed from these doubts offered itself to her mind. Repelled at first, it came back as if demanding acceptance. And not until after she had promised herself she would consider it, did her thoughts give her any peace. She fell into an uneasy slumber and woke with day barely breaking; but without an instant's delay she dressed and slipped from her room out to the barn.
Forehanded as she had been in getting an early start, Bradley was already stirring. Pail in hand, the old man, standing in front of the feed bin, stared at Kate speechless as she walked in on him.
"Who's sick?" he demanded after a moment.
"Nobody, Bill. I'm going to town with you, that's all."
"With me?"
She half laughed at herself and at his surprise. "I mean, I'm for town early. Get up a pony for me—Spider Legs will do."
Born of long-forgotten experience in waiting for women, Bill Bradley, as Kate walked away, put in a caveat: "I'm headin' out jus' soon's I c'n get breakfast."
"I, too, Bill. I'll be across the divide before you are."
Curiosity would not down: "What y' goin' t' town f'r?" he called.
Turning half around, Kate, with a little shrug, paused. She would not be ungracious: "To pick up a few things," she answered unconcernedly.
Bill, not satisfied, felt obliged to desist. "Startin' airly," was his only grumble. Had he known what possibilities for that day had lodged themselves in Kate's mind, he would not have been able to slip Spider Legs' bridle over his ears. But his business being only to get up the horse, he discharged it with shaky fidelity and for himself started with high expectations for town. Had he been given to speculating on the variableness of woman, he might have found a text in Spider Legs' standing for hours after he was made ready. And in the end his mistress unsaddled him and turned him back into the corral.
The truth was, Kate had been seized with cruel fits of doubt and for a long time could not decide whether she ought to go to town or not. But as often as she gave up the idea of going, a heart-strong impulse pleaded against her uneasy restraint. She felt she must go.
CHAPTER XXIX
HORSEHEAD PASS
Bradley had not been able to tell her just when the funeral was set for. But it surged in Kate's heart that after what Abe Hawk had done for her, to let the poor, bullet-torn, neglected body be put into the ground without some effort to pay a tribute of gratitude to the man that had once animated it, would be on her part fearfully cold.
The difficul
ties of the situation were many. She feared the anger of her father, and owed his feelings something as well. But every time she decided she ought to stay at home, the pricking at her heart grew keener. In the end, her feelings overrode her restraint. She resolved at least to go to town. The funeral might have already taken place—it would be a relief even to learn more about his death.
Late in the afternoon, she got Spider Legs up again, saddled him and, telling Kelly she might not be back that night, rode away.
It was dark by the time she reached town and leaving her horse with McAlpin she crossed the street from the barn and walked hurriedly around the corner to Belle's. The front door stood open and the red-shaded lamp burned low on the dining-room table.
Tapping on the screen door, Kate, without waiting for Belle to answer, opened it and went in. There was no light in the living-room and the portières were drawn. She walked down the hall to the dining-room, where she laid down her gloves and took off her coat and hat. Smoothing her hair, she knocked on the door of Belle's room, but got no answer. Conjecturing that she had gone out on an errand, Kate sat down in a rocking chair and, taking a newspaper from the table, tried to read.
Her thoughts soon blurred the print. She read on only to think of what had brought her so irresistibly to town and to wonder what she should hear now that she had come.
After some struggle to concentrate, she tossed the paper aside to ask herself why Belle did not return, and, being tense, began without realizing it, to rock softly. Her eyes naturally turned to the familiar lamp. Its somber paper shade threw the light in a circle on the table, leaving the room in the heavy shadows of its figured pattern. Kate became all at once conscious of the utter silence, and impatient for Belle's return, got up and walked through the dark hall toward the front door.
Passing the living-room portières, she pushed open the screen door and stepped out on the porch. There she stood for a moment at the top of the steps looking at the stars. Lights here and there burned in neighboring cottage windows. No wind stirred. The street and the town were as still as the night. After some minutes, Kate descended the steps, opened the gate, leaving it to close with a click behind her, and walked to the corner of Main Street. It looked dark. The stores were closed. From the saloon windows spotty lights shot at intervals across the upper street, but these only made the darkened store fronts blacker and revealed the nakedness and desertion of the street itself. Not a man, much less a woman, could she see anywhere moving.
Either the silence, or the night, or her long wait changed her impatience into a feeling of loneliness. She turned back toward the cottage gate. She had not noticed before how very dark the side street was. Reaching the gate she hesitated, pushed it open and then stopped, conscious of a curious repugnance to entering the house.
Her feeling refused to explain itself. Through the screen she could see the lamp still burning on the dining-room table. Things appeared just as she had left them, yet she did not want to go in. But, dismissing the qualm, she walked up the steps, crossed the narrow porch, opened the screen door and, stepping inside, closed it after her.
This time that she passed the living-room she noticed the portières were partly open. Both times she had passed before, she felt sure, they had been closed.
Kate sat down in the dining-room and looked suspiciously back at the portières. She was already sorry she had come into the house, for the silence and her aloneness added to the conviction fast stealing over her that someone must be in the dark living-room.
Once entertained, the suspicion became insupportable. Her ears were pitched to a painful intensity of listening and her eyes were fastened immovably on the motionless curtains.
