by Tad Williams
Paul kicked, struggling to keep afloat, and found himself beneath a heavy gray sky. The distant riverbank was shrouded in fog, but only a few yards away, as if placed there by the scriptwriter of a children’s adventure serial, bobbed an empty rowboat. He swam to it, fighting a current that although gentle was still almost too much for his exhausted muscles. When he reached the boat, he clung to its side until he had caught his breath, then clambered in, nearly turning it over twice. Once safely aboard, he lay down in the inch of water at the bottom and dropped helplessly into sleep.
He dreamed of a feather that glittered in the mud, deep beneath the water. He swam down toward it, but the bottom receded, so that the feather remained always tantalizingly out of reach. The pressure began to increase, squeezing his chest like giant hands, and now he was aware also that just as he sought the feather, something was seeking him—a pair of somethings, eyes aglitter even in the murky depths, sharking behind him as the feather dropped farther from his grasp and the waters grew darker and thicker. . . .
Paul woke, moaning. His head hurt. Not surprising, really, when he considered that he had just made his way across a freezing Ice Age forest and fought off a hyena the size of a young shire horse. He examined his hands for signs of frostbite, but found none. More surprisingly, he found no sign of his Ice Age clothes either. He was dressed in modern clothing, although it was hard to tell quite how modern, since his dark pants, waistcoat, and collarless white shirt were all still dripping wet.
Paul dragged his aching body upright, and as he did so put his hand on an oar. He lifted it and hunted for a second so that he could fill both of the empty oarlocks, but there was only the one. He shrugged. It was better than no oar at all. . . .
The sun had cleared away a bit of the fog, but was itself still only directionless light somewhere behind the haze. Paul could make out the faint outlines of buildings on either side now, and more importantly, the shadowy shape of a bridge spanning the river a short distance ahead of him. As he stared his heart began to beat faster, but this time not from fear.
It can’t be . . . He squinted, then put his hands on the boat’s prow and leaned as far forward as he dared. It is . . . but it can’t be. . . . He began to paddle with his single oar, awkwardly at first, then with more skill, so that after a few moments the boat stopped swinging from side to side.
Oh, my sweet God. Paul almost could not bear to look at the shape, afraid that it would ripple and change before his eyes, become something else. But it really is. It’s Westminster Bridge!
I’m home!
He still remembered the incident with a burn of embarrassment. He and Niles and Niles’ then-girlfriend Portia, a thin young woman with a sharp laugh and bright eyes who was studying for the Bar, had been having a drink in one of the pubs near the college. They had been joined by someone else, one of Niles’ uncountable army of friends. (Niles collected chums the way other people kept rubber bands or extra postage stamps, on the theory that you never knew when you might need one.) The newcomer, whose face and name Paul had long since forgotten, had just come back from a trip to India, and went on at length about the scandalous beauty of the Taj Mahal by night, how it was the most perfect building ever created, and that in fact its architectural perfection could now be scientifically proved.
Portia suggested in turn that the most beautiful place in the world was without question the Dordogne in France, and if it hadn’t become so popular with horrible families in electric camping wagons with PSATs on the roof, no one would dare question that fact.
Niles, whose own family traveled extensively—so extensively that they never even used the word “travel,” any more than a fish would need to use the word “swim”—opined that until all those present had seen the stark highlands of Yemen and experienced the frightening, harsh beauty of the place, there was no real reason to continue the conversation.
Paul had been nursing a gin and tonic, not his first, trying to figure out why sometimes the lime stayed up and sometimes it went to the bottom, and trying equally hard to figure out why spending time around Niles, who was one of the nicest people he knew, always made him feel like an impostor, when the stranger (who had presumably had a name at that time) asked him what he thought.
Paul had swallowed a sip of the faintly blue liquid, then said: “I think the most beautiful place in the world is the Westminster Bridge at sunset.”
After the explosion of incredulous laughter, Niles, perhaps hoping to soften his friend’s embarrassment, had done his best to intimate that Paul was having a brilliant jape at the expense of them all. And it had been embarrassing, of course: Portia and the other young man clearly thought he was a fool. He might as well have worn a tattoo on his forehead that said “Provincial Lout.” But he had meant it, and instead of smiling mysteriously and keeping his mouth shut, he had done his best to explain why, which had of course made it worse.
Niles could have said the same thing and either made it a brilliant joke or defended it so cleverly that the others would have wound up weeping into their glasses of merlot and promising to Buy British, but Paul had never been good with words in that way—never when something was important to him. He had first stammered, then muddled what he was trying to say, and at last became so angry that he stood up, accidentally knocking over his drink, and fled the pub, leaving the others shocked and staring.
Niles still tweaked him about the incident from time to time, but his jokes were gentle, as though he sensed, although he could never really understand, how painful it had been for Paul.
