by Stephen King
The boy was looking at her. And she thought it was the boy. She wasn’t completely sure, but-
“Seth?”
For a moment he only crouched there, not nodding, not shaking his head. Then he reached out with one dirty hand and wiped honey off her chin with fingers she could hardly feel.
“Seth, where did it go? Where’s Tak?”
He struggled. She could see him struggling. With his fear, perhaps, but she wasn’t sure he felt fear. Even if he did, it was more likely his own defective communications equipment he was working against right now. He made a gurgling noise, a sound like air in the bathroom pipes, and she thought that was probably all he’d be able to get out. Then, just as she was about to try for her feet, two choked words came from him.
“Gone. Building.”
She looked at him, still breathing through a film of honey but not noticing it for the moment. She felt her heart begin to beat a little faster at the word gone. She should know better, especially after what had just happened, but-
“Is he in a building, honey? Gone to a building? Is that what you’re saying? What building?”
“Building,” Seth repeated. He struggled, his head shaking from side to side. Finally: “Making.”
Building, yes. But the verb, not the noun. Tak was building. Tak was making. What was he making… besides trouble?
“He,” Seth said. “He. He. He-!”
The boy struck down on his own thigh with a frustration she had never seen in him before. She picked up the fist he had hit himself with and soothed it back into a hand.
“No, Seth.” Her diaphragm pulled in again, trying to retch-the honey was a heavy ball in her stomach-but she controlled it. “Don’t, don’t. Just relax. Tell me if you can. If you can’t, it’s okay.” A lie, but if she wound him up any tighter than he was already, he would never be able to get it out. Worse, he might go away. Go away and leave the warm boy-vacancy that Tak inhabited so easily.
“He-!” Seth reached for her, touched her ears. Then he put the backs of his hands behind his own ears and pushed them forward. She saw that they were also dirty from his long hours in the sandbox-filthy-and her eyes stung with tears. But he was looking at her intently, and she nodded. Yes, she understood. When Seth really tried, he was quite good-as good as he had to be, anyway.
He listens to you, the boy was saying. Tak listens to you with my ears. And of course he did. It did. Tak the Magnificent, creature of a thousand voices, most of which came equipped with Western drawls, and one set of ears.
Tak had dropped down in front of her, but it was Seth that got up, just a skinny little boy in grimy underpants. He started for the door, then turned back. Audrey herself was still on her knees, trying to decide if she could reach out for the counter from where she was or if she should crawl a little closer first.
She cringed when she saw him coming back, thinking that Tak had returned, thinking she saw the hard shine of its intelligence in Seth’s eyes. When he got closer, she saw that she had made a natural enough mistake. Seth was crying. She had never seen him cry before, not even when he came to her with scraped knees or a banged head. Until now she hadn’t been entirely sure that he could cry.
He put his arms around her neck and dropped his forehead against hers. It hurt, but she didn’t draw away. For a moment she had a blurred but very emphatic image of the red telephone, only grown to enormous size. Then it was gone, and she heard Seth’s voice in her head. She’d thought on several occasions that she was hearing him, that he was trying to contact her telepathically. The sensation came most commonly as she was drifting off to sleep or just as she was waking up. It was always distant, like a voice calling through blankets of fog. Now, however, it was shockingly close. It was the voice of a child who sounded bright and not in the least defective.
I don’t blame you for trying to run, the voice said. Audrey had a sense of hurry and furtiveness. It was like listening to a kid whisper some vital piece of classroom gossip to his seatmate while the teacher’s back is briefly turned. Get to the others, the ones across the street. You have to wait, but it won’t be long. Because he’s-
No words, but another blurred image that filled her head completely, temporarily driving out all thought. It was Seth. He was dressed in jester’s motley and a cap of bells. He was juggling. Not balls: dolls. Little china ones. Hummel figures. But until he dropped one and it shattered and she saw the broken face of Mary Jackson lying beside one of the jester’s red-and-white curly-toed caliph’s slippers, she did not realize that the dolls were her neighbors. She supposed she was responsible for at least some of that image-she had seen Kirstie Carver’s Hummel figures (a tiresome hobby if ever there was one, in Audrey’s opinion) a thousand times-but she understood that whatever she might have added didn’t in the least change what Seth was trying to convey. Whatever craziness Tak was up to-his building, his making-it was keeping him very busy.
