Deranged

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by Jacob Stone




  The Experts Praise

  DERANGED

  by Jacob Stone

  “Deranged is a dark and different serial-killer novel that will haunt the reader long after the book is closed and back on the shelf. Author Jacob Stone transfixes us with dread—and something more. He has the rare capacity to startle. Read if you dare.”

  —John Lutz

  “Deranged is a fascinating and exciting blend of misdirection, topsy-turvy, and violence.”

  —Reed Farrel Coleman

  “Gutsy and written with such casual grace, as if the author were sitting across the bar from me, telling me the story. Deranged just might be one of the most compelling, thrilling, and truth be told, at times look-away-from-page-frightening serial-killer novels I’ve read in a long, long time.”

  —Vincent Zandri

  “Los Angeles has seldom seen such grisly fun. It’s James Ellroy meets Alfred Hitchcock in a bloody yet bizarrely humorous romp on the psychotic side of the street.”

  —Paul Levine

  Deranged

  A MORRIS BRICK THRILLER

  JACOB STONE

  KENSINGTON PUBLISHING CORP.

  www.kensingtonbooks.com

  All copyrighted material within is Attributor Protected.

  LYRICAL UNDERGROUND BOOKS are published by

  Kensington Publishing Corp.

  119 West 40th Street

  New York, NY 10018

  Copyright © 2017 Dave Zeltserman

  All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the publisher, excepting brief quotes used in reviews.

  To the extent that the image or images on the cover of this book depict a person or persons, such person or persons are merely models, and are not intended to portray any character or characters featured in the book.

  PUBLISHER’S NOTE

  This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  LYRICAL PRESS, LYRICAL UNDERGROUND, and the Lyrical Underground logo are Reg. U.S. Pat, & TM Office.

  First electronic edition: March 2017

  ISBN: 978-1-5161-0180-1

  First trade paperback edition: March 2017

  ISBN-13: 978-1-5161-0183-2

  ISBN-10: 1-5161-0183-9

  VD1_1

  Table of Contents

  The Experts Praise

  Title Page

  Copyright Page

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Chapter Twenty-five

  Chapter Twenty-six

  Chapter Twenty-seven

  Chapter Twenty-eight

  Chapter Twenty-nine

  Chapter Thirty

  Chapter Thirty-one

  Chapter Thirty-two

  Chapter Thirty-three

  Chapter Thirty-four

  Chapter Thirty-five

  Chapter Thirty-six

  Chapter Thirty-seven

  Chapter Thirty-eight

  Chapter Thirty-nine

  Chapter Forty

  Chapter Forty-one

  Chapter Forty-two

  Chapter Forty-three

  Chapter Forty-four

  Chapter Forty-five

  Chapter Forty-six

  Chapter Forty-seven

  Chapter Forty-eight

  Chapter Forty-nine

  Chapter Fifty

  Chapter Fifty-one

  Chapter Fifty-two

  Chapter Fifty-three

  Chapter Fifty-four

  Chapter Fifty-five

  Chapter Fifty-six

  Chapter Fifty-seven

  Chapter Fifty-eight

  Chapter Fifty-nine

  Chapter Sixty

  Chapter Sixty-one

  Chapter Sixty-two

  Chapter Sixty-three

  Chapter Sixty-four

  Postscript

  ACKNOWLEDGMENTS

  CRAZED Teaser

  Teaser Chapter One

  Teaser Chapter Two

  ABOUT THE AUTHOR

  Dedicated to Michaela Hamilton

  Chapter One

  As usual, Henry Pollard made sure that he was so gentle that he could’ve been cleaning dust off a dragonfly’s wing as he sponged the soap suds from his wife’s ruined body. He tried not to think about how much Sheila had physically deteriorated, but at times he’d let his guard down and his thoughts would absently drift to the subject, and it would stun him. The accident happened five years ago, back when his wife was only thirty-three. A robust woman brimming with strength and good health, and at five feet six inches and one hundred and forty-five pounds, she certainly wasn’t overweight, more buxom and full-figured. To Henry, she had been breathtakingly beautiful.

  The accident had left Sheila paralyzed on her right side, with her body twisted in an unnatural way. It had also left her with a weakened heart and a damaged liver. Four months ago, she had shriveled down to just seventy-four pounds, but it was better now that she was voluntarily eating again and he no longer had to force-feed her. When he last weighed her three days ago, she was back up to eighty-three pounds. It was still an unhealthy weight for her, but at least it was better.

  Once Henry finished rinsing the soap off of her, he wrapped a freshly laundered plush Egyptian cotton towel around her body and patted her dry. He grimaced as he studied her hair. It looked grimy to him. Felt so too. Before the accident her hair was a source of pride to both of them. Thick, long, and curly, and with a golden luster that so perfectly accentuated her round, apple-cheeked face. He had grown to hate washing her hair. Not because it forced him to accept how brittle and gray her once luxurious hair had become, but because every time he did so long strands of it fell out. Of course, she no longer had a round, apple-cheeked face either. Now her cheeks were sunken, the flesh badly desiccated.

