"Isaac Twenty-Three, that's Apartment A, Six Stockton Place."
"Two-Eleven, where does that come in?"
"It's off Arch Street in the one-hundred block."
"Okay. Two-Eleven, thank you," he said, and put the microphone back in the glove box.
He was surprised. That was really a crummy address, not one where you would expect a classy blonde like Louise Dutton to live. Then he remembered that there had been conversion, renovation, whatever it was called, of the old buildings in that area.
When Lieutenant David Pekach came out of the medical examiner's office, he found a white-cap Traffic Division officer standing next to the battered van, writing out a ticket.
"Is there some trouble, Officer?" Pekach asked, innocently.
The Traffic Division officer, who had intended to ticket the van only for a missing headlight, took a look at the legend on Pekach's T-shirt, and with an effort, restrained himself from commenting.
What he would have liked to have done is kick the fucking hippie queer junkie's ass from there to the river, and there drown the sonofabitch, and in the old days, when he'd first come on the job, he could have done just that. But things had changed, and he was coming up on his twenty years for retirement, and it wasn't worth risking his pension, even if somebody walking around with something insulting to the police like that-Support Your Local Sheriff my ass, that wasn't what it meant-printed on his sweatshirt and walking around on the streets really deserved to get his ass kicked.
Instead, he cited the vehicle for a number of additional offenses against the Motor Vehicle Code: cracked windshield, smooth tires, non-functioning turn indicators, and illegible license plate, which was all he could think of. He was disappointed when the fucking hippy had a valid driver's license.
Half a block from the medical examiner's office, Lieutenant Pekach put his copy of the citation between his teeth, ripped it in half, and then threw both halves out the van's window.
***
When Wohl got to the Roundhouse, he parked in the space reserved for Chief Inspector Coughlin. Coughlin was very close to the Moffitt family; more than likely he would be at the Moffitt house for a while. As he walked into the building, he saw Hobbs's car turn into the parking lot.
He was not surprised to find Chief Inspector of Detectives Matt Lowenstein in Homicide. Lowenstein was in the main room, sitting on a desk, a fresh, very large cigar in the corner of his mouth.
"Well, Inspector Wohl," Lowenstein greeted him with mock cordiality, "I was hoping I'd run into you. How are you, Peter?"
"Good afternoon, Chief," Wohl said.
"Do you think you could find a moment for me?" Lowenstein asked. "I've got a little something on my mind."
"My time is your time, Chief," Wohl said.
"Why don't we just go in here a moment?" Lowenstein said, gesturing toward the door of an office on whose door was lettered captain HENRY C. QUAIRE COMMANDING OFFICER.
Chief Inspector Lowenstein opened the door without knocking. Captain Quaire, a stocky, balding man in his late forties, was sitting in his shirtsleeves at his desk, talking on the telephone. When he saw Lowenstein, he covered the mouthpiece with his hand.
"Henry, why don't you get a cup of coffee or something?" Lowenstein suggested.
Captain Quaire, as he rose to his feet, said "I'll call you right back" to the telephone and hung it up. When he passed Peter Wohl, he shook his head. Wohl wasn't sure if it was a gesture of sympathy, or whether it meant that Quaire too was shocked, and pissed, by what he had done.
"Peter," Lowenstein said, as he closed the door after Quaire, "it's not that I don't think that you are one of the brightest young officers in the department, a credit to the department and your father, but when I want your assistance, the way I would prefer to do that is to call Denny Coughlin and ask for it. Not have you shoved down my throat by the Polack."
"Frankly, Chief," Wohl said, smiling, "I sort of expected you would ask me in here, thank me for my services, and tell me not to let the doorknob hit me in the ass on my way out."
"Don't be a wiseass, Peter," Lowenstein said.
"Chief, I hope you understand that what I did at the diner was at the commissioner's orders," Wohl said. He saw that Lowenstein was still angry.
"The implication, of course, is that everybody in Homicide is a fucking barbarian, too dumb to figure out for themselves how to handle a woman like that,'' Lowenstein said.
"I don't think he meant that, Chief," Wohl said. "I think what it was was just that I was the senior supervisor at the Waikiki Diner. I think he would have given the same orders, would have preferred to give the same orders, to anyone from Homicide."
"The difference, Peter, is that nobody from Homicide would have called the Polack. They would have followed procedure. Why did you call him?"
"A couple of reasons," Wohl said, deciding to stand his ground. "Primarily because he and Dutch were close."
"And the woman?"
"And the woman," Peter said. "I'm sorry if you're angry, but I don't see where what I did was wrong."
"Was Dutch fucking her?"
"I don't know," Peter said. "I thought it was possible when I called the commissioner, and that if they had something going on between them, what I should do was try to keep anybody from finding out."
"Maybe the Polack was already onto it," Lowenstein said.
"Excuse me?"
