Shuffling sounds behind him. Mondaugen turned; it was Godolphin. “Evan,” the old man whispered.
“I beg your pardon.”
“It’s I, son. Captain Hugh.”
Mondaugen came closer, thinking possibly Godolphin’s eyes were troubling him. But worse troubled him and there was nothing remarkable about the eyes save tears.
“Good morning, Captain.”
“You don’t have to hide anymore, son. She told me; I know; it’s all right. You can be Evan again. Father’s here.” The old man gripped his arm above the elbow and smiled bravely. “Son. It’s time we went home. God, we’ve been so long away. Come.”
Trying to be gentle, Mondaugen let the sea captain steer him along the corridor. “Who told you? You said ‘she.’ ”
Godolphin had gone vague. “The girl. Your girl. What’s-her-name.”
A minute passed before Mondaugen remembered enough of Godolphin to ask, with a certain sense of shock: “What has she done to you.”
Godolphin’s little head nodded, brushed Mondaugen’s arm. “I’m so tired.”
Mondaugen stooped and picked up the old man, who seemed to weigh less than a child, and bore him along the white ramps, between mirrors and past tapestries, among scores of separate lives brought to ripeness by this siege and hidden each behind its heavy door; up through the enormous house to his own turret. Weissmann still snored in the chair. Mondaugen laid the old man on the circular bed, covered him with a black satin comforter. And stood over him, and sang:
Dream tonight of peacock tails,
Diamond fields and spouter whales.
Ills are many, blessings few,
But dreams tonight will shelter you.
Let the vampire’s creaking wing
Hide the stars while banshees sing;
Let the ghouls gorge all night long;
Dreams will keep you safe and strong.
Skeletons with poison teeth.
Risen from the world beneath,
Ogre, troll, and loup-garou,
Bloody wraith who looks like you,
Shadow on the window shade,
Harpies in a midnight raid,
Goblins seeking tender prey,
Dreams will chase them all away.
Dreams are like a magic cloak
Woven by the fairy folk,
Covering from top to toe,
Keeping you from winds and woe.
And should the Angel come this night
To fetch your soul away from light,
Cross yourself, and face the wall:
Dreams will help you not at all.
Outside the strand wolf screamed again. Mondaugen pounded a bag of dirty laundry into a pillow, doused the light, and lay down trembling on the rug to sleep.
III
But his own musical commentary on dreams had not included the obvious and perhaps for him indispensable: that if dreams are only waking sensation first stored and later operated on, then the dreams of a voyeur can never be his own. This soon showed up, not too surprisingly, as an increasing inability to distinguish Godolphin from Foppl: it may or may not have been helped along by Vera Meroving, and some of it could have been dreamed. There, precisely, was the difficulty. He’d no idea, for instance, where this had come from:
. . . so much rot spoken about their inferior kultur-position and our herrenschaft—but that was for the Kaiser and the businessmen at home; no one, not even our gay Lothario (as we called the General), believed it out here. They may have been as civilized as we, I’m not an anthropologist, you can’t compare anyway—they were an agricultural, pastoral people. They loved their cattle as we perhaps love toys from childhood. Under Leutwein’s administration the cattle were taken away and given to white settlers. Of course the Hereros revolted, though the Bondelswaartz Hottentots actually started it because their chief Abraham Christian had been shot in Warmbad. No one is sure who fired first. It’s an old dispute: who knows, who cares? The flint had been struck, and we were needed, and we came.
Foppl. Perhaps.
Except that the shape of Mondaugen’s “conspiracy” with Vera Meroving was finally beginning to come clear to him. She apparently wanted Godolphin, for reasons he could only guess at, though her desire seemed to arise out of a nostalgic sensuality whose appetites knew nothing at all of nerves, or heat, but instead belonged entirely to the barren touchlessness of memory. She had obviously needed Mondaugen only to be called (he might assume cruelly) a long-ago son, to weaken her prey.
