Usually these conversations appeared benign enough, although she almost always hung the receiver in its peg in a more agitated state than she had picked it up in. Occasionally her voice would approach a pitch and tone that sounded angry, or outright hostile. I could gauge how pleasant the conversation had been based on the level of violence with which she slammed the receiver back in its cradle.
Other times she would say she had to go on an errand but that whatever she had to do was a complicated bit of business, for which she could not take me along. Such instances were irritating and unnerving, since for nearly a year I had barely been out of Lydia’s sight for more than an hour or two. And on these rare occasions she would suit up for the outside without me, then gather all her artifacts together—keys, briefcase, purse, sometimes a coffee cup—kiss me good-bye—once, chastely, on the forehead—nervous, preoccupied—wave, and exit through the front door. With my long purple fingers I inched the window curtains apart to watch Lydia enter her car, start the engine, check the rearview mirror and fasten her seat belt (always the cautious driver) as she edged out of her parking place and into the slush and sluggish traffic of the city streets. When Lydia left the house it hardly mattered where she was going—it mattered simply and only that she was gone. She had disappeared into another universe and would reappear in this one at another time. She was gone from my world, temporarily missing from my sphere of existence. When she was gone I would watch cartoons on TV, sometimes while furtively licking a battery, or I would paint in my studio, or else go upstairs to knock on Mr. Morgan’s door to see if he wanted to play backgammon, or let me listen to him practicing the bagpipes. After several weeks of this behavior—the phone calls, the mysterious errands—Lydia announced to me what were the apparent fruits of all her clandestine labors: we were moving.
Moving? I wondered. What did she mean, moving? I spent most of the day moving in some way, didn’t I? Moving what? Moving how? Moving where?
“We’re moving to Colorado,” said Lydia.
I did not even know what Colorado meant, what it was. Was it a place, or was it more like a state of mind or being? If it was a place, then was it also contained in Chicago? Was it in this… area? This nation? This planet? What would we be doing there, exactly? And how, and more importantly, when would we be returning to Chicago?
“It’s hard for me to explain, Bruno,” she said to me one night as we were lying in bed, facing each other with our heads on the pillows. Outside, the snow lay so thick on the surfaces of the world that it cushioned the noises of the city, and the streets were eerily silent. Lydia ran her fingers through the fur on my head.
“We have to move,” she said. “It has to do with a lot of things, but mostly it has to do with money. Norm doesn’t want to keep doing the project because we’re out of money, and nobody wants to give us any more. People think that what we’re doing is stupid. They don’t understand it. They don’t think the science we’re doing is real science. They don’t think our results are real. That’s why they won’t give us any more money. Norm is stopping the project. He wants to do other things, he thinks we’ve gone as far as we can go with this project. And where does that leave you and me?” she asked herself rhetorically, sighing and rolling over in bed. “Out to dry.”
I nuzzled my face into her armpit.
“Norm wanted to give you back to the zoo.”
I looked up at her with a spike of panic.
“Don’t worry about that, Bruno. That’s not going to happen. I wouldn’t let that happen. They think I want to keep the project going. I mean, I do…” Her eyelids were trembling. Her voice grew soft. “But the main reason is because I love you. Bruno, I love you. I can’t let someone I love be put in a zoo.”
Then she turned over and she kissed me. Then we made love for the third or fourth time that day. Much later, when we lay panting and fatigued on the bed, our bodies twisted in the damp sheets, as if finally continuing her thoughts, she said:
“Norm isn’t going to be in charge of the project anymore. There is no project anymore, actually. Not formally. It’s not officially considered research anymore. That’s why we’re moving to Colorado. I couldn’t get any research grants. I didn’t even try, actually. The people who give out money for science would rather give money to Norm than me, and not even Norm can get any money right now. As soon as Norm found out that nobody was taking us seriously, he wanted to stop the project. Norm doesn’t want people to quit taking him seriously. Nobody ever took me seriously to begin with. Now they probably never will. So I have nothing to lose. Do you remember the man in the cowboy hat?”
Indeed I did.
