Eliza soon found that she did not have a free hand with Francisco. He stall maintained his former lover, Juana Pesoa, and their two children in his town house in Asuncion. He also took other lovers. Eliza took control by selecting his concubines for him. She took great pains over this task. Although she would not marry Francisco herself -fearing that, as his wife rather than his mistress, she would lose all power over him — she had to make sure that no one else did either.
Francisco Lopez also persisted in his brutal seduction techniques. When he fell in love with the daughter of Pedro Burgos, a magistrate from the small provincial city of Luque, he threatened to confiscate her father’s property if she did not submit. However, Pedro Burgos was not without some influence with Carlos Lopez. Eliza stepped in. Once she had ascertained that Pedro’s daughter had no desire whatsoever to marry Francisco, she encouraged Pedro to accept Francisco as his daughter’s lover — on the promise that he would be amply rewarded when Francisco came to power. His daughter submitted, but Pedro Burgos was later executed by Francisco in the belief that he was plotting against him.
Eliza’s skilful manipulation of Francisco’s sex life put her in a position of considerable power. She still had ambitions to be the Empress of South America, as he had promised. As part of that plan, she decided that the ramshackle town of Asuncion must be transformed into an imperial city. She persuaded Francisco to begin an extensive building programme, which included the construction of a replica of Napoleon’s mausoleum at Les Invalides, to be used as Francisco’s own tomb.
Eliza also wanted to secure the position of her son, Juan Francisco. Although he was Francisco’s favourite, she feared that he might one day fall from his father’s favour. The answer was to have him baptized.
Francisco liked the idea. Belatedly he announced his son’s birth with a hundred-and-one-gun salute. This caused eleven buildings in downtown Asuncion to collapse, five of which were newly built under Francisco’s modernization plan. One of the guns, an English field piece, had not been cleaned properly and backfired, killing half the battery and putting the other half in hospital.
The Lopez ladies got themselves into a flap over this, and Carlos banned the planned baptism in Asuncion’s Catedral de la Encarnacion. The Bishop of Paraguay, who was Carlos’s brother, threatened to excommunicate any priest who performed the baptism.
But Eliza was not to be put off. She found a priest, Father Palacios, and promised him that, if he would baptize Juan Francisco, he would succeed as Bishop of Paraguay when Francisco came to power.
Francisco was loathe to go against his father’s wishes, but Eliza talked him round. If Francisco did not consent to the baptism, she said she would take the child to Europe and have him baptized an Anglican! Francisco blustered that he could prevent her leaving Paraguay if he wanted. She replied that if she told Carlos Lopez that she intended to leave, he would provide her with an armed guard, and probably a considerable sum of money too.
Francisco had no choice. The baptism went ahead in Eliza’s country house, though no one from Asuncion society or the diplomatic corps turned out. They were still more afraid of Carlos than of Francisco.
Although she had won this battle, the war between Eliza and the Lopez family continued. Eliza neatly upstaged them at the opening of the National Theatre, built as part of Francisco’s reconstruction plan. She got Francisco to designate a small box to the left of the stage the “Royal Box”. Carlos Lopez his wife and daughters were directed there, while the prominent box at the centre of the: auditorium wits reserved for Francisco and Eliza.
Eliza also made her presence felt in Asuncion society by holding a regular salon. Although the ladies of Asuncion shunned it, their husbands all turned up and vied for the opportunity to flirt with the hostess.
Francisco was still determined to have his consort accepted by the ladies, not least his mother and sisters. When he opened the disastrous agricultural colony upstream in the Rio de la Plata region of Paraguay, he organized a tour for high-ranking Paraguayans and the entire diplomatic corps. The men would ride up to the colony, while the women would travel by boat. Madame Lynch would be Official Hostess on board, he announced.
This was an occasion that everyone had to attend. Even Doña Juana and her two daughters puffed up the gang plank. But everyone pointedly ignored the Official Hostess. Soon after they had cast off, the boat was moored in the middle of the stream and a huge feast was laid out — suckling pigs, roast turkey, baby lambs, fresh fruit and vegetables, the best imported wines. The ladies crowded around, but would not allow Eliza near the table. When she asked to be allowed through so that she could preside, they huddled more closely together, blocking her path. So Eliza summoned the waiters and said: “Throw it all over the side.”
