by J. A. Jance
At the new landlord’s direction, the gardens out back that had long been nurtured by a loving full-time gardener were ignored. Left to their own devices, the covered arbors dried up and went to seed. For a while, without human intervention, only the ivy and one tall tree were tough enough to hold out against the dry realities of the arid Southwest. Now Jaime Gonzales, the new gardener, was starting the slow process of reclaiming the gardens and the upper terraces, but on that far lower level, all that remained was that one old tree, brown-needled and dying.
Holly remembered how tall and alive it had been, green against a warm blue sky that spring afternoon. The precocious eleven-year-old Holly Patterson had been flat on her naked back, waiting for poor, hapless Billy Corbett to figure out how to make his dinky, useless “thing” stand up. It finally did, after Holly showed him how to rub her stiff little nipples with his groping fingers, but even then it didn’t work. When Holly had taunted him, laughed at him because he didn’t even know where to put it, Billy had slapped her hard across the face. His blow had left a bright red handprint on her cheek, one she had been hard-pressed to explain to Mama that afternoon when she came home from school.
Remembering that time, Holly rocked even harder and pulled the sweater closer around her body. Billy Corbett had died in Vietnam. His was one of the first names on the memorial plaque over by the new high school.
It served him right, Holly Patterson thought, thirty-nine years after that jewel-clear spring afternoon. Whatever Billy Corbett got, it served him right.
There was a knock on the door. Holly jumped, surprised by her own nervousness. She would have to remember to tell Amy how she was feeling and ask her what it meant. Ask her to put her under and calm her, make the bad feelings go away. Maybe, later on, they could go for a ride in Rex Rogers’ bright red Allanté. Maybe Amy would even let Holly drive.
She had read in the paper that Marliss Somebody, the old battle-ax who wrote a weekly column for the Bisbee Bee, actually thought the car belonged to Holly. That was a laugh. When she was evicted from her last roach-plagued apartment, Holly Patterson had scarcely anything left to call her own. Amy had helped her salvage the few paltry possessions that remained in storage back in California. And what she had she could keep only so long as she continued to pay the month-to-month storage rental.
The knock came again, and Holly realized she hadn’t answered. “Who is it?”
“It’s me. Isobel.”
“Come in.”
Isobel Gonzales, the gardener’s wife who served as both cook and housekeeper, bustled into the room. She stopped short when she saw Holly’s untouched lunch tray.
“You don’t like what I cook for you?”
“I’m not hungry.”
Isobel shook her head and clucked her tongue. “Not eating is bad for you. It will make you sick.”
This place is making me sick, Holly thought. And it wasn’t just Billy Corbett, either, although at first she had thought it was, hoped it was. No, it was something else, something much more than that, something about the dump itself, perhaps. Whatever it was, it remained just out of reach, beyond the grasp of her conscious mind.
She had felt it the first day, as soon as she had set foot in the house. Of course, it was nice of Paul Enders—Pauli to his friends—to lend his “cabin by the lake” to his friends when he found out they were going to Bisbee on business. Of course, there was no lake anywhere near Bisbee. But for someone who lived in the high-pressure world of Hollywood costume design, it was important to have a hideaway where he could go to let the creative juices flow. Besides, Casa Vieja had been such a wonderful period-piece bargain that he simply couldn’t afford to turn it down.
Paul Enders was only the latest in the long series of Casa Vieja’s would-be rescuers. The exodus of miners in the late seventies along with a real estate glut had left even low-cost rentals sitting empty and in even worse decay. Into that economic slump came an unexpected sum of remodeling money that most likely had its source somewhere in Colombia’s drug cartel. Cocaine paid the bills for returning Casa Vieja to a single-family residence.
Alleged drug money repaired the dry rot, renewed the plumbing, fixed the wiring, and cleaned up and replanted a few of the gardens. The job was only partially finished, however, when the feds moved in to take over. That was how Pauli Enders had picked the place up in the late eighties at a bargain-basement price.
