by Stephen King
He didn’t know.
What’s wrong with you? Too long out of work? Getting squirrely? Is that what’s buggin you, booby?
No. The silver thing on the roof of the van. That’s what’s buggin me, booby.
Oh? Really?
Well, maybe not really… but it would do for a start. Or an excuse. In the end a hunch was a hunch, and either you believed in your hunches and played them or you didn’t. He himself had always believed, and apparently a minor matter like getting fired hadn’t changed the power they held over him.
David Carver set his daughter down on her feet and took his blatting son from his wife. Til pull you in the wagon,” he told the boy. “All the way up to the house. How’s that?”
“Margrit the Maggot loves Ethan Hawke,” his son confided.
“Does she? Well, maybe so, but you shouldn’t call her that,” David said. He spoke in the absent tones of a man who will forgive his child-one of his children, anyway-just about anything. And his wife was looking at the kid with the eyes of one who regards a saint, or a boy prophet. Only Collie Entragian saw the look of dull hurt in the girl’s eyes as her revered brother was plumped down into the wagon. Collie had other things to think of, lots of them, but that look was just too big and too sad to miss. Yow.
He looked from Ellie Carver to the girl with the crazed hair and the aging hippie-type from the rental truck. “Do you suppose I could at least get you two to step inside until the police come?” he asked.
“Hey,” the girl said, “sure.” She was looking at him warily. “You’re a cop, right?”
The Carvers were drawing away, Ralph sitting cross-legged in his wagon, but they might still be close enough to overhear anything he said… and besides, what was he going to do? Lie? You start down that road, he told himself, and maybe you can wind up on Freak Street, an ex-cop with a collection of badges in your basement, like Elvis, and a couple of extras pinned inside your wallet for good measure. Call yourself a private detective, although you never quite get around to applying for the license. Ten or fifteen years from now you’ll still be talking the talk and at least trying to walk the walk, like a woman in her thirties who wears miniskirts and goes braless in an effort to convince people (most of whom don’t give a shit anyway) that her cheerleading days aren’t behind her.
“Used to be,” he said. The clerk nodded. The guy with the long hair was looking at him curiously but not disrespectfully. “You did a good job with the kids,” he added, looking at her but speaking to both of them.
Cynthia considered this, then shook her head. “It was the dog,” she said, and began walking toward the store. Collie and the aging hippie followed her. “The guy in the van-the one with the shotgun-he meant to throw some fire at the kids.” She turned to the longhair. “Did you see that? Do you agree?”
He nodded. “There wasn’t a thing either of us could do to stop him, either.” He spoke in an accent too twangy to be deep Southern. Texas, Collie thought. Texas or Oklahoma. “Then the dog distracted him-isn’t that what happened?-and he shot it, instead.”
“That’s it,” Cynthia said. “If it hadn’t distracted the guy… well… I think we’d be as dead as him now.” She lifted her chin in the direction of Cary Ripton, still dead and dampening on Collie’s lawn. Then she led them into the E-Z Stop.
From Movies on TV, edited by Steven H. Scheuer, Bantam Books:
Chapter Three
POPLAR STREET/3:58 P.M./JULY 15, 1996
1
Moments after Collie, Cynthia, and the longhair from the Ryder truck go inside the store, a van pulls up on the southwestern corner of Poplar and Hyacinth, across from the E-Z Stop. It’s a flaked metallic blue with dark polarized windows. There’s no chrome gadget on its roof, but its sides are flared and scooped in a futuristic way that makes it look more like a scout-vehicle in a science-fiction movie than a van. The tires are entirely treadless, as smooth and blank as the surface of a freshly washed blackboard. Deep within the darkness behind the tinted windows, dim colored lights flash rhythmically, like telltales on a control panel.
Thunder rumbles, closer and sharper now. The summer brightness begins to fade from the sky; clouds, purple-black and threatening, are piling in from the west. They reach for the July sun and put it out. The temperature begins to sink at once.
The blue van hums quietly. Up the block, at the top of the hill, another van-this one the bright yellow of a fake banana-pulls up at the southeast corner of Bear Street and Poplar. It stops there, also humming quietly.
