She walked out into the room, swaggering a little. Scornfully, she surveyed the other women, sitting at their little tables, drinking from tiny glasses. Most were older than she was, older by a great deal. Abruptly bored by her competition, she glanced towards the men on the far side of the room. She saw with momentary interest that what had seemed one room was in reality two. A transparent barrier ran the full length of the room from ceiling to floor, dividing the men from the women. It was possible, of course, that the barrier also was an illusion. And that it would disappear either for individuals or for the entire group at the right moment. Lucy, who knew something of the energies involved in the processes by which the houses achieved their effects, guessed that such a joining of the two sections would eventually occur.
The thought faded from her mind, as she ran her gaze rapidly along the line of men. Without exception, they were relatively young people. Her eyes were past Cayle before she recognized him. She started to bring them back for a second look, but just in time a basic pattern of caution stopped her. Already beginning to sober up after her brief emotional intoxication, she turned toward one of the small tables, and walked to it carrying with her the mental image of him.
She sat down, the high exhilaration gone out of her. She felt miserable with a remembrance of the disaster she had seen on his face. Haggard, worn-out unhappy Cayle Clark-that was the vision she had. She wondered doubtfully if by any chance his glazed eyes had seen her. She thought finally: "I'll look again in a minute. And this time, I'll try to attract his attention."
She looked steadily at her watch, determined not to be rushed. The hands showed five seconds of the end of the minute when a slim little man came out of the alcove, and raised his hand. Lucy glanced hastily toward Cayle, saw with a sudden lift that he was watching her, and then heard the little man say in a cheerful tone:
"Down goes the barrier, folks. Now's the time to get acquainted."
There were different reactions to the signal. Most of the women remained seated. Several, however, got up hastily and hurried across the room. Lucy, sensing that Cayle was coming toward her, stayed where she was. He sank down into the chair opposite her, and said steadily, "I think you're very attractive, Miss."
She nodded her acceptance of the compliment, not trusting herself to speak. An attendant bent down beside her. "Satisfactory, Miss?" The question was softly spoken.
Lucy inclined her head again. The attendant said, "This way."
She stood up, thinking: "As soon as we're alone, we can start to plan."
There was a sudden flurry of excitement at one of the doors. The woman who had originally interviewed Lucy rushed in, and spoke in a low tone to the little man. A moment later, a bell began to ring. Lucy half-turned; and, doing so, in some curious fashion lost her balance. She felt herself falling into darkness ...
Hedrock was still in his office at five minutes after eleven when the 'stat buzzed, and Lucy's face came on the screen. She shook her head in bewilderment. "I don't know what happened. Things seemed to be going along all right. He recognized me without giving away that he knew me, and we were apparently about to be led to some private room, when everything went black. The next thing I knew I was here in my apartment."
"Just a moment," Hedrock said.
He broke the connection, and called the warship. The commander shook his head. "I was just about to call you. There was a police raid, and the warning must have been very short, because they loaded the women into carplanes -half a dozen to a machine-and carted them off to their homes."
"What about the men?" Hedrock was tense. In emergencies the house sometimes had nasty habits.
"That's why I didn't call you immediately. I saw them pile the men into a truckplane, and cart them off. I followed, but they used the usual method."
"I see," said Hedrock. He covered his eyes with one shielding hand, and groaned inwardly. The problem of Cayle Clark was becoming complex again, and there was nothing to do but to let him go. "Okay, captain," he said gloomily. "Good work."
He clicked off, called Lucy again, and gave her the news. "I'm sorry," he said, "but that eliminates him from the picture. We don't dare interfere."
"What'll I do?" she asked.
"Just wait," he said. "Wait."
That was all there was to say.
Fifteen
FARA WORKED. He had nothing else to do, and the thought was often in his mind that now he would be doing it till the day he died. Fool that he was-he told himself a thousand times how big a fool-he kept hoping that Cayle would walk into the shop and say:
"Father, I've learned my lesson. If you can ever forgive me, teach me the business, and then you retire to a well-earned rest."
It was on August 26th that the telestat clicked on just after Fara had finished lunch. "Money call," it sighed. "Money call."
Fara and Creel looked at each other. "Eh," said Fara finally, "money call for us."
He could see from the gray look in Creel's face the thought that was in her mind. He said under his breath: "Damn that boy!"
But he felt relieved. Amazingly, relieved! Cayle was beginning to appreciate the value of parents. He switched on the viewer. "Come and collect," he said.
The face that came on the screen was heavy-jowled, beetle-browed and strange. The man said: "This is Clark Pearton of the Fifth Bank of Ferd. We have received a sight draft on you for ten thousand credits. With carrying charges and government tax, the sum required will be twelve thousand one hundred credits. Will you pay it now or will you come in this afternoon and pay it?"
"B-but . . . b-but—” said Fara. "W-who—” He stopped, conscious of the heavy-faced man saying something about the money having been paid out to Cayle Clark, that morning, on emergency call. At last Fara found his voice:
"But the bank had no right," he expostulated, "to pay out the money without my authority."
The voice cut him off coldly. "Are we then to inform our central that the money was obtained under false pretenses? Naturally, an order will be issued immediately for the arrest of your son."
