Brown Girl Dreaming

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Brown Girl Dreaming Page 9

by Jacqueline Woodson


  back to South Carolina. We kiss

  our baby brother good-bye in his hospital bed where

  he reaches out, cries to come with us.

  His words are weak as water, no more

  than a whisper with so much air around them.

  I’m coming too, he says.

  But he isn’t coming.

  Not this time.

  My mother says there is lead in his blood

  from the paint he finds a way to pick

  and eat off our bedroom wall

  every time our backs are turned.

  Small holes grow, like white stars against

  the green paint, covered again and again

  by our mother. But still, he finds a way.

  Each of us hugs him, promises

  to bring him candy and toys.

  Promises we won’t have fun down south

  without him.

  Each of us leans in

  for our mother’s kiss on our forehead,

  her warm lips, already a memory

  that each of us carries home.

  home again to hall street

  My grandmother’s kitchen is the same

  big and yellow and smelling of the pound cake

  she’s made to welcome us back.

  And now in the late afternoon, she is standing

  at the sink, tearing collards beneath

  cool running water, while the crows caw outside,

  and the sun sinks slow into red and gold

  When Hope lets the screen door slam,

  she fusses,

  Boy, don’t you slam my door again! and my brother says,

  I’m sorry.

  Just like always.

  Soon, there’ll be lemonade on the porch,

  the swing whining the same early evening song

  it always sings

  my brother and sister with the checker set between them

  me next to my grandfather, falling asleep against

  his thin shoulder.

  And it’s not even strange that it feels the way

  it’s always felt

  like the place we belong to.

  Like home.

  mrs. hughes’s house

  In Greenville, my grandfather is too sick

  to work anymore, so my grandmother has a full-time job.

  Now we spend every day from July

  until the middle of August

  at Mrs. Hughes’s Nursery and Day School.

  Each morning, we walk the long dusty road

  to Mrs. Hughes’s house—large, white stone,

  with a yard circling and chickens pecking at our feet.

  Beyond the yard there’s collards and corn growing

  a scarecrow, black snakes, and whip-poor-wills.

  She is a big woman, tall, yellow-skinned and thick

  as a wall.

  I hold tight to my grandmother’s hand. Maybe

  I am crying.

  My grandmother drops us off and

  the other kids circle around us. Laughing at

  our hair, our clothes, the names our parents

  have given us,

  our city way of talking—too fast, too many words

  to hear at once

  too many big words coming out of

  my sister’s mouth.

  I am always the first to cry. A gentle slap on the side

  of my head, a secret pinch,

  girls circling around me singing, Who stole the cookie

  from the cookie jar and

  pointing, as though the song is true, at me.

  My sister’s tears are slow to come. But when they do,

  it isn’t sadness.

  It’s something different that sends her swinging

  her fists when

  the others yank her braids until the satin,

  newly ironed ribbons belong to them,

  hidden away in the deep pockets of their dresses,

  tucked into

  their sagging stockings, buried inside their

  silver lunch pails.

  Hope is silent—his name, they say, belongs to a girl,

  his ears, they laugh

  stick out too far from his head.

  Our feet are beginning to belong

  in two different worlds—Greenville

  and New York. We don’t know how to come

  home

  and leave

  home

  behind us.

  how to listen #4

  Kids are mean, Dell says.

  Just turn away. Pretend we

  know better than that.

  field service

  Saturday morning’s the hardest day for us now.

  For three hours we move through

  the streets of Nicholtown,

  knocking on strangers’ doors, hoping to convert

  them into Sisters and Brothers and children of God.

  This summer I am allowed to knock on my first door

  alone. An old woman answers, smiles kindly at me.

  What a special child you are, she says.

  Sky-blue ribbons in my hair, my Watchtower held tight

  in my white-gloved hand,

  the blue linen dress a friend of my grandmother’s

  has made for me stopping just above my knees.

  My name is Jacqueline Woodson, I nearly whisper,

  my throat suddenly dry

  voice near gone.

  I’m here to bring you some good news today . . .

  Well how much does your good news cost, the woman

  wants to know.

  A dime.

  She shakes her head sadly, closes her door a moment

  to search beneath a trunk where she hopes

  she’s dropped a coin or two.

