by Tina Basich
Pretty Good for a Girl
The Autobiography of a Snowboarding Pioneer
Tina Basich with Kathleen Gasperini
For my parents, who encouraged me to discover my own strengths and follow my heart. And for my brother, who reminds me to live life to the fullest.
Copyright © Tina Basich
Whatever you can do or dream you can do, begin it.
Boldness has genius, power and magic in it. Begin it now.
— GOETHE
Copyright © Tina Basich
Contents
Epigraph
Introduction
Photographic Insert
One
Fairyland
Two
Another Option
Three
Del Campo High
Four
First Days
Five
Snowboarder Girl
Six
Team Rider
Seven
Girls on the Scene
Eight
World Traveler
Nine
Boarding for Breast Cancer
Ten
The Birth of Freeriding
Eleven
Backside 720
Twelve
Rockstar
Thirteen
Downtime
Fourteen
Alaska
Fifteen
Mainstream
Sixteen
Olympics
Seventeen
Girls Rock
Glossary
Competition Standings
Results
Ski Resort Info
Acknowledgments
About the Authors
Credits
Copyright
About the Publisher
Concentrating on the balance beam, 1977.
INTRODUCTION
In the 1976 Montreal Olympics, Romanian gymnast Nadia Comaneci achieved five perfect scores of 10. Her performances were the highest achievement in the sport of gymnastics. People all over the world admired her skills. Every little girl wanted to be her. She was on television, on the covers of magazines, and was greatly respected for what she’d achieved as an athlete. No one would have ever said, “You’re pretty good…for a girl.” For female snowboarders, it was an entirely different story.
We were the misfits of the misfits—the girlfriends of the rebel skateboarder guys, the anti-cheerleaders. We wanted to fit in, but we didn’t. Snowboarding to us was a savior. It was wholly original and something all our own. There were no role models. We made things up as we went along—stickering our boards like our school notebooks, duct-taping our equipment, cutting plastic straps to make bindings smaller around our feet, testing out new tricks. The addiction was instant the first time we figured out how to link turns down a hill. Riding down a natural slope with the wind in your face from the speed you’re creating is freedom and that’s completely intoxicating.
If we saw another girl with a snowboard on the hill, she was instantly a friend. We knew who she was, maybe not by name, but because of what she was going through. The one thing that connected us, wherever we lived, near snow or not, was our unconditional love for snowboarding. We talked about it constantly and craved the next chance to go ride. It didn’t matter if that was every day or once a year. If we snowboarded, we were snowboarders. And therefore, we belonged. In a deep girl niche with our boards as our badges.
When I think back on my life, and how maybe it was unexpected that girls would be so good at snowboarding, I realize that that’s what pushed us to take every challenge, pushing through risk, jumping off cliffs, enduring injury, winning gold medals, and managing the fear of death when challenged by Mother Nature. What I don’t think people ever knew was that we could do this, that we were made to ride. Our bodies have the grace and rhythm it requires. Our minds have layers of strength and determination. It’s instinctual. It took me my lifetime to learn that one of the best places to show this world what women are capable of doing is in the mountains, on a snowboard, riding like the wind.
Wishing I were a fairy princess, age five.
Photographic Insert
Wearing Day-Glo for my Kemper team photo shoot at Snowbird, Utah, 1989.
Copyright © Rob Gracie
Copyright © Tina Basich
The lineup of my boards over the years.
Copyright © Tina Basich
“Holding On,” watercolor,1999.
Copyright © Tina Basich
Absorbing all that Alaska has to offer, 2002.
Copyright © Justin Hostynek/Absinthe Films
Rockin’ out with Michael.
Copyright © Tina Basich
I swear we are normal.
Copyright © Tina Basich
Utah powder— the goods.
Copyright © Chris Murray
Wall ride in Utah, 1999.
Copyright © Kevin Zacher
Inverted 360, backcountry Utah, 1998.
Copyright © Kevin Zacher
Julius and me on our snowboarding adventure.
Copyright © Paul Frank
On the Sims photo shoot in New Zealand, 1995.
Copyright © Jeff Curtes
Making our statement clear— the first Prom ad, 1995.
Copyright © Niko Photography
My first trip to the snow, Lake Tahoe, California.
Copyright © Tina Basich
Warming up for my harp performance.
Copyright © Tina Basich
All girl with a pink bow taped on my head.
Copyright © Tina Basich
During my early softball career.
Copyright © Tina Basich
The big push for women’s product starts with acting like a girl!
Copyright © Niko Photography
Self-portrait, age four.
Copyright © Tina Basich
The industry girls at the SIA trade show in Las Vegas.
Copyright © Tina Basich
Backstage at the Pantera/Black Sabbath concert with John McEnroe, Metallica’s Lars Ulrich, Black Sabbath’s Tony Iommi, and Dave Grohl.
