Endgame

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Endgame Page 7

by Frank Brady


  So that twelve-year-old Bobby could participate in the barnstorming jaunt to Cuba, Regina allowed him to withdraw from school temporarily. Her thinking was that the trip would be educational, exposing her son to new places and different people. However, she agreed to Bobby’s participation only if she could serve as his chaperone. Laucks didn’t know or care that Regina, and therefore Bobby, was Jewish, nor did Regina seem too concerned about Laucks’s neo-Nazi (someone called him “an old Nazi”) allegiance. The idea of travel, especially to the politically explosive country of Cuba, stimulated Regina’s wanderlust. Permission from the Community Woodward School was forthcoming for Bobby’s three-week absence, and the boy was delighted to be on the road playing chess instead of being in the classroom.

  Laucks frequently wore a small, black-enameled lapel pin bearing a gold Nazi swastika. Amazingly, it never seemed to attract much attention. He didn’t wear it all the time, but often enough, and it didn’t seem to inhibit him when he went to a Jewish delicatessen to get his favorite sandwich of pastrami on rye, or when he was talking to Jewish chess players. One player, William Schneider, said he was embarrassed when he and Laucks—sporting his swastika—were driving back from a tournament and they stopped at a Jewish restaurant. No one said anything about the swastika, or even seemed to notice it. In addition to the pin, Laucks often wore—weather permitting—a small-brimmed Alpine fedora with a feather in the band, adorned with emblems from the countries to which he’d traveled. He ostentatiously dressed in lederhosen at times, and for a few years even sported a Hitlerian mustache. When he entered a tournament, dressed in a khaki shirt and pants and dark tie and displaying that mustache, it was as if a doppelgänger of Der Fuehrer had been incarnated. In his home he hung Nazi flags in prominent locations and displayed airplane models of Messerschmitts and Junkers as well as an oil painting of Adolf Hitler and other memorabilia from the Third Reich.

  Laucks was inarguably one of the most eccentric people in the New York chess community, with conflicting values and erratic behavior. But despite his Nazi trappings, he rarely talked about his political beliefs. His financial patronage of teams and players could always be relied upon, and he was the sponsor of many chess events, some major. He’d also formed a fully functioning chess group—the Log Cabin Chess Club—that met in the finished basement (decorated to look like a log cabin) of his spacious house in West Orange, New Jersey. A number of players, some outcasts or close to homeless but with master-level playing ability, actually lived—on and off—in the house with him. Laucks’s wife and two children lived in another house, in Old Lyme, Connecticut, and Laucks rarely visited them, preferring to stay in New Jersey with his chess cronies.

  Aside from her self-serving desire to travel, Regina insisted on being part of the tour because she didn’t trust one of its participants: the shifty-eyed Norman T. Whitaker. He was a disbarred lawyer who’d served years in Alcatraz and Leavenworth for a variety of crimes and confidence schemes, including the extortion of more than $100,000 by claiming (falsely) that he knew the whereabouts of the missing Lindbergh baby. Whitaker, known as “The Fox,” the name he was referred to in the Lindbergh duping, had also been imprisoned for car theft and for raping a twelve-year-old girl. When he was in his sixties, he proposed marriage to a fourteen-year-old. Regina worried that his pedophiliac tendencies might apply to boys as well as girls, and she didn’t want him to be alone with Bobby on the trip. Why Whitaker was accepted as a part of the Log Cabin team or in the chess community at all is a difficult question to answer, beyond noting that at the time of Laucks’s journey Whitaker was still a powerful player at age sixty-six, and in his prime he had been one of the strongest players in the nation. He also had a charming way about him, as do most confidence men. His chess prowess and velvet tongue may have blinded some people to his despicable past, proving the adage that sometimes chess players make strange team fellows.

  In contrast to Whitaker, one of the chess caravan’s more delightful players was Glenn T. Hartleb, an expert-level Floridian. A tall, gentle man with steel-rimmed glasses and a perpetual smile, Hartleb greeted everyone he met—champion or patzer, beginner or veteran, child or octogenarian—by bowing low and saying with deep reverence, “Master!” When asked why he used this salutation, he said, “In life we are all masters,” countering a past champion’s chestnut, “In life we are all duffers.”

