bound for California. A good-looking, bold woman, with fine,
bad eyes, and a determined bearing, dressing ostentatiously in
perfect male attire . . . She carried in her hand a handsome
riding crop, which she could use as well in the streets of
Cruces as in the towns of Europe.
—FROM THE MEMOIRS OF MRS. SEACOLE, AN ENGLISH LADY, 1851
I was never in Cruces and had gone by way of Nicaragua
—THE NOTORIOUS ADVENTURESS IN QUESTION
I first wore black in Paris after Alexandre Dujarier died in 1849 in a duel I was but minutes too late to prevent. This was just after Ludwig and Bavaria, and for once the uproar was not about me but about politics and pride. Paris is made for tragedy and my poor Alexandre helped write the script for his own destruction, choosing pistols over swords when his opponent was a famed marksman.
I did not wear only black, however. I put a red flower in my hair to remind me of the one true love in my life. He had left me some theater stock and shares in his newspaper but soon I was caught up in the “gold fever” searing all of Paris, and invested several thousands in a California gold mine called the Eureka.
In 1849 all the world echoed with the Gold Rush. California! Eureka! The very words rang with adventure and optimism. Shortly after, all Paris was buzzing that the companies selling mine stock were fraudulent. I was forced to find less costly quarters.
Still, I was not yet forced to find less eminent escorts. I renewed an acquaintance with Prince Jung Bahadoor, an Oxford graduate who was the ambassador for Nepal. Parisians called him “the educated barbarian” but he was a man of the highest caste in his land. We amused ourselves by startling the sneering Parisians when we would chat together at length in a Hindu dialect. How odd that a notably accomplished man of foreign lineage and a slandered woman of suspect talents were both gossiped about . . . and invited everywhere.
The prince and I attended Meyerbeer’s L’Africaine at the opera house, which had been refitted to resemble a San Francisco theater . . . red velvet on the seats, red silk upon the walls.
I sat there as the music surged around me, my mind adazzle with Africa! California!
Watching eyes showered disdain on the prince and myself but whenever could outward disapproval quench the inner fire?
During the intermission, the audience murmured its disapproval of an actress in the piece who smoked a cigar. I mutely applauded her, though I had stopped the smoking habit I had learned from George Sand. For a while.
The prince returned to Nepal and all Paris talked. He had abandoned me, I was penniless and broken. The prince sent me a box dripping with precious stones and a shawl worked in diamonds and gold as a “mark of his esteem.”
Still Paris gabbled. I was weak and penitent and would soon retire to the Carmelites at Madrid.
Their gossip made me angry. My Nepalese prince was not the only royalty I could appeal to. I wrote Ludwig, and he restored my pension. I shopped the boulevards for carpets and paintings and furnishings for a new house on the rue Blanche.
They called me Lola Noir and said I was in my decline. It was only a matter of time.
It was only a matter of time before the countess of Landsfeld sent out invitations for a grande soiree. Every distinguished personage in Paris attended. I set aside my mourning black to don the color that named the street I now dwelled upon: a white watered silk gown slashed across by the grand cordon from King Ludwig, with a white camellia in my black, black hair.
Paris declared me a great lady and clamored for another soiree. I was, it seems, fashionable.
Then influenza laid all Paris flat, including myself. I kept to my house for three months, as into my fever dreams came Dujarier. He clasped my hands, whispered to me. When I awoke after many weeks, he was gone. Fate has torn many lovers from me, but only one love.
Paris shook off the influenza like a bad dream. Its gay, heedless life resumed. I arose from my sickbed and found myself still a phenomenon though I felt like a phantom. A horse named after me won the grand prize in the races at Chantilly. I barely had the strength to walk to the corner.
Sick to my soul and facing new debts, I sought out the dance master Mabille. Now I was truly weak, if not penitent. Every day for three months he drilled me like a soldier at Jardin Mabille. I emerged with six new dances, fine notices from a circle of friends, and returned to the stage. I suppose it was a triumph but the ghost of Dujarier danced with me.
I was, of course, rumored to have taken a host of new lovers. If I had bothered to collect all these falsehoods about myself they would form a mountain higher than Chimborazo in Ecuador.
