What I Came to Tell You

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What I Came to Tell You Page 1

by Tommy Hays




  EGMONT

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  First published by Egmont USA, 2013

  443 Park Avenue South, Suite 806

  New York, NY 10016

  Copyright © Tommy Hays, 2013

  All Rights Reserved

  www.egmontusa.com

  www.tommyhays.com

  The Thomas Wolfe Memorial is a North Carolina State Historic Site operated by the Division of State Historic Sites and Properties. This work has not been prepared, manufactured, approved or licensed by the Division of State Historic Sites and Properties or the State of North Carolina. Neither the author of this work nor the publisher are in any way affiliated with the Division of State Historic Sites and Properties.

  Library of Congress Cataloging-in-Publication Data

  Hays, Tommy.

  What I came to tell you / Tommy Hays.

  pages cm

  Summary: A boy finds solace in his art and community after his mother dies and his father retreats into himself.

  eISBN: 978-1-60684-434-2

  I. Title.

  PZ7.H314927Wh 2013

  [Fic]—dc23

  2012046189

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior written consent of the publisher and copyright owner.

  v3.1

  FOR MAX AND RUTH,

  WHO DISAPPEARED FOR HOURS INTO

  THE NEIGHBOR’S BAMBOO THICKET,

  OFTEN STAYING TILL DARK

  AND FOR CONNIE,

  WHO WAITED AS PATIENTLY AS A MOTHER COULD

  TO CALL THEM IN FOR SUPPER

  CONTENTS

  Cover

  Title Page

  Copyright

  Dedication

  Chapter One: Not Him Again

  Chapter Two: No One Left to Blame

  Chapter Three: He’s Not Himself

  Chapter Four: The New Girl

  Chapter Five: D Is for Dead Man

  Chapter Six: Gone to Videolife

  Chapter Seven: A Big Old Grass

  Chapter Eight: All That’s Left

  Chapter Nine: Wait Up

  Chapter Ten: For All I Care

  Chapter Eleven: Try Not to Think About It

  Chapter Twelve: Merlin Wants In

  Chapter Thirteen: Small Talk

  Chapter Fourteen: Suit Yourself

  Chapter Fifteen: She’s in There

  Chapter Sixteen: A Message from God

  Chapter Seventeen: Up into the Mountains

  Chapter Eighteen: It Wasn’t Jesus

  Chapter Nineteen: Grover’s Waltz

  Chapter Twenty: Bad News

  Chapter Twenty-One: Vincent van Grover

  Chapter Twenty-Two: Be That Way

  Acknowledgments

  CHAPTER ONE

  NOT HIM AGAIN

  Before their mother became Buddhist, she would take Grover and his sister to the First Presbyterian Church downtown. The minister talked about God being everywhere—omnipresent was the word he liked to use. But what Grover believed more and more, if you could call it believing, was the omnipresence of absence, the everywhere of gone.

  The feeling was with Grover as he and his sister, Sudie, walked out of the Bamboo Forest and headed up Edgemont Road toward the cemetery. Between them, they carried a stiff weaving that glinted with autumn leaves Grover had carefully worked between tied sections of bamboo. Biscuit, their little mutt dog, followed them. It was a chilly Saturday afternoon in October, six months and two days since the dog’s leash had snapped and sent Grover’s family reeling.

  The cool breeze picked up, tugging on the weaving. Grover glanced at Sudie to make sure she had a good grip. Lately it had seemed that his sister, who had turned ten in September, looked more and more like their mother—with her high cheekbones and winter blue eyes. Grover, who was twelve, knew all too well that he’d been looking more and more like their father. Whenever he found himself in front of a mirror, he saw a skinny, stoop-shouldered kid weighed down by his father’s caterpillar eyebrows.

  A sudden gust of wind pushed on the weaving.

  “Hold on,” Grover said.

  Sudie held her end with both hands. Grover’s eyes lingered on his sister’s face. The first sign of tears and he was taking her right back to the house.

  “What?” she asked.

  “Nothing.”