  The disparate team crammed into Laucks’s unreliable 1950 Chrysler station wagon, which contained everyone’s luggage, chess sets and boards, food, and sleeping bags—some of it precariously strapped on top—and like the Joad family in The Grapes of Wrath, gunwales straining, shock absorbers depressed to their limits, they were ready. “Let’s schuss!” said millionaire Laucks jovially, using his favorite expression, and off they sped at seventy miles an hour down the turnpike for a hair-raising trip (Laucks was a dangerously careless driver). Bobby sat up front between the fascist and the con man.

  As the Cabineers roamed through the South, stopping at towns for either prearranged or hastily organized matches, Whitaker as best player would invariably play board one, and Bobby board two. Bobby, feeling as though he were playing hooky from school, had a good time competing in the matches, usually at the relatively leisurely time limit of sixty moves in two hours. Most of his competition was stiff but nothing he couldn’t handle. While in the car, he also played hundreds of games with his fellow team members, and with the exception of his games against Whitaker, he usually won.

  “I want to see the alligators,” Bobby piped up as they drove through the Everglades. “Let’s stop—I want a soda,” he could also be heard to say frequently. His little-kid complaints, including the traditional “Are we there yet?” annoyed some team members, and behind his back they began referring to him as “The Monster.”

  The trip was not entirely expense-free for the Fischers. Although Laucks, with his great wealth, could have covered everyone’s expenses, he’d frugally pick and choose where, when, and how he wanted to spend his money. On some occasions, the team would stop at a fairly expensive restaurant and he’d announce to everyone, “Order anything on the menu you want, but no alcohol.” At other times Bobby and Regina had to pay for themselves.

  While in the South, Bobby was getting his first exposure to racial prejudice. Blacks were still not allowed to sit at the counters. Bobby had to ask his mother what it meant when he saw a drinking fountain that was labeled COLORED ONLY. Regina was furious at the prejudice she was witnessing, but no one else seemed to care.

  One of the men on the trip began to hint to the others that he was ready to seduce Regina and that he thought she was a willing seductee; he became a laughingstock one night when she adamantly refused him entrance to her room.

  Crammed in the car, the group sometimes tired of chess talk and reminisced about other adventures, real or imagined. Whitaker cracked at least one joke a day, usually tasteless: “I know a woman who will pay me one thousand dollars to see me in the nude: She’s blind.” Bobby often asked for explanations. “See me later, kid; I’ll tell you,” someone would pipe up.

  During the six-hour trip on the ferry from the Duval Street dock in Key West to Havana, Bobby and an older player, Robert Houghton, played blindfold chess, visualizing the evolving game and calling out their imaginary moves; but when they reached nine or ten moves and the game became more complicated, the positions began to dissolve in Houghton’s mind and he couldn’t continue. To Bobby, the positions were as clear as if he had the game set up on a board in front of him. After a few additional attempts sans board and pieces, the invisible match was abandoned and they played on the portable set. Bobby won dozens of quick games during that session, not losing one.

  Havana in 1956 was a feisty, corrupt city. Tourist agents called it “The Pearl of the Antilles,” but it was more provocatively referred to by others as “the sexiest city in the world.” Filled with gambling casinos, brothels, and streetwalkers, and with rum costing only $1.20 per bottle, the city had a reputation
for debauchery. More than 250,000 American tourists went to Havana that year, most to have a wanton weekend or two. The Cabineers, however, were in Havana to play chess, and although it’s possible that some of the men went to the infamous Shanghai Theater or to other shadowy places at night, the team members played a match almost every day.

  The major team match against the Capablanca Chess Club was disappointing for the Americans: though Bobby and Whitaker won their games, the five other Americans lost. Bobby gave a twelve-board simultaneous exhibition against members of the club and won ten and drew two—“just for fun, not for money,” he was quick to explain. He later summed up his experience: “The Cubans seem to take chess more seriously.… They feel more the way I do about chess. Chess is like fighting, and I like to win. So do they.”

  The New York Times took notice of the Log Cabin tour with a headline: CHESS TEAM ENDS TOUR. The story pointed out that the Cabineers ended the tour with a minus score; they won 23½ games and lost 26½, but Whitaker and Bobby were the leading scorers in the club matches at 5½–1½ each, excluding Bobby’s ten wins in his simultaneous exhibition.