"Wait . . . wait—” Fara spoke blindly. He was aware of Creel beside him, shaking her head at him. She was white, and her voice was a sick, stricken thing, as she said:
"Fara, let him go. He's through with us. We must be as hard. Let him go."
The words rang senselessly in Fara's ears. They didn't seem to fit into any normal pattern. He was saying: "I ... I haven't got—How about my paying . . . installments?"
"If you wish a loan," said Clerk Pearton, "naturally we will be happy to go into the matter. I might say that when the draft arrived, we checked up on your status, and we are prepared to loan you eleven thousand credits on indefinite call with your shop as security. I have the form here, and if you are agreeable, we will switch this call through the registered circuit, and you can sign at once."
'"Fara Nol"
The clerk went on: "The other eleven hundred credits will have to be paid in cash. Is that agreeable?"
"Yes, yes, of course. I've got twenty-five hund—” He stopped his chattering tongue with a gulp; then: "Yes, that's satisfactory."
The deal completed, Fara whirled on his wife. Out of the depths of his hurt and bewilderment, he raged: "What do you mean, standing there and talking about not paying it? You said several times that I was responsible for him being what he is. Besides, we don't know why he needed the money. He said it was an emergency."
Creel said in a low, dead voice, "In one hour he's stripped us of our savings. He must have done it deliberately, thinking of us as two old fools who wouldn't know any better than to pay it."
"All I see," Fara interrupted, "is that I have saved our name from disgrace."
His high sense of duty rightly done lasted until mid-afternoon, when the bailiff from Ferd came to take over the shop.
"But what—” Fara began.
The bailiff said, "The Automatic Atomic Repair Shops, Limited, took over your loan from the bank and are foreclosing."
&
nbsp; "It's unfair," said Fara. I'll take it to court." He was thinking dazedly: If the empress ever learned of this, she'd ... she'd-
The courthouse was a big, gray building; and Fara felt emptier and colder every second, as he walked along the gray corridors. In Glay, his decision not to give himself into the hands of a lawyer had seemed a wise act. Here, in these enormous halls and palatial rooms, it seemed the sheerest folly.
He managed, nevertheless, to give an account of the criminal act of the bank in first giving Cayle the money, then turning over the note to his chief competitor, apparently within minutes of his signing it. He finished with, "I'm sure, sir, the empress would not approve of such goings-on against honest citizens."
"How dare you," said the cold-voiced person on the bench, "use the name of her holy majesty in support of your own gross self-interest?"
Fara shivered. The sense of being intimately a member of the empress' great human family yielded to a sudden chill and a vast mind-picture of the ten million icy courts like this, and the myriad malevolent and heartless men-like this-who stood between the empress and her loyal subject, Fara. He thought passionately: If the empress knew what was happening here, how unjustly he was being treated, she would-
Or would she?
He pushed the terrible doubt out of his mind-came out of his reverie with a start, to hear the Cadi saying: "Plaintiff's appeal dismissed, with costs assessed at seven hundred credits, to be divided between the court and the defense solicitor in the ratio of five to two. See to it that the appellant does not leave until the costs are paid. Next case."
Fara went alone the next day to see Creel's mother. He called first at "Farmer's Restaurant" on the outskirts of the village. The place was, he noted with satisfaction in the thought of the steady stream of money flowing in, half full, though it was only mid-morning. But madame wasn't there. Try the feed store.
He found her in the back of the feed store, overseeing the weighing out of grain into cloth measures. The hard-faced old woman heard his story without a word. She said finally, curtly:
"Nothing doing. Fara. I'm one who has to make loans often from the bank to swing deals. If I tried to set you up in business, I'd find the Automatic Atomic Repair people getting after me. Besides, I'd be a fool to turn money over to a man who lets a bad son squeeze a fortune out of him. Such a man has no sense about worldly things. And I won't give you a job because I don't hire relatives in my business." She finished. "Tell Creel to come and live at my house. I won't support a man, though. That's all."
He watched her disconsolately for a while, as she went on calmly superintending the clerks who were manipulating the old, no longer accurate measuring machines. Twice her voice echoed through the dust-filled interior, each time with a sharp: "That's overweight, a gram at least. Watch your machine."
Though her back was turned, Fara knew by her posture that she was still aware of his presence. She turned at last with an abrupt movement, and said, "Why don't you go to the weapon shop? You haven't anything to lose, and you can't go on like this."
Fara went out then, a little blindly. At first the suggestion that he buy a gun and commit suicide had no real personal application. But he felt immeasurably hurt that his mother-in-law should have made it. Kill himself? It was ridiculous. He was still a young man, just going on fifty. Given the proper chance, with his skilled hands, he would wrest a good living even in the world where automatic machines were encroaching everywhere. There was always room for a man who did a good job. His whole life had been based on that credo.
He went home to find Creel packing. "It's the common sense thing to do," she said. "We'll rent the house and move into rooms."
He told her about her mother's offer to take her in, watching her face as he spoke. Creel shrugged. "I told her 'No' yesterday," she said thoughtfully. "I wonder why she mentioned it to you."
