“Good!” said Gor Hajus. “Write some simple instructions and hand them to the ape. I will turn my back that you may know that I cannot assist him in any way.”
The slave drew forth a tablet from a pocket-pouch and wrote briefly. What he wrote he handed to Hovan Du. The ape read the message and without hesitation moved quickly to the gate and handed it to the officer standing upon the other side, the gate being constructed of wrought metal in fanciful designs that offered no obstruction to the view or to the passage of small articles. The officer took the message and examined it.
“What does it say?” he demanded of the slave that had penned it.
“It says,” replied the latter: “Take this message to the officer who stands just within the gates.”
There were exclamations of surprise from all parts of the crowd and Hovan Du was compelled to repeat his performance several times with different messages which directed him to do various things, the officer always taking a great interest in the proceedings.
“It is marvellous,” said he at last. “The Jeddara would be amused by the performance of this beast. Wait here, therefore, until I have sent word to her that she may, if she so desires, command your presence.”
Nothing could have better suited us and so we waited with what patience we might for the messenger to return; and while we waited Hovan Du continued to mystify his audience with new proofs of his great intelligence.
chapter XI
XAXA
THE OFFICER returned, the gates swung out and we were commanded to enter the courtyard of the palace of Xaxa, Jeddara of Phundahl. After that events transpired with great rapidity—surprising and totally unexpected events. We were led through an intricate maze of corridors and chambers until I became suspicious that we were purposely being confused, and convinced that whether such was the intention or not the fact remained that I could no more have retraced my steps to the outer courtyard than I could have flown without wings. We had planned that, in the event of gaining admission to the palace, we would carefully note whatever might be essential to a speedy escape; but when, in a whisper, I asked Gor Hajus if he could find his way out again he assured me that he was as confused as I.
The palace was in no sense remarkable nor particularly interesting, the work of the Phundahlian artists being heavy and oppressing and without indication of high imaginative genius. The scenes depicted were mostly of a religious nature illustrating passages from Turgan, the Phundahlian bible, and, for the most part, were a series of monotonous repetitions. There was one, which appeared again and again, depicting Turgan creating a round, flat Mars and hurling it into space, that always reminded me of a culinary artist turning a flap jack in a child’s window.
There were also numerous paintings of what appeared to be court scenes delineating members of the Phundahlian royal line in various activities; it was noticeable that the more recent ones in which Xaxa appeared had had the principal figure repainted so that there confronted me from time to time portraits, none too well done, of the beautiful face and figure of Valla Dia in the royal trappings of a Jeddara. The effect of these upon me is not easy of description. They brought home to me the fact that I was approaching, and should presently be face to face with, the person of the woman to whom I had consecrated my love and my life, and yet in that same person I should be confronting one whom I loathed and would destroy.
We were halted at last before a great door and from the number of warriors and nobles congregated before it I was confident that we were soon to be ushered into the presence of the Jeddara. As we waited those assembled about us eyed us with, it seemed to me, more of hostility than curiosity and when the door swung open they accompanied us, with the exception of a few warriors, into the chamber beyond. The room was of medium size and at the farther side, behind a massive table, sat Xaxa. About her were grouped a number of heavily armed nobles. As I looked them over I wondered if among them was he for whom the body of Dar Tarus had been filched; for we had promised him that if conditions were favorable we would attempt to recover it.
Xaxa eyed us coldly as we were halted before her. “Let us see the beast perform,” she commanded, and then suddenly: “What mean you by permitting strangers to enter my presence bearing arms?” she cried. “Sag Or, see that their weapons are removed!” and she turned to a handsome young warrior standing near her.
Sag Or! That was the name. Before me stood the noble for whom Dar Tarus had suffered the loss of his liberty, his body and his love. Gor Hajus had also recognized the name and Hovan Du, too; I could tell by the way they eyed the man as he advanced. Curtly he instructed us to hand our weapons to two warriors who advanced to receive them. Gor Hajus hesitated. I admit that I did not know what course to pursue.
