The Giant Book of Poetry (2006)

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The Giant Book of Poetry (2006) Page 76

by William H. Roetzheim


  2 Form: Free verse.

  1 Form: Blank verse—Notes: Here the room is most likely the room of a dead child.

  2 Form: Free verse—Vocabulary: Parkside: restaurant.

  1 Form: Free verse.

  1 Form: Free verse—Vocabulary: Dry Tortugas: islands west of Key West in Florida; kingfisher: type of large bird; Bonaparte gulls: type of gull that nests in trees; Myer’s and Appleton Gold: types of rum.

  1 Form: Sonnet—Vocabulary: Two Buck Chuck: Charles Schaw Merlot, selling for $2 per bottle.

  1 Form: Free verse.

  2 Form: Free verse—Notes: A poem that describes the slow loss of hearing with aging.

  1 Form: Free verse—Vocabulary: Therese Raquin: protagonist in Opera of the same name. She and her lover kill her husband, whose ghost then haunts them; Rigoletto: Main character in opera of the same name, he ends up mistakenly arranging to have his daughter Gilda killed; Butterfly: main character in Madam Butterfly. She waits for the return of her lover but to no avail, and ends up killing herself.

  1 Form: Iambic, irregular line lengths—Vocabulary: sconces: lights attached to walls.

  2 Form: Free verse.

  1 Form: Free verse.

  1 Form: Free verse.

  1 Form: Free verse—Vocabulary: Impala: model of car; Barracuda: model of car; rig: truck; Mercury Montego: brand of car; LTD: brand of car; shammy: soft leather cloth—Notes: Although not explicitly stated, the brother died in a motorcycle crash.

  1 Form: Free verse—Notes: This poem defies simple analysis, because the ark is a symbol and it can represent many things. Examples include your own body (and thus, your life); a political party in power; or even the Earth.

  2 Form: Free verse.

  1 Form: Free verse—Vocabulary: wolftail: brush.

  1 Form: Prose poem.

  1 Form: Free verse.

  1 Form: Sonnet with relaxed form—Vocabulary: Transformatrix: a made-up word implying transformation and relationships; stiletto: slender dagger; safe word: word used in bondage games to stop the game; trusses up: ties up—Notes: The sonnet form is considered by most poets to be the most restrictive, and here that sense of the form is compared to a bondage scene.

  2 Form: Iambic, mostly tetrameter but varying—Vocabulary: football strips: soccer uniforms; Owen: WWI British War Poet; Boche: derogatory phrase for Germans; pike: long spear; grapeshot: small iron balls used in cannons.

  1 Form: Free verse.

  1 Form: Free verse—Notes: What the narrator learned about history was learned more from the experiences the teacher shared than from the textbook, but perhaps the most important lesson was that no-one in life can avoid pain.

  1 Form: Free verse—Notes: Notice the changing meaning of the word free, starting with available without payment, then released, then abandoned, and finally, the forcibly cast off.

  1 Form: Free verse—Vocabulary: crone: old woman.

  Table of Contents

  Cover Page

  Title Page

  Copyright Page

  Dedication

  Table of Contents

  Introduction

  Level Four Poetry Manifesto

  Organization of the Poems

  A Note on Meter

  A Request for Understanding and Assistance

  Poems

  Unknown (possibly 4,000 BC)

  Ishtar

  Archilochos (circa 700 BC – 650 BC)

  Will, lost in a sea of trouble

  The Bible

  Address of Ruth to Naomi

  Mei Sheng (Circe 140 BC)

  The Beautiful Toilet

  Horace (65 BC – 8 BC)

  The young bloods come less often now

  Norse Myth (circa 50 BC)

  from The Longbeards’ Saga

  Petronius Arbiter (27 AD – 66 AD)

  Doing, a filthy pleasure is, and short

  Tao Yuan-ming (To-Em-Mei) (365-427)

  The Unmoving Cloud

  Li Po (701 – 762)

  The River-Merchant’s Wife: A Letter

  Omar Khayam (1044-1123)

  XI

  XXIII

  XXVIII

  LI

  Moritake (1452 – 1540)

  One fallen flower

  Sir Philip Sidney (1554 – 1586)

  A Ditty

  Be Your Words Made, Good Sir of Indian Ware

  Loving in Truth

  To Sleep

  Robert Greene (1560 – 1592)

  Content

  Michael Drayton (1563-1631)

  Love’s Farewell

  William Shakespeare (1564-1616)

  All the World’s a Stage

  Sonnet XVII

  Sonnet XVIII

  Sonnet XXXII

  Sonnet LV

  Sonnet CXXX

  Sonnet CXXXVIII

  Sonnet CXLIII

  Sonnet CXLVII

  Tomorrow, and Tomorrow, and Tomorrow

  Thomas Campion (1567 – 1619)

  Integer Vitae

  Sir Henry Wotton (1568 – 1639)

  Upon the Death of Sir Albert Morton’s Wife

  John Donne (1572-1631)

  Community

  Confined Love

  Death

  The Computation

  The Curse

  William Drummond (1585 – 1649)

  Life

  Robert Herrick (1591 – 1674)

  To the Virgins

  Upon Julia’s Clothes

  Thomas Carew (1595 – 1639)

  Ingrateful Beauty Threatened

  John Milton (1608 – 1674)

  On His Blindness

  Sir John Suckling (1609 – 1642)

  Song: Why so pale and wan, fond lover?