“He said he’s going to give us money. He’s being very, very nice to us, and we should be very, very nice to him. He’s also going to give us a place to live. He owns a lot of land in Colorado. That’s where we’re moving. He said we can live on his ranch, and that we can stay there as long as we want and finish our project. For free. They have a big ranch, where they keep animals. Colorado is far away from here. There are lots of trees and mountains there.”
But logistics, woman, logistics! What about our apartment? What will become of that?
“I’m leasing the apartment,” she said. “Maybe we’ll come back here eventually. I don’t know. I don’t really know what’s going to happen.”
And what about her position at the university? Surely we can’t just pull up stakes and leave so easily? Here she broke openly into tears as she said:
“Bruno, I don’t work at the university anymore.”
There followed another couple of weeks of busy preparations for our imminent departure. I understood so little of what was going on. I was not well traveled. Chicago was the only home I had ever known. I was born in it. I had never been outside its city limits. There were only three places in the world that I knew well: (one) the Primate House at the Lincoln Park Zoo; (two) the main campus of the University of Chicago in general and room 308 of the Erman Biology Center in particular; and (three) the interior of 5120 South Ellis Avenue, Apartment 1A, Chicago, Illinois. Now we were about to leave this place, this place that then constituted all the known world to me, and resettle in a place that was entirely alien to me, that was only a—not even a concept!—but just a word, a single meaningless word: Colorado. My inchoate young mind could not even begin to wrap itself around the full implications of all this. We would have to say good-bye to our urban existence. We would say good-bye to the magisterial ivy-strangled gray stone buildings of the University of Chicago. Good-bye to the crushing crowds, the bleating cars, the thundering trains that shook us in the night. Good-bye to the mannequins at Marshall Field’s, good-bye to the scientists at the lab, good-bye to Haywood, good-bye to Mr. Morgan, with his parrots, his bagpipes, his backgammon, and his boiling beans. Good-bye to everything I had ever known.
People, unknown people, came to us from the outside world from time to time. Lydia would greet them at the door of our apartment and tour them around our domicile. They would open the doors to the rooms and closets, point to what was inside of them, say things, then shut the doors, twist the faucets to run the water in the sinks, flush the toilets, aimlessly amble around from room to room fiddling with knobs and handles, inquisitively poking and pulling on the various elements of the space. They usually seemed amused or intrigued or frightened to see me, quietly, industriously painting away in my room. I generally ignored them. Eventually these strange visitations quit happening, and Lydia and I spent several days collecting all of the many personal articles of our domestic existence and putting them into big brown cardboard boxes. Then one day several enormous ill-smelling men came into our apartment, picked up all the boxes we had made and put our things into, carried them outside into the cold, and loaded them into a giant orange truck parked outside of our house; then they got inside of it and drove away with our things. Lydia assured me that our possessions would somehow already be in the new place where we were going to live when we got there, but I was not so sure.
The next day, Lydia and I locked our now nearly barren apartment, carried down the walk two brown suitcases stuffed fat with personal necessities such as clothing and toiletries and put them in her small car, buckled ourselves in, and began to drive.
Now, the longest trip in a vehicle that I had ever taken in my life was from Lincoln Park to Hyde Park, from the zoo to the lab. If traffic is light, this is a journey of about twenty-five minutes. Which is to say, I had absolutely no psychogeographical measuring stick in my mind by which to even begin to comprehend how mind-bogglingly big the world actually is, or of how much time it takes to truly traverse it. A woman and an ape drove from Chicago to Colorado: a journey of more than a thousand miles that swallowed up two long days by car, even traveling as we were at absolutely harrowing highway speeds.