The ladies fell silent. The waiters hesitated and Eliza repeated the order.
“Throw it all over the side.”
They picked up the food and the wine and pitched it overboard. Eliza then sat in silence, staring at the ladies who had snubbed her. They waited, famished, parched and sweaty for the next ten hours, before Eliza gave the captain permission to return to the quay.
By the time of his death, Carlos Lopez probably did not want Francisco to succeed him. Despite his unsavoury dictatorial ways, Carlos was essentially a man of peace, and he feared Francisco’s belligerent intentions towards their neighbours. On his father’s death, Francisco called a National Congress which confirmed him as president for the next ten years. Francisco Lopez also took the opportunity to announce that Eliza was about to present him with another son, her fifth. As the Congress erupted in spontaneous applause, he added: “I would like it to be known that it is our pleasure and desire that from this day forward Madame Eliza Lynch should enjoy the same privileges as those usually accorded to the wife of a head of State.”
The Lopez ladies and half the female population of Asuncion fainted.
Within a month of Francisco Lopez’s coming to power, a thousand of the most prominent citizens of Paraguay were either in exile, in prison or on the run. Their crime? Opposing Francisco.
Next, he decided to bring the church under his dominion. Father Palacios, as promised, became Bishop of Paraguay. Not only had he baptized Juan Francisco, he had gone on to provide Francisco with useful intelligence, gleaned in the confessional box.
Formerly derided as “the Irish concubine”, the British Minister in Asuncion now called Eliza “the Paraguayan Pompadour”. Lopez still maintained a separate house where he entertained prostitutes, but he lived openly with Eliza. She was now “First Lady of Paraguay”. The ladies of Asuncion had to swallow their pride and call on her. Eliza organized huge balls and dictated exactly what the other women should wear. She, of course, outshone them all.
Lopez suddenly announced that he intended to marry the beautiful young Princess Isabella of Brazil. This was for strictly political reasons, he explained. Eliza would remain his favourite. As always, Eliza turned the situation to her own advantage. She demanded co-equal status and forced Lopez to legitimize her children, making Juan Francisco his undeniable heir. When Princess Isabella got wind of this, she decided to marry one of the French royal family instead.
To celebrate the first anniversary of Francisco Lopez’s accession to power, Eliza arranged a great circus, with bullfighting, dancing and plays, in a hippodrome built down on the waterfront. Wine and cana, the local rum, flowed freely and, according to one observer, the crowds “actively engaged in raising the birth rate”.
Francisco Lopez still had international political ambitions. He tried to intervene in a squabble Brazil and Argentina were having over Uruguay, but he mishandled the situation so badly that all three countries declared war on Paraguay. Lopez went on the offensive, disastrously. Nevertheless, Madame Lynch organized a Victory Ball, where all the ladies of Asuncion were to wear their baubles — which Eliza promptly impounded as a contribution towards the war effort. She further humiliated them by inviting all the city’s prostitutes, personally ope
ning the door to them and bidding them welcome. Her excuse was that “all classes should mingle on so festive an occasion”.
Lopez himself went to the front to direct operations, leaving Eliza in Asuncion as regent. Her first act was to announce that the women of Paraguay would donate the rest of their jewellery to the state in its hour of need. She also had a good line in uncovering plots — accused plotters had to pay up in gold coin to prove their loyalty.
Soon the war was going so badly that Lopez was running short of able-bodied men. All males between the ages of eleven and sixty were drafted, including the aristocrats. Women were left to plough the fields and the only men seen in Asuncion were the police.
The armies of the Triple Alliance began to invade Paraguay. They defeated the Paraguayan army at the battle of Estero Bellaco on 24 May, 1866 and the Paraguayans were so emaciated that their bodies would not burn. Seemingly determined to turn this rout into an even greater disaster, Lopez had every tenth officer and man among the survivors executed for “cowardice under fire”.