  The wind died the moment they entered the wrought iron cemetery gates, as if they’d stepped into a room. Riverside, the city’s oldest cemetery, was where the writer Thomas Wolfe was buried. Wolfe, who some people—especially if they weren’t from Asheville—hadn’t heard of, had once been as famous as Ernest Hemingway or William Faulkner or F. Scott Fitzgerald. He’d written several long books, the most famous being Look Homeward, Angel.

  Riverside was also where, twenty years ago, Grover’s parents had met. Grover’s father had been a tour guide for the Thomas Wolfe house before he became its director. Grover’s mother had been a student in a college English class that was studying Wolfe’s novels, and their father had taken them on a tour of Riverside. If it wasn’t for Thomas Wolfe, their father liked to remind Grover and Sudie, they wouldn’t even exist. Grover’s parents had held their wedding in Riverside and bought an old house on the edge of the cemetery. Their father had wanted to be close to Wolfe and all the other historic graves. Their mother had liked the view from their large upstairs bedroom window. More like a park with headstones, Riverside stretched across eighty-seven acres of rolling hills and thick-trunked oaks and tulip poplars. Their mother had set up her little Buddhist altar so that every morning, as she meditated, she looked out on the cemetery.

  Carrying the weaving, Grover and Sudie walked over one hill, passing the Jewish section. They heard the scrape of a shovel. A man with long gray hair, a beard and a battered hat was digging a hole. A sapling rested on the ground, its root ball in a burlap sack. Grover recognized the fan-shaped gingko leaves.

  “Another one?” The man set down his shovel and came over to look at Grover’s weaving, which they had rested gently on the ground. He squatted down, looking it over closely. Jessie, a landscaper, did a lot of work for the cemetery and lived three doors down from Grover’s family. He’d become close friends with Grover’s parents long before Grover was ever born. Sometimes Grover went on jobs with Jessie, helping him weed or plant shrubs or mulch flower beds. Jessie told wild stories about growing up poor in Charleston. He had a way about him that made Grover think of Yoda, Yoda with a Southern accent.

  Jessie walked around to the other side with Biscuit following him. “Some intricate work here.”

  Grover felt his face heat up with embarrassment. He respected Jessie’s opinion.

  Biscuit sniffed the weaving.

  “It’ll look good with the others,” Jessie said. “I went to straighten up over there a little bit this morning but I saw that you beat me to it.”

  Grover shook his head. “I haven’t straightened it.”

  “Me neither,” Sudie said.

  “Oh, I bet it was Matthew,” Jessie said. “He’s my new assistant. I’ve got him working over in that area this morning.” Jessie often hired assistants from the University of North Carolina Asheville to help him part-time. “Has your daddy seen this one?” Jessie nodded at the weaving.

  “He’s at the office,” Sudie said.

  “As usual,” Grover couldn’t help adding. Their father had always gone over to the Thomas Wolfe house on Saturdays and sometimes Sundays to catch up on paperwork. What surprised Grover was that he’d started back working weekends only a couple of weeks after the accident. At first he thou
ght it was his father’s way of dealing with it all, throwing himself into his work. But lately, he’d kept even longer hours. From overheard conversations, Grover had gathered that the Wolfe house was in some kind of trouble. So he couldn’t tell where his father’s sadness stopped and his worry about the Wolfe house started.

  “Your father has a big job,” Jessie said. “A lot of people count on him.”

  It was something their mother used to say when their father didn’t show up for a soccer game or Meet Your Teacher Night or the Fall Fling. Grover picked up the weaving and walked away.

  Sudie ran after Grover with Biscuit behind her. She took up her end of the weaving. They passed a worn headstone with a little statue of a lamb curled up on it. A lamb or any kind of animal meant a child’s grave. Lily Starbuck 1910–1918. Grover’d noticed many graves of people who’d died in 1918. Their father’d said a lot of people had died then because of the Spanish flu, spread by soldiers coming back from World War I.

  At the top of the hill was Thomas Wolfe’s grave, surrounded by his family’s graves—his mother, his father and his brothers and sisters.

  Wolfe’s marker read—

  TOM

  SON OF

  W.O. AND JULIA E.

  WOLFE

  A BELOVED AMERICAN AUTHOR

  OCT. 3, 1900—SEPT. 15, 1938

  “THE LAST VOYAGE, THE LONGEST, THE BEST.”

