Patriotism
The New Directions Pearls
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Paul Auster, The Red Notebook
Roberto Bolaño, Antwerp
Mikhail Bulgakov, Morphine
Jorge Luis Borges, Everything and Nothing
Sir Thomas Browne, Urn Burial
Fyodor Dostoevsky & Felisberto Hernández, Two Crocodiles
F. Scott Fitzgerald, On Booze
Nikolai Gogol, The Night Before Christmas
Giuseppe Tomasi di Lampedusa, Places of My Infancy
Federico García Lorca, In Search of Duende
Javier Marías, Bad Nature, or With Elvis in Mexico
Yukio Mishima, Patriotism
Victor Pelevin, The Hall of the Singing Caryatids
Keith Ridgway, Never Love a Gambler
Joseph Roth, The Leviathan
Yuko Tawada, The Bridegroom Was a Dog
Robert Walser, The Walk
Tennessee Williams, Tales of Desire
Copyright © 1966 by New Directions Publishing Corporation
All rights reserved. Except for brief passages quoted in a newspaper, magazine, radio, television, or website review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the Publisher.
publisher’s note: “Patriotism” has been selected from Yukio Mishima’s Death in Midsummer and Other Stories, available in its entirety from New Directions.
Manufactured in the United States of America
First published as a New Directions Bibelot in 1995
First published as a Pearl (ndp1163) by New Directions in 2010
e-isbn 9780811230728
Design by Erik Rieselbach
Library of Congress Cataloging-in-Publication Data
Mishima, Yukio, 1925–1970.
[Yu¯koku. English]
Patriotism / Yukio Mishima ; translated by Geoffrey W. Sargent
p. cm.
I. Sargent, Geoffrey W. II. Title.
pl. 833.i7y8513 1995
895.6'35—dc2095-36529
New Directions Books are published for James Laughlin
by New Directions Publishing Corporation
80 Eighth Avenue, New York 10011
Patriotism
1.
on the twenty-eighth of February, 1936 (on the third day, that is, of the February 26 Incident), Lieutenant Shinji Takeyama of the Konoe Transport Battalion — profoundly disturbed by the knowledge that his closest colleagues had been with the mutineers from the beginning, and indignant at the imminent prospect of Imperial troops attacking Imperial troops — took his officer’s sword and ceremonially disemboweled himself in the eight-mat room of his private residence in the sixth block of Aoba-choō, in Yotsuya Ward. His wife, Reiko, followed him, stabbing herself to death. The lieutenant’s farewell note consisted of one sentence: “Long live the Imperial Forces.” His wife’s, after apologies for her unfilial conduct in thus preceding her parents to the grave, concluded: “The day which, for a soldier’s wife, had to come, has come. . . .” The last moments of this heroic and dedicated couple were such as to make the gods themselves weep. The lieutenant’s age, it should be noted, was thirty-one, his wife’s twenty-three; and it was not half a year since the celebration of their marriage.
2.
those who saw the bride and bridegroom in the commemorative photograph — perhaps no less than those actually present at the lieutenant’s wedding — had exclaimed in wonder at the bearing of this handsome couple. The lieutenant, majestic in military uniform, stood protectively beside his bride, his right hand resting upon his sword, his officer’s cap held at his left side. His expression was severe, and his dark brows and wide-gazing eyes well conveyed the clear integrity of youth. For the beauty of the bride in her white over-robe no comparisons were adequate. In the eyes, round beneath soft brows, in the slender, finely shaped nose, and in the full lips, there was both sensuousness and refinement. One hand, emerging shyly from a sleeve of the over-robe, held a fan, and the tips of the fingers, clustering delicately, were like the bud of a moonflower.
After the suicide, people would take out this photograph and examine it, and sadly reflect that too often there was a curse on those seemingly flawless unions. Perhaps it was no more than imagination, but looking at the picture after the tragedy it almost seemed as if the two young people before the gold-lacquered screen were gazing, each with equal clarity, at the deaths which lay before them.
Thanks to the good offices of their go-between, Lieutenant General Ozeki, they had been able to set themselves up in a new home at Aoba-chō in Yotsuya. “New home” is perhaps misleading. It was an old three-room rented house backing onto a small garden. As neither the six- nor the four-and-a-half-mat room downstairs was favored by the sun, they used the upstairs eight-mat room as both bedroom and guest room. There was no maid, so Reiko was left alone to guard the house in her husband’s absence.
The honeymoon trip was dispensed with on the grounds that these were times of national emergency. The two of them had spent the first night of their marriage at this house. Before going to bed, Shinji, sitting erect on the floor with the sword laid before him, had bestowed upon his wife a soldierly lecture. A woman who had become the wife of a soldier should know and resolutely accept that her husband’s death might come at any moment. It could be tomorrow. It could be the day after. But, no matter when it came — he asked — was she steadfast in her resolve to accept it? Reiko rose to her feet, pulled open a drawer of the cabinet, and took out what was the most prized of her new possessions, the dagger her mother had given her. Returning to her place, she laid the dagger without a word on the mat before her, just as her husband had laid his sword. A silent understanding was achieved at once, and lieutenant never again sought to test his wife’s resolve.