  After Bobby’s three-week adventure, returning to Brooklyn and to school was anticlimactic. Nevertheless, the boy enjoyed getting back to the familiarity of the unregimented school and to the opportunity to play with his friends at the Manhattan Chess Club. In retrospect, he said he enjoyed his four years at Community Woodward, mainly because the unstructured routine enabled him to “get up and walk around the room if you wanted” and to dress any way he liked (“ordinary polo shirts, dungarees or corduroy pants”). He also enjoyed his status as the school’s resident chess player. Instead of Bobby’s adapting to the teachers or the administration, the staff ended up adapting to him. When graduation from eighth grade occurred, however, in June 1956, Bobby elected not to attend the ceremony, because he didn’t want to give up an afternoon of chess and because he disliked “any kind of formality and ceremony.” He was thirteen and intended to spend the summer studying and playing chess. Although he’d be entering high school the following September, that transition, exciting to many youngsters, was of little interest to him.

  Jack Collins, one of the great teachers of chess, lived with his sister Ethel in Brooklyn and was host to a chess salon in his apartment called the Hawthorne Chess Club, which met there regularly. It was open and free to just about anybody who wanted to play—or study—the game with him, although he did charge a token fee to some for individual lessons. He was kindhearted, highly self-educated, and had an uproarious sense of humor. Some of the greatest players in the United States were Collins’s pupils, such as the Byrne brothers and William Lombardy. Collins’s apartment was stocked with hundreds of chess books, chess paintings and statues, and furniture and draperies decorated with chess figures; it was a virtual chess museum. Jack had exchanged a few words with Bobby when they met in Asbury Park, New Jersey, at the U.S. Amateur Championship during Memorial Day weekend in 1956. At that meeting Collins had invited Bobby to come to the apartment, and two weeks after, the boy appeared. Collins wrote about Bobby’s first visit to his home:

  Bobby Fischer rang my doorbell one afternoon in June 1956. I opened the door and a slender, blond, typical thirteen-year-old American boy dressed in a plaid woolen shirt, corduroy trousers, and black-and-white sneakers, said simply: “I’m Bobby Fischer.”

  I had seen him once before, and I replied, “Hi, Bobby, come on in.” We went into the living room and sat down at the chess board. I knew he was rather shy and I am not always easy at first meetings either. So, it seemed the best thing to do was to become immediately involved in the thing we both loved best—chess. I happened to have a position from one of my postal instruction games set up on the board. It was a difficult position, and I had just been analyzing it for about half an hour. I nodded at it and asked, “What do you think about this position, Bobby?”

  Bobby plunged right in. Within seconds he was stabbing out moves, trying combinations, seeking won endings, and rattling off variations, his fingers barely able to keep pace with his thoughts. He found several hidden possibilities I had not seen. I was deeply impressed. Of course, I had heard of his remarkable talent. But this was the first time I realized that he was really a prodigy and might become one of the greatest players of all time.

  Just as Bobby had fairly leaped into—and established residence at—the Manhattan Chess Club the previous summer, he soon became a regular presence at Collins’s salon. The chess teacher’s place was only a few blocks from Erasmus High School, and Bobby would dash from the school during lunch hour and free periods, play a few games with Collins while eating his sandwich taken from home, then hurry back to school. At three p.m. he’d return and spend the rest of the day over the board, eventually having dinner with Jack and Ethel, more often than not eaten while the two friends were still playing or analyzing. Bobby would continue at the board through the evening, until Regina or Joan would come and escort him home. Bobby and Jack played thousands of games—mostly speed—analyzed hundreds of positions, and solved dozens of chess problems together. Bobby also became a constant borrower of books from the Collins library. The short, stunted man confined to a wheelchair and the growing boy went to movies, dined in restaurants, attended chess events at clubs, and celebrated birthdays and holidays together. The Collins apartment became a home to Bobby in every way, the boy being thought of as part of the family.