  LOOK HOMEWARD ANGEL

  A couple of folded notes rested on the bottom ledge of Wolfe’s marker. People often left cards and even letters to Wolfe. The notes usually praised his books. Sometimes there’d be a note from someone sounding desperate—their boyfriend had just broken up with them, or their wife had cancer, or their father had died of a heart attack.

  Grover and Sudie arrived at the Johnston family plot, mostly old, worn, gray markers, some newer-looking than others. Their grandparents, their father’s parents, were buried here. Great-aunts and uncles. A white marble marker gleamed in one corner. Propped against the marker were all sizes of bamboo weavings with leaves and grasses and bark woven together. The first ones were the smallest. They’d faded and started to come unraveled. Not really aware he was doing it, Grover had made each weaving a little bigger. They leaned against all sides of the grave marker, covering everything but the inscription.

  JEAN CAROLINE JOHNSTON

  MARCH 10, 1967—APRIL 6, 2011

  “WE ARE NOT WHAT WE THINK”—THE BUDDHA

  More weavings covered the ground around the marker, like a gigantic quilt. Sudie helped Grover move the most recent weavings to the side and set the new one at the foot of the marker.

  Several plots away, a man in a green Army jacket raked around several headstones. Grover guessed this was Matthew, Jessie’s new assistant.

  “She’ll like your new weaving,” Sudie said, resting her hand on the marker.

  Grover watched his sister’s face darken.

  “Now you said …”

  “I know. I won’t …” Her lip trembled.

  “We better go,” Grover said, starting to take his sister’s hand, but she jerked away.

  “God is stupid!” Sudie said.

  Grover sighed. “Not Him again.”

  “Well, He is!” she said louder. “If He can’t think of anything better than having everybody die in the end!”

  Crows lifted from a leafless dogwood, and Matthew had stopped raking and was looking in their direction. He was chubby, pale, and wore thick-lensed black-framed glasses.

  “Keep your voice down,” Grover said.

  “Well, God is stupid,” Sudie said, “and I don’t care who hears it!” Her shoulders slumped and she sank down on the ground beside their mother’s headstone. She clutched a tiny silver cylinder that hung from a necklace that she never took off. Grover had kept his in his dresser drawer.

  He sat down beside his sister but didn’t say anything.

  Sudie wiped her nose on her coat sleeve. “It just seems so …” Then she said softly, “Stupid.”

  “You won’t get any argument from me,” Grover said.

  “Is that how come you don’t believe in God?” Sudie asked, petting Biscuit.

  “Partly,” Grover said. Mostly is what he should’ve said. Mostly he didn’t believe in God because their mother was dead. Since then he’d paid closer attention in school when they’d studied the slaughter of the Indians, the horrors of slavery, the nightmare of the Holocaust, the bombing of Hiroshima, not to mention all the wars that ever were. The evidence had been there all along; he’d just been too happy to see it.

  “I’ve been dreaming again.” Sudie was looking at the headstone, her eyes rimmed in red.

  “Same dream?” he asked.

  “Daddy pulls over, asks Mama if she wants a ride, and she gets in the car with us and I think everything is going to be okay. She climbs into the backseat between you and me, holding our hands. Daddy drives home, turns onto Edgemont, pulls in front of the house. I turn around …”

  “… and she’s gone,” he said in an almost bored tone.

  “I’ve had that dream a hundred times,” she said. “Every time I tell myself, this time, this time, I’m going to hold her hand tighter.”

  “Sudie, nobody can hold that tight.”

  She bit her lip and for a minute Grover worried she might start sniffling again. He hated when she cried, when anybody cried, for that matter. He never knew what to do.

  “My butt’s getting cold,” Grover said, standing up. “Let’s go home.”

  Sudie looked up at him.

  “Come on.” He motioned for her to stand. “Maybe This Old House is on.”

  “That doesn’t come on till three,” she said, getting up. “The New Yankee Workshop is on right now.”