Not too busy to see me when I broke for the door a few minutes ago, she thought. Not too busy to stop me. Not too busy to punish me, either. Maybe next time it’ll be salt going down my throat instead of honey.
Or drain-cleaner.
I’ll tell you when, the child’s voice returned. Listen for me, Aunt Audrey. After the Power Wagons come again. Listen for me. It’s important that you get away. Because-
This time many images flickered past. Some came and went too fast for her to identify, but she got a few: an empty Chef Boyardee can lying in the trash, an old broken toilet lying on its side in the dump, a car up on blocks, no wheels, no glass. Things that were broken. Things that were used up.
The last thing she saw before he broke contact was the studio portrait of herself on the table in the front hall. The eyes of the portrait were gone, gouged out.
Seth released her and stood back, watching as she grasped the edge of the counter and struggled to her feet. Her belly, heavy and thick with the honey Tak had made her swallow, felt like a counter-weight. Seth now looked as he usually did-distant and disconnected, with all the emotional gradient of a rock. Yet there were those clean streaks below his eyes. Yes, there were those.
“Ah-oh,” he said in his toneless voice-soundings she and Herb had speculated might mean Audrey, hello-and then walked out of the kitchen. Back to the den, where the climactic shootout was still going on. And when it was done? Why, rewind to the FBI warning and start all over again, most likely.
But he talked to me, she thought. Out loud and inside my head. On his version of the PlaySkool phone. Only his version is so big.
She took the broom from its place in the pantry alcove and began to sweep up spilled flour and macaroni. In the den, Rory Calhoun yelled, “You ain’t goin nowhere, you sowbelly Yankee!”
It doesn’t have to be this way, Jeb,” Audrey murmured, sweeping.
“It doesn’t have to be this way, Jeb,” Ty Hardin-Deputy Laine in the movie-said, and then bad old Colonel Murdock shot him. His final act of villainy; in another thirty seconds he would be shot dead himself.
Audrey’s diaphragm knotted again. Hard. She went to the sink, trailing the broom in one hand, and bent over. She gagged, but nothing came up. A moment later, the clench subsided. She turned on the cold water tap, leaned over, drank directly from the faucet, then gingerly splashed a couple of handfuls on her throbbing forehead. It felt good. Wonderful.
She turned off the tap, went back to the pantry, and got the dustpan. Tak was building, Seth had said. Tak was making. But what? And as she dropped awkwardly to her knees by her pile of sweepings, the broom in one hand and the dustpan in the other, a more urgent question occurred to her: If she did get away, what would it do to her nephew? What would it do to Seth?
Belinda Josephson held the kitchen door for her husband, then straightened up and looked around. The overhead light wasn’t on, but the room was still a little brighter than it had been. The storm was slackening, and she supposed that in another hour or two it would be hot and bright again.
She looked at the wall
-clock over the kitchen table, and she felt a mild burst of unreality. 4:03? Was it possible so little time had gone by? She took a closer look and saw that the secondhand wasn’t moving. She reached for the light-switch beside the door as Johnny crawled into the kitchen on his hands and knees and then stood up.
“Don’t bother,” Jim Reed said. He was sitting on the floor between the fridge and the stove with Ralphie Carver on his lap. Ralphie’s thumb was in his mouth. His eyes were glazed and apathetic. Belinda had never liked him very much, didn’t know anyone on the street who did (except for his mother and his dad, she supposed), but still her heart went out to him.
“Don’t bother with what?” Johnny asked.
“The light-switch. Power’s off.”
She believed him but snapped the switch a couple of times anyway. Nothing.