She carried a ranchwoman's revolver and, putting her hand on it, she rose, stepped close to the door of Belle's room—into which she could retreat—and, with one hand on the knob, called sharply toward the living-room: "Who's there?"
Not a sound answered her.
"Who is in the living-room?" she demanded again. This time, after a moment's delay, she heard something move in the darkness, then a man's step and Laramie stood out between the portières.
Except for a fatigued look as he rested one hand on the portière and the other on his hip, he appeared quite as she had last seen him. "Are you calling me?" he asked.
"Yes," she responded tartly. "Why didn't you answer?"
"I didn't know who you were speaking to at first. I've been here all the evening. I didn't know you were in town till I saw your hat on the table a few minutes ago."
"Where is Belle?" asked Kate, still on edge.
"She went over to Mrs. Kitchen's."
"When will she be back?"
He seemed to take no offense at her peremptory tone. "She said she wouldn't be gone a great while. But," he added, with his customary deliberation, "all the same, I wouldn't be surprised if she stayed over pretty late—or even all night."
This was not just what Kate wanted to hear. "Why didn't you say something when I first came in?" she asked, her suspicion reflected in her voice.
He did not seem nonplused but he answered slowly: "I heard someone come in. I didn't pay much attention, that's about the truth."
"What are you doing in there in the dark?"
He was provokingly deliberate in answering. "You probably haven't heard about Abe Hawk?"
Her manner changed instantly and her voice sank. "Is it true that he is dead?"
"Yes."
"He didn't drown that morning, did he?" she asked eagerly anxious. "You thought he could get out—what happened?"
"He got out of the creek. But he strained his wounds—they opened. I wasn't much of a surgeon. I got him to the hospital—he died there. I had no place to take him then. I wouldn't leave him there alone. Belle said I might bring him here. I'm spending my last night with him."
"You're not trying to spare me, are you?" she asked, unsteadily. "He really did get out of the creek?"
"He did get out."
She spoke again brokenly: "He saved my life."
"Well," remarked Laramie, meditating, "he wouldn't ask anything much for that. Do you mind if I smoke?"
"Not a bit."
"I'm kind of nervous tonight," he confessed simply. Then he crossed the room, rested his elbow on the mantelpiece and made ready a cigarette. "I wonder," he said, "if I could ask you a question?"
"What is it?"
"You always act kind of queer with me. Why is it? You've never been the way you were the first day we met. Haven't I always been square with you?"
She hesitated but she answered honestly: "You always have."
"Then why are you so different?"
"I've made that confession once. I was acting a part that day."
"No, I can't figure it in that way. That day you were acting natural. Why can't you be like that again."
"But, Mr. Laramie——"
"No—Jim."
"But——"
"Every time you call me Mr. Laramie I'm looking around for a gentleman. Why can't you be the way you were the first time?"
She realized his eyes were on her, demanding the truth—and his eyes were uncomfortably steady as she had reason to know. "If I spoke I should hurt your feelings," she urged, summoning all her courage. "You know as well as I do that the first time I met you I didn't know who you were."
He did not seem much disconcerted, except that he tossed away the unlighted cigarette. "You don't know now," was his only comment.
"I can't help knowing what is said about you—you and your friends."
He made an impatient gesture. "That gives you no clue to me."
"What are people to believe when such stories are public property?"
"Only what they know to be true."
"How are they to find out what is true?"
"By going straight to the person most concerned in the stories."
"Would you honestly expect a young woman to go to work and investigate all the charges against men she hears in Sleepy Cat?"
"I suppose there's been a good many hard words over your way about my keeping Abe Hawk out of the hands of your people. Because I did shelter him—you know how—they've blackened my name here at Sleepy Cat and down at Medicine Bend. A man doesn't have to approve all another man does, to befriend him when he's down and a bunch of men—not as good as he—set out to finish him. I haven't got any apologies to make to anybody for protecting Abe when he was wounded—and if he wasn't wounded, no man would talk any kind of protection to him. But you've been fed up with stories about it—I know that—so," he added grimly, "I'm going to tell you one story more.
"I grew up in this country when the mining fever was on—everybody plumb crazy in the rush for the Horsehead Camp in the Falling Wall country. One winter five hundred men in tents were hanging around Sleepy Cat waiting for the first thaw, to get up to the camp. That's when I got acquainted with Abe Hawk. Abe was carrying the mails to the mines. He hadn't a red cent in the world. My father had just died; I was a green kid with a pocketful of money. Abe didn't teach me any bad habits—I didn't need any teacher. One night we were sitting next to each other, with Harry Tenison dealing faro.
"I heard Abe was going up over the pass to Horsehead with the Christmas bag. The few miners that got in the fall before had hung up a fat purse for their Christmas mail and Abe needed the money. He was the only man with the crazy nerve to try such a thing. And there were twenty men, with all kinds of money, crowding him to take them along: to beat the bunch in might mean a million dollar strike to any tenderfoot in Sleepy Cat.
"Abe wouldn't hear a word of it, not from anybody—and he could talk back awful rough. He was sure he could make the trip alone. He was the strongest man in the mountains. I never saw the day I could handle Abe Hawk. But the pass in December was not a job for any ordinary mountain man—let alone a bunch of greenhorns. Just the same, I made my play to go with him. He cursed me as hard as he did anybody and turned me down.
Laramie Holds the Range Page 21