A Chapter of Verses

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A Chapter of Verses Page 5

by Richard George

said to my beer.

  My beer said nothing

  as I drained my glass.

  Kokopelli

  I hear his flute on the canyon winds.

  Kokopelli is coming to town.

  The young men practice the festival dances.

  The old men count the hides and corn

  they’ve kept to trade for turquoise and coral.

  Old women smile and hum with the flute,

  remembering Kokopelli’s songs,

  remembering Kokopelli’s arms.

  Down at the river the pueblo’s girls

  are washing their hair with yucca root,

  whispering of Kokopelli’s songs,

  whispering of Kokopelli’s arms.

  Kokopelli is coming to town.

  I hear his flute on the canyon winds.

  Park Encounter

  I watched you pass my bench,

  smiling sidelong at me,

  many times before

  you stopped to talk with me.

  The wind tousled your hair

  and pressed your shirt against

  your muscular pecs and abs.

  My pulse swelled in my throat

  so I mumbled my reply.

  You looked up at jets

  writing vapor answers on the sky.

  and nodded as though you’d decided

  something. You smiled, excused

  yourself, and walked away.

  I’ve waited on my bench

  every day since then,

  but you haven’t walked this way.

  Reunion

  Lamplight splotched

  the polished wood,

  littering the table

  with yellow lights

  like lemon peels.

  Our coffee cooled

  in our willow-ware cups

  while we tried to remember

  why we once were friends.

  The furnace noises

  accentuated our silences.

  After an awkward time,

  he went into the snow.

  I turned out the lamp

  and was glad he had gone.

  John Day Country

  There the spirit may sing its making,

  and the pilgrim wander the wind-kissed ridges

  to commune with hawks in the high desert.

  There I would go to get heart’s ease.

  I would shelter with cougars in the shadowy pines.

  I would sing with coyotes in a star-scarred sky.

  I would chant with the rapids roiling through the canyons.

  I would den with the bear and dance with the deer.

  I would run with the rabbits through the sage and the sand

  I would untwist the tangle of my terrors

  and walk a free man on the wind’s highways.

  There I would live, lonely and clean,

  where the air’s so thin the eagle falters.

  There I would sing my spirit song

  The Hustler

  A boy-man leans against the brick,

  one knee bent, one hand on a hip,

  offering youth for coin of the realm.

  His eyes are green as ocean swells

  I yearn to plumb their mysteries.

  He searches my face to see what I want.

  I shake my head. I will not pay

  for grappled sex in a bathroom tiled

  with puddled semen and weary lust.

  He shrugs. His eyes glaze with boredom.

  He turns to search the passing crowd.

  I leave him there. I will not watch

  some casual trick buy time with those eyes

  not caring what self may swim in their deeps.

  The Tulip Bearers

  Two men bearing potted tulips

  in the mall processed with uplifted hands,

  solemn as priests presenting the Host.

  The younger, who led, looked back to see

  if his older companion followed safely.

  The old man’s gaze was all on his pot.

  He looked neither up ahead,

  nor at his feet. He walked down stairs

  and did not stumble. “Do they visit

  the sick?” I wondered. “Look around,”

  you said. “Potted tulips fill

  the flower boxes. I think they’re thieves.”

  “Walking so slow and carefully?”

  “They’re too old to run away.”

  For Don Wells

  The crocus will bloom where the snow is melting.

  The bud shows color under its green.

  If Don were near, I’d invite him over

  to greet the crocus when it comes,

  but he has gone adventuring.

  He left his house; the door’s ajar.

  The stove is cold, the table’s empty.

  A winter’s dust sits in Don’s chair.

  Autumn leaves sleep on his bed.

  He has other rooms to keep.

  He’s taking tea and cookies with the saints

  and telling jokes to the solemn angels.

  Tomorrow he’ll fly kites with the Christ.

  The crocus must make do with me.

  The Clockwork Nightingale

  I made a clockwork nightingale.

  I cut the gears and shafts from brass.

  The springs I bought at my hardware store.

  I made the body and wings from copper,

  and etched the feathers in the metal.

  The beak and tail were stainless steel.

  I enameled eyes so the bird could see.

  I wound it up with a silver key.

  I taught it madrigals and sent it

  from door to door to sing for my supper.

  A Nashville crow lured it away

  with promises of country music stardom.