We pulled ourselves out of the ooze of traffic that slimed the highways of the western suburbs and onto a smooth screaming expanse of gray asphalt that soon bore us through rolling white hills, through snowy fields—endless fields—past barns and grain silos and tractors and the metal skeletons of agricultural machinery sitting dormant in the winter, past ice-coated rivers, lakes and streams, past fences and long bights of utility wire drooping from one cross to the next, each one comfortably seating hundreds of blackbirds. The sky opened up. For the first time in my life, I saw the sun melt below a naked horizon, reminding me of a golden egg frying in a pan. For the first time in my life, I saw land, I saw a blue sky made giant by the absence of visual landmarks, I saw vast tracts of empty space. And it amazed me. No one had ever told me the world was this big. Throughout the entire journey I think my face was squished flat to the cold glass of the passenger-side window of Lydia’s car, my eyes watching the outside world whip past me in all its immeasurable and unknowable magnitude. Periodically, we stopped the car at gas stations. Lydia would insert a hose into a hole in the side of our car to replenish its lifeblood, and then we drained our throbbing bladders into the toilets of their grimy bathrooms, and then in parting Lydia would buy me a candy bar. Outside, the chilly wind snapped and sang across the barren prairies that stretched vanishing into the distance all around us, blowing rippling waves through the dead cornstalks in the brown fields, and the shadows of the clouds above raced across the hills. Then we were off again! And again, my face was pressed to the glass—more birds!—more barns!—more fences!—more cows!—more telephone poles!—more and more and more space! My heart filled to bursting with the excitement of all this newness, the adventure of it, all the shallow hills sloping and rising along with our rapid traversal of the land, the sky meeting the visible edges of the earth in every direction! Look! This is the world!
I could not understand why Lydia seemed so bored.
After we had spent the whole day sitting in the car traversing the earth, and the sun had long ago set, and the character of the geography beneath our wheels had dramatically shifted several times, we came to a certain area, somewhere in the plains, where there was a cluster of lights and buildings—though the buildings were nowhere near as tall and closely situated as the many buildings in Chicago, and the lights not as bright. We entered a stark ugly white slab of a building. We dragged our fat brown suitcases rolling and banging on the thin orange carpets of the hallways behind us as we passed one identical closed door after another. Lydia inserted a key into the lock of one of these doors. She pushed the door open and led me into a sterile and affectless imitation of a human dwelling, containing a bathroom, a chair, a table, a TV, and a big dry cake of a bed sealed in an envelope of scratchy, starchy sheets tucked so tightly under the mattress that they had to be completely yanked out and tousled around a bit to loosen them up before comfortable sleeping could occur between them. My limbs were antsy with atrophy from a long day of inactivity. Taking a very long trip by car discombobulates the soul for this reason: on the one hand, you have actually just traveled farther across the earth in one day than your poor primate’s grasp of time and space could allow your mind to truly comprehend, and yet, perversely, your body has not physically moved from the same spot all day. And don’t even get me started on air travel. Modern modes of transportation pollute and corrupt the reverent relationship our minds and bodies might once have had with the geographical space in which we live. And yet they’re so damn convenient, so why not? The sacredness of the physical world is one of the many things that we have sacrificed to mere convenience. That’s how the old gods die. It turns out the Tower of Babel is not vertical, but horizontal.
I was so jumpy, I wanted to jump on the bed. It was a very pliant and responsive bed, poor perhaps for sleeping but grade A for bouncing. The one Lydia and I had at home—yes, I still thought of it as “home”—was nowhere near so conducive to bouncing. Now there was one monkey, jumping on the bed. However, Dr. Lydia Littlemore (she had a Ph.D.) prescribed that there should be no monkeys jumping on the bed. So I stopped. Lydia sat on the edge of the bed, exhausted to the core of her being, squinting, and with her forefinger and thumb massaging the place where the bridge of her nose reached her brow. She complained of a headache. She picked up the phone and ordered food, which in due time was magically brought to us. We ate it on the bed and watched the TV. Lydia fell asleep in her clothes, on top of the quilt, with the TV still chattering and aglow. I turned it off and curled up beside her. The night came and went. I listened to trucks rumbling past us on the nearby highway all night.
In the morning we got back in the car and more or less repeated exactly what we had done the day before. Another long day of land scrolling past us. The character of the landscape changed and changed again. The temperature changed, the terrain changed, the quality and color of the light in the sky changed, the sun traveled across the sky as we traveled across the earth. We arrived at our destination after the sun had set. I had been asleep for the last few hours of the journey.