“Lola Montez bathes in lavender water and dries herself with rose leaves,” wrote a San Francisco reporter in the Pacific News.
All these fairy tales found their way to me via my agent, M. Roux, who passed them on in hopes of getting his 25 percent for every page.
I was past thirty, though I could pass myself off as twenty-five, and did. The influenza had taken my hair by handfuls, and I was forced to wear a wig. When the actress who had smoked at the opera burst in upon me without notice backstage and found me wigless, she cried, “Imagine you wearing another woman’s hair!”
Vicious civet! I eyed her cashmere shawl, and retorted, “Imagine you wearing another sheep’s clothing!”
I did not tell her that I myself smoked again, incessantly, for my nerves were as ragged as my hair.
I went to other cities in Europe that would welcome me until I had danced away my old fever dreams of entrancing a king and liberating a country and . . . of Dujarier. Then I went to America, and, finally, California.
New Orleans is the most European and thus the Queen of Cities in America. It was both the scene of my finest stage triumphs during my American tours and of my most volatile fracases, in court and out.
So it was that, forfeiting $500 bail but not the goodwill of the New Orleans citizenry for my travails, I set sail from Jackson Square April 22, 1853, on the U.S. mail ship Philadelphia, bound for Aspinwall on the coast of Panama, and from there for the gold fields of California.
In those days only three routes offered passage to California: Overland for months. Or by sea around Cape Horn at the notoriously stormy tip of South America, often used for freight, for months. (Being notoriously stormy myself, this route appealed to me, although I did not like the notion of being confused with baggage. . . .) Or across Central America via Panama or Nicaragua by rail, riverboat, and pack mule, more often used for people and their luggage, for weeks.
As I had told the court in Louisiana about a gentleman who had accosted me in a theatrical fracas: I would rather be kicked by a horse than an ass. The Central American route, and its mules, appealed to me despite tales of steamy jungles and resident insects and fevers.
After all, I had survived many jungles before, most of the them man-made. Or woman-made in one case. My reasons for going to California were many. First, performers followed the gold, and my brother and sister acts were already tackling the gold fields. For another, I was weary of these court battles, not just the latest in New Orleans but that atrocity in 1849 that ruined my marriage to George Heald, a charming young man who offered me the protection of his name after I’d fled Bavaria to Switzerland and then returned to London. His zealous aunt did not even allow us a month of marriage before she sent an inspector to arrest me for bigamy! We fled to London, then Spain, where he abandoned me. That is what one gets for marrying a boy of twenty-one, no matter how charming and devoted. Although I assured my dear “Luis” by letter that the marriage was merely one of convenience, he was most grumpy about it and cut my pension in half. Alas, Ludwig had been a king and couldn’t understand that a woman on her own must make accommodations, even if her heart is breaking, and especially if her bank account is.
As my funds ran low, I was forced back to the footlights of Paris, where I was always welcome. A foray into Prussia ended when the police director banned my appearance, saying the
Countess of Landsfeld’s presence might incite public demonstrations by liberals, socialists, and communists. Of course it was the cursed Jesuits again.
Luckily, I’d met a most charming man in Paris, a brother of James Gordon Bennett, publisher of the New York Herald. He was much taken with me and suggested I follow Fanny Eissler and Jenny Lind in conquering American audiences.
I considered the matter. Meanwhile Mr. Bennett and his brother raised so much speculation about my possible arrival in New York that the Times commented, “We shall be sadly disappointed if this creature has any degree of success in the United States. She has no special reputation as a dancer. She is known to the world only as a shameless and abandoned woman.”
I’d been abandoned by my husband, Heald, all right, and “this creature” was indeed shameless about flying into the teeth of her enemies. I resolved to go, for the Times couldn’t have given me better advance publicity had I paid for it!
My New York performances were well attended and lucrative, but after a year or so of touring most of the major northeastern cities and the middle of America, I longed for fresh challenges. That niggling suit by a variety hall manager in New Orleans forced me to take over my own defense on an assault and battery charge. The spectators in court applauded me as if I were dancing. Indeed I danced out the courtroom door and straight onto a steamer to far California.