  The only TV channel they’d ever been able to get with their antennae was public TV. Their mother had never allowed cable. Never allowed them to play video games. Never allowed them to have a computer in the house. She believed children were losing the ability to entertain themselves. She said it was something she’d noticed over the years at her job. But her rules went for their father too. He had to leave his laptop at the office. One of the biggest fights Grover could remember his parents ever having, and they didn’t have many, happened on a night when their father had smuggled his laptop into the house, and their mother had caught him in the kitchen late at night checking his e-mail.

  They found Jessie trying to lift the sapling with its heavy root ball. He looked at Sudie, who was still sniffling a little bit.

  “Can y’all help me tote this to the hole?”

  Sudie nodded, and the three of them lifted the sapling and set it into the hole. “I’ll take it from here,” he said, shoveling dirt around it.

  Sudie and Grover walked out of the cemetery entrance with Biscuit leading the way, and as they did, the wind picked back up. They were passing by the Bamboo Forest when Sudie stopped. “Do you think God’s mad at me for calling Him stupid?”

  “If there is a God,” Grover said, “He’d be a pretty sorry one to get bent out of shape because some girl in a little town in the middle of nowhere called Him stupid.”

  “I’m not some girl,” Sudie said. “I’m Sudie Johnston, and this isn’t the middle of nowhere. It’s Asheville, North Carolina.”

  “If God spent His time jumping on people every time somebody called Him something,” Grover said, “He’d never get anything done.”

  Grover was relieved his sister didn’t say anything else. These God talks tired him out. With their mother dead and their father gone so much, Grover needed Sudie to believe in God. It took some pressure off him. Also, a microscopic cell of himself wondered if he was wrong, if maybe there was a God. Even if he couldn’t manage to believe, he liked to think that his sister believed enough for the both of them.

  CHAPTER TWO

  No ONE LEFT TO BLAME

  On a Saturday morning one week later Grover smelled the sandalwood. He’d been working on a new weaving in his workshop in the Bam
boo Forest. He’d reached into the shoebox and pulled out a bloodred sugar maple leaf. He carefully worked it in with the other leaves, then stepped back, blew into his hands to warm his fingers and looked at his work.

  He breathed in. There it was. The unmistakable sweet smoky smell. His mother had burned sandalwood incense every morning at her altar upstairs. He looked around but saw nothing except bamboo. He pictured how it used to be in their house every morning. Their father, a thin, balding man with bright eyes made even brighter somehow by his thick, bushy eyebrows. He moved easily around the kitchen, cracking eggs, stirring grits and turning over the bacon that buckled and shriveled in the frying pan. Upstairs their mother sat straight-backed on a little round cushion, chanting and ringing her brass bowl in front of a fat, smiling, little wooden Buddha. When their father called them all to breakfast, she would come downstairs in her robe and sit at the kitchen table, smelling like sandalwood.

  Grover looked through the shoebox of leaves. Red oak, tulip poplar, basswood, ash, beech, sycamore, Japanese maple, red maple, sugar maple, paper birch and weeping cherry. He picked out a narrow yellow birch leaf and worked it in. He’d gotten up early this morning, on a Saturday even, put on a coat and hat and headed out to the Bamboo Forest just after daybreak. The weaving, his biggest yet, was about half finished. It hung from a section of bamboo that he’d tied at eye level between two bamboo stalks. The more leaves he’d worked into it, the more the weaving caught the morning breeze, lifting and falling as if it breathed.

  Loud caws. Shadows glided through the air. Black, shiny wings. Something had startled the crows. They settled back into the bamboo, flapping and cawing. A couple of years ago he’d found the dangling skeleton of a crow that had somehow gotten caught in the bamboo and hung itself.

  The Bamboo Forest took up half a vacant lot next to Grover’s house. The half without bamboo was a field that kids sometimes played softball or football in. The rest was bamboo—a maze of footpaths worn by generations of kids’ feet. Grover had been coming here since he was old enough to walk. Years ago his mother had given him a small bow saw and a Swiss Army Knife, and he’d made spears, blowguns, bows and arrows. He learned how to lash the bamboo to make chairs, tables, fences and gates. As he got older, Grover didn’t come as much to the Bamboo Forest. Like his friends, he rode his bike or skateboarded or went inside and watched TV. But for the past six months all he’d wanted to do, all he could stand to do really, was go outside and put things together—sticks, grass, leaves—anything he could get his hands on.

 

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