The first really sharp crack of thunder comes, and a bright shutter-flash of lightning follows. It shines in Hannibal’s glazing right eye for a moment, making it glow like a spirit-lamp.
2
Gary Soderson was still standing in the street when his wife joined him. “What the hell are you doing?” she asked. “You look like you’re in a trance, or something.”
“You didn’t hear it?”
“Hear what?” she asked irritably. “I was in the shower, what'm I gonna hear in there?” Gary had been married to the lady for nine years and knew that, in Marielle, irritation was a dominant trait. “The Reed kids with their Frisbee, I heard them. Their damn dog barking. Thunder. What else'm I gonna hear? The Norman Dickersnackle Choir?”
He pointed down the street, first toward the dog (she wouldn’t have Hannibal to complain about anymore, at least), then toward the twisted shape on the lawn of 240. “I don’t know for sure, but I think someone just shot the kid who delivers the Shopper.”
She peered in the direction of his finger, squinting, shading her eyes even though the sun had now disappeared (to Gary it felt as if the temperature had already dropped at least ten degrees). Brad Josephson was trudging up the sidewalk toward them. Peter Jackson was out in front of his house, looking curiously down the hill. So was Tom Billingsley, the vet most people called Old Doc. The Carver family was crossing the street from the store side to the side their house was on, the girl walking next to her mother and holding her hand. Dave Carver (looking to Gary like a boiled lobster in the bathing suit he was wearing-a soap-crusted boiled lobster, at that) was pulling his son in a little red wagon. The boy, who was sitting cross-legged and staring around with the imperious disdain of a pasha, had always struck Gary as about a 9.5 on the old Shithead-Meter.
“Hey, Dave!” Peter Jackson called. “What’s going on?”
Before Carver could reply, Marielle struck Gary’s shoulder with the heel of her hand, hard enough to slop the last of his martini out of his glass and on to his tatty old Converse sneakers. Maybe just as well. He might even do his liver a favor and take the night off.
“Are you deaf, Gary, or just stupid?” the light of his life enquired.
“Likely both,” he responded, thinking that if he ever decided to sober up for good, he would probably have to divorce Marielle first. Or at least slit her vocal cords. What did you say?”
“I asked you why in God’s name anyone would shoot the paperboy?
“Maybe it was someone didn’t get his double coupons last week,” Gary said. Thunder cracked-still west of them, but nearing. It seemed to run through the gathering clouds like a harpoon.
Johnny Marinville, who had once won the National Book Award for a novel of sexual obsession called Delight and who now wrote children’s books about a feline private detective named Pat the Kitty-Kat, stood looking down at his living-room telephone and feeling afraid. Something was going on here. He was trying not to be paranoid about it, but yeah, something was going on here.
“Maybe,” he said in a low voice.
Yeah, okay. Maybe. But the phone-
He had come in, propped his guitar in the corner, and punched 911. There had been an uncommonly long pause, so long he had been about to break the connection (What connection, ha-ha?) and try again when what might have been a child’s voice came on the line. The sound of that voice, both lilting and empty, had surprised Johnny and frightened him badly-he hadn’t even tried to kid himself that
his fright was only a startled reflex.
“Little bitty baby Smitty,” the voice had lilted. “I seen you bite your mommy’s titty. Don’t you fret and don’t you pout, don’t you spit that titty out.”
There had been a click followed by the hum of an open line. Frowning, Johnny had redialled. Again the long pause, then a click, then a sound Johnny thought he recognized: a mouth-breather. The sound of a kid with a cold, maybe. Not that it mattered. Wha t mattered was that the phone-lines had gotten crossed somewhere in the neighborhood, and now instead of getting through to the cops-
“Who’s there?” he had asked sharply.
No answer. Just the mouth-breathing. And was that sound familiar? That was pretty ridiculous, wasn’t it? How in God’s name could the sound of breathing on the telephone be familiar? It couldn’t, of course, but all the same-
“Whoever you are, get the hell off the line,” Johnny said. “I have to call the police.”
The breath caught, stopped. Johnny was reaching to break the connection again when the voice returned. Mocking this time. He was sure it was. “Little bitty baby Smitty, stuck his prick in Mommy’s slitty. Don’t you fret and don’t you pout, she won’t make you take it out.” Then, in a voice that was flat and somehow terrible: “Don’t you call here no more, you old fool. Tak!”