  He decided washing her hair could be put off for another day or two, and instead wetted a comb and ran it through her hair, untangling several stubborn knots. Sheila’s left eye winced as he did this, but otherwise she sat stoically without uttering a sound. When Henry was done, he grimaced as he saw that the comb had pulled out many more long strands of his wife’s hair. He turned his back to her so he could block her view and keep her from seeing all the hair she’d lost. After he had the comb cleaned out, he lifted her from her seat in the bathtub and carried her to the bedroom so he could dress her. Henry might’ve looked squat and doughy, almost like a badly formed lump of clay, but he had immensely powerful hands and arms, and he could’ve easily lifted Sheila even if she had weighed three times what she did. After he had clothed her in a yellow summer dress that was the same color her hair had once been, he put her in her wheelchair and rolled her to the kitchen.

  “I’ve got a lot to do today, so I’m not cooking you up a breakfast,” he said. “A smoothie will have to suffice.”

  Even with the paralysis on her righ
t side, Sheila could talk, although with great difficulty, but she didn’t bother saying anything. Only stared at him with a woodenness that made her look like some sort of gnarled gnomelike carving. Henry could tell, given her mood, that she wasn’t going to be saying a word to him regardless, and so ignored whatever emotion lurked behind her glasslike eyes.

  He poured a glass of orange juice into the blender, then added a banana, half a container of yogurt, strawberries, a spoonful of honey, and a mix of vitamin and protein powder, and blended it all together. He took a swipe of it with his finger to make sure it tasted okay, then poured it into a plastic glass, stuck a straw in it, and placed it in a cup holder so Sheila could drink it. He then left his wife so he could gather what he was going to need for the day.

  The chisel and hammer were new. He’d bought those two months ago at a hardware store in San Marcos, outside of San Diego, and, given the dark sunglasses he wore and the fake beard and mustache he had disguised himself with, it was doubtful the clerk would be able to provide an accurate description of him, assuming she even remembered him. That in itself was doubtful since she’d been in her early twenties, and Henry was mostly invisible to women of that age. He put the tools in a backpack that he’d had forever, wrapping them in rags and placing them on a change of clothing that he packed earlier, then threw in a roll of duct tape that had been lying around the house and a nine-inch long piece of iron pipe that he’d found near a construction site. The only other things he needed were his iPhone and a pocket knife, both of which were in his pants pocket, and a stand that he needed for his iPhone. He couldn’t believe that he almost forgot the stand. That would’ve been disastrous. He found it in the guest bedroom closet and added it to the backpack, then left the backpack by the door leading to the garage. With all that done, he went back to the kitchen to check on his wife.

  Sheila had barely made a dent in her smoothie. It would be a while before she’d finish it. Henry checked his watch. He had about twenty minutes before he had to leave, and grabbed an apple and settled down at the kitchen table. He took out his iPhone so he could look over his notes and the photos he had taken. In his mind, he played out what was going to be happening, and got so absorbed in his thoughts that he forgot about Sheila until she made a slurping noise indicating that she had finished her smoothie. Henry put his iPhone back in his pocket and wetted a paper towel so he could clean the remnants of the drink off her lips and chin.

  “It’s going to be a long time before I’m back,” he said. “Probably not until nighttime. Should I put you back to bed or sit you in front of the TV?”

  As he expected, she didn’t answer him. Henry rolled her into the living room and placed her in front of the TV. He didn’t bother asking her what she’d like to watch, and instead put on the History channel. Let her learn something.

  Henry felt a tinge of guilt over how long he was going to be leaving her alone, but what else could he do? He certainly didn’t want to arrange for an attendant. Better for the world to think that he had spent the day with her. Still, he was going to be worrying about her until he returned.

  A stony resolve hardened Henry’s face. Without giving Sheila as much as another glance, he grabbed his backpack and hurried into the garage. It was going to be a long day all right. After five long years, the Skull Cracker Killer was going to be making a reappearance. With a vengeance.

  Chapter Two

  The killer chastised the two bodyguards for letting him inside the house.

  “Just ’cause I’m dressed like a cop, you shouldn’t let me walk in here without first checking my identification,” the killer said. “Come on, fellas. We’ve got the Carver saying Lawrence Tungsten’s going to be his next victim, and that maniac’s already killed all eight other people he’s promised to kill. You guys have got to be more on the ball here.”

  One of the bodyguards—a chunky man in his fifties with a shaved head—stood frowning with his arms crossed over his chest. The bodyguard closest to the killer—a kid in his twenties with a mullet—rolled his eyes and muttered, “Okay, okay.”

  “Well?”

  The mulleted bodyguard took a deep breath, not bothering to hide his annoyance. “Let’s see your identification,” he said.

  The killer smiled. He removed his fake police ID from his wallet and handed it over. Mullet gave it a cursory look before offering it back.