Not unreasonably then she would also have used Foppl, perhaps to replace the father as she thought she’d replaced the son, Foppl the siege party’s demon, who was in fact coming more and more to define his guests assembled, to prescribe their common dream. Possibly Mondaugen alone among them was escaping it, because of his peculiar habits of observation. So in a passage (memory, nightmare, yarn, maundering, anything) ostensibly his host’s Mondaugen could at least note that though the events were Foppl’s, the humanity could easily have been Godolphin’s.
Again one night he heard the Dies Irae, or some organized foreign chant, approach to the verge of his buffer zone of empty rooms. Feeling invisible he glided out to look and not be seen. His neighbor, an elderly merchant from Milan, had in recent days it seemed collapsed from a heart attack, lingered, died. The others, roisterers, had organized a wake. With ceremony they wrapped his body in silk sheets stripped from his bed: but before the last brightness of dead flesh had been covered Mondaugen saw in a quick sly look its decoration of furrows and poor young scar tissue cut down in its prime. Sjambok, makoss, donkey whip . . . something long that could cut.
They took the cadaver off to a ravine to toss it in. One stayed behind.
“He remains in your room, then,” she began.
“By choice.”
“He has no choice. You’ll make him go.”
“You’ll have to make him go, Fräulein.”
“Then bring me to him?” almost importunate. Her eyes, rimmed in black after Foppl’s 1904, needed something less hermetic than this empty corridor to frame them: palazzo’s façade, provincial square, esplanade in the winter—yet more human, perhaps only more humorous than, say, the Kalahari. It was her inability to come to rest anywhere inside plausible extremes, her nervous, endless motion, like the counter-crepitating of the ball along its roulette spokes, seeking a random compartment but finally making, having made, sense only as precisely the dynamic uncertainty she was, this that upset Mondaugen enough to scowl quietly and say with a certain dignity no, turn, leave her there and return to his sferics. They both knew he’d done nothing decisive.
Having found the sad imitation of a strayed son, Godolphin wouldn’t think of returning to his own room. One of them had taken the other in. The old officer slept, drowsed, talked. Because he’d “found” Mondaugen only after she’d well begun some program of indoctrination on him that Mondaugen would rather not guess at, there was no way to say for certain, later, whether Foppl himself might not have come in to tell tales of when he’d been a trooper, eighteen years ago.
Eighteen years ago everyone was in better condition. You were shown how his upper arms and thighs had become flabby; and the roll of fat around his middle. His hair was beginning to fall out. He was developing breasts; even they reminded him of when he first arrived in Africa. They’d all had their inoculations en route: for bubonic plague the ship’s medic jabbed you with a tremendous needle in the muscle by the left breast, and for a week or so it puffed up. In the way troops have when there’s not much else to do, they amused themselves by unbuttoning the tops of their shirts and coyly exposing these new female acquisitions.
Later, when it had got into deep winter, the sun bleached their hair white and browned their skins. The standing joke was “Don’t walk up on me unless you’re in unifor
m, I might mistake you for a nigger.” The “mistake” was made more than once. Around Waterberg especially, he remembered, when they were chasing Hereros into the bush and the desert, there were a few unpopular soldiers—reluctant? humanitarian. Their bitching got so bad you found yourself hoping. . . . How much of a “mistake” it was was open to question, that’s all he meant. By him bleeding hearts like that weren’t much better than the natives.
Most of the time, thank God, you were with your own kind: comrades who all felt the same way, who weren’t going to give you any nonsense no matter what you did. When a mail wants to appear politically moral he speaks of human brotherhood. In the field you actually found it. You weren’t ashamed. For the first time in twenty years of continuous education-to-guilt, a guilt that had never really had meaning, that the Church and the secular entrenched had made out of whole cloth; after twenty years, simply not to be ashamed. Before you disemboweled or whatever you did with her to be able to take a Herero girl before the eyes of your superior officer, and stay potent. And talk with them before you killed them without the sheep’s eye, the shuffling, the prickly-heat of embarrassment. . . .
His efforts at the code, such as they were, didn’t succeed in keeping back the nightfall of ambiguity that filled his room progressively as time—such as it was—went by. When Weissmann came in and asked if he could help, Mondaugen turned surly. “Out,” he snarled.