Paul Enders said he found Casa Vieja to be a homey place where he could work on a project and not have his creative bursts interrupted by unexpected visitors. He claimed that working in a room that overlooked that wild brown dump made him feel that he was perched somewhere just below the rim of the Grand Canyon. But what was good for Pauli was bad for Holly, although why it was bad for her she couldn’t quite fathom. What was it about the dump? Why did it call to her so? Why did its looming nearness keep her from sleeping or eating or thinking?
“Well,” Isobel was saying, “are you coming or not?” She sounded impatient, as though she’d said much more than that, only Holly had heard none of it.
“Coming?” Holly repeated stupidly. “Coming where?”
“Downstairs. To see your father. He’s waiting to see you.”
“My father? Here?” She quailed and pulled back into the chair, rocking desperately. “I don’t want to see him. I can’t.”
“Mrs. Baxter says you should come on down.”
“No. Tell her I won’t come.”
“All right,” Isobel said. She went out and closed the door. Moments later the door opened, and Amy bounded in. “What do you mean you won’t come?”
“I don’t want to see him. I can’t.”
Amy came over to Holly’s rocker and knelt in front of it. “Yes, you can, Holly. You’ve got to. He wants to settle. He’s willing to make a deal, but you have to talk to him in person.”
“No. Please.”
“Come on, Holly, after all this, don’t back down now.”
“Why not?”
“Because you’ve already come this far and done so damned much hard work to get here,” Amy insisted. “This is the one last thing you have to do to regain your self-respect and take control of your life. Now’s your chance to hold your father’s feet to the fire. He’s managed to get away with what he did to you all these years. Don’t let him do it again. He owes you. And you owe it to yourself.”
“Can’t Rex talk to him?”
“Rex is in California today, remember? He’ll be back tonight, in time to be in court tomorrow if he has to. It’s up to you, Holly. I know you can do it. Take a deep breath now. Relax.”
Holly nodded, then distractedly ran her fingers through her sweat-matted hair. “But I’m a mess,” she said. “I can’t see him like this. I’ve got to shower, wash my hair, put on makeup.”
“Oh, for heaven’s sake!”
“Please.”
At last Amy relented. “All right,” she said with a smile. “Get in the shower. I’ll tell him to come back a little later.”
“You’re sure I can do it?”
Amy came over to Holly’s rocker and knelt in front of it.
“Do you remember what I told you when you first came to me for help? After we met at that screening?”
Holly nodded. Her spoken answer was almost like a recited catechism. “That I’d have to trust you, but that the only way to learn to trust others was to trust myself.”
“Think how far you’ve come since then, Holly. Think how much you’ve accomplished. Child molesters are basically cowards, and you’ve called his bluff. That’s why he’s come to offer you a settlement. You don’t have to be scared of him anymore. The tables are turned. Now he’s scared of you.”
“That doesn’t seem possible.”
“But it is. Go get in the shower. I’ll tell him to come back in an hour.”
“Not an hour,” Holly said flatly. “That’s too soon. It makes me sound too eager. Tell him to come back at four.”
“All right,” Amy said. �
�Four it is.”
Long after the door closed, Holly lingered in the chair without moving. If this was what she wanted; if this was what was supposed to happen; how come she felt so awful? If this was victory, why was she shivering and sweating at the same time? Why was the prospect of seeing her father again after all these years so terrifying?
Finally, though, after half an hour or so, she managed to pull herself together enough to rise up out of the chair and head for the shower. If Amy still believed in her, maybe Holly Patterson could somehow find a way to believe in herself.
She had to. Amy had said it was the only way she was going to win. And winning was supposed to be worth it.
Eight
IN THE relative pre-lunch quiet of Bisbee’s Blue Moon Saloon, Angie Kellogg was studying her Arizona state driver’s license manual as though her very life depended on it. Studying—serious studying—was something she had done so seldom in her short life that it came as a surprise. Even to her.