Another click as the line went dead, but this time there was no open-line hum. This time there was just stillness.
Johnny hit the phone’s cutoff switch, stuttering lightly with the tip of a finger. Nothing happened. The line remained blank. Thunder boomed, still to the west but closing in, making him jump.
He dropped the phone into the cradle and went into the kitchen, noting how rapidly the light was fading out of the sky and reminding himself to close the upstairs windows if it started to rain… when it started to rain, judging from the way things looked now.
Out here the phone was on the wall by the kitchen table, where all he had to do was rock back in his chair and snag it if he happened to be eating a meal when it rang. Not that there were many calls; his ex-wife sometimes, that was all. His people in New York knew enough to leave their money-machine alone.
He unracked the phone, listened, and got a second helping of silence. No dial-tone, no staticky crackle when lightning flashed blue in the kitchen window, no wah-wah-wah signalling that the line was out of service. Just nothing. He tried 911 anyway, and there weren’t even any tone-beeps in his ear as he pushed the keypads. He hung the telephone up and looked at it in the darkening kitchen. “Little bitty baby Smitty,” he murmured, and suddenly shivered in a way that would have been taken for theatrical if he hadn’t been alone: a big backward-and-forward snapping of the shoulders. An ugly little jingle, and one he’d never heard before.
Never mind the jingle, he thought. What about the voice? You’ve heard that before… haven’t you?
“No,” he said out loud. “At least… I don’t know.”
Right. But the breathing…
“Fuck a duck, you don’t recognize a person’s breathing,” he told the empty kitchen. “Not unless your granddad’s got emphysema.”
He left the kitchen, heading for the front door. All at once he wanted to see what was going on out there in the street.
“What happened down there?” Peter Jackson asked David when the Carver family reached the east sidewalk. He bent his head toward David and lowered his voice so the kids wouldn’t hear. “Is that a body down there?”
“Yes,” David said in a similarly low voice. “Gary Ripton’s his name, I think.” He glanced at his wife for confirmation and Kirsten nodded. “The boy who delivers the Shopper on Monday afternoons. Guy in a van. A drive-by.”
“Someone shot Cary? That was impossible. Impossible that someone he had just been talking to should have been shot. But Carver was nodding his head. “Holy shit!”
David nodded. “Holy shit about covers it, I guess.”
“Hurry up, Daddy-doo,” Ralphie commanded from his place in the wagon.
David glanced back at him, gave the boy a smile, then looked at Peter again. This time he spoke in a voice so low it was really a whisper. “The kids were down at the store, buying sodas. I don’t know for sure, but I’ve got an idea the guy almost took a shot at them, too. Then the Reeds” dog came by and the man with the gun shot it, instead.”
“Jesus!” Peter said. The idea that someone had shot Hannibal-genial, Frisbee-chasing Hannibal with his jaunty neck-scarf-made it impossible not to accept. He didn’t know why that should be, but it was. “I mean Jesus Christ!”
David nodded. “Although if there was a little more Jesus in the world, there might be a lot less stuff like this. You know?”
Peter thought of the millions up through history who had been slaughtered in the name of Jesus, then pushed the thought away and nodded. He didn’t think this was quite the time for a theological argument with his neighbor.
“I want to get them inside, Dave,” Kirsten murmured. “Off the street, “kay?”
David nodded, started up the hill again past Peter, then stopped and looked back. “Where’s Mary?”
“Work,” Peter said. “She left a note to say she was probably going to swing by the Crossroads Mall on her way home. She should be here anytime, though-Mondays are her short days, she’s off at two. Why?”
“I’d make sure she comes right inside, that’s all. The guy’s probably long gone and hard to find, but you never know, do you? And a guy who’d shoot a paperboy-
Peter was nodding. Overhead, thunder boomed loudly. Ellie cringed against her mother’s leg, but in the wagon, Ralphie laughed.
Kirsten tugged David’s arm. “Come on. And don’t stop to talk to Doc.” She lifted her chin toward Billingsley, who was standing in the dry gutter with his hands in his pockets and peering down the street. Squinting as he was, his eyes were reduced to a pair of bright blue gleams, like exotic fish caught in nets of flesh.