Everyone seemed hostile and yet that might be, and doubtless was, but a reflection of their attitude towards all strangers. If we refused to disarm we were but three against a room full, if they chose to resort to force; or if they turned us out of the palace because of it we would be robbed of this seemingly god given opportunity to win to the very heart of Xaxa’s palace and to her very presence, where we must eventually win before we could strike. Would such an opportunity ever be freely offered us again? I doubted it and felt that we had better assume a vague risk now than, by refusing their demand, definitely arm their suspicions. So I quietly removed my weapons and handed them to the warrior waiting to receive them; and following my example, Gor Hajus did likewise, though I can imagine with what poor grace.
Once again Xaxa signified that she would see Hovan Du perform. As Gor Hajus put him through his antics she watched listlessly; nor did anything that the ape did arouse the slightest flicker of interest among the entire group assembled about the Jeddara. As the thing dragged on I became obsessed with apprehensions that all was not right. It seemed to me that an effort was being made to detain us for some purpose—to gain time. I could not understand, for instance, why Xaxa required that we repeat several times the least interesting of the ape’s performances. And all the time Xaxa sat playing with a long, slim dagger, and I saw that she watched me quite as much as she watched Hovan Du, while I found it difficult to keep my eyes averted from that perfect face, even though I knew that it was but a stolen mask behind which lurked the cruel mind of a tyrant and a murderess.
At last came an interruption to the performance. The door opened and a noble entered, who went directly to the Jeddara whom he addressed briefly and in a low tone. I saw that she asked him several questions and that she seemed vexed by his replies. Then she dismissed him with a curt gesture and turned towards us.
“Enough of this!” she cried. Her eyes rested upon mine and she pointed her slim dagger at me. “Where is the other?” she demanded.
“What other?” I inquired.
“There were three of you, beside the ape. I know nothing about the ape, nor where, nor how you acquired it; but I do know all about you, Vad Varo, and Gor Hajus, the Assassin of Toonol, and Dar Tarus. Where is Dar Tarus?” her voice was low and musical and entirely beautiful—the voice of Valla Dia—but behind it I knew was the terrible personality of Xaxa, and I knew too that it would be hard to deceive her, for she must have received what information she had directly from Ras Thavas. It had been stupid of me not to foresee that Ras Thavas would immediately guess the purpose of my mission and warn Xaxa. I perceived instantly that it would be worse than useless to deny our identity, rather I must explain our presence—if I could.
“Where is Dar Tarus?” she repeated.
“How should I know?” I countered. “Dar Tarus has reasons to believe that he would not be safe in Phundahl and I imagine that he is not anxious that anyone should know his whereabouts—myself included. He helped me to escape from the Island of Thavas, for which his liberty was to be his reward. He has not chosen to accompany me further upon my adventures.”
Xaxa seemed momentarily disarmed that I did not deny my identity—evidently she had supposed that I would do so.
“You admit then,”
she said, “that you are Vad Varo, the assistant of Ras Thavas?”
“Have I ever sought to deny it?”
“You have disguised yourself as a red-man of Barsoom.”
“How could I travel in Barsoom otherwise, where every man’s hand is against a stranger?”
“And why would you travel in Barsoom?” Her eyes narrowed as she waited for my reply.
“As Ras Thavas has doubtless sent you word, I am from another world and I would see more of this one,” I told her. “Is that strange?”
“And you come to Phundahl and seek to gain entrance to my presence and bring with you the notorious Assassin of Toonol that you may see more of Barsoom?”
“Gor Hajus may not return to Toonol,” I explained, “and so he must seek service for his sword at some other court than that of Vobis Kan—in Phundahl perhaps, or if not here he must move on. I hope that he will decide to accompany me as I am a stranger in Barsoom, unaccustomed to the manners and ways of her people. I would fare ill without a guide and mentor.”