The Philadelphia plied the Caribbean Sea’s aquamarine waters for a full week before landing at Aspinwall. The first two days featured would-be gold miners hanging over the rails. When they recovered, they hung over the rails to discharge their new-bought Colt revolvers at the dolphins capering beside the steamer. These huge, smiling fish seemed protected by the water, but I didn’t hesitate to draw my own pistol, far better used than theirs, for I had been a crack shot for years, to dissuade them from troubling the sea life.
These men had read and heard the same siren call to the gold fields and thus resembled a scruffy band of brothers: all wore red flannel shirts and slouch hats, and had hung themselves with a least one revolver and a Bowie knife, and most were beginning to grow beards.
One could not even take a walk around the deck, it was so occupied with idiotic contraptions for the quicker mining of gold these gullible fellows had bought with their last cash.
Naturally, prices at every step of the journey were exorbitant, and I had a larger party than most: myself, my manager, my new maid, Hyacinth, whom I renamed Periwinkle after her blue-gray eyes, and my lapdog, Flora.
Naturally, I did not ascribe to the extortion that was common.
Ladies, I may point out, rarely made this brutal journey. Especially not ladies with entourages. Or ladies with daggers in their boots, pistols in their pockets, and whips in their hands.
Aspinwall proved to be a shantytown built on stilts over a swamp. The hotel could sit two hundred for a meal, but accommodations were so cramped that most men slept on cots on balconies in the humid night air buzzing with insects.
I was fascinated by the towering coco palm trees and the airy vines which intertwined like lace above the matted jungle growths.
Even the lowliest cot in Aspinwall was a prize. I required a private bedroom, and a cot for poor little Flora. The hotel manager claimed that men were sleeping on the floor, and he couldn’t spare a cot for a dog.
“Sir,” I said delicately around the cigarette that much more pleasantly occupied my mouth than arguments with craven and greedy innkeepers. “I don’t know where or how your guests sleep, but I’d have you know my dog has slept in palaces. Get the cot, and say no more.”
Of course in the morning the miserable worm presented a bill of five dollars for Flora’s bed. I was forced to draw my pistol to negotiate a reasonable compromise.
Indeed, I saw many men treated worse than coatless dogs on that journey, all these hopeful fools, mortgaging everything they could lay their hands on to head for the fabled gold fields.
Pistols were prominent in their belts, along with sun-shading hats and bravado. None had the nerve of Lola to use them.
Not all those California-bound were luckless gold-seekers. Senators and journalists also thronged west, some from the Gold Coast, others traveling there to make their mark on the thriving communities springing up everywhere.
Here is where for a time I donned mannish garb a la Amelia Bloomer. When the railroad stopped at Gabon, we and our goods were loaded into fragile native canoes and paddled up the murky Charges River to Gorgona, where we faced a twenty-mile trek by mule to Panama City on the Pacific side. I wanted no insects stinging me to death through delicate women’s dresses, which I had brought with me in many trunks.
In Gorgona it was every man for himself to find and engage a reliable guide and mules for the rough journey.
Weary travelers to the gold fields gained new resolve from the sight of long mule trains coming the other way, from east to west. Each animal was burdened with large saddlebags holding pure gold nuggets and dust. Only two armed men would accompany each train of fifteen or so mules.
When I marveled at the slim number of guardian riders for such rich mule trains, I was told that each box of gold weighed so much that only a foolhardy man would attempt to take one. And even then such a fool would be shot dead before he could stagger fifteen feet away. And certainly no mule, especially so laden, is fast enough to be herded away by a highwayman.
Many men there, though, would steal if they could, what they could.
I kept my whip constantly in hand. Soon my many wardrobe trunks lay atop the backs of my own train of many mules. This way I could see them at all times and no one could steal the contents. I also ensured that our noble beasts of burden didn’t carry more than they could, and berated with tongue and whip any greedy fool who attempted to abuse them within my sight.
And so it was that the humble mule carried fortunes on his back across the Isthmus of Panama . . . and Lola’s magnificent wardrobe. This array would soon dazzle all of San Francisco, the storied city at the end and the beginning (depending on which way one was going) of the fabulous Gold Coast.