Fara walked swiftly over to the great front window overlooking the garden with its flowers, its pool, its rookery. He tried to think of Creel away from this garden of hers, this home of two thirds a lifetime, Creel living in rooms. And knew what her mother had meant. There was one more hope. He waited until Creel went upstairs, then called Mel Dale on the telestat. The mayor's plump face took on an uneasy expression as he saw who it was. But he listened pontifically, said finally, "Sorry, the council does not loan money; and I might as well tell you, Fara—I have nothing to do with this, mind you-but you can't get a license for a shop anymore."
"W-what?"
"I'm sorry!" The mayor lowered his voice. "Listen, Fara, take my advice and go to the weapon shop. These places have their uses."
There was a click, and Fara sat staring at the blank face of the viewing screen.
So it was to be death!
Sixteen
IT TOOK two months of living in one room to make up his mind. He waited until the street was deserted, then slipped across the boulevard, past a design of flower gardens, and so to the door of the weapon shop. The brief fear came that the door wouldn't open, but it did, effortlessly. As he emerged from the dimness of the alcove into the shop proper, he saw the silver-haired old man sitting in a corner chair, reading under a softly bright light. The old man looked up, put aside his book, then rose to his feet.
"It's Mr. Clark," he said quietly. "What can we do for you?"
A faint flush crept into Fara's cheeks. He had hoped that he would not suffer the humiliation of being recognized. But now that his fear was realized, he stood his ground stubbornly. The important thing about killing himself was that there be nobody for Creel to bury at great expense. Neither knife nor poison would satisfy that basic requirement. "I want a gun," said Fara, "that can be adjusted to disintegrate a body six feet in diameter in a single shot. Have you that kind?"
The old man turned to a showcase and brought forth a sturdy revolver that glinted with all the soft colors of the inimitable Ordine plastic. The man said in a precise voice, "Notice the flanges on this barrel are little more than bulges. This makes the model ideal for carrying in a shoulder holster under the coat. It can be drawn very swiftly because, when properly attuned, it will leap toward the reaching hand of its owner. At the moment it is attuned to me. Watch while I replace it in its holster and—”
The speed of the draw was amazing. The old man's fingers moved; and the gun, four feet away, was in them. There was no blur of movement. It was like the door the night that it had slipped from Fara's grasp, and slammed noiselessly in Constable Jor's face. Instantaneous!
Fara, who had parted his lips, as the old man was explaining, to protest the needlessness of illustrating any quality of the weapon except what he had asked for, closed them again. He stared in fascination. And something of the wonder that was here held his mind and his body. He had seen and handled the guns of soldiers, and they were simply ordinary metal or plastic things that one used clumsily like any other material substance, not like this at all, not possessed of a dazzling life of their own, leaping with an intimate eagerness to assist with all their superb power the will of their master.
With a start, Fara remembered his purpose. He smiled wryly, and said, "All this is very interesting. But what about the beam that can fan out?"
The old man said calmly, "At pencil thickness, this beam will pierce any body except certain alloys of lead up to four hundred yards. With proper adjustment of the firing nozzle, you can disintegrate a six-foot object at fifty yards or less. This screw is the adjuster."
He indicated a tiny device in the muzzle itself. 'Turn it to the left to spread the beam, to the right to close it."
Fara said, "I'll take the gun. How much is it?"
He saw that the old man was looking at him thoughtfully. The oldster said finally, slowly, "I have previously explained our regulations to you, Mr. Clark. You recall them, of course?"
"Eh!" said Fara, and stopped, wide-eyed. "You mean," he gasped, "those things actually apply. They're not—” Tense and cold, he finished. "All I want is a gun that will shoot in self-defense, but which
I can turn on myself if I have to-or want to."
"Oh, suicide!" said the old man. He looked as if a great understanding had dawned on him. "My dear sir, we have no objection to you killing yourself at any time. That is your personal privilege in a world where privileges grow scantier every year. As for the price of this revolver, it's four credits."
"Four .. . only four credits!" said Fara.
He stood astounded, his mind snatched from its dark purpose. Why, the plastic alone was-and the whole gun with its fine, intricate workmanship-twenty-five credits would have been cheap. He felt a thrill of interest. The mystery of the weapon shops suddenly loomed as vast and important as his own black destiny. But the old man was speaking again:
"And now, if you will remove your coat, we can put on the holster."
Automatically, Fara complied. It was vaguely startling to realize that, in a few seconds, he would be walking out of here, equipped for self-murder, and that there was now not a single obstacle to his death. Curiously, he was disappointed. He couldn't explain it, but somehow there had been in the back of his mind a hope that these shops might, just might-what?
What indeed? Fara sighed. And grew aware again of the old man's voice:
"Perhaps you would prefer to step out of our side door. It is less conspicuous than the front."
There was no resistance in Fara. He was conscious of the man's fingers on his arm, half guiding him; and then the old man pressed one of several buttons on the wall-so that's how it was done-and there was the door. He could see flowers beyond the opening. Without a word he walked toward them. He was outside almost before he realized it.
Seventeen
The Empire of Isher Page 12