Copyright © Tina Basich
CHAPTER 1
FAIRYLAND
I grew up wanting to be like Nadia. I had leotards like hers for my gymnastics classes and learned how to play “Nadia’s Theme” on the piano. She was young, brave, and talented. She just rocked it and there was no one like her. I loved gymnastics, too, but unlike Nadia, I always struggled with the pressures to perform. My gymnastics coaches wanted to start training me for the Olympics when I was eight years old because they “saw talent,” but I couldn’t handle the pressure. I’d get so nervous, I’d pee in my leotard before my floor routine and run off to the bathroom, refusing to come out until my mom came and picked me up from class. What made me quit wasn’t the pressure—it was because my coach duct-taped up my hair. I’d forgotten to put it in a bun as instructed, but as my mom said later when she was gently trying to rip the tape off my head, “There is simply no need for this.” It’s ironic that I ended up a professional athlete at all.
Until I was thirteen years old, I lived in a world full of love, magic, and that Christmastime feeling. I was a girl with no preconception of who I was supposed to be or become. I was a tomboy by nature, but unaware of the term. My youth was Little House on the Prairie meets My So-Called Life, except that even Laura Ingalls didn’t spend six months living in a teepee like I did. Although, at the time, I didn’t know this was abnormal. We didn’t have a TV when we were growing up because my parents sent my brother Michael and me to an alternative school, which did not encourage TVs in the home so that more time could be spent developing creative talents. Thankfully, I was a creati
ve type, or else I’m sure my early years might not have been so pleasant.
We lived in northern California in the suburbs of Sacramento in a little town called Fair Oaks. My parents were high school sweethearts and they married not long after graduation. My mom went to college while my dad took up the trade of house painting. With dreams of a little house on a hill with a white picket fence, they sold their prized possessions—a Jeep and a camera—and managed to save enough money for a down payment on a two-bedroom fixer upper.
In 1969, two years later, I was born. I was two weeks premature and weighed only four pounds, nine ounces, so I had to stay in the hospital for two weeks in an incubator. I was so tiny that my mom would give me a bath with a cotton ball and my grandpa would sing “Tiny Bubbles” every time he saw me. My hair, which was bright red, didn’t grow in until I was two years old, so my mom Scotch-taped a pink bow to the top of my head so people would know I was a girl.
Two days old in my incubator, 1969.
The first major project on our house was to convert the garage into a bedroom to get ready for my brother, Michael, who arrived three and a half years later. With Michael, our family was complete. We had a dog named Duke, a cat named Princess, a pony named Candy, and five Angora rabbits that we’d card for fur, then spin the fur into yarn on our spinning wheel, and use it for knitting scarves and hats. This was normal to us, although the local paper did a story once and ran a photo with the caption, “What’s Wrong with These Children? Hint: Do You See a TV Anywhere Nearby?”
Michael and I lived an imaginative childhood that I only learned later most people cannot believe. We would build go-carts and tree forts all day long and had about ten different tree forts in our yard, with one in almost every tree. We had rope swings and zip lines connecting them like a maze. Michael would always test them, then I’d go down. We’d sit in the plum tree and eat plums and talk about where we were going to hide our next treasure. We’d hide out behind the weeping willow and stare at a dark hole under our deck because a gnome lived in there.
Reading a story to Michael.
If it rained, it wouldn’t stop us from building something new, and we’d go in to make forts from the living room furniture and the ’70s drapes. We’d ride to the 7-Eleven on Candy, tie her up to the ice machine, and buy Popsicles. Or, we’d ride over to Rico’s Pizza to play Donkey Kong and my favorite song on the jukebox, “I Love Rock ’n’ Roll” by Joan Jett.
My parents didn’t let an experience pass us by. They enrolled us in outdoor clubs like Blue Birds and 4-H Club, put us in music lessons, local parades, and ballet classes, took us to summer camp, soccer, softball, gymnastics…we had all sorts of sports and art projects going on all the time. My mom is an artist, and from the beginning she was my biggest inspiration for my own art. She always had a paintbrush in my hand and we would paint together all of the time. I was always painting and coloring. I didn’t even know that painting and doing art projects was out of the ordinary until I first went to public school in ninth grade. My new friends thought I was weird when I told them that I sewed my own clothes. Cool, but weird. I thought everyone knew how to sew, or at least paint.
Up until then, we went to a private school called Waldorf. It was an alternative school based around the arts, music, and creative thinking. I claim it’s not a hippie school, but we did have gardening, woodworking, and beeswax classes. Our teachers told us endless stories about fairies and gnomes and I really believed in them. My artwork to this day is inspired by those fairy tales, which have even made their way onto my snowboard graphics in a series of Fairy Boards “designed by Tina.” I still believe in them.