A truce was offered, but a precondition was that Lopez go into exile in Europe. He refused. Instead, he began imprisoning, flogging, torturing and executing as many of his own people as he could get his hands on. Not content with having three powerful neighbours aligned against him, Lopez turned his tender mercies on foreign residents and the U.S., Great Britain, France and Italy all sent gunboats.
Madame Lynch tried to keep things going by using her not inconsiderable charm to woo envoys and to reassure Lopez that the disasters that had befallen him were not his fault. They were the fault of the conspirators who surrounded him, and who Lopez mercilessly sought out.
After another military fiasco, Lopez was forced to evacuate Asuncion. He had already tortured and executed his two brothers and his sisters were imprisoned in covered bullock carts. Occasionally, they were let out to crawl into their brother’s presence, make fresh confession and submit themselves to be flogged. He also sentenced his mother to floggings, although she was over seventy.
Madame Lynch tried to carry as much of her booty with her as she could, but she had to abandon her piano in what is now the village of Piano, Paraguay.
Lopez withdrew into the jungle when he signed treaties with the Indians, but the Brazilian army pursued him relentlessly. Hours before the last attack, Lopez condemned his mother and sisters to death, though the sentence was not carried out.
While his men made a human shield against the enemy, Lopez tried to escape on horseback, but his horse got stuck in the mud of a river bed. When the Brazilians caught up with him, they were ordered to take him alive, but he pulled a gun and they had no choice.
“I die with my country,” he said as he expired.
Madame Lynch tried to escape in her carnage with her children, but they were caught by a Brazilian cavalry detachment. Juan Francisco tried to fight them off and was run through with a lance. Eliza was taken to see Lopez’s body. She and her remaining sons dug a grave for him and Juan Francisco with their bare hands.
When news of Lopez’s death reached Asuncion, there were scenes of wild joy. A celebration ball, which matched anything that Eliza had put on, was organized.
Madame Lynch and the Lopez ladies travelled back to Asuncion together on board a Brazilian gunboat. There, Doña Juana and her two daughters were allowed to return home. Madame Lynch was kept on board, under guard, for her own safety. The Provisional Government charged her with extorting money and jewellery for her own use, on the pretext that it was going towards the war effort, and wantonly conspiring in the murder of tens of thousands of Paraguayans in an unwinnable war.
The Brazilians rejected the petition and Madame Lynch and her four surviving sons were taken to Buenos Aires where they were put aboard a ship for Europe.
During her time in Paraguay, Madame Lynch had managed to deposit four thousand ounces of gold in the Bank of England, taken there by the Italian consul and an American minister who had taken her fancy. The Brazilians were similarly kind to the fair Eliza, allowing her to take a vast inventory of booty with her into exile.
She sent her children to school in England and began litigation to try to recover more of her loot. When the Paraguayan government seized her assets, she returned to Paraguay to pursue the matter in the courts there. Her presence was so divisive that the government asked her to leave.
She went to live in Paris again, dying there in 1886. She was buried in Pere Lachaise cemetery but, seventyfive years later, she was disinterred and her remains were shipped back to Paraguay where she now lies, an unlikely national heroine.
10. DON’T CRY FOR ME, ARGENTINA
Argentina’s most famous dictator of modern times was Juan Domingo Peron. He was born on 8 October, 1895 in Lobos, a small town in the Pampas about sixty miles south-west of Buenos Aires. His parents were Creole and unmarried. At the age of fifteen, he went to military school. Far from the warmth of his family, his first sexual experiences were with prostitutes. He recalled later: “In the era when we were boys, we weren’t accustomed to going to social parties, and it would not have occurred to us to go to a home and make love to a family girl.”
In 1928, at the age of thirty-three, he married schoolteacher Aurelia Tizon. She was a modest soul. Her only contribution to his career was her translation of some English military textbooks for him. Though it seems to have been a loving marriage, he seldom mentioned her in later years. She died in 1938, leaving no children.
In 1939, just months before the outbreak of the war in Europe, Peron was appointed military attache in Rome, where he witnessed Mussolini’s methods at first-hand. Peron travelled through Hungary, Austria, Germany, Spain and Portugal, observing Fascism at work. In Spain, he had an affair with an Italian woman. After they parted, he discovered she was pregnant, but was never able to find her or the child again.
