Westhaven cast an assessing glance at Nick. “He’s no gentleman. He writes a very charming letter, nonetheless. Next time, Bellefonte, you do as David and Letty do with Val. Val writes a two-sentence letter to David and then a four-page postscript to Letty.”
“Strategy is always so tedious.” Nick sighed. “Here comes one of my two favorite brothers-in-law.” Ellen was hugged again as Darius Lindsey greeted her, looking strikingly handsome in his evening finery.
“I believe Her Grace will want to see you two,” Westhaven decided. “Why don’t you escort Lady Roxbury back to the box while I check on something backstage?”
A look passed between the gentlemen, something of male significance that had Ellen concluding Westhaven needed the retiring room. She let Nick and Darius each take an arm and was more than pleased when Her Grace invited them to stay for the second half. Westhaven slipped into the back of the box just as the ushers were dousing the candles.
“So this is the good part?” Nick asked from beside her.
“The party piece is always saved for the second half,” Ellen explained, though it occurred to her belatedly, Nick had been to far more entertainments than she. “That way all the latecomers won’t miss it.”
“One wouldn’t want to miss this,” Nick murmured, only to be thumped on the arm by Darius.
She looked around one last time for Val, and then she spied him, his progress being marked by the growing hush of the audience as he strode across the stage.
Oh, he looked so handsome, so distinguished. He was too lean, maybe, though it was hard to tell when he was so far away, but how fortunate the lights caught his dark hair, his elegant, muscled form as he approached the conductor’s podium.
What on earth?
He tapped a baton on the music stand and signaled to the oboist, who offered the pitch. When the squeaks, toots, and honks of tuning up were silenced, Val turned to face the audience.
“Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now.
“Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.”
He turned in the ensuing beats of silence, raised his baton, and let the music begin.
Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart.
But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory.
My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around.
The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful.
The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be.
Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion. There was a beat of profound silence and then a spontaneous roar of approval, a deafening wall of applause, cheers, foot stomping, whistling, and calls for an encore. Val stood to the side, looking dazed and pleased, until the first violinist rose and gestured with his bow toward the podium. Even Ellen could hear the concertmaster happily yelling at Val to bow, for the love of God, and the applause did not diminish until Val turned, said something to his musicians, and held up his baton again.
The little drinking song served wonderfully as an encore, and the orchestra had to play through it yet again before the audience let the musicians and their conductor go.
In the ducal box, Ellen sat dazed and so pleased for Valentine she could not stop laughing and crying and being glad she had been there to see it. Her exile was now worthwhile. Through years and even decades of gardening in solitude, she would recall this night and those lovely sentiments tossed to her before all of London as if she were the prima donna on the stage.
And she would not—she would not—let herself worry that Freddy would get wind of this and pitch another tantrum.
“Come along.” Nick took her arm when they left the box, and with his superior height, navigated her deftly through the crowds.
“Where are we going?” Ellen asked, for she did not recognize the path they were traveling.
“To meet your fate, my lady,” Nick said, but his eyes were sparkling, and Ellen didn’t realize the significance of his comment until she was being tugged backstage toward a growing buzz of voices. “The green room is this way”—Nick steered her along—“but for you, we will refer to it as the throne room. Ladies and gentlemen…” Nick bellowed as he gently pushed Ellen into a crowded, well-lit room. “Make way for the artist’s muse and for a large fellow bent on reaching that punch bowl.”
Applause burst forth, and the crowd parted, leaving Ellen staring across the room at Valentine where he stood, a glass in his hand, still in his formal attire. He’d never looked so handsome to her, or so tired and happy and uncertain. He set the glass down and held out his left hand to her.
“My Ellen,” he said, as if introducing her. She tried to make her steps dignified before all these strangers, but then she was walking very quickly, then, hang it, she pelted the rest of the distance right into his arms, holding on to him with every ounce of her strength. She did not leave his side when the duke and duchess were announced or when his various siblings and friends came to congratulate him. She was still right by his side when the duke approached.
“Well.” Moreland smiled at his youngest son. “Suppose I was mistaken, then.”
“Your Grace?”
Ellen heard surprise in Val’s voice, and pleasure.
“I kept trying to haze you off in a different direction, afraid the peasants wouldn’t appreciate you for the virtuoso you are.” The duke sipped his drink, gaze roving the crowd until it lit on his wife standing beside Westhaven. “I was worrying for nothing all those years. Of course they’re going to love you—you are my son, after all.”
“I am that,” Val said softly, catching his father’s eye. “I always will be.”
“I think you’re going to be somebody’s husband too, eh, lad?” The duke winked very boldly at Ellen then sauntered off, having delivered a parting shot worthy of the ducal reputation.
“My papa is hell-bent on grandchildren. I hope you are not offended?”
Ellen shook her head. “Of course not, but Valentine, we do need to talk.”
“We do.” He signaled to Nick, where that worth
y fellow stood guarding the punch bowl. Nick nodded imperceptibly in response and called some inane insult over the crowd to Westhaven, who quipped something equally pithy right back to the amusement of all onlookers, while Val and Ellen slipped out the door.
By the light of a single tallow candle, he led Ellen to a deserted practice room. He set the candle on the floor before tugging her down beside him on the piano bench.