On the run from her drug-cartel, hit-man boyfriend, Angie was an ex-L.A. hooker who had landed in Bisbee two months earlier. Under circumstances that still amazed her, she had been taken under the protective wing of an unlikely trio of rescuers made up of Joanna Brady, Reverend Marianne Maculyea, and Bobo Jenkins, one of Bisbee’s few African Americans. As the enterprising owner/operator of the Blue Moon, he had offered Angie Kellogg her first legitimate employment.
Determined to be out of “the life,” Angie was walking the straight and narrow for the first time in her short existence. She had purposefully changed her lifestyle, but not necessarily her clothing. Her trademark skintight jeans, platform heels, and voluptuous figure continually provoked comment and notice in the post office and Safeway. They also made her by far the best-looking relief bartender in town. Bobo, a sharp businessman with one eye on Angie’s figure and the other on the daily receipts, was quick to notice a distinct upswing in business whenever Angie Kellogg pulled a shift.
He joked that she was his most valuable employee. Since she was also his only employee, Angie didn’t take that compliment very seriously. But in a place as small as Bisbee, where a severely limited population also limited the number of drinkers, anything that improved the bottom line of a marginally profitable business was an addition to be welcomed with open arms.
At first Angie Kellogg didn’t pay that much attention to the well-dressed man who crashed through the swinging door of the Blue Moon Saloon and Lounge and slouched over to the farthest booth. It was a little before eleven-thirty when he ducked into the bench seat with his back to the entrance.
Annoyed to have her quiet study time interrupted prior to the normal lunch-hour rush, Angie put down her driver’s license manual and hurried over to take his order. “What’ll you have?” she asked.
“A Bloody Mary,” he answered. “A double.”
Angie guessed the stranger might be an attorney right away, although of a far better caliber than the ones her various L.A. pimps used to hire to bail their girls out of the slammer.
“Hot or not?” she asked.
Bobo had directed Angie to ask the question in just that way, carefully explaining that some customers liked mild Bloody Marys while others wanted the drink so fired with Tabasco sauce that they required a water chaser. When Bobo, an athletically built black man, asked that particular question, no one gave him any crap. When Angie did, things usually went from bad to worse in a hurry.
The dweeb lawyer answered her with a disturbingly blank stare, and Angie braced herself for the inevitably rude comment that was bound to follow. If it was bad enough, she was fully prepared to tell him what he could do with the piece of celery she was supposed to put in the drink to stir it.
“I beg your pardon?” he said finally. “What was it you asked me?”
“The drink,” she prodded. “How spicy? Hot or not?”
“Not very,” he said.
Angie flounced away from him, tossing her blond hair. Maybe he didn’t go to bars much. He acted like he didn’t even speak the language, like he was from a foreign country or something. But at least he hadn’t propositioned her. Bobo had made it clear that if Angie wanted to keep her part-time job as relief daytime bartender, “fraternizing with the customers,” which Angie translated to mean screwing around, was absolutely forbidden. To be honest, there weren’t that many men who looked remotely interesting to her these days, and certainly not for free. As far as that job was concerned, Angie Kellogg was permanently on vacation.
By the time she delivered the lawyer’s drink and collected his money, the first of her noontime regulars had wandered in from outside. Archie McBride and Willy Haskins were already arguing when they sauntered into the bar and settled into their usual places at the far end of the counter nearest the door. Angie brought two vodkas along with Coors draft chasers without bothering to ask. They always ordered the same thing anyway, and it was too hard waiting for them to stop yammering long enough to get a word in edgewise.
The two old guys, both former underground miners, had been retired from Phelps Dodge for at least twenty years. They were relatively harmless maintenance drunks who had to keep a certain amount of liquor in their systems to keep from dipping into DTs. Their ongoing arguments never caused much trouble, although Angie always hoped the conversations would steer clear of politics or religion.
If it had been just the two of them, Angie might have tried to grab a few more minutes’ worth of study time, but they were joined by another noontime imbiber, Don Frost, who meandered in out of the Gulch and settled onto his usual barstool.