But it had been true—he thought then, and still did, that it was the most beautiful thing he knew. When the sun was low, the buildings along the north bank of the Thames seemed fired with an inner light, and even those thrown up during the intermittent cycles of poor taste that characterized so much of London’s latter-day additions took on a glow of permanence. That was England, right there, everything it ever was, everything it ever could have been. The bridge, the Halls of Parliament, the just-visible abbey, even Cleopatra’s Needle and the droll Victorian lamps of the Embankment—all were as ridiculous as could be, as replete with empty puffery as human imagination could contrive to make them, but they were also the center of something Paul admired deeply but could never quite define. Even the famous tower that contained Big Ben, as cheapened by sentiment and jingoism as its image was, had a beauty that was at once ornate and yet breathtakingly stark.
But it was not the kind of thing you could describe after your third gin and tonic to people like Niles’ friends, who ran unrestrained through an adult world that had not yet slowed them down with responsibility, armed with the invincible irony of a public-school upbringing.
But if Niles had been where Paul had just been, had experienced what Paul had experienced, and could see the bridge now—the dear old thing, appearing out of the fog beyond all hope—then surely even Niles (son of an MP and now himself a rising star in the diplomatic service, the very definition of urbane) would get on his knees and kiss her stony abutments.
Fate turned out to be not quite as generous a granter-of-wishes as it might have been. The first disappointment—and as it turned out, the smallest—was that it was not, in fact, sunset. As Paul paddled on, almost obsessed with the idea of docking at the Embankment itself, instead of heading immediately to shore in some less auspicious place, the sun finally became visible, or at least its location became less general: it was in the east, and rising.
Morning, then. No matter. He would climb ashore at the Embankment as planned, surrounded no doubt by staring tourists, and walk to Charing Cross. There was no money in his pockets, so he would become a beggar, one of those people with a perfunctory tale of hardship that the begged-of barely acknowledged, preferring to tithe and escape as quickly as possible. When he had raised money for tube fare, he would head back to Canonbury. A shower at his flat, several hours of well-deserved sleep, and then he co
uld return to Westminster Bridge and watch the sunset properly, giving thanks that he had made his way back across the chaotic universe to sublime, sensible London.
The sun lifted a little higher. A wind came out of the east behind it, bearing a most unpleasant smell. Paul wrinkled his nose. For two thousand years this river had been the lifeblood of London, and people still treated it with the same ignorant unconcern as had their most primitive ancestors. He smelled sewage, industrial wastes—even some kind of food-processing outflow, to judge by the sour, meaty stench—but even the foulest odors could not touch his immense relief. There on the right was Cleopatra’s Needle, a black line in the fogs that still clung to the riverbank, backdropped by a bed of bright red flowers fluttering in the breeze. Gardeners had been hard at work on the Embankment, to judge by the yards and yards of brilliant scarlet. Paul was reassured. Perhaps there was some civic ceremony going on today, something in Trafalgar Square or at the Cenotaph—after all, he had no idea how long he’d been gone. Perhaps they had closed the area around Parliament, it did seem that the riverbank was very quiet.
Growing out of this idea, which even as it formed in his mind quickly began to take on a dark edge, was a secondary realization. Where was the river traffic? Even on Remembrance Sunday, or something equally important, there would be commercial boats on the river, wouldn’t there?
He looked ahead to the distant but growing shape of Westminster Bridge, unmistakable despite the shroud of mist, and an even more frightening thought suddenly came to him. Where was the Hunger-ford Bridge? If this was the Embankment coming up on the right, then the old railroad bridge should be right in front of him. He should be staring up at it right now.
He steered the rowboat toward the north bank, squinting. He could see the shape of one of the famous dolphin lampposts appear from the fog, and relief flooded through him: it was the Embankment, no question.
The next lamppost was bent in half, like a hairpin. All the rest were gone.
Twenty meters before him, the remains of this end of the Hunger-ford Bridge jutted from a shattered jumble of concrete. The girders had been twisted until they had stretched like licorice, then snapped. A ragged strip of railroad track protruded from the heights above, crimped like the foil from a candy wrapper.
As Paul stared, his mind a dark whirlpool in which no thought would remain stationary for more than an instant, the first large wave lifted the rowboat up, then set it down again. It was only as the second and third and fourth waves came, each greater than the one before, that Paul finally tore his eyes from the pathetic northern stub of the bridge and looked down the river. Something had just passed under Westminster Bridge, something as big as a building, but which nevertheless moved, and which was even now stretching back up to its full height, on a level with the upper stanchions of the bridge itself.
Paul could make no sense of the immense vision. It was like some absurd piece of modernist furniture, like a mobile version of the Lloyds Building. As it splashed closer, moving eastward along the Thames, he could see that it had three titanic legs which held up a vast complexity of struts and platforms. Above them curved a broad metal hood.
As he stared, dumbfounded, the thing stopped its progress for a moment and stood in the middle of the Thames like some horrible parody of a Seurat bather. With a hiss of hydraulics that Paul could hear clearly even at this distance, the mechanical thing lowered itself a little, almost crouching, then the great hood swiveled from side to side as though it were a head and the immense construct was looking for something. Steel cables which hung from the structures above the legs bunched and then dangled again, making whitecaps on the river’s surface. Moments later, the thing rose back to full height and began stilting up the river once more, hissing and whirring as it moved toward him. Its passage, each stride eating dozens of meters, was astoundingly swift: while Paul was still locked in a kind of paralysis, his joy turned to nightmare in mere seconds, the thing sloshed past him, going upstream. The waves of its passage bounced the little boat roughly, thumping it so hard against the riverwall that Paul had the breath smashed out of him, but the great mechanical thing paid no more attention to Paul and his craft as it passed than he himself would have given to a wood chip floating in a puddle.