  But when she comes back, there are no coins

  in her hand.

  Oh I’d love to read that magazine, she says.

  I just don’t have money.

  And for many days my heart hurts with the sadness

  that such a nice woman will not be a part of God’s

  new world.

  It isn’t fair, I say to my grandmother when

  so many days have passed.

  I want to go back. I want to give her something

  for free.

  But we’re done now with that strip of Nicholtown.

  Next Saturday, we’ll be somewhere else.

  Another Witness will go there, my grandmother promises.

  By and by, she says, that woman will find her way.

  sunday afternoon on the front porch

  Across the road,

  Miss Bell has tied a blue-checked sunbonnet

  beneath her chin, lifts her head from her bed

  of azaleas and waves to my grandmother.

  I am sitting beside her on the front porch swing, Hope

  and Dell leaning back against the wood beam

  at the top of the front porch stairs. It is as

  though we have always been in this position,

  the front porch swing moving gently back and forth,

  the sun warm on our faces, the day only halfway over.

  I see your grands are back for the summer,

  Miss Bell says. Getting big, too.

  It is Sunday afternoon.

  Out back, my grandfather pulls weeds from his garden,

  digs softly into the rich earth to add new melon seeds.

  Wondering

  if this time, they’ll grow. All this he does from

  a small chair, a cane beside him.

  He moves as if underwater, coughs

  hard and long into a handkerchief, calls out for Hope

 
; when he needs the chair moved, sees me watching,

  and shakes his head. I’m catching you worrying, he says.

  Too young for that. So just cut it out now, you hear?

  His voice

  so strong and clear today, I can’t help smiling.

  Soon I’ll rise from the porch,

  change out of my Kingdom Hall clothes into

  a pair of shorts and a cotton blouse

  trade my patent-leather Mary Janes for bare feet

  and join my grandfather in the garden.

  What took you so long, he’ll say. I was about to turn

  this earth around without you.

  Soon, it’ll be near evening and Daddy and I

  will walk slow

  back into the house where I’ll pull the Epsom salt

  from the shelf

  fill the dishpan with warm water, massage

  his swelling hands.

  But for now, I sit listening to Nicholtown settle

  around me,

  pray that one day Roman will be well enough

  to know this moment.

  Pray that we will always have this—the front porch,

  my grandfather in the garden,

  a woman in a blue-checked sunbonnet

  moving through azaleas . . .

  Pretty children, Miss Bell says.

  But God don’t make them no other kinda way.

  home then home again

  Too fast, our summer in Greenville

  is ending.

  Already, the phone calls from my mother

  are filled with plans for coming home.

  We miss

  our little’s brother’s laughter, the way

  he runs to us at the end of the school day as if

  we’ve been gone forever. The way his small hands

  curl around ours when we watch TV. Holding

  tight through the scary parts, until we tell him

  Scooby-Doo will save the day,

  Bugs Bunny will get away,

  Underdog will arrive before the train hits

  Sweet Polly Purebred.

  We drag our feet below our swings,

  our arms wrapped lazily around the metal links

  no longer fascinated by the newness

  of the set, the way we climbed all over the slide,

  pumped our legs hard—toward heaven until

  the swing set shook with the weight of us lifting it

  from the ground.

  Next summer, my grandfather said, I’ll cement it down.

  But in the meantime

  you all swing low.

  Our suitcases sit at the foot of our bed, open

  slowly filling with freshly washed summer clothes,

  each blouse, each pair of shorts, each faded cotton dress

  holding a story that we’ll tell again and again

  all winter long.

  family

  In the books, there’s always a happily ever after.

  The ugly duckling grows into a swan, Pinocchio

  becomes a boy.

  The witch gets chucked into the oven by Gretel,

  the Selfish Giant goes to heaven.

  Even Winnie the Pooh seems to always get his honey.

  Little Red Riding Hood’s grandmother is freed

  from the belly of the wolf.

  When my sister reads to me, I wait for the moment

  when the story moves faster—toward the happy ending

  that I know is coming.

  On the bus home from Greenville, I wake to the almost

  happy ending, my mother standing at the station, Roman

  in his stroller, his smile bright, his arms reaching for us

  but we see the white hospital band like a bracelet

  on his wrist. Tomorrow he will return there.