“You shall fare ill,” she cried. “You have seen all of Barsoom that you are destined to see—you have reached the end of your adventure. You think to deceive me, eh? You do not know, perhaps, that I have heard of your infatuation for Valla Dia or that I am fully conversant with the purpose of your visit to Phundahl.” Her eyes left me and swept her nobles and her warriors. “To the pits with them!” she cried. “Later we shall choose the manner of their passing.”
Instantly we were surrounded by a score of naked blades. There was no escape for Gor Hajus or me, but I thought that I saw an opportunity for Hovan Du to get away. I had had the possibility of such a contingency in mind from the first and always I had been on the lookout for an avenue of escape for one of us, and so the open windows at the right of the Jeddara had not gone unnoticed, nor the great trees growing in the courtyard beneath. Hovan Du was close beside me as Xaxa spoke.
“Go!” I whispered. “The windows are open. Go, and tell Dar Tarus what has happened to us,” and then I fell back away from him and dragged Gor Hajus with me as though we would attempt to resist arrest; and while I thus distracted their attention from him Hovan Du turned towards an open window. He had taken but a few steps when a warrior attempted to halt him; with that the ferocious brain of the anthropoid seemed to seize dominion over the great creature. With a hideous growl he leaped with the agility of a cat upon the unfortunate Phundahlian, swung him high in giant hands and using his body as a flail tumbled his fellows to right and left as he cut a swath towards the open window nearest him.
Instantly pandemonium reigned in the apartment. The attention of all seemed centered upon the great ape and even those who had been confronting us turned to attack Hovan Du. And in the midst of the confusion I saw Xaxa step to some heavy hangings directly behind her desk, part them and disappear.
“Come!” I whispered to Gor Hajus. Apparently intent only upon watching the conflict between the ape and the warriors I moved forward with the fighters but always to the left towards the desk that Xaxa had just quitted. Hovan Du was giving a good account of himself. He had discarded his first victim and one by one had seized others as they came within range of his long arms and powerful hands, sometimes four at a time as he stood well braced upon two of his hand-like feet and fought with the other four. His shock of bristling hair stood erect upon his skull and his fierce eyes blazed with rage as, towering high above his antagonists, he fought for his life—the most feared of all the savage creatures of Barsoom. Perhaps his greatest advantage lay in the inherent fear of him that was a part of every man in that room who faced him, and it forwarded my quickly conceived plan, too, for it kept every eye turned upon Hovan Du, so that Gor Hajus and I were able to work our way to the rear of the desk. I think Hovan Du must have sensed my intention then, for he did the one thing best suited to attract every eye from us to him and, too, he gave me notice that the human half of his brain was still alert and watchful of our welfare.
Heretofore the Phundahlians must have looked upon him as a remarkable specimen of great ape, marvellously trained, but now, of a sudden, he paralyzed them with awe, for his roars and growls took the form of words and he spoke with the tongue of a human. He was near the window now. Several of the nobles were pushing bravely forward. Among them was Sag Or. Hovan Du reached forth and seized him, wrenching his weapons from him. “I go,” he cried, “but let harm befall my friends and I shall return and tear the heart from Xaxa. Tell her that, from the Great Ape of Ptarth.”
For an instant the warriors and the nobles stood transfixed with awe. Every eye was upon Hovan Du as he stood there with the struggling figure of Sag Or in his mighty grasp. Gor Hajus and I were forgotten. And then Hovan Du turned and leaped to the sill of the window and from there lightly to the branches of the nearest tree; and with him went Sag Or, the favorite of Xaxa, the Jeddara. At the same instant I drew Gor Hajus with me between the hangings in the rear of Xaxa’s desk, and as they fell behind us we found ourselves in the narrow mouth of a dark corridor.
Without knowledge of where the passage led we could only follow it blindly, urged on by the necessity for discovering a hiding place or an avenue of escape from the palace before the pursuit, which we knew would be immediately instituted, overtook us. As our eyes became accustomed to the gloom, which was partially dispelled by a faint luminosity, we moved more rapidly and presently came to a narrow spiral runway which descended into a dark hole below the level of the corridor and also arose into equal darkness above.