Paul lay across the rowing bench, stunned. The mists were thinning as the day grew brighter. He could see Big Ben clearly for the first time, just beyond the bridge. He had thought its top was shrouded in fog, but it was gone. Only a scorched stump protruded above the shattered rooftops of Parliament.
The waves subsided. He clung to the railing and watched the metal monstrosity stalk away down the river. It stopped briefly to uproot some wreckage where the stanchions of Waterloo Bridge had once stood, pulling the great muddy mass of cement and iron from the depths with its steel tentacles, then dropped it again like a bored child and disappeared into the fog, heading toward Greenwich and the sea.
THERE were other mechanical monsters, as Paul learned in the days ahead, but he also learned he did not have to work much to avoid them. They did not bother with individual humans, any more than an exterminator who had finished his job would waste time crushing a lone ant on the walkway. But in the immediate hours afterward, he expected to be seized and smashed by one of the gigantic machines at any moment.
Certainly, they had already proved their capacity for destruction. London, or what he could see of it from the river, was a wasteland, the damage far worse than anything it had suffered since the days of Boudicca. The giant machines had smashed and burned whole blocks of streets, even leveled entire boroughs, in what seemed purely wanton destruction. And he knew that the worst was hidden from him. He could see a few bodies scattered in open spaces on the riverbanks, and many more bobbed past him on the river current in the days that followed, but when the wind suddenly turned toward him the smell of death became truly dreadful, and he knew that there must be thousands and thousands more corpses than he could see, trapped in underground stations that had become vast tombs or crushed in the rubble of fallen buildings.
Other incursions had been more subtle. What he had thought in the first hour were red flowers on the Victoria Embankment instead proved to be an alien vegetation. It was everywhere, waving scarlet stems filling up the verges and the traffic islands, swarming over deserted gardens, festooning the remaining bridges and lampposts; for miles at a stretch, the only things moving other than Paul and the river were fronds of the red weed swaying in the rotten wind.
But as shocking as it was to see London in its death throes, other and even stranger surprises awaited him.
Within hours of his encounter with the first metal giant, Paul began to understand that this was not his London, but the city as it might have been generations before his birth. The shop signs he could see from his boat were written in funny, curling script, and advertised services that seemed hopelessly quaint: “millinery,” “dry goods,” “hosiery.”
The few cars still recognizable as such were ridiculously old-fashioned, and even the human corpses putrefying in the street seemed oddly antique—most noticeably those of the women, who were dressed in shawls and ankle-length skirts. Some of these nameless dead even wore hats and gloves, as though death itself were an occasion that must be met in formal dress.
Hours passed after the shock of seeing the first invader before Paul realized what place he had actually found.
He had steered the boat to a deserted jetty across from Battersea in order to rest his aching arms. In another London—in his London—the famous power station that had dominated this part of the riverfront was long gone, and the municipal authorities were building cloud-piercing fibramic office towers on the spot, but in this London the station itself apparently would not be built for decades yet. But since some terrible conflict seemed to have slaughtered almost everyone, the power station would probably never be built. It was all so confusing!
The sun was dipping l
ow in the west, which softened the ragged skyline and made the destruction a tiny bit more tolerable, and for a long moment Paul just sat in as much personal stillness as he could muster, trying not to think about what lay all around him. He shut his eyes to further the process, but the feeling of imminent doom was so strong he could not keep them closed. At any moment, one of those grotesque, skyscraping machines might appear on the horizon, a tripod remorseless as a hunting beast, hood swiveling until it caught sight of him. . . .
Tripods. Paul stared at the brown water of the Thames swirling around the jetty, but he was no longer seeing it. Tripods, giant war machines, red weeds growing everywhere. There was a story like that, wasn’t there. . . ?
It came to him like a blast of cold air, not as the satisfying answer to a question, but as the unwelcome beginning of an even more frightening problem.
Oh, God. H. G. Wells, isn’t it? War of the Worlds, whatever that thing is called. . . .
It was one of those works he felt he knew quite well, even though he hadn’t actually read the book or seen any of the numerous adaptations (several versions of which, both interactive and straight, were available on the net.) But there was, he felt quite sure, no version like this. Because this was not a version. This was horribly real.
But how can I be somewhere that’s also a made-up story?
Even a moment’s contemplation of this made his head hurt. There were far too many possibilities, all of them utterly mad. Was it a make-believe place, based on a famous story, but constructed just for him? But that was impossible—he had already decided it was ridiculous to imagine someone building an entire Ice Age set, and how much more mind-numbingly expensive would this London be? And when he considered how many different places he had seen already . . . no. It was impossible. But what other answers were there? Could this be some real place, some London in another dimension that had been invaded by space aliens, and which Wells had somehow tapped into? Was that old author’s device, the alternate universe, really true?