While Juan Peron learnt his Fascism from the European master, he would never have been able to put it into practice if it had not been for his second wife, the redoubtable Evita A second-rate actress and right-wing ideologue, she was South America’s Ronald Reagan.
Born Marma Eva Duarte in Los Toldos on 7 May, 1919, she was the fourth child of Juanita Ibarguren, the mistress of the local landowner, Juan Duarte. At the time, any man with wealth or station in Argentina was expected to keep a mistress. Wives accepted it, provided the husband did not flaunt his mistress in their social circles.
Men would maintain a garconniere, or bachelor apartment, where they would entertain women and even the smallest town would have its amoblados, or love hotels, where rooms could be rented by the hour.
The best a peasant girl like Evita’s mother could expect was to become the mistress of a man wealthy enough to keep her. She and Duarte were together for fifteen years until suddenly, when Evita was seven, Juan Duarte died. After that, to support her children, Evita’s mother ran what was said to be a boarding house, but was probably a brothel.
Los Toldos was a poor town in the middle of the Pampas, 150 miles from Buenos Aires. Prospects there were bleak for a girl like Evita. At fourteen, she agreed to sleep with tango singer Jose Armani if he would take her to Buenos Aires. Later, she claimed that the better-known singer Agustin Magaldi was her first lover.
Although it is popularly supposed that she worked as a prostitute when she first arrived in Buenos Aires, she probably never walked the streets. She certainly worked as a photographic model and posed for pornographic pictures; and she picked up rich and powerful men who could help raise her status.
At fifteen, she became the mistress of Emilio Kartulovic, publisher of the movie magazine Sintonia. His contacts gave her the perfect springboard into society.
She was fairly tall for a Latino — 5 feet 5 inches — with brown eyes and dyed blonde hair, and she longed to become an actress. Using her charms on Rafael Firtuso, the owner of the Liceo theatre, she was cast in one of his productions. Ironically, her first provincial tour was in a play called The Mortal Kiss. It was about the evils of s
exual promiscuity, financed by the Argentine Prophylactic League who thought that a rousing melodrama would cut down Argentina’s soaring illegitimacy rate.
Her first film part, obtained through one of Kartulovic’s contacts, was in a boxing movie called Seconds Out of the Ring and she had a brief affair with the star of the film, Pedro Quartucci. She appeared in small parts in a number of other dreadful Argentine films — The Charge of the Brave (1939), The Unhappiest Man in Town (1940) and A Sweetheart in Trouble (1941) — which, together with the occasional modelling assignment, was barely enough to keep her afloat.
To make ends meet, she would spend her nights in clubs like the Tabaris, the Embassy or the Gong, where wealthy businessmen would spend more in a night than she would have earned in a year. It was not done for couples to leave together at closing times, so they made assignations to meet at one of the nearby bachelor apartments or love hotels. A girl could expect to ride home in a taxi with an extra fifty pesos in her handbag, though Evita would probably have saved the cabfare and walked. She was safe in the rough streets of Buenos Aires even unchaperoned. It was said: “She had a tongue that could skin a donkey.”
Evita’s career began to take off. Soon she became radio’s queen of the soaps, appearing on Radio Argentina and Radio El Mundo on shows like Love Was Born When I Met You and Love Promises. But the show that brought her national stardom was My Kingdom of Love. It was a series of historical love stories written by a philosophy student. In it, Evita played the female leads — Queen Elizabeth I, Lady Hamilton, the Empress Josephine, Tsarina Alexandra of Russia and Madame Chiang Kaishek. Twice she appeared on the cover of Antenna, the weekly radio listings magazine which had the largest sale of any magazine in Argentina.
In June 1943, a military coup, in which Juan Peron played a major part, brought a group of army generals to power. A month later, Evita, shocked her colleagues in the rehearsal room at Radio Belgrano by demonstrating just how influential her stardom had made her. She picked up the phone and said to the other actresses: “Hey, girls, listen to this.”
Sex Lives of the Great Dictators Page 15