  Was Jack Collins, in fact, Bobby’s most important teacher, overshadowing Carmine Nigro? The question should be raised, since Bobby later in life said he’d learned nothing from Collins. In truth, Bobby’s quick dismissal of Collins’s contribution may have been delivered out of cold, ungrateful pride. Certainly, Collins replaced Carmine Nigro as Bobby’s mentor after Nigro moved to Florida in 1956, the year that Bobby and Collins met. Bobby would never see Nigro again.

  Collins was one of the finest players in the United States, and for a number of years was rated in the top fifty; Nigro never reached anywhere near that achievement. Bobby said that he always felt Nigro was more of a friend than a teacher, but that he was a very good teacher. Nigro was a professional teacher and was quite formal in his instructional technique, while Collins, as talented and caring as he was, employed a Socratic approach. With pupils, he’d often just set up a position and say, “Let’s look at this,” as he did that first day with Bobby, and then ask the player to come up with a plan or series of alternatives, making the student think. He did this with Bobby hundreds of times. Nigro and Collins both acted fatherly toward the boy, but Collins’s relationship lasted more than fifteen years. Nigro’s, though admittedly occurring at a formative time in Bobby’s life, lasted just five.

  When Bobby returned from a tournament, he’d often rush to see Collins and go over his games with him. Collins, a shrewd analyst, would comment on the moves that Bobby did and didn’t play. Learning was taking place, but not in the traditional way. Collins’s approach wasn’t “You must remember this variation of the King’s-Indian Defense, which is much stronger than what you played”—rather, he relied on a kind of osmosis. International master James T. Sherwin, a New Yorker who knew both Fischer and Collins well, had this to say when he heard of Bobby’s later dismissal of Collins’s influence on him: “Well, I think that’s a little hubristic; it must have been said in a moment of pridefulness. Bobby must have learned from Collins. For example, Jack always played the Sicilian Defense, and then Bobby started playing it. I think the remark was a young man’s way of saying, ‘I’m the greatest. No one ever taught me anything and I received my gifts from God.’ I think Jack helped Bobby psychologically, with chess fightingness, just being tough and wanting always to win.”

  Collins also noticed what Nigro had observed the year before: Bobby’s habit of procrastinating during a game, loitering over the board, taking just a little too long to make an obvious move. To help the boy overcome these self-defeating tendencies, Collins ordered a clock from Germany with a special ten-second timer, and he
insisted that Bobby play with it to practice thinking and moving more rapidly.

  Collins, for his part, said that he never “taught” Bobby in the strictest sense. Rather, he pointed out that “geniuses like Beethoven, Leonardo da Vinci, Shakespeare and Fischer come out of the head of Zeus, seem to be generally programmed, know before instructed.” Essentially, Collins was saying that Bobby Fischer’s talent was God-given, innate, and all Collins could do was serve as a guide or bystander, offering encouragement and nurturing the boy’s prodigious gifts. He was also a loyal friend.

  Fischer, who much later in life would gain notoriety for his anti-Jewish rhetoric, always said that although his mother was Jewish, he had no religious training. It is not known whether Bobby, on or near his thirteenth birthday of March 9, 1956, participated in the formal Jewish ritual of Bar Mitzvah, reading Hebrew from the Torah at a synagogue. However, his chess friend Karl Burger said that when he played twelve-year-old Bobby in the park on Rochester Avenue in Brooklyn, the boy “was studying for his Bar Mitzvah.” Also supporting the belief that Bobby had experienced the ritual was the fact that, many years later, he gave an old chess clock and chess set to his Hungarian friend Pal Benko, a grandmaster. Bobby had been keeping them among his belongings and told Benko that they were gifts he’d “received for his Bar Mitzvah.”

  It’s possible that Bobby was simply given the gifts on his thirteenth birthday, even though there was no actual coming-of-age Bar Mitzvah ceremony. (Regina’s strained circumstances may even have played a role: There are usually year-long fees for catenation, the instruction given to a twelve-year-old to ready him for the ritual.)

  When he reached the age of thirteen, Bobby may have truly felt that he was an adult who had to take charge of himself, and that his destiny was no longer in anyone’s hands but his own. Certainly, he did seem to exhibit a newfound maturity, and when it came to playing chess, his skills seasoned to some extent as he began playing more resolutely.

 

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