In the first few months of her marriage Reiko’s beauty grew daily more radiant, shining serene like the moon after rain.
As both were possessed of young, vigorous bodies, their relationship was passionate. Nor was this merely a matter of the night. On more than one occasion, returning home straight from maneuvers, and begrudging even the time it took to remove his mud-splashed uniform, the lieutenant had pushed his wife to the floor almost as soon as he had entered the house. Reiko was equally ardent in her response. For a little more or a little less than a month, from the first night of their marriage, Reiko knew happiness, and the lieutenant, seeing this, was happy too.
Reiko’s body was white and pure, and her swelling breasts conveyed a firm and chaste refusal; but, upon consent, those breasts were lavish with their intimate, welcoming warmth. Even in bed these two were frighteningly and awesomely serious. In the very midst of wild, intoxicating passions, their hearts were sober and serious.
By day the lieutenant would think of his wife in the brief rest periods between training; and all day long, at home, Reiko would recall the image of her husband. Even when apart, however, they had only to look at the wedding photograph for their happiness to be once more confirmed. Reiko felt not the slightest surprise that a man who had been a complete stranger until a few months ago should now have become the sun about which her whole world revolved.
All these things had a moral basis, and were in accordance with the Education Rescript’s injunction that “husband and wife should be harmonious.” Not once did Reiko contradict her husband, nor did the lieutenant ever find reason to scold his wife. On the god shelf below the stairway, alongside the tablet from the Great Ise Shrin
e, were set photographs of their Imperial Majesties, and regularly every morning, before leaving for duty, the lieutenant would stand with his wife at this hallowed place and together they would bow their heads low. The offering water was renewed each morning, and the sacred sprig of sasaki was always green and fresh. Their lives were lived beneath the solemn protection of the gods and were filled with an intense happiness which set every fiber in their bodies trembling.
3.
although lord privy seal Saitō’s house was in their neighborhood, neither of them heard any noise of gunfire on the morning of February 26. It was a bugle, sounding muster in the dim, snowy dawn, when the ten-minute tragedy had already ended, which first disrupted the lieutenant’s slumbers. Leaping at once from his bed, and without speaking a word, the lieutenant donned his uniform, buckled on the sword held ready for him by his wife, and hurried swiftly out into the snow-covered streets of the still darkened morning. He did not return until the evening of the twenty-eight.
Later, from the radio news, Reiko learned the full extent of this sudden eruption of violence. Her life throughout the subsequent two days was lived alone, in complete tranquility, and behind locked doors.
In the lieutenant’s face, as he hurried silently out into the snowy morning, Reiko had read the determination to die. If her husband did not return, her decision was made: she too would die. Quietly she attended to the disposition of her personal possessions. She chose her sets of visiting kimonos as keepsakes for friends of her schooldays, and she wrote a name and address on the stiff paper wrapping in which each was folded. Constantly admonished by her husband never to think of the morrow, Reiko had not even kept a diary and was now denied the pleasure of assiduously rereading her record of the happiness of the past few months and consigning each page to the fire as she did so. Ranged across the top of the radio were a small china dog, a rabbit, a squirrel, a bear, and a fox. There were also a small vase and a water pitcher. These comprised Reiko’s one and only collection. But it would hardly do, she imagined, to give such things as keepsakes. Nor again would it be quite proper to ask specifically for them to be included in the coffin. It seemed to Reiko, as these thoughts passed through her mind, that the expressions on the small animals’ faces grew even more lost and forlorn.
Reiko took the squirrel in her hand and looked at it. And then, her thoughts turning to a realm far beyond these childlike affections, she gazed up into the distance at the great sunlike principle which her husband embodied. She was ready, and happy, to be hurtled along to her destruction in that gleaming sun chariot — but now, for these moments of solitude, she allowed herself to luxuriate in this innocent attachment to trifles. The time when she had genuinely loved these things, however, was long past. Now she merely loved the memory of having once loved them, and their place in her heart had been filled by more intense passions, by a more frenzied happiness. . . . For Reiko had never, even to herself, thought of those soaring joys of the flesh as a mere pleasure. The February cold, and the icy touch of the china squirrel, had numbed Reiko’s slender fingers; yet, even so, in her lower limbs, beneath the ordered repetition of the pattern which crossed the skirt of her trim meisen kimono, she could feel now, as she thought of the lieutenant’s powerful arms reaching out toward her, a hot moistness of the flesh which defied the snows.
She was not in the least afraid of the death hovering in her mind. Waiting alone at home, Reiko firmly believed that everything her husband was feeling or thinking now, his anguish and distress, was leading her — just as surely as the power in his flesh — to a welcome death. She felt as if her body could melt away to the merest fraction of her husband’s thought.
Listening to the frequent announcements on the radio, she heard the names of several of her husband’s colleagues mentioned among those of the insurgents. This was news of death. She followed the developments closely, wondering anxiously, as the situation became daily more irrevocable, why no Imperial ordinance was sent down, and watching what had at first been taken as a movement to restore the nation’s honor come gradually to be branded with the infamous name of mutiny. There was no communication from the regiment. At any moment, it seemed, fighting might commence in the city streets, where the remains of the snow still lay.