  I have not heard it sing on the radio,

  nor seen its discs in music stores.

  I sometimes wonder, late in the night,

  if it sings on Nashville’s meaner streets,

  or lies scrapped in a dump in Tennessee.

  Dictionary Flowers

  My grandmother

  kept her family history

  in a dictionary,

  because Webster’s stirred less controversy

  than her mother’s Protestant Bible

  in her stepfather’s Catholic household.

  She pressed flowers between its pages,

  mementoes she kept of her wedding,

  and my father’s christening,

  and maybe her mother’s funeral.

  She never said which blossom

  marked which event,

  perhaps because she couldn’t remember.

  I don’t touch them.

  They might crumble.

  Even the dictionary’s pages

  are brittle and likely to shatter.

  I breathe gently when I look at them.

  I don’t want to sneeze

  and scatter her memories

  and the old definitions

  among the dust mites

  in this room she never saw.

  Early Muse

  One spring some forty years ago

  I fell in love with her for a month.

  I called her “Lady of the Lilacs.”

  because she dressed in grays and lavenders

  and gave me metaphors and rhymes.

  She called herself “Child of Rain.”

  and planned to die when she reached thirty.

  I meant to live to be very old,

  and promised to mourn her early dying.

  We quarreled over some small thing.

  I left her weeping in an April rain.

  A class reunion letter tells me

  she’s married twice, has three children.

  No mention of intention to die soon.

  Fred

  Tangerines in a blue glass bowl

  flamed in the winter sunbeam

  dividing the dust in the room

&
nbsp; that day after the funeral.

  She put a kettle of water to heat,

  finding endurance in familiar tea.

  She set out cups, and put away

  her funeral gloves and black-veiled hat.

  I murmured things to comfort her.

  She understood my awkward words

  the way I meant them. The sun went towards

  the west. She brought the tea. The fire

  left the tangerines and the sun.

  The tangerines blended their smell

  with the tea steam. We traded small smiles,

  drank tea, and shared our thoughts of him.

  Alone

  I stopped to watch him wait for the bus.

  He stood where turquoise lamplight fell

  in streaks through leafless trees. The shadows

  hid me from him. He did not know

  I watched him strike a match to warm

  his hands. I moved; my footsteps squeaked

  on the snowy walk. He watched me come,

  from the corner of his wary eyes.

  Before I could speak, or catch his glance,

  the bus pulled up and rescued him.

  I walked on home through empty streets.

  Grownups Talked

  Grownups talked in the summer twilight.

  They talked of ancestors they’d known

  who plowed Kansas and mined Wyoming.

  One told how timbers splintered in a mine,

  mangling a father and the company mule.

  Another’s carpenter cousin fell

  from a roof and broke his back. One’s brother

  died in France, spared the war

  by influenza and poisoned blood.

  An uncle, three years old, tumbled

  from a car, cracked his breastbone, and died.

  At nightfall, they turned on parlor lights,

  bid me kneel to say my prayers,

  and sent me to bed in a darkened room.

  Mrs. Palmer

  She was a neighbor we visited.

  Her house was redolent

  with liniment and coal smoke.

  Even the spring breezes,

  could not pass the screen

  against the smoke and liniment.

  When she came to our house,

  her liniment and smoke came with her

  and lingered after she left.

  Time and age had raddled her,

  marking grooves in her cheeks

  and whiskering her chin.

  She might have modeled the witch

  for a book of Halloween stories,

  except her eyes were kind and smiling.

  Once she gave me seeds

  for Hubbard squash.

  I scratched a hole in a cinder heap

  with a bent-handled spoon to plant them.

  Against all expectation, they grew

  a squash for Thanksgiving

  and made a lifelong gardener of me.

  Long after, she died in an old folks’ home,

  a refugee from a brutal son

  who drank her pension and beat her.

  Her obituary revealed she’d been

  a scandalous beauty, with a bastard son

  whose father denied begetting him.

  The old women of my house murmured

  “God knows she suffered a bitter atonement.”

  They never spoke of her again.

  Flute Man

  He was playing his flute

  on a bench in the Zocolo.

  He was not of us, an intruder.

  He was a stranger.

  I knew it at once.

  I am of the village.

  I know everyone by sight.

  We call our town square the Zocolo,

  though it has no plinth,

  only weeping

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