  We are not all finally and safely

  home.

  one place

  For a long time, our little brother

  goes back and forth to the hospital, his body

  weak from the lead, his brain

  not doing what a brain is supposed to do. We don’t

  understand why he’s so small, has tubes

  coming from his arms, sleeps and sleeps . . .

  when we visit him.

  But one day,

  he comes home. The holes in the wall

  are covered over and left

  unpainted, his bed pulled away from temptation,

  nothing for him to peel away.

  He is four now, curls long gone, his dark brown hair

  straight as a bone, strange to us but

  our little brother, the four of us again

  in one place.

  maria

  Late August now

  home from Greenville and ready

  for what the last of the summer brings me.

  All the dreams this city holds

  right outside—just step through the door and walk

  two doors down to where

  my new best friend, Maria, lives. Every morning,

  I call up to her window, Come outside

  or she rings our bell, Come outside.

  Her hair is crazily curling down past her back,

  the Spanish she speaks like a song

  I am learning to sing.

  Mi amiga, Maria.

  Maria, my friend.

  how to listen #5

  What is your one dream,

  my friend Maria asks me.

  Your one wish come true?

  tomboy

  My sister, Dell, reads and reads

  and never learns

  to jump rope or

  play handball against the factory wall on the corner.

  Never learns to sprint

  barefoot down the block

  to become

  the fastest girl

  on Madison Street.

  Doesn’t learn

  to hide the belt or steal the bacon

  or kick the can . . .

  But I do and because of this

  Tomboy becomes my new name.

  My walk, my mother says,

  reminds her of my father.

  When I move long-legged and fast away from her

  she remembers him.

  game over

  When my mother calls,

  Hope Dell Jackie—inside!

  the game is over.

  No more reading beneath the streetlight

  for Dell. But for my brother and me

  it’s no more anything! No more

  steal the bacon

  coco levio 1-2-3

  Miss Lucy had a baby

  spinning tops

  double Dutch.

  No more

  freeze tag

  hide the belt

  hot peas and butter.

  No more

  singing contests on the stoop.

  No more

  ice cream truck chasing:

  Wait! Wait, ice cream man! My mother’s gonna

  give me money!

  No more getting wet in the johnny pump

  or standing with two fisted hands out in front of me,

  a dime hidden in one, chanting,

  Dumb school, dumb school, which hand’s it in?

  When my mother calls,

  Hope Dell Jackie—inside!

  we complain as we walk up the block in the twilight:

  Everyone else is allowed to stay outside till dark.

  Our friends standing in the moment—

  string halfway wrapped around a top,

  waiting to be tagged and unfrozen,

 
searching for words to a song,

  dripping from the johnny pump,

  silent in the middle of Miss Lucy had a . . .

  The game is over for the evening and all we can hear

  is our friends’

  Aw . . . man!!

  Bummer!

  For real?! This early?!

  Dang it!

  Shoot. Your mama’s mean!

  Early birds!

  Why she gotta mess up our playing like that?

  Jeez. Now

  the game’s over!

  lessons

  My mother says:

  When Mama tried to teach me

  to make collards and potato salad

  I didn’t want to learn.

  She opens the box of pancake mix, adds milk

  and egg, stirs. I watch

  grateful for the food we have now—syrup waiting

  in the cabinet, bananas to slice on top.

  It’s Saturday morning.

  Five days a week, she leaves us

  to work at an office back in Brownsville.

  Saturday we have her to ourselves, all day long.

  Me and Kay didn’t want to be inside cooking.

  She stirs the lumps from the batter, pours it

  into the buttered, hissing pan.

  Wanted to be with our friends

  running wild through Greenville.

  There was a man with a peach tree down the road.

  One day Robert climbed over that fence, filled a bucket

  with peaches. Wouldn’t share them with any of us but

  told us where the peach tree was. And that’s where we

  wanted to be

  sneaking peaches from that man’s tree, throwing

  the rotten ones

  at your uncle!

  Mama wanted us to learn to cook.

  Ask the boys, we said. And Mama knew that wasn’t fair

  girls inside and boys going off to steal peaches!

  So she let all of us

  stay outside until suppertime.

  And by then, she says, putting our breakfast on the table,

  it was too late.

 

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