There were a lot of people in this room-she made it eleven, counting herself-but the numb silence which had settled over them made it seem like less. Ellie Carver was still giving an occasional watery gasp, but her face was against her mother’s breast, and Belinda thought she might actually be asleep. David Reed had his arm around Susi Geller. Sitting on the girl’s other side, also with an arm around her (lucky girl, all that comfort, Belinda thought), was her mother. Cammie Reed, the twins” mother, was sitting against a door with a sign on it reading YE OLDE PANTRIE. Belinda didn’t think Cammie was quite as out of it as some of the others; her eyes had a cool, thoughtful look.
“You said you heard screaming,” Johnny said to Susi. “I don’t hear any screaming.”
“It’s over,” the girl said dully. “I think maybe it was Mrs Soderson.”
“Sure it was,” Jim said. He shifted Ralphie on his lap, win cing a little as he did. “I recognized it. We’ve been listening to her scream at Gary for most of our lives. Haven’t we, Dave?”
Dave Reed nodded. “Id’ve murdered her by now. Honest.”
“Ah, but you don’t imbibe, my boy,” Johnny said in his best W. C. Fields voice. He took the kitchen phone out of its cradle, listened, bopped the O button a couple of times, then hung it up again.
“Debbie’s dead, isn’t she?” Susi asked Belinda.
“Shhh, baby, don’t,” Kim Geller said, sounding alarmed.
Susi took no notice. “She didn’t go over next door at all. Did she? Don’t lie about it, either.”
Belinda thought about doing just that, but it didn’t seem the right way to go on, somehow. In her experience, even well-intentioned lies usually made things worse. More crazy. Belinda thought things were crazy enough on Poplar Street already.
“Yes, honey,” she said, marvelling at how southern she always sounded-to herself, anyway-when she had to give someone bad news. Perhaps it was part of the black experience that no one had yet gotten around to teaching in a college course. What made it particularly interesting in her case was that she had never been south of the Mason-Dixon line in her whole life. Tes, honey, I’m afraid she is.”
Susi put her hands over her face and began to sob. Dave Reed pulled her to him and Susi put her face against his shoulder. When Kim tried to pull her back, Susi stiffened her body and resisted. Her mother gave Dave Reed a dirty look which the boy missed entirely. She turned her angry face to Belinda instead. “Why did you tell her that?”
“Girl’s lying right out there on the stoop, and with all that red hair, she is kinda hard to miss.”
“Hushnow,” Brad told her. He took her by the wrist and drew her over to the sink. “Don’t you upset her.”
Oh dear, too late, Belinda thought, but prudently said nothing.
There was a screened window behind the sink. Looking through it to the right, she could see the stake fence separating the Carvers” plot from Old Doc’s. She could also see the green roof of the Billingsley house. Above it, the clouds already appeared to be unravelling.
She turned and boosted herself, sitting sidesaddle on the edge of the sink. Then she leaned close to the screen, smelling its metal and all the wet summer straining through its mesh. The combined scents called up a momentary nostalgia for her childhood, a feeling that was both fine and fierce. It was strange, she thought, how it was almost always the smells of things that took you back the hardest.
“Halloo!” she called, cupping her hands around her mouth. Brad grabbed her shoulder, apparently wanting her to stop, and she shook him off emphatically. “Halloo, Billingsley!”
“Don’t do that, Bee,” Cammie Reed said. “It’s not wise.”
And what would be wise? Belinda thought. Just sitting on the kitchen floor and waiting for the cavalry to come?
“Hell, go on,” Johnny said. “What harm can it do? If the people who did the shooting are still around, I imagine that where we are is hardly a big secret to them.” An idea seemed to strike him at that, and he dropped on his hunkers in front of the late postman’s wife. “Kirsten, did David have a gun? A hunting rifle, or maybe-”
“There’s a pistol in his desk,” she said. “Second drawer on the left of the kneehole. That drawer’s locked, but the key’s in the wide drawer at the top. It’s on a piece of green yarn.”
Johnny nodded. “And the desk? Where’s that?”
“Oh. In his little office. Upstairs, the end of the hall.” She said all this while seeming to contemplate her own knees, then raised desperate, distracted eyes to look at him. “He’s out in the rain, Johnny. So is Susi’s friend. We shouldn’t leave them out in the rain.”