The jostling of Lydia’s car woke me. Until now the roads we’d driven on had been smooth and clean, but now we were rumbling over a tiny dirt road in the middle of nowhere. Lydia’s small car banged and shuddered down the road. Bits of dirt and gravel crunched and popped beneath our tires. We were moving slowly, crawling. I looked at Lydia. Her shoulders and face were scrunched up with concentration. She was having difficulty seeing what was in front of us, stretching her neck over the dashboard and squinting to discern a hint of the road in the dark. I looked out the window. I couldn’t see a thing. Only sheer absolute blackness. We may as well have been in outer space for all I could make out.
“We’re almost there,” Lydia half-sighed to me, as I sat up and smeared the drowse from my eyes. The car rattled and lurched up the steep unpaved mountain road in the dark. The headlights spat a cold white light on the dirt ahead of us, and behind us the brake lights of our car pulsed dim red light into the darkness. The car shuddered, the engine struggled. The headlights briefly illuminated a parabolic wooden sign, whose capital letters were rustically fashioned from sticks, which arched over the road from one roughly hewn upright log to another. We passed beneath the arch. Soon Lydia’s car came to rest beside a big metal gate in the middle of the road. She stopped the car but did not turn it off. She dug around in the glove compartment for something, found it—a little scrap of paper on which she’d written something—got out of the car and walked up to a little blinking box to one side of the gate. She did something to the box, and the gate moaned open before us. She got back into the car and continued to drive us up the thin dirt road. Eventually the car came to a stop in a wide flat area right in front of a massive and complicated house. We got out of the car with our suitcases. It was late. A few of the lights in the house were on, and there was a light on above the giant wooden doors in the front of the house. A row of lamps lined a long stone path that led from the place where we parked up to the doors of the house. Other than that, there were no other buildings, and no other lights around for miles. All around us were hills, dotted with patches of sparkling white snow that sloped upward and became dark mountains. Above us,
the night sky swarmed with stars, so much of the universe’s twinkling smoke and dust—it was at once beautiful and terrifying. It looked just like the curvilinear ceiling of the planetarium in Chicago, except without the glowing outlines of all the beasts and gods and monsters that the constellations were supposed to represent drawn helpfully in the spaces between the stars.
The wheels under our suitcases grumbled along the stone path that led from the driveway to the giant double doors of the house. Lydia knocked on the doors. They winged open and we were met by a squat and sleepy-eyed older woman with curly brushed-iron hair who carried herself with gravity and austerity. She guided us upstairs to a guest bedroom with an adjoining bathroom. We were utterly exhausted, and we fell asleep at once, even in these unfamiliar environs, without any ceremony.
Lydia and I awoke the following morning, showered in the adjoining bathroom, dressed from our suitcases, and went out to explore the house. The house was vast, bright, and silent. Hand in hand, we wandered through the impeccably clean wood-floored and white-walled hallways. There was a lot of art on the walls. The excessive bigness, brightness, and cleanliness of the house made it a pleasant but strangely unhomelike place to be in. A giant upside-down cone of a chandelier hung from the high ceiling over the cavernous living room, which was made entirely out of real deer’s antlers linked together in a thorny spiraling tessellation. A wide staircase wrapped around half of the space and gracefully spilled into the room, moving us through the house less like wood than water. The staircase was like a wooden waterfall, a cascade of frozen visible music. The interior spaces of this house, in contrast to the rigid, boxy architecture I was used to—which always makes it seem like the architect’s top priority was to keep the lineaments between one room and another crystal clear—flowed in such a way that all the rooms melted smoothly together. At the bottom of the stairs, beneath the antler chandelier, a furry white rug lay on the wooden floor, and several white and brown couches and armchairs assembled around a low glass table beside a flagstone fireplace that contained a glass window, behind which the smooth flames of a gas fire burned in silence. Above the fireplace hung an oil painting of a group of cowboys riding muscular white horses across a snowy plain, with mountains in the background, and a storm threatening overhead in the top right corner. The walls to the left and right of the fireplace consisted of towering windows that filled the room with blinding bright light. Outside these windows, the earth all around the house crested into hundreds of cragged peaks, pink slabs of rock with clusters of pine trees between them, all powdered with bright snow. I had never seen mountains before. The light in the sharp blue sky was amazingly bright.
The Evolution of Bruno Littlemore Page 23