“But we were to collaborate.”
“I know what your interest is,” Mondaugen said mysteriously. “I know what ‘code’ you’re after.”
“It’s part of my job.” Putting on his sincere farm-lad face, removing the eyeglasses and cleaning them mock-distracted on his necktie.
“Tell her it won’t, it didn’t work,” Mondaugen said.
The lieutenant ground his teeth solicitously. “I can’t indulge your whims much longer,” he tried to explain; “Berlin is impatient, I’m not going to make excuses forever.”
“I am working for you?” Mondaugen screamed. “Scheisse.” But this woke up Godolphin, who began to sing splinters of sentimental ballads and to call for his Evan. Weissmann regarded the old man with wide eyes and only his two front teeth showing.
“My God,” he said finally, tonelessly; about-faced and left.
But when Mondaugen found the first oscillograph roll missing he was charitable enough to ask, “Lost or taken?” out loud to his inert equipment and a faraway old skipper, before putting the blame on Weissmann.
“He must have come in when I was asleep.” Not even Mondaugen knew when that was. And was the roll all he’d taken? Shaking Godolphin: “Do you know who I am, where we are,” and other elementary questions that we shouldn’t ask, that only prove how afraid we are to a hypothetical anybody.
Afraid he was and as it turned out with good reason. For, half an hour later, the old man still sat on the edge of the bed, making friends with Mondaugen, whom he was seeing for the first time. With the Weimar Republic’s bitter breed of humor (but none of his own) Mondaugen stood at his stained-glass window and asked that evening’s veld: was I being that successful a voyeur? As his days at the siege party became less current and more numbered (though not by him) he was to wonder with exponential frequency who in fact had seen him. Anyone at all? Being cowardly and thus a gourmet of fear, Mondaugen prepared himself for an unprecedented, exquisite treat. This unglimpsed item on his menu of anxieties took the form of a very German question: if no one has seen me then am I really here at all; and as a sort of savory, if I am not here then where are all these dreams coming from, if dreams is what they are.
He was given a lovely mare named Firelily: how he adored that animal! You couldn’t keep her from prancing and posturing; she was a typical woman. How her deep sorrel flanks and hindquarters would flash in the sun! He was careful to have his Bastard servant keep her always curried and clean. He believed the first time the General ever addressed him directly was to compliment him on Firelily.
He rode her all over the territory. From the coastal desert to the Kalahari, from Warmbad to the Portuguese frontier, Firelily and he, and his good comrades Schwach and Fleische, they dashed madcap over sand, rock, bush; forded streams that could go from a trickle to a mile-wide flood in half an hour. Always, no matter which region it was, through those ever-dwindling herds of blacks. What were they chasing? What youthful dream?
For it was hard to avoid a feeling of impracticality about their adventure. Idealism, fatedness. As if first the missionaries, then the merchants and miners, and lately the settlers and bourgeoisie had all had their chance at something and had failed, and now it was the army’s turn. To go in and chase about that silly wedge of German earth two tropics away for no other reason, apparently, than to give the warrior class equal time with God, Mammon, Freyr. Certainly not for the usual soldatesque reasons—young as they were they could see that. Next to nothing to plunder; and as for glory, what was there to hanging, clubbing, bayoneting something that did not resist? It had been a terribly unequal show from the start: Hereros were simply not the adversaries a young warrior expects. He felt cheated out of the Army life the posters had shown. Only a pitiful minority of the niggers were even armed, and then only a fraction of those had rifles that worked, or ammunition. The Army had Maxim and Krupp guns, and little howitzers. Often they never even saw the natives before they killed them; merely stood off on a kopje and bombarded the village, then went in afterward to finish any they’d missed.
His gums ached, he felt tired and possibly slept more than normal, whatever normal was. But this had modulated at some point into yellow skin, high thirst, flat purple spots on his legs; and his own breath sickened him. Godolphin in one of his lucid moments diagnosed this as scurvy, the cause being simply bad (in fact hardly any) diet: he’d lost twenty pounds since the beginning of the siege.