"Just before you came in, Peter, I talked with the Polack," Lowenstein said. "I was going to call him anyway, but he called me. And what he told me was that he wants you in on this, to deal with the Dutton woman from here on in."
"I don't understand," Wohl said.
"It's simple English," Lowenstein said. "Whatever Homicide has to do with that woman, they'll do it through you. I told the Polack I didn't like that one damned bit, and he said he was sorry, but it wasn't a suggestion. He also said that I shouldn't bother complaining to the mayor, the mayor thought it was a good idea, too. I guess that Wop sonofabitch is as afraid of the goddamned TV as the Polack is."
"Well, it wasn't my idea," Wohl said, aware that he was embarrassed. "I went to Nazareth, and went through Dutch's personal possessions, and then I went to the medical examiner's office. I was going to come here to tell you what I found-which is nothing-and then I was going to call the commissioner and tell him."
Lowenstein looked intently at him for a moment.
"And go back to where I belong," Peter added.
"Yeah, well, that's not going to happen," Lowenstein said. "I was going to give you a little talk, Peter, to make it clear that all you're authorized to do is keep the TV lady happy; that you're not to get involved in the investigation itself. But I don't think I have to do that, do I?"
"No, sir," Wohl said. "Of course you don't."
"And I don't think I have to ask you to make sure that I hear anything the Polack hears, do I?"
"No, sir."
"The trouble with you, Peter, you sonofabitch, is that I can't stay mad at you," Lowenstein said.
"I'm glad to hear that," Wohl said, smiling. "What do you think I should do now?"
"I suspect that just maybe the assigned detective would like to talk to the witness," Lowenstein said. "Why don't you find him and ask him? Where's the dame?"
"At her apartment," Peter said. "Who's got the job?"
"Jason Washington," Chief Inspector Lowenstein said. "I expect you'll find him outside, just a titter with excitement that he'll now be able to work real close to a real staff inspector."
"There's a rumor going around, Chief," Wohl said, "that some people think staff inspectors are real cops."
"Get your ass out of here, Peter," Lowenstein said, but he was smiling.
There were twenty-one active homicide investigations underway by the Homicide Division of the Philadelphia Police Department, including that of Captain Richard C. Moffitt. An active homicide investigation being defined unofficially as one where there was a reasonable chance to determine who had unlawfully
caused the death of another human being, and to develop sufficient evidence to convince the Philadelphia district attorney that he would not be wasting his time and the taxpayers' money by seeking a grand jury indictment and ultimately bringing the accused to trial.
Very nearly at the bottom of the priority list to expend investigatory resources (the time and overtime of the homicide detectives, primarily, but also including certain forensic techniques, some of which were very expensive) were the cases, sometimes occurring once or twice a week, involving vagrants or junkies done to death by beating, or stabbing. The perpetrator of these types of murders often had no motive beyond taking possession of the victim's alcohol or narcotics, and if questioned about it eight hours later might really have no memory of what had taken place.
There were finite resources. Decisions have to be made as to where they can best be spent in protecting the public, generally, or sometimes an individual. Most murders involve people who know each other, and many involve close relatives, and most murders are not hard to solve. The perpetrator of a murder is often on the scene when the police arrive, or if he has fled the scene, is immediately identified by witnesses who also have a pretty good idea where he or she might be found.
What many homicide detectives privately (certainly not for public consumption) think of as a good case is a death illegally caused during the execution of a felony. A holdup man shoots a convenience-store cashier, for example, or a bank messenger is shot and killed while being held up.
That sort of a perpetrator is not going to be found sitting in the toilet, head between his hands, sick to his stomach with remorse, asking to see his parish priest. The sonofabitch is going to run, and if run to earth is going to deny ever having been near the scene of the crime in his life.
It is necessary to make the case against him. Find his gun, wherever he hid it or threw it, and have the crime lab make it as the murder weapon. Find witnesses who saw him at the scene of the crime, or with the loot. Break the stories of witnesses who at first are willing to swear on a stack of Bibles that the accused was twenty miles from the scene of the crime.
This is proper detective work, worthy of homicide detectives, who believe they are the best detectives in the department. It requires brains and skills in a dozen facets of the investigative profession.
And every once in a great while, there is a case just like cop stories on the TV, where some dame does in her husband, or some guy does in his business partner, on purpose, planning it carefully, so that it looks as if he fell down the cellar stairs, or that the partner got done in by a burglar, or a mugger, or a hit-and-run driver.
But something about it smells, and a good homicide detective starts nosing around, finding out if the done-in husband had a girl on the side, or a lot of insurance, or had a lot of insurance and the wife was running around.
Very near the top of the priority list are the homicides of children, and other sorts of specially protected individuals, such as nuns, or priests.
And at the absolute top of the priority list is the murder of a police officer. There are a number of reasons for this, some visceral (that could be me lying there with a hole in the back of my head) and some very practical: You can't enforce the law if the bad guys think they can shoot a cop and get away with it. If the bad guys can laugh at the cops, they win.
