‘I’ve got two more books to do after this one,’ he said, pecking away. ‘Take a load off.’
I poured a drink since he hadn’t offered me one, and sat down on the floor near the fire. Books were scattered all over the place, where he had presumably flung them after looking them over.
The fire and the bourbon gradually restored my equanimity, and I felt a faint stir of affectionate amusement as I watched poor, unsubtle Tony pecking away at his antique typewriter. He typed with four fingers – two on each hand – and the effort made his tongue stick out between his teeth. His hair was standing on end, there was a black smudge across one cheek, and beads of perspiration bedewed his upper lip. He looked about eighteen, and damned attractive; if I had had the slightest maternal instinct, I’d have gone all soft and marsh-mallowy inside. I seem, however, to be totally lacking in maternal instincts. It’s one of the reasons why I fight marriage. I watched Tony sweat with the kindliest feelings, and with certain hormonal stirrings, but I didn’t have the slightest urge to rush over and offer to do his typing for him. I type sixty words a minute. Tony knows that.
‘We’re supposed to be there in half an hour,’ I said.
‘If you’ll keep quiet, we’ll make it easily.’
‘You plan to read two books and type out a review of each in twenty-five minutes?’
‘Read?’ Tony stopped typing long enough to give me a look of honest indignation. ‘Nobody reads these things. Don’t be silly.’
He started typing again.
I picked up the nearest book and glanced at it.
‘I see what you mean,’ I admitted.
All the books were inches thick; I don’t know why scholars judge accomplishment by weight instead of content. This one was the heaviest of the lot, and its title, in German, was also ponderous.
‘The Peasants’ Revolt: A Discussion of the Events of 1525 in Franconia, and the Effects of the Reformation,’ I translated. ‘Is it any good?’
‘How would I know? I haven’t seen that one yet.’
Tony went on typing. Casually I began leafing through the book. Scholarly prose is generally poor, and scholarly German prose is worse. But the author had gotten hold of some new material – contemporary letters and diaries. Also, the subject interested me.
In recent years, students have done a lot of complaining about ‘relevance.’ No one can quarrel with the basic idea: that education should have something to do with real life and its problems. The trouble comes when you try to define the word. What is relevant? Not history, according to the more radical critics. Who cares what happened in ancient Babylon or medieval England? It’s now that counts.
They couldn’t be more wrong. Everything has happened before – not once, but over and over again. We may not be able to solve our problems through what are pompously called ‘the lessons of history,’ but at least we should be able to recognize the issues and perhaps avoid some of the solutions that have failed in the past. And we can take heart in our own dilemma by realizing that other people in other times have survived worse.
Social upheaval and revolution are old issues, as old as society itself. The Peasants’ Revolt, in the southern and western provinces of Germany, is not one of the better-known revolutions, but it has some interesting parallels with our own times. The peasants are always revolting, says the old joke. It’s a sick old joke. The peasants had plenty to revolt about. There had been many rebellions, by groups driven to desperation by conditions that make modern slums look like Shangri-La, but in the sixteenth century social discontent and misery found a focus. The focus was a real rebel – a renegade monk who called the Pope bad names and loudly proclaimed the abuses of the Establishment. He even married an ex-nun, whom his bad example had seduced from her vows. His name was Martin Luther
Although his teachings gave the malcontents a mystique, Luther was against violence. ‘No insurrection is ever right, whatever the cause.’ And, in the crude style which was typical of the man at times, ‘A rebel is not worth answering with arguments, for he does not accept them. The answer for such mouths is a fist that brings blood to the nose.’
The autocratic princes of the rebellious provinces agreed with both comments. Many of them approved of Luther’s attacks on the Church, since that institution restrained their local powers, but they definitely did not like complaints from their ungrateful subjects. They applied the fist to the nose. The Peasants’ Revolt was savagely suppressed by the nobles and the high clergy, many of whom were temporal princes as well as bishops of the church.