“Which way?” I asked Gor Hajus.
“They will expect us to descend,” he replied, “for in that direction lies the nearest avenue of escape.”
“Then we will go up.”
“Good!” he exclaimed. “All we seek now is a place to hide until night has fallen, for we may not escape by day.”
We had scarcely started to ascend before we heard the first sound of pursuit—the clank of accoutrements in the corridor beneath. Yet, even with this urge from behind, we were forced to move with great caution, for we knew not what lay before. At the next level there was a doorway, the door closed and locked, but there was no corridor, nor anywhere to hide, and so we continued on upward. The second level was identical with that just beneath, but at the third a single corridor ran straight off into darkness and at our right was a door, ajar. The sounds of pursuit were appreciably nearer now and the necessity for concealment seemed increasing as the square of their growing proportions until every other consideration was overwhelmed by it. Nor is this so strange when the purpose of my adventure is considered and that discovery now must assuredly spell defeat and blast for ever the slender ray of hope that remained for the resurrection of Valla Dia in her own flesh.
There was scarce a moment for consideration. The corridor before us was shrouded in darkness—it might be naught but a blind alley. The door was close and ajar. I pushed it gently inward. An odor of heavy incense greeted our nostrils and through the small aperture we saw a portion of a large chamber garishly decorated. Directly before us, and almost wholly obstructing our view of the entire chamber, stood a colossal statue of a squatting man-like figure. Behind us we heard voices—our pursuers already were ascending the spiral—they would be upon us in a few seconds. I examined the door and discovered that it fastened with a spring lock. I looked again into the chamber and saw no one within the range of our vision, and then I motioned Gor Hajus to follow me and stepping into the room closed the door behind us. We had burned our bridges. As the door closed the lock engaged with a sharp, metallic click.
“What was that?” demanded a voice, originating, seemingly, at the far end of the chamber.
Gor Hajus looked at me and shrugged his shoulders in resignation (he must have been thinking what I was thinking—that with two avenues we had chosen the wrong one) but he smiled and there was no reproach in his eyes.
“It sounded from the direction of the Great Tur,” replied a second voice.
“Perhaps someone is at t
he door,” suggested the first speaker.
Gor Hajus and I were flattened against the back of the statue that we might postpone as long as possible our inevitable discovery should the speakers decide to investigate the origin of the noise that had attracted their suspicions. I was facing against the polished stone of the figure’s back, my hands outspread upon it. Beneath my fingers were the carven bits of its ornamental harness—jutting protuberances that were costly gems set in these trappings of stone, and there were gorgeous inlays of gold filagree; but these things I had no eyes for now. We could hear the two conversing as they came nearer. Perhaps I was nervous, I do not know. I am sure I never shrank from an encounter when either duty or expediency called; but in this instance both demanded that we avoid conflict and remain undiscovered. However that may be, my fingers must have been moving nervously over the jeweled harness of the figure when I became vaguely, perhaps subconsciously, aware that one of the gems was loose in its setting. I do not recall that this made any impression upon my conscious mind, but I do know that it seemed to catch the attention of my wandering fingers and they must have paused to play with the loosened stone.
The voices seemed quite close now—it could be but a matter of seconds before we should be confronted by their owners. My muscles seemed to tense for the anticipated encounter and unconsciously I pressed heavily upon the loosened setting—whereat a portion of the figure’s back gave noiselessly inward revealing to us the dimly lighted interior of the statue. We needed no further invitation; simultaneously we stepped across the threshold and in almost the same movement I turned and closed the panel gently behind us. I think that there was absolutely no sound connected with the entire transaction; and following it we remained in utter silence, motionless—scarce breathing. Our eyes became quickly accustomed to the dim interior which we discovered was lighted through numerous small orifices in the shell of the statue, which was entirely hollow, and through these same orifices every outside sound came clearly to our ears.
The Collected John Carter of Mars (Volume 2) Page 52