Technically, the investigation of the murder of Captain Richard C. Moffitt would be handled exactly like the murder of any other citizen. The case would be assigned to a homicide detective. It would be his case. He would conduct the investigation, asking for whatever assistance he needed. He would be supervised by his sergeant, who would keep himself advised on where the investigation was leading. And the sergeant's lieutenant would keep an eye on the investigation through the sergeant. Both would provide any assistance to the homicide detective who had the case that he asked for.
That was the procedure, and it would be followed in the case of Captain Richard C. Moffitt.
Captain Henry C. Quaire, commanding officer of the Homicide Division, had assigned the investigation of the murder of Captain Richard C. Moffitt to Detective Jason F. Washington, Sr., almost immediately upon learning that Captain Moffitt had been shot to death.
Detective Washington was thirty-nine years old, a large, heavyset Afro-American who had been a police officer for sixteen years, a detective for eleven, and assigned to Homicide for five. Washington had a reputation as a highly skilled interrogator, a self-taught master psychologist who seemed to know not only when someone being interviewed was lying, but how to get the person being interviewed to tell the truth. He was quite an actor, doing this, being able convincingly to portray any one of a number of characters, from the kindly understanding father figure who fully understood how something tragic like this could happen to the meanest sonofabitch east of the Mississippi River.
Washington had a fine mind, an eagle's eye when discovering minor discrepancies in a story, and a skill rare among his peers. He was a fine typist. He could type with great accuracy at about eighty words per minute. This skill, coupled with Detective Washington's flair for writing, made his official reports the standard to which his peers aspired. Detective Washington was never summoned to the captain's office to be asked, "What the hell is this supposed to mean?"
Detective Washington and Captain Moffitt had been friends, too. Washington had been (briefly, until he had been injured in a serious wreck, during a high-speed pursuit) then-Sergeant Moffitt's partner in the Highway Patrol.
None of this had anything to with the case of Captain Richard C. Moffitt being assigned to Detective Jason F. Washington, Sr. He was given the job because he was "up on the wheel." The wheel (which was actually a sheet of cardboard) was the device by which jobs were assigned to the detectives of the Homicide Division. Each shift had its own wheel. When a job came in, the detective whose name was at the head of list was given the assignment, whereupon his name went to the bottom of the wheel. He would not be given another job until every other homicide detective, in turn, had been given one.
The system was not unlike that used in automobile showrooms, where to keep a prospective customer, an "up," from being swarmed over by a dozen commission-hungry salesmen, they were forced to take their turn.
Jason F. Washington, Sr., knew, however, as did everybody else in Homicide, that while Dutch's shooting might be his job, he was going to be given a higher level of supervision and assistance than he would have gotten had Richard C. Moffitt been a civilian when he stopped the bullet in the Waikiki Diner.
There was no suggestion at all that there was any question in anyone's mind that Washington could not handle the job. What it was was that the commissioner was going to keep an eye on the case through Chief Inspector of Detectives Matt Lowenstein, who was going to lean on Captain Quaire to make sure everything possible was being done, who was going to lean on Lieutenant Lou Natali who was going to lean on Sergeant Zachary Hobbs, who was going to lean on Detective Jason F. Washington, Sr.
And now Peter Wohl had been added to the equation, and Jason Washington wasn't sure what that would mean. He had found that out when he'd asked Captain Quaire why the witness hadn't been brought to the Roundhouse. Quaire had told him, off the record, that Wohl had stuck his nose in where it didn't belong, and that Lowenstein was about to chop it off for him. But an hour after that, Quaire had come out of his office to tell him that was changed. He was not to do anything about the witness at all, without checking with Staff Inspector Wohl. Staff Inspector Wohl was presently at the medical examiner's office and might, and then again might not, soon grace Homicide with his exalted presence.
Quaire had thrown up his hands.
"Don't look at me, Jason. I just work here. We are now involved in bullshit among the upper-level brass."
Detective Jason Washington had seen Staff Inspector Peter Wohl come into Homicide, and had seen Matt Lowenstein take him into Captain Quaire's office, throwing Quaire out as he did so. He was not surprised when Wohl appeared at hi
s desk, five minutes later, although he had not seen, or sensed, him walking over.
"Hello, Jason," Wohl said.
Washington stood up and offered his hand.
"Inspector," he said. "How goes it?"
"I'm all right," Wohl said. "How've you been?"
"Aside from the normal ravages of middle age, no real complaints. Something on your mind?"
"I've been assigned to stroke WCBL-TV generally and Miss Louise Dutton specifically," Wohl said. "I guess you heard?"
Washington smiled. "I heard about that." He pointed at the wooden chair beside his desk.
Wohl smiled his thanks and sat down and stretched his legs out.
"You ever read Animal Farm?" Wohl asked.
Washington chuckled.
"I wouldn't compare a pretty lady like that with a pig," he said.
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