“It’s stopping,” Johnny said, and his face suggested he knew how inane that sounded. It seemed to satisfy Pie, though, at least temporarily, and Belinda supposed that was the important thing. Perhaps it was Johnny’s tone. The words might be inane, but Belinda had never heard him sound so gentle. “Just take care of your kids, Kirstie, and don’t concern yourself with the rest of it for the time being.”
He got up and started for the swinging door, walking in a battlefield crouch.
“Mr Marinville?” Jim Reed asked. “Can I come with you?” But when he attempted to set Ralphie aside, a panicked look came into the boy’s eyes. His thumb came out of his mouth with an audible pop and he clung to Jim like a barnacle, muttering, “No, Jim, no, Jim,” under his breath in a way that made Belinda feel like shivering. She thought mad people probably talked that way when they were alone in their cells at night.
“Stay where you are, Jim,” Johnny said. “Brad? What about you? Little trip to higher altitudes? Clear the old sinuses?”
“Sure.” Brad looked at his wife with that expression of love and exasperation that is the sole property of people who have been married over ten years. “You really think it’s okay for this woman of mine to be shooting off her mouth?”
“I repeat, what harm can it do?”
“Be careful,” Belinda said. She smoothed a hand briefly across Brad’s chest. “Keep your head down. Promise me.”
“I promise to keep my head down.”
She looked at Johnny. “Now you.”
“Huh? Oh.” He offered a charming grin, and Belinda had a sudden insight: that was the way Mr John Edward Marinville always grinned when he made promises to women. “I promise.”
They went out, dropping a little self-consciously to their knees as they passed through the swinging door and once more into the Carvers” front hall. Belinda leaned toward the screen again. Besides rain and wet grass, she could smell the old Hobart place burning. She realized she could hear it, too-a crackly, whooshing sound. The downpour would probably keep the fire from spreading, but where were the fire trucks, for Christ’s sake? What did they pay their taxes for? “Halloo, Billingsley’s! Who’s there?”
After a moment, a man’s voice (one she didn’t recognize) called back. “There are seven of us! The couple from up the block-”
That had to be the Sodersons, Belinda thought.
–plus the cop, and the guy married to the dead woman. There’s also Mr Billingsley, and
Cynthia, from the store!”
Who are you?” Beli
nda called.
“Steve Ames! I’m from New York! I was having trouble with my truck, pulled off the
Interstate, got lost! I stopped at the store down there to use the phone!”
“Poor guy,” Dave Reed said. “Like winning the lottery in hell.”
“What’s going on?” the voice from the other side of the stake fence called. “Do you know what’s going on?”
“No!” Belinda shouted back. She thought furiously. There must be more to say, other things to ask, but she couldn’t think of anything at all.
“Have you looked up the street? Is it clear?” Ames called.
Belinda opened her mouth to reply, and then was distracted momentarily by the spider’s web outside the screen. The window’s overhang had protected it from the worst of the squall, but raindrops hung from the gossamer threads like tiny, quivering diamonds. The owneroperator was at the center of the web. Not moving. Maybe dead.
“Ma’am? I asked-”
“I don’t know!” she called back. “Johnny Marinville and my husband looked, but now they’ve gone upstairs to-” But she didn’t want to mention the gun. Stupid, maybe-rathole thinking-but it didn’t change the way she felt.-to get a better look! What about you?”
“It’s been pretty busy here, ma’am! The woman from up the block-” A pause. “Does your phone work?”
“No!” Belinda called. “No phone, no electric!”
Another pause. Then, lower, barely audible over the diminishing hiss of the rain, she heard him say “Shit”. Then there was another voice, one she knew but couldn’t immediately place. “Belinda, is that you?”
“Yes!” she returned, and looked around at the others for help.
“It’s Mr Jackson,” Jim Reed said, speaking around Ralphie’s shoulder. The little boy had not quite managed to join his sister in the refuge of sleep, but Belinda didn’t think it would be long; his thumb had already begun to sag between his lips.