“You want fresh vegetables,” the sea dog informed him, fretting. “There must be something in the larder.”
“No. For God’s sake,” Mondaugen raved, “don’t leave the room. Hyenas and jackals are padding up and down those little corridors.”
“Try to lie quietly,” Godolphin told him. “I can handle myself. I won’t be a moment.”
Mondaugen lunged off the bed, but flaccid muscles betrayed him. Nimble Godolphin vanished, the door swung to. For the first time since hearing about the Treaty of Versailles in detail, Mondaugen found himself crying.
They’ll drain his juices, he thought; caress his bones with their paw-pads, gag on his fine white hair.
Mondaugen’s own father had died not so many years ago, somehow involved in the Kiel revolt. That the son should think of him at this point indicated perhaps that Godolphin hadn’t been the only one in that room to be “visited.” As the partying rushed in phantasmagoria at and around their supposedly insulated turret, into blur, there had grown increasingly more visible one unwavering projection on the wall of night: Evan Godolphin, whom Mondaugen had never seen save by the dubious fluorescence of nostalgia he didn’t want, nostalgia forced on him by something he was coming to look on as a coalition.
Presently, heavy footsteps approached through the outer regions of his Versuchsstelle. Too heavy, he decided, to be Godolphin’s returning: so craftily Mondaugen wiped his gums once more on the bedsheets and allowed himself to fall off the bed and roll back under an arras of satin comforter, into that cool, dusty world of old burlesque jokes and so many unhappy-go-accident-prone lovers in this real life. He made a little peephole in the coverlet and looked out: his view was directly into a high mirror that commanded, say, a third of the circular room. The knob turned, the door opened and Weissmann, draped in an ankle-length white dress with ruffled neck, bodice and sleeves, circa 1904, tiptoed into the room, crossing between the mirror’s frontiers and vanishing again near the sferic equipment. All at once a dawn chorus burst from the loudspeaker, chaotic at first but resolving eventually into a deep-space madrigal
for three or four voices. To which the intruder Weissmann, out of sight, added still another, in falsetto, to a minor-keyed Charleston:
Now that the twilight’s just beginning,
World, stop
Spinning;
Cuckoo’s in his clock with laryngitis,
So he can’t tell us what night tonight is.
No one among the other dancers has
Any
Answers, just
You, I, the night
And a little black sjambok . . .
When Weissmann came back into the mirror he was carrying another oscillograph roll. Mondaugen lay among dust babies, feeling too impotent to yell stop, thief. The transvestite lieutenant had parted his hair in the middle and larded his eyelashes with mascara; these, batting against his lenses, left dark parallel streaks so that each eye looked out from its own prison window. As he passed the imprint on the coverlet of the scurvified body which had lately occupied it, Weissmann gave it (so Mondaugen fancied) a coy, sidewise smile. Then he vanished. Not too long after that Mondaugen’s retinae withdrew, for a time, from light. Or it is presumed they did; either that or Under-the-Bed is even stranger country than neurasthenic children have dreamt it to be.
One could as well have been a stonemason. It dawned on you slowly, but the conclusion was irresistible: you were in no sense killing. The voluptuous feeling of safety, the delicious lassitude you went into the extermination with was sooner or later replaced by a very curious—not emotion because part of it was obviously a lack of what we commonly call “feeling”—“functional agreement” would come closer to it; operational sympathy.
The first clear instance of it he could remember came one day during a trek from Warmbad to Keetmanshoop. His outfit were moving consignments of Hottentot prisoners for some reason which doubtless made sense to the upper echelons. It was one hundred and forty miles and took generally a week or ten days to do, and none of them liked the detail much. A lot of prisoners died en route, and that meant stopping the whole trek, finding the sergeant with the keys, who it seemed was always miles back under a kameeldoorn tree, dead drunk or well on the way, then riding back, unlocking the neck-ring of the fellow who’d died; sometimes rearranging the line so the weight of the extra chain would be more evenly distributed. Not to make it easier on them, exactly, but so one wouldn’t wear out any more blacks than one had to.
V. Page 29