Don, part of Bisbee’s arts community, was a sculptor specializing in what he called “Mixed Media Dreg Art.” Frost’s pieces consisted of hunks of discarded junk, glued and/or welded together. Sometimes, on a good day, they were even painted. Although Don Frost’s work was prominently displayed in galleries around town, they seldom ever sold. He subsisted on monthly checks from some kind of trust fund that allowed him to drink and eat as long as he lived in a $150-a-month apartment above an abandoned Mom-and-Pop grocery store up Tombstone Canyon.
Sometimes, toward the end of the month and toward the end of that month’s money, Don Frost would come into the Blue Moon and hit up Bobo for a loan to tide him over. Bobo was always careful to ask for an accounting at the beginning of the next month.
“It’s good business,” Bobo told Angie with a sly grin. “Sure I lend him money, and he always pays me back from the next check. And that keeps it all in the family—he borrows here and drinks here too.”
Twenty-three-year-old Angie liked working as Bobo’s relief bartender, her first-ever nonhooking employment. It was honest work that enabled her to keep up the payments on a modest two-bedroom house that had once served as company housing. It allowed her to indulge in her newfound hobby of bird feeding while still maintaining most of the cash nest egg Joanna Brady had helped her finesse away from Adam York and the Drug Enforcement Agency.
Most of the time Angie enjoyed her job, but some of the customers got to her—Don Frost most of all. An obnoxious loudmouth and self-appointed expert in everything, Frost freely shared with Angie his encyclopedic knowledge of mixology and was forever offering her unsolicited advice as she struggled with learning the intricacies of her new job.
Don Frost fancied himself quite a catch, always hinting that there was a whole lot more money where the trust funds came from, and whatever woman was lucky enough to land him would be in for quite a ride. Since Angie was literally the “new girl in town,” Frost maintained a constant barrage of what he regarded as flirtatious banter. He had even gone so far as to bring in one of his recently completed works of art for her approval.
Angie Kellogg’s taste in art was fairly unsophisticated. When Don assured her this was a five-thousand-dollar piece, she couldn’t imagine why anyone would want to pay that much money for a chunk of painted garbage. Had Angie still been working the streets, one dose of Don Frost would have been more than enough. But here he was one of Bob
o’s regulars, someone whose daily presence contributed to both paychecks and tips. So she made the best of it.
With a sigh, Angie plucked the driver’s training manual off the counter. As she slipped it into her purse and stowed it under the bar, Don noticed.
“So when do you take the exam?” he asked. “How long before the streets stop being safe for humanity?”
“Thursday,” Angie answered. “What’ll you have?”
Frost grinned. “A nooner?” he asked hopefully.
The stranger in the booth caught Angie’s eye and waved to her. “I’ll have another,” he called.
Angie left Don Frost sitting at the bar and went to mix the Bloody Mary. “When you make up your mind,” she said over her shoulder, “let me know.”
When she came back from delivering that drink, Frost was ready to order his early-in-the-month Kahlú and coffee. By the end of the month, he’d be down to beer spiked with occasional shots of tequila.
“Why do you suppose Mr. Burton Kimball is out slumming?” Frost demanded morosely, nodding toward the stranger in the booth as Angie put the chipped coffee mug down in front of him. “I’ve never known him to set foot in the Gulch.”
“Who’s Burton Kimball?”
“If Bisbee had a Mayflower, Burton Kimball’s family would have been on it. It’s his uncle’s case that’s supposed to start in Judge Moore’s court tomorrow. You’ve probably heard about it. The daughter claims her old man liked to play hide-the-salami with her when she was little. Now she’s hired herself a lawyer, and she’s taking his ass to court, suing him for damages.”
“Good for her,” Angie said, and hurried down the bar to bring Willy and Archie another pair of beers.
“You got something against men?” Don Frost asked, when she came back past him.
“Only ones who mess with their daughters,” she replied.
“You’re not one of those feminazis, are you?”
“A what?”
“Don’t you ever listen to Rush Limbaugh?”
“Who?”