Today the province of Franconia is one of the loveliest parts of Germany. Beautiful old towns preserve their medieval walls, their Renaissance houses and Gothic churches. It’s hard to imagine these quaint old streets as scenes of violence, and yet this region was the centre of the rebellion; blood literally flowed like water down the paved gutters. The city of Würzburg, with its lordly fortress looming over the town, was the seat of a prince-bishop whose subjects rose up and besieged him in his own castle. Another centre of revolt was Rothenburg, now the most famous of the medieval cities of Germany.
I visited Rothenburg on a summer tour one year and promptly fell in love with it. Among its numerous attractions is a castle – Schloss Drachenstein, the home of the Counts von und zu Drachenstein. Although I admit to a sneaking weakness for such outmoded relics of romanticism, I was not collecting castles that summer. It was one of those coincidences, which Tony and other romantics like to think of as Fate, that Tony had spent a summer doing the same thing I did. We were both in search of Tilman Riemenschneider.
A sculptor and woodcarver, Riemenschneider was probably Germany’s greatest master of the late Gothic. The tomb sculptures and altarpieces he created are concentrated in the area around his home town of Würzburg, where for many years he served as a councillor. At the time of the Peasants’ Revolt he was an elderly man, prosperous and honoured – a good, respectable member of the Establishment. It wouldn’t have been surprising if he had supported the Church which had commissioned many of his works, and shaken his greying locks over the depravity of the rebels. Instead, he joined his fellow councillors in support of the peasants’ cause. When the rebellion was suppressed, he ended up in the bishop’s dungeon; and although he came out of it alive and lived for six more years, he never again worked with his hands. The altar at Maidbronn, finished in 1525, was his last work.
Yet there were tantalizing references to another work by Riemenschneider, which had vanished during the turmoil of the revolt. A reliquary, or shrine, it incorporated three great jewels that had been ‘liberated’ from the Saracens by a Count of Drachenstein. According to an old chronicle, the shrine had been commissioned by a descendant of this nobleman in the early fifteen hundreds.
Art historians derided this tradition. No trace of the reliquary had ever been found, and there was no mention of it except in the monkish chronicle – a species of literature which is not noted for factual accuracy. I never gave the story a second thought – until that winter afternoon when I found myself translating the letter of a Count of Drachenstein, written at a time when Riemenschneider was a prisoner in the dungeons of the Bishop of Würzburg.
I must tell you, my beloved wife, that the old man remains obdurate. I saw him today, in the prison of the Katzenwickers, where he has lain since the fourth day of July, daily subjected to the question. It would be thought that the fear of outraged God, whom he has so greatly offended, would soften his guilty heart. Yet he refuses to tell me where he has hidden it. This, though it was commissioned by my late noble father, whom God hold in his keeping. It is true that my father promised him payment, as well as the return of the bond he gave for the gems, but there can be no payment now, since the wretch is traitor and rebel. I return to the prison tomorrow, with better hopes. The Lord God will support the right, as He supported me in the battle.
I sat there with the fire warm on my back, holding the book with fingers that had gone a little numb. The room faded from my sight, a
nd the uneven patter of Tony’s typewriter went unheard. I was seeing another century and hearing other voices.
The old man.
Riemenschneider was born in 1455. He would be seventy years old in 1525. He had been imprisoned, and tortured – ‘put to the question,’ as the pretty euphemism of the day had it.
I glanced at Tony, who was still hunched over his typing. Without looking up he threw down the book he had finished, and groped for another. I slid the remaining volume into his hand. He muttered an absent word of thanks and went on working; and I returned to The Peasants’ Revolt.
There were two more letters from Count Burckhardt of Drachenstein. He had been one of the knights called up by the Bishop of Würzburg when that worthy’s subjects got out of hand. Not all the knights fought against the peasants. Götz von Berlichingen, the romantic robber knight known as Götz of the Iron Hand, had led a group of rebels from Odenwald. True, he maintained later that he had been forced into this action, and an imperial court acquitted him of treason. One is justified in being cynical about both the avowal and the acquittal.