Me at the beach, 1971.
In the Waldorf curriculum we didn’t learn to read until the third grade. Instead, we learned about making candles and doing plays and about being creative with our time. I was excited about new art projects and was the kid who couldn’t wait to see how my candles turned out. After I finished a project, I was ready to start the next one. We had so many different kinds of classes, like Spanish and German, but also watercolor painting, calligraphy, orchestra, choir, as well as the basics—math, science, and geography. Our school required us to take every subject offered, and our whole grade took every class together. Of course, my whole class was only twenty-two kids. Our class assignments were often transferred into our main lesson book, handwritten in calligraphy and accompanied with an illustration or painting.
Waldorf was enchanting. It felt like we were protected from everything. We didn’t have to think about going through metal detectors to enter the school building or about people skipping classes. Getting in trouble with the teachers was usually over chewing gum or not paying attention. Our class was a small group and there were strong bonds among all of the kids from the things we did together, like walks to the nearby forest where we’d pick wild lettuce and learn which plants were edible. We’d help each other practice lines for the end-of-the-year school play. We even brought in our recorder flutes and would work on making up duets. Everything about the school sparked creativity and our imaginations had no boundaries.
My best friend in fifth grade, Catalin Kaiser, and I created a magic club called TC Magic and Company (the “TC” standing for Tina and Catalin). I created our company identity complete with a rubber stamp of our logo to make stationery on which we would write out spells and magic tricks for our company magic book. Michael would dress up like a clown and be our magical clown assistant. My dad built a trapdoor from my brother’s bedroom into the basement of our house so we could have our TC Magic and Company meetings down there and be all mysterious. I so badly wanted to have magical powers and read people’s minds that I’d practice thinking deeply about people to see if I could read anything. And I dreamed of being able to fly.
Music was something really important to me and I could hear melodies in my head that I’d write out on sheet music. Writing symphonies and playing all of the instruments was something I dreamed of and my favorite part was naming the symphony and then assigning which of my classmates would play which instruments. When I started any project, I would plan it out to the last detail—symphonies, treasure maps, tree forts, magic companies.
I played the piano, violin, recorder, and the harp. In school plays, I was always the angel because I could play the harp. I played the violin in our school orchestra and was always jealous of Emily Sullivan. She was another good friend and the best violin player in the class and sat in the number one seat of the orchestra. I was seat number two and was always trying to keep up with her. But I got to be the lead singer in the band we later created with Michael. We never successfully played a song— Michael just banged on his drums and I’d make cool sounds on my electric guitar. Emily played the electric violin. Even before our first practice, we had our mom shoot the “cover” photo for our first album.
I was the oldest in my class because I went to first grade twice. The first time around, I went to public school, but on Parents Day, I was sitting there drawing pictures of tulips in different colors and the teacher came up to me and said, “Honey, tulips are red.” My mom heard this and picked me up right then and there and took me out of class, and I skipped the rest of the year. I started first grade again at Waldorf the following year.
Being the oldest in my class meant that I got to be St. Lucia on December 13, which is an old Christmas tradition where the oldest girl in the family wears a wreath of candles around her head and brings freshly baked rolls to all the other family members. In this case, we brought rolls to all the other classes. I recently saw Martha Stewart doing a cooking show on how to make St. Lucia rolls. Old traditions are so mainstream these days.
With a great influence from my dad, sports were a big part of my life. My dad was on a softball team and we would always go watch him play and cheer for him. He could hit the ball over the fence and I wanted to be good at sports like him. I’d practice with my dad and brother in the front yard every day after school. The simple fact that I could throw a basebal
l like a boy gave me so much confidence and recognition around my friends. I was the only girl who’d play flag football with the guys during recess and was always picked for the team first round, which is a big deal when you’re a skinny little girl in the fifth grade. They thought I was pretty good and of course I played the part, wearing Dove sports shorts and tube socks up to my knees and carrying my softball mitt to school every day.
Around seventh grade I started to act a little bit more like a girl. My friend Catalin and I went to our first concert, the Go-Go’s on their “We Got the Beat” tour. Her aunt was our chaperone and we wore matching outfits with navy blue pleated schoolgirl skirts, white knee-high socks, and sailor tops. I got to wear make up for the first time to the concert and felt so grown-up. I bought a Go-Go’s concert T-shirt and wore it to school the next day and thought I was so cool. All the other girls in my class were starting to wear makeup and bras and I wanted to fit in. I asked my mom if I could start shaving my legs like the rest of my girlfriends. She said, “Let’s see,” and felt my leg. “I don’t think you need to yet.” I didn’t dare tell her that I’d just snuck into the bathroom and shaved my legs with her razor. Being grown-up was going to require different tactics, I decided.