  “That’s it?” the killer asked incredulously. “You’re not even going to call my precinct to make sure I’ve got a legitimate reason for being here? Or even to verify that I’m actually a cop? Damn it, fellas, this Carver is a depraved and relentless killer. You think it’s beyond him to get a fake police ID? Or a fake patrolman’s uniform? If you two jokers are planning to keep Tungsten alive, you better do better.”

  Shaved Head gritted his teeth. Mullet’s cheeks turned bright red. He asked, “Okay, what’s your precinct’s phone number? I’ll call them.”

  The killer made a face. “Forget it,” he said. “If I was the Carver, you two would already be dead now, or at least as good as dead. Just hand me back my ID.”

  The bodyguard cursed softly under his breath and proceeded to hand the killer back the ID when the killer surprised him by grabbing his wrist and jerking his body forward. Mullet yelped out in surprise, and his partner tensed, but didn’t reach for his gun.

  The killer said, “If I was the Carver I could’ve planted a knife in your heart before you realized what was happening.” He nodded to the other one, “And you, great reflexes standing there like a dummy.” Then to both of them, “Come on fellas, are you two begging to get yourselves and Tungsten killed?”

  “Try that again!”

  The killer made a face. “Forget it. You two are hopeless. Where’s Tungsten now?”

  Mullet muttered sullenly, “Upstairs in his study.”

  “And you two just left him alone up there? Really? Did you at least check that all the windows were locked and the curtains drawn?”

  “Will you get off my back already!”

  The killer shook his head, not bothering to hide his disgust, which appeared genuine and not manufactured. “Unbelievable. I’ll tell you what. I’ll go upstairs and check on him myself.”

  The killer took a step toward the staircase before stopping to stare with amazement at both bodyguards. “Really? You’re going to let me go up there by myself? Are you two that incompetent? If you had any training, one of you would stand guard down here, the other would accompany me and make sure I’m not planning any funny business.”

  Mullet was seething while Shaved Head had tuned the killer out. Too chastened and angry to speak, Mullet started to lead the way upstairs, and the killer snorted out derisively, “They didn’t teach you at your clown school not to turn your back on a possible suspect? Even if I were really a cop, I could still be the Carver.”

  Mullet froze for a second as he made sense of what the killer had just said, but before he could otherwise react, the killer had taken out a very sharp-looking hunting knife and ran the blade across the bodyguard’s exposed throat. Blood spurted out as if the jugular had been sliced open. Before anything else could happen, Morris Brick, who’d been sitting off to the side with the director, let out a groan. He couldn’t help himself. The director yelled, “Cut!”

  The actors who played the killer and the second bodyguard stopped then to look at the director. The actor who played the bodyguard with the mullet and sliced throat had moments earlier crumpled to the floor. He got to his feet and gave the director a questioning look.

  “Jerry,” the actor with the mullet said, “I thought it went well?”

  “You guys nailed it. Seriously, great stuff from all of you. And Aiden, wow, the way you made your cheeks blush red like that on cue, amazing. But I need to consult with Morris, so everyone, let’s take a half hour.”

  The actors and crew dispersed, leaving Morris and the director named Jerry alone. Jerry said, “So talk to me, Morris. You groaned. What was that about?”


  Morris showed a placid smile, and spread his hands out in front of him in an apologetic gesture. He said diplomatically, “This scene wasn’t in the script you sent. Some of the exchanges between the Carver and those bodyguards caught me by surprise.”

  The truth was Morris found the scene, as well as much of the movie, utterly ridiculous. Before starting his fledging Morris Brick Investigations (MBI) ten months earlier, Morris had been a Los Angeles homicide detective for fourteen years, and was the lead investigator for three high-profile serial-killer cases, all of which he solved, and which earned him a celebrity status both in town and nationally. This was his second Hollywood consulting job, and both were good money, and his hope was that they’d provide exposure for the firm. The first movie wasn’t that bad, at least if you squinted enough, but this one so far was showing almost no resemblance to reality, even though the producers who hired Morris claimed they wanted authenticity. What they really wanted was Morris Brick’s name attached to the property.

  This movie, The Carver, was based on the Heath Dodd killings that took place in Miami. Even though the consulting contract only required Morris to provide feedback on the script, spend two days on the set, and allow his name to be used in promoting the film, the first thing he’d done when he took the assignment was to spend a week researching the killings. After that, Morris flew to Miami so he could meet with the lead investigator and prosecutor, and later was able to arrange an interview with Dodd in prison—the only interview that Dodd had so far been willing to give. While Dodd was clever and superficially charismatic, he certainly wasn’t glib. And while it was true that Dodd would announce to a Miami Herald reporter the names of his next victims, he would pick common names shared by dozens of people in the greater Miami area. Sometimes Dodd would only use a first initial. None of his victims were wealthy enough to hire private bodyguards, and the police were spread too thin to provide protection to all of the potential victims.

 

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