For Burckhardt von und zu Drachenstein, radical chic had no appeal. He marched out to defend the status quo and the Church. His description of the siege, where he had wielded his battle-axe with bloody effect, made me wince, not so much because of the descriptions of lopped-off heads and split carcasses as because of the tone in which they were couched. He counted bodies the way kids count the stamps in their collections.
The clincher came in the third letter.
Today, my beloved wife, the old man finally broke under the question. I have the thing itself now in my hands, I will make plans to send it home, but this will not be easy, since the countryside is still unsafe. The old man cursed me as I left. I care nothing for that. God will protect his true knight.
The glittering vision that had taken shape in my imagination faded, to be replaced by another picture, equally vivid and far less appealing. My imagination is excellent, and it had plenty of information to work with; in my naïve youth I had visited several torture museums, before it occurred to me that my subsequent nightmares might have some connection with the grisly exhibits. You don’t forget things like that – ugly things like thumbscrews and the rack, the iron boot that crushed flesh and bone, the black metal shape of the Maiden, with her sickly archaic smile. I could see the old man in my mind’s eye too. There is a self-portrait of Riemenschneider on the altar-piece he did for the church at Creglingen. His face is jowly and a little plump in that carving. It wouldn’t have been plump after a few weeks in the bishop’s prison. It would have been emaciated and smeared with filth, like his ageing body – marred by festering rat-bites and the marks of pincer, awl, and fire. Oh, yes, I could see the whole thing only too clearly, and I could see Burckhardt standing by, cheering the torturers on. One of the great creative artists of his century, gloated over by a lout whose skull was as thick as his armour – who couldn’t even write his own name.
I worked myself into such a state of rage and horror that I made a fatal mistake. I didn’t feel Tony’s breath on the back of my neck until he let it out in a windy gasp.
Clutching the book to my bosom, I turned my head. My forehead hit Tony on the nose. A blow on that appendage hurts; it maddens the victim. Holding his nose with one hand, Tony grabbed with the other. Instinctively I resisted. An undignified struggle ensued. I gave up the book, finally, rather than see it damaged. Tony was mad enough to tear the pages apart.
He was panting when he sat back, clutching his prize and eyeing me warily.
‘Don’t worry,’ I said coldly. ‘You’re safe from me.’
‘Thanks. You female Benedict Arnold, were you going to keep this a secret?’
‘Keep what a secret?’
‘Don’t be cute, it doesn’t suit you. I was reading over your shoulder for some time, Vicky. And I know my Riemenschneider as well as you do.’
I maintained a haughty silence while he read the letters again. When he looked up from the book, his eyes were shining.
‘Hey,’ he said, grinning like a boy idiot. ‘Hey. Do you realize – ’
‘I realize that we are late. That we are going to be even later. If you want to offend Mr Myers – ’
‘All right,’ Tony said. ‘All right!’
He got to his feet – always a fascinating process to watch, because of the length of his arms and legs – and glowered down at me.
‘All right,’ he repeated monotonously. ‘If that’s how you’re going to be, then that’s how – uh – you’re going to be. Let’s go.’
He was still carrying the book when he stormed out of the door.
I turned off the lights and made sure the door was locked. I put on my coat. I had seen Tony’s overcoat slung over a chair, and I left it there. They say righteous indignation is very warming, and I am nobody’s keeper. By the time I got downstairs, I decided I’d better calm Tony. He is the world’s most maniacal driver even when he’s in a good mood, and the combination of icy streets and Tony’s rage could be fatal – to me.
He was in the car, waiting, when I reached the street. That was a relief; I half expected him to drive off and leave me. As I got in I said meekly.
‘Okay, Tony, I apologize. Of course I wasn’t going to hold out on you. You startled me, that’s all.’
‘Oh, sure,’ said Tony. But he was mollified; we started off with only a little skid, turning halfway around. Tony straightened the car out and we proceeded at a moderate fifty.