At last the mules’ narrow footpath opened onto the view of a bustling settlement. Panama City. Here civilization had set up her tents on the outskirts of another mighty ocean.
Here we would wait, and jostle, to command passage on a ship to San Francisco.
Here Lola Montez would begin to stamp her presence upon the minds and hearts and the history of the region. Not since I had come to Bavaria had I felt such a sense of destiny. O brave New World! You are mine!
The Cocoa Grove Hotel was the only reputable hostelry in town. I took rooms there and found myself among political appointees from the new Franklin Pierce administration just arrived from New York City, as well as the editor-owners of three prominent San Francisco newspapers. Oh, my. When I was not castigating the newspapers for spreading slander about my art and life, I was getting along quite well with their owners, such as Mr. Bennett of the Herald in New York.
While we waited our places on the next steamer to San Francisco, it was simple to set up a salon at the hotel. The hard-bitten newspaper men who expected to meet a hulking Amazon wielding a whip went away praising my “delicate frame, regular and handsome features, pair of brilliant and expressive eyes, and an exceedingly winning address.”
Hah! They soon saw the mettle of Lola.
While Mr. Middleton of the Panama Star and other such men sat talking with me by the hotel’s entrance, a man of their number rose to stroll the premises and wandered into the utter darkness beyond the gate. Then we heard two rapid revolver clicks, yet no discharge. The stroller cried that a man was trying to shoot him. Again came a few more revolver clicks, but apparently the endless tropical damp had disarmed the gun.
I rose from my chair, told the men to fetch a light, and dashed into the darkness. The other men were at my heels, along with the one who found a light. We glimpsed the back of an escaping villain. One of my followers fired a pistol, but again the tropical humidity
made a mockery of gunpowder. (There is a reason I consider a whip an ideal weapon. It never fails, unlike a pistol, and lets me keep my distance, unlike a knife.)
Mr. Milne stood shaking when we reached him. I led him back to the hotel veranda, asking all the way who might wish him ill. Since he could produce no enemies (a sign of a milksop personality, in my view) I concluded that the hotel keepers were patroling the fringes, forcing people to shelter in their establishments.
“How,” I asked the poor-spirited Milne, “could you stand there like a rooted target? When you heard the pistol clicks, you should have dashed into the darkness, taken the offender by the hair and shouted for help whilst you admonished him. So I would have done, and he would have run off sooner.”
Mr. Milne could not answer, other than to beg that I remain in Panama City, and perform at their theater.
I had performed enough at the scene of the foiled “shooting.”
My newspaper gentlemen sang my praises in rotation. Two days later I boarded the Pacific Mail Steamship Company’s sidewheeler, the Northerner, bound—where else?—north for San Francisco, a heroine in search of another territory to conquer. From the Atlantic might of New York City, I had come to the Pacific power of San Francisco a full continent away, teeming with enterprise and the raw gleam of gold.
I breathed in a fresh cigarillo on deck. I was smoking perhaps five hundred a day now, but only taking a few puffs on each one. Men followed and gathered around me to hand me the pungent lighted brands, a trademark of my “wild and willful, but never wicked” ways. And who was I to scorn any one of my charming courtiers?
17
HOUSE ALERT
The land is full of bloody crimes, and the city is full of violence.
—EZEKIEL 7:23
FROM THE CASE NOTES OF SHERLOCK HOLMES
While I smoked a considering pipe, I examined my position and its advantages: the intersection of Fifth Avenue and Fifty-second Street, directly across from the notorious Madame Restell’s house. That dark brownstone block of a house had been the scene of a horrifically dangerous denouement involving myself and Irene Adler Norton and her loyal friend, Miss Huxleigh, only days before. What melodrama Watson would make of such events neither I nor the panting public will ever know, to the peace of mind of both. I turned away from the recent past with a grim smile to regard my present, the huge white stone carcass that was the Willie K. Vanderbilt’s triumphal city mansion. Even the princeliest city mansion must sit parapet by paperboy on the city streets, and Fifth Avenue hosted as many peddlers and hucksters as any New York neighborhood.
Irene Adler 08 - Spider Dance Page 14