Toward sundown on the twenty-eighth Reiko was startled by a furious pounding on the front door. She hurried downstairs. As she pulled with fumbling fingers at the bolt, the shape dimly outlined beyond the frosted-glass panel made no sound, but she knew it was her husband. Reiko had never known the bolt on the sliding door to be so stiff. Still it resisted. The door just would not open.
In a moment, almost before she knew she had succeeded, the lieutenant was standing before her on the cement floor inside the porch, muffled in a khaki greatcoat, his top boots heavy with slush from the street. Closing the door behind him, he returned the bolt once more to its socket. With what significance, Reiko did not understand.
“Welcome home.”
Reiko bowed deeply, but her husband made no response. As he had already unfastened his sword and was about to remove his greatcoat, Reiko moved around behind to assist. The coat, which was cold and damp and had lost the odor of horse dung it normally exuded when exposed to the sun, weighed heavily upon her arm. Draping it across a hanger, and cradling the sword and leather belt in her sleeves, she waited while her husband removed his top boots and then followed behind him into the “living room.” This was the six-mat room downstairs.
Seen in the clear light from the lamp, her husband’s face, covered with a heavy growth of bristle, was almost unrecognizably wasted and thin. The cheeks were hollow, their luster and resilience gone. In his normal good spirits he would have changed into old clothes as soon as he was home and have pressed her to get supper at once, but now he sat before the table still in his uniform, his head drooping dejectedly. Reiko refrained from asking whether she should prepare the supper.
After an interval the lieutenant spoke.
“I knew nothing. They hadn’t asked me to join. Perhaps out of consideration, because I was newly married. Kanō, and Homma too, and Yamaguchi.”
Reiko recalled momentarily the faces of high-spirited young officers, friends of her husband, who had come to the house occasionally as guests.
“There may be an Imperial ordinance sent down tomorrow. They’ll be posted as rebels, I imagine. I shall be in command of a unit with orders to attack them. . . . I can’t do it. It’s impossible to do a thing like that.”
He spoke again.
“They’ve taken me off guard duty, and I have permission to return home for one night. Tomorrow morning, without question, I must leave to join the attack. I can’t do it, Reiko.”
Reiko sat erect with lowered eyes. She understood clearly that her husband had spoken of his death. The lieutenant was resolved. Each word, being rooted in death, emerged sharply and with powerful significance against this dark, unmovable background. Although the lieutenant was speaking of his dilemma, already there was no room in his mind for vacillation.
However, there was a clarity, like the clarity of a stream fed from melting snows, in the silence which rested between them. Sitting in his own home after the long two-day ordeal, and looking across at the face of his beautiful wife, the lieutenant was for the first time experiencing true peace of mind. For he had at once known, though she said nothing, that his wife divined the resolve which lay beneath his words.
“Well, then . . .” The lieutenant’s eyes opened wide. Despite his exhaustion they were strong and clear, and now for the first time they looked straight into the eyes of his wife. “Tonight I shall cut my stomach.”
Reiko did not flinch.
Her round eyes showed tension, as taut as the clang of a bell.
“I am ready,” she said. “I ask permission to accompany you.”
The lieutenant felt almost mesmerized by the strength in those eyes. His words flowed swiftly and easily, like the ut
terances of a man in delirium, and it was beyond his understanding how permission in a matter of such weight could he expressed so casually.
“Good. We’ll go together. But I want you as a witness, first, for my own suicide. Agreed?”
When this was said a sudden release of abundant happiness welled up in both their hearts. Reiko was deeply affected by the greatness of her husband’s trust in her. It was vital for the lieutenant, whatever else might happen, that there should be no irregularity in his death. For that reason there had to be a witness. The fact that he had chosen his wife for this was the first mark of his trust. The second, and even greater mark, was that though he had pledged that they should die together he did not intend to kill his wife first — he had deferred her death to a time when he would no longer be there to verify it. If the lieutenant had been a suspicious husband, he would doubtless, as in the usual suicide pact, have chosen to kill his wife first.
When Reiko said, “I ask permission to accompany you,” the lieutenant felt these words to be the final fruit of the education which he had himself given his wife, starting on the first night of their marriage, and which had schooled her, when the moment came, to say what had to be said without a shadow of hesitation. This flattered the lieutenant’s opinion of himself as a self-reliant man. He was not so romantic or conceited as to imagine that the words were spoken spontaneously, out of love her husband.
With happiness welling almost too abundantly in their hearts, they could not help smiling at each other. Reiko felt as if she had returned to her wedding night.
Before her eyes was neither pain nor death. She seemed to see only a free and limitless expanse opening out into vast distances.
“The water is hot. Will you take your bath now?”
“Ah yes, of course.”
“And supper . . . ?”
The words were delivered in such level, domestic tones that the lieutenant came near to thinking, for the fraction of a second, that everything had been a hallucination.
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