‘I know you’re thinking what I’m thinking,’ I went on. ‘But I also think we’re both going off half-cocked. It’s pretty vague, isn’t it?’
‘Oh, sure,’ said Tony.
He’s about as sly as Christopher Robin. His tone and his prompt acquiescence told me all I needed to know about where Tony was going to spend the summer.
I took advantage of his silence to make a few plans of my own. The evidence was far from conclusive. Burckhardt had not been specific about details, which was not surprising; I didn’t suppose for a moment that he had penned the letter with his own mailed fist. He was probably semiliterate, like many of his noble contemporaries. No, the letter had been dictated to a secretary or public letter writer, and Burckhardt would naturally avoid names. But the given details fit the case. How many objects of value could there be, belonging to a Count of Drachenstein, that had been ‘commissioned’ from an old man of Würzburg? The letter even mentioned a bond, or surety, given by the old man for jewels such as the legend described.
I winced as Tony narrowly avoided a scuttling pedestrian, and went on thinking. The author of the book had not been concerned with art history or offbeat legends. He had only quoted Burckhardt because, in other parts of the letters, the count had described the fighting. Unless someone knew the legend, he wouldn’t notice the vital details, thanks to Burckhardt’s caution. But I was reasonably certain that the letters did indeed refer to Riemerschneider’s lost masterpiece. Burckhardt mentioned sending ‘it’ home. Even with a strong guard, the trip would be hazardous. It was quite possible that the caravan had been ambushed and the shrine seized and broken up for the sake of the jewels set in its carving. It was also possible . . .
I hadn’t made any plans for the summer. If Riemenschneider’s shrine still existed, anywhere on the face of the earth, there was one obvious place in which to look for it. And there was nothing to prevent me from looking.
I had reached that point in my meditations when we skidded into a gatepost, bounced off, and continued along a dark, tree-lined drive. We had arrived, only half an hour late.
I was prepared to dislike Jacob Myers on sight, the way we always hate people who have more money than we do. He was bald and fat. His stomach hung out over his cummerbund. He came up to my chin. He had the mouth of a shark and the eyes of a poet. I felt an immediate rapport – with the shark, as well as the poet.
Myers’ house was something of a surprise. I knew his reputation as an art patron and collector, but th
at didn’t mean he had good taste; rich people can afford to buy taste. In size and sheer opulence the house was what I had expected, but the overall impression was unorthodox. The most unexpected objects were juxtaposed and somehow they looked right together. They had only one thing in common. They were all beautiful, from the faded Persian rug on the dining-room floor to the little glazed blue pot on the table. I recognized the pot by its glaze; one of the girls in the college makes them as a hobby, and they sell, in local specialty shops, for about six bucks.
Jake – he told me to call him that – answered the door himself. There was a butler. Jake called him Al, and so did Tony. He looked like a heavyweight boxer and addressed me in tones reminiscent of Sir Laurence Olivier. I was staggering slightly as Jake led us into the living room, bawling out orders for cocktails as we went.
It would take a couple of chapters to describe that living room, so I won’t try. There were more Persian rugs – I hated to walk on them – and pictures that could have hung in the Uffizi. There was also a man. He rose from a chair by the hearth as we entered. I had plenty of time to study him as we marched from the door to the fireplace; the room was about sixty feet long.
He was a big man. The breadth of his shoulders and chest made Tony look like an adolescent. He had crisp auburn hair, cut shorter than is fashionable, and his features were more notable for strength than harmony. He radiated animal vitality, plus that indescribable air of – how do I describe it? Competence is the word that comes to mind. He looked like a man who could do anything, and do it well. But maybe I was reading things into his face. I knew him, even before Jake introduced us. He told me to call him George. Everybody was very matey that night – everybody but Tony. He hadn’t expected this guest, and didn’t bother concealing his lack of enthusiasm.
‘Hi, Nolan,’ he said. ‘Climbed any more mountains lately?’
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