  Abraham Cowley (1618 – 1667)

  Drinking

  Richard Lovelace (1618 – 1658)

  To Lucasta, On Going to the Wars

  William Walsh (1663 – 1708)

  Love and Jealousy

  William Congreve (1670 – 1729)

  False though she be to me and love

  Ryusui (1691 – 1758)

  A lost child crying

  Jokun (circa 1700)

  Ah! I intended

  William Blake (1757 - 1827)

  The Garden of Love

  The Sick Rose

  The Tiger

  To See a World in a Grain of Sand

  Robert Burns (1759 1796)

  Epitaph for James Smith

  Epitaph on a Henpecked Squire

  Epitaph on William Muir

  Inconstancy in love

  To A Louse

  To A Mountain Daisy

  William Wordsworth (1770 – 1850)

  I Wandered Lonely As A Cloud

  Nuns fret not at their convent’s narrow room

  The Solitary Reaper

  We are Seven

  Samuel Taylor Coleridge (1772 – 1834)

  The Rime of the Ancient Mariner

  Robert Southey (1774 – 1843)

  After Blenheim

  The Scholar

  Walter Savage Landor (1775 – 1864)

  On His Seventy-Fifth Birthday

  Well I Remember

  Thomas Moore (1779 – 1852)

  An Argument

  ‘Tis the Last Rose of Summer

  George Gordon, Lord Byron (1788 – 1824)

  She Walks in Beauty

  So, we’ll go no more a-roving

  Percy Bysshe Shelley (1792 – 1822)

  Music

  Mutability

  Song from Charles the First

  Ozymandias

  John Clare (1793 – 1864)

  Badger

  William Cullen Bryant (1794 – 1878)

  A Presentiment

  Mutation

  Thanatopsis

  The Hurricane

  The Murdered Traveler

  The Poet

  The Strange Lady

  To a Waterfowl

  John Keats (1795 – 1821)

  Isabella

  La B
elle Dame Sans Merci

  O Blush Not So

  This living hand, now warm and capable 1

  Ode on a Grecian Urn

  Thomas Hood (1799 – 1845)

  The Poet’s Fate

  Ralph Waldo Emerson (1803 – 1882)

  Days

  Hamatreya

  The Rhodora

  The Snow-Storm

  Elizabeth Barrett Browning (1806 – 1861)

  Sonnets from the Portuguese – I

  Sonnets from the Portuguese – XIV

  Sonnets from the Portuguese – XX

  Sonnets from the Portuguese – XLIII

  Henry Wadsworth Longfellow (1807 – 1882)

  A Nameless Grave

  Jugurtha

  Killed at the Ford

  King Witlaf’s Drinking-Horn

  Nature

  The Beleaguered City

  The Fire of Drift-Wood

  The Landlord’s Tale

  The Phantom Ship

  The Potter’s Wheel

  The Rainy Day

  The Three Silences of Molinos

  Travels by the Fireside

  Twilight

  John Greenleaf Whittier (1807 – 1892)

  Autumn Thoughts

  By their Works

  Forgiveness

  Trust

  Oliver Wendell Holmes (1809 – 1894)

  Sun and Shadow

  Edgar Allan Poe (1809 – 1849)

  Annabel Lee

  For Annie

  The Raven

  Alfred, Lord Tennyson (1809 – 1892)

  Come Not, When I am Dead

  Home They Brought Her Warrior Dead

  The Charge of the Light Brigade

  Vivien’s Song

  Robert Browning (1812 – 1889)

  A Toccata of Galuppi’s

  Meeting at Night

  My Last Duchess

  Never the Time and the Place

  Porphyria’s Lover

  The Confessional

  The Pied Piper of Hamelin

  Edward Lear (1812 – 1888)

  The Owl and the Pussy-Cat

  Emily Bronte (1818 – 1848)

  I am the Only Being Whose Doom

  Charles Kingsley (1819 – 1875)

  Young and Old

  Walt Whitman (1819 – 1892)

  Darest Thou Now O Soul

  I Saw in Louisiana a Live-Oak Growing

  My Legacy

  O Captain! My Captain

  Song of Prudence

  This Compost

  When I heard the Learn’d Astronomer

  Charles Baudelaire (1821 – 1867)

  A Carrion

  from Fuses I – on Love

  from Fuses I – on Art

  from Fuses I – on God

  Heautontimoroumenos

  Metamorphoses of the Vampire

  Spleen

  The Flask

  The Ghostly Visitant

  The Murderer’s Wine

  The Pit

  The Vampire

  Coventry Patmore (1823 – 1896)

  The Toys

  Richard Henry Stoddard (1805 – 1923)

  The Jar

  Emily Dickinson (1830 – 1886)

  A deed knocks first at thought

  A narrow fellow in the grass

  A word is dead

  After great pain a formal feeling comes

  Apparently with no surprise

  Because I could not stop for death

  Hope is the thing with feathers

  I felt a funeral in my brain

  I had been hungry all the years

  I heard a fly buzz when I died

  I like to see it lap the miles

  I taste a liquor never brewed

  I’m nobody! Who are you?

  I’ve Known a Heaven, Like a Tent

  My life closed twice before its close

  The Last Night

  The Props Assist the House

  The way I read a letter’s this

  There came a wind like a bugle

  There’s a certain slant of light

  To make a prairie it takes a clover

  We Grow Accustomed to the Dark

  Wild nights! Wild nights!

  Christina Georgina Rossetti (1830 – 1894)

  Goblin Market

  Remember

  Song

  The First Day

  Lewis Carroll (1832 – 1898)

  The Walrus and the Carpenter

  Thomas Hardy (1840 – 1928)

  Channel firing

  I look into my glass

  The oxen

 

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