David started pulling the wagon again. “How you doin”, Ralphie?” Peter asked as the wagon rolled past him. He noted the word BUSTER was written on the wagon’s side in fading white paint. Ralphie stuck his tongue out and made the wasp-in-the-jar sound again, blowing so hard that his cheeks bulged out like Dizzy Gillespie’s.
“Hey, that’s charming,” Peter said. “That’ll get you girls later in life. Trust me.”
“Bugger-doody!” the little scamp in the wagon cried, and made a rather mature jacking-off gesture at Peter with one hand.
“That’ll be enough of that, big guy,” David said indulgently, without turning around. His buttocks worked back and forth in the too-small bathing suit. To Peter they looked like biscuits on pistons.
“What happened?” Tom asked in his gruff voice as the wagon passed by.
Peter tuned out Carver’s reply (David, mindful of his wife’s concern, kept moving as he filled in the Doc) and looked up toward the corner for any sign of his wife’s Lumina. He saw no moving vehicles at all, only a parked van just this side of the Abelsons” house on Bear Street. It was painted a yellow so bright it all but screamed. He supposed that part of its brightness derived from the way the light was fading as the clouds advanced, but still, looking at it made his eyes ache. Must be kids, he thought. No one else would want something that color. It hardly looked like a real vehicle at all, more like something out of a Star Trek movie, or-
An idea suddenly hit him. Not a very good one.
“Dave?”
Carver looked back, his sunburned belly hanging over the front of his bathing suit, scales of soap from his car-washing operation drying on it.
What was he driving, the guy who shot Gary?”
“A red van.”
“That’s right,” Ralphie chipped in. “Red like Tracker Arrow.”
Peter hardly heard this. He was stuck on the word van, feeling his own stomach tighten up like something attached to a crank.
“The reddest red van you ever saw,” Kirsten added. “I saw it, too. I was looking out the window and
I saw it go by. David, will you come on?
“Sure,” he said, and began pulling the wagon again. When David turned away, Peter (his momentary disquiet passing) suddenly stuck his tongue out at Ralphie, who just happened to be looking at him. Ralphie looked comically surprised.
Old Doc strolled down to Peter, hands still in his pockets. Thunder rolled. They looked up and saw dark shelves of clouds overspreading Poplar Street’s portion of the sky. Lightning stabbed forks at downtown Columbus.
“Going to rain a bitch,” the veterinarian said. His hair was thin, white, baby-fine. “I hope they’ll get the boy’s body decently covered before it comes.” He paused, took one hand out of his pocket, and passed it slowly over his brow, as if to soothe away the beginnings of a headache. “Terrible thing. He was a fine lad. Played ball.”
“I know.” Peter thought of the way Gary had laughed when he, Peter, had told him that next year it would be his turn to howl at shortstop, and felt a sudden pain in his stomach, the organ (not the heart, as the poets had always claimed) most attuned to humankind’s tender emotions. Suddenly it was all perfectly real to him. Gary Ripton wasn’t going to be the Wentworth Hawks” starting shortstop next summer; Gary Ripton wasn’t going to swing in through the back door tonight, asking what was for supper. Gary Ripton had flown off to Never-Never Land, leaving his shadow behind. He was one of the Lost Boys now.
Thunder bammed again, the sound so close and splintery this time that Peter jumped. “Look,” he said to Tom. “I’ve got a big sheet of plastic in my garage. The size of a car-cover, almost. If I got it, would you come down the street and help me cover him with it?”
“Officer Entragian might not like that,” the old man said.
“Screw Officer Entragian, he’s no more a cop than I am,” Peter said. “They fired his ass last year for graft.”
“The other police, though, when they come-”
“I don’t care about them, either,” Peter said. He wasn’t crying, exactly, but his voice had thickened and was no longer quite steady. “He was a nice kid, a really lovely kid, and some drugrunner shot him off his bike like an Indian off his pony in a John Ford movie. It’s going to rain and he’ll get soaked. I’d like to tell his mother I did what I could. So do you want to help me or not?”