“I can’t marry you,” Ellen said, wanting to make sure the words were said before she lost her resolve.
“Hear me out,” Val replied quietly. “I think you’ll change your mind. I hope and pray you’ll change your mind, or all my talent, all my music, all my art means nothing.”
Sixteen
Remember this, Ellen admonished herself. She ordered herself to recall the cedary scent of Val’s shaving soap, the feel of his arm embracing her where they sat on the hard bench, the reassuring heat of his body still warm from the exertion of conducting a major work. To recall the beloved sight of his face, so grave and tired now that the excitement of the debut was ebbing.
Remember this, because it might have to sustain you for a long, long time.
“You need to know,” Val began, “Freddy has left the country, and he is not expected back.”
“Gone?” Ellen’s jaw literally dropped. “Freddy detested travel by anything except curricle.”
“He’s better off on the Continent, believe me. Between Sir Dewey and Benjamin Hazlit, my private investigator, I have sworn statements sufficient to bring charges against Freddy on everything from conspiracy to commit arson, to attempted murder, to breaking and entering, and a host of lesser charges. I have a statement from the herbalist on the Roxbury estate. Freddy bribed her to teach him about poisons and further bribed her to sell him a supply of pennyroyal and to label it spearmint. She didn’t untangle his purpose until your third miscarriage, and by then, it was too late. She suspects Freddy did kill the late baron, but we’ll never know.”
“I wish I could kill Freddy,” Ellen said, staring at Val in shock.
“You won’t have to,” Val assured her. “He’s in debt to so many people from whom one does not under any circumstances borrow, that they’ll hunt him down and gladly make an example of him. Most damning of all, my father uncovered evidence Freddy has sold his vote in the Lords for coin, and that could cost him his title, should Prinny take him into dislike over it. Would you like that?”
“And the regent would benefit?”
“The regent would benefit handsomely.”
Ellen shook her head. “It doesn’t seem fair that one of the oldest titles in the land goes into escheat for the regent’s convenience. Freddy has an heir, and he may be a decent enough fellow.”
“He’ll certainly be an improvement over Freddy, but the Roxbury estate is of no moment to me whatsoever. Tell me you’ll marry me.”
“You’re sure he’s gone?” Ellen asked, unable to keep her voice from breaking. “He’ll stay gone? You’re safe from him?”
“I am safe from him.” Val held her gaze. “You are safe from him. I promise you this, Ellen, with my most solemn word. My family owns two shipping companies, and we’d spot him before he disembarked at any domestic port. His ship was headed for Italy by way of Portugal, because he already has enemies in France. He can afford to run for a bit, since he took his personal jewelry with him. Recall, though, that he’s alone, he doesn’t speak the language, doesn’t know the customs, and I have friends who will keep an eye on him in Rome. Will you marry me?”
“You’re going to keep composing, aren’t you?” Ellen peered at him worriedly. “That music, Val. It was… sublime. I could almost hear the frogs croaking and feel the tears on my cheeks—well, I could feel the real tears—and the flowers, I could smell them in the sunshine during that second movement. I think the Belmont boys were there too, and so was Marmalade. You have to keep writing. You have to. Is your hand all right?”
Val sat back and braced one of his hands on each of her arms. “If I promise to keep composing, will you marry me?”
“Yes.” It was a simple word but the most radiant in her vocabulary. Radiant like the notes of his symphony. “Yes. I will marry you, Valentine Windham, and you will write music, and our lives will always have something of the divine in them.”
“Always,” he agreed, hugging her to him.
And in his head, he heard a new tune: sweet, strong, and clear, underpinned by sturdy, driving rhythms and lush, generous harmonies. It was at once merry and profound, and as he bent to kiss his prospective wife, Val knew it might turn into something worthwhile, when he had some time to work on it.
And as it turned out, Valentine Windham was right. The working title of that piece, destined to be just as popular as his debut symphony, became, “Little Weldon Summer Christening.”
Author’s Note
Careful readers will note that St. Just explains to Valentine that St. Just’s adopted daughter will hold the title on behalf of her legitimate heirs. This is in contravention of conventional wisdom telling us that adopted children would not have inherited titles. In the usual case, the conventional wisdom would prevail because an adopted child would not meet the criteria in the letters patent for most titles, which typically required the title to pass to “the oldest legitimate male natural issue surviving at the time of the titleholder’s death.”
Titled men could and did adopt children, but having letters patent reworded was a much trickier proposition. His Grace influenced the wording of St. Just’s original letters patent, which put a very different face on the heritability of St. Just’s earldom. Furthermore, in Bronwyn’s case, I can assure my readers that both the Helmsley and Rosecroft earldoms included baronies among their predecessor titles, and among the old baronies, it was not at all unusual for female heirs to be able to hold titles in abeyance, sometimes for centuries. As for whether an illegitimate female might qualify, well, this is, as the scholars say, an area for further research—or a just a touch of literary license I hope the purists will find excusable.
Then, too, we know that Prinny’s brothers and his sister, the Princess Sophia, had among them something like twenty illegitimate children, and I hope The First Gentleman might have found it in his heart to indulge a royal eccentricity on behalf of our dear Bronwyn’s offspring. His Grace, when fixed on a goal, can be very determined and persuasive after all.
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The Virtuoso do-3 Page 32