by Len Deighton
'Just a heist. But tomorrow, when we tell our pal Bekuv about it, I'm going to paint it to look like they are gunning for him.'
'Why?'
'We might learn something from him if he thinks he needs better protection. I'm going to tuck him away somewhere where no one's going to find him.'
'Where?'
'We'll get him out of here for Christmas, it's too dangerous here.'
'Miami? or the safe house in Boston?'
'Don't be a comedian. Send him to a C.I.A. safe house! You might as well take a small-ad in Pravda.' Mann rolled the body back into the chilled case. The sound set my teeth on edge. 'You take the back-up car,' Mann told me. 'I'll drive myself.'
'Then where will you put Bekuv?'
'Don't make it too early in the morning.'
'You've got my sworn promise,' I said. I watched him as he marched through the rows and rows of cold slabs, his shoes clicking on the tiled floor and a curious squeaky noise that I later recognized as Mann whistling a tune.
I suppose Mann's insouciant exit attracted the attention of the mortuary attendant. 'What's going on, Harry?' He looked at me for a few seconds before realizing that I wasn't Harry. 'Are you the photographer?'
'No,' I said.
Then who the hell are you?'
'Seventeenth Precinct know about me,' I said.
'And I'll bet they do,' he said. 'How did you get in here, buster?'
'Calm down. I saw your colleague.'
'You saw my colleague,' he mocked in a shrill falsetto. 'Well, now you're seeing me,' I noticed his hands as he repeatedly gripped his fists and released them again. I had the feeling he wanted to provoke me, so that he had an excuse for taking a poke at me. I was keen to deprive him of that excuse.
'It's official,' I said.
'I.D., feller,' he said and poked a finger at my chest.
'He's all right, Sammy.' We both turned. The other mortuary attendant had come in by the centre door. 'I talked to Charlie Kelly about him. Charlie says O.K.'
'I don't like guys creeping around here without my permission,' said the pugnacious little man. Still murmuring abuse, he studied his clip-board and wandered back upstairs with that twitchy walk one sees in punchy old prizefighters.
'Sorry about that,' said the first attendant. 'I should have told Sammy that you were here.'
'I thought he was going to put me on a slab,' I said.
'Sammy's all right,' he said. He looked at me before deciding that I should have a fuller explanation. 'Sammy and me were cops… we joined the force together, we were both wounded in a gun battle near Delancey, way back in the 'sixties. Neither of us was fit enough to go back into the force. He's a good guy.'
'You could have fooled me,' I said.
'Saw his fifteen-year-old kid brought in here one day hit by a truck coming out of school — that happens to you once and you remember. You start getting dizzy every time you unzip a bodybag.' He turned away. 'Anyway, it was all O.K. for you, was it? I hear you were right in the middle when the shells started flying.'
'I was lucky,' I said.
'And the third guy took off in a black Merc.' He was reading it all on the report. 'You get the plate number?'
'FC,' I said. 'They tell me that's a Fulton County registration.'
'Well, at least you didn't get suckered by the Fulton County plate.'
'What do you mean?'
'Well, any cop who's been in the force a few years will tell you the way those people from Fulton County used to come into the city and double-park all over Manhattan. And no cop would ever give them a ticket. Jesus, the number of times I saw cars… would you believe treble-parked on Madison, jamming the traffic… and I just walked on and forgot about it.'
'I don't get it.'
'Well you wouldn't, being from out of town, but a Fulton Count plate is FC and then three numerals. Not many cops noticed any difference between that and three numbers followed by FC… I mean, a cop's got a lot on his mind, without getting into that kind of pizzazz.'
'And what is it about a car with a registration plate that has three numbers followed by FC? What is it that makes it O.K. for him to treble-park on Madison Avenue?'
The mortuary attendant looked at me sorrowfully. 'Yeah, well you've never been a patrolman, have you. Three digits FC, means a car belonging to a foreign consul… that's an official car with diplomatic immunity to arrest, and I mean including parking tickets. And that's what all those smart-ass drivers from Fulton County were betting on.'
'Got you,' I said.
He didn't hear me; he was staring into the 'sixties and watching one of those nice kids we all used to be. 'Midnight to eight,' he said. 'I liked that shift — no dependants, so what's the difference — and you make more money, overtime and payments for time in court. But it was a rough shift for a cop in those days.'
'In those days?' I said.
'This was an all-night city back in the early 'sixties — bars open right up to the legal 4 a.m…. all-night groceries, all-night dancing, all-night you-name-it. But the city got rougher and rougher, so people stayed home and watched TV… You go out there now, and the streets are dark and empty.' He picked up a piece of cloth and wiped his hands. His hands looked very clean but he wiped them anyway. 'Streets are so empty that a perpetrator can take his time: no witnesses, no calls to the cops, no nothing. Midnight to eight used to be a tough shift for a cop…'He gave a humourless little laugh. 'Now it's a tough shift here at the morgue.' He threw the rag aside. 'You should see some of them when we get them here… kids and old ladies too… ahh! So you're from out of town, eh?'
'Yes,' I said. 'Three thousand miles out of town.'
'You got it made,' he said.
Outside the night was cold. The sky was mauve and the world slightly tilted. Around the access points for the city's steam supply the crust of snow had melted so that the roadway shone in the moonlight, and from the manhole covers steam drifted as far as the cross-street, before the wind whipped it away. A police car siren called somewhere on the far side of the city. It was a pitiful sound, like the repeated cries of a thrashed animal crawling away to die.
Chapter Six
The Washington Square house is 'twinned' in the C.I.A. style — divided vertically — so that the back of the house, shuttered against telescopes and double-glazed against focusing microphones, is all offices, while the front half provides apartments for the staff, and so presents all the outward appearance of domesticity.
I lived on the second floor. Bekuv lived above me. Bekuv's appearance had changed during those few days in New York City. His hair had been cut by some fancy barber, and he'd had enough sleep to put some colour back into his cheeks. His clothes were transformed too: tailored trousers, a blue lambswool shirt and bright canvas shoes. He was sitting on the floor, surrounded by loudspeakers, records, amplifier components, extra tweeters, a turn-table, a soldering iron and hi-fi magazines. Bekuv looked despondent.
'Andrei was screwed,' Mann told me as I went in. I found it hard to believe that Mann was sorry about it.
'In what way?'
'Coffee on the warmer,' said Bekuv.
I poured myself a cup and took a blini.
'All this damned hi-fi junk,' said Mann.
Bekuv applied the pick-up to one of his records and suddenly the whole room was filled with music.
'Jesus Christ!' Mann shouted angrily.
Delicately Bekuv lifted the pick-up and the music ceased. 'Shostakovich,' he said to anyone who was seeking that information.
Mann said, 'Andrei spent nearly two thousand dollars on all this stuff, and now he's been reading the discount-house adverts.'
'I could have got it for five hundred dollars less,' Bekuv told me. I noticed that several of the hi-fi magazines were marked with red pentel, and there were little sums scribbled on the back of an envelope.
'Well, perhaps we can do something about that,' I said vaguely, while I drank my coffee and thought about something else.'
'Andre
i is not going downtown,' said Mann, 'and that's that.' I realized they had been arguing about whether Bekuv was allowed to go out on the street again.
'Now this loudspeaker is buzzing,' said Bekuv.
'Listen, dummy,' Mann told him, bending forward from his chair, so that he could speak close to Bekuv's ear. 'There are citizens out there waiting to ice you. Didn't you hear what I told you about the shooting last night? We spent the small hours downtown in the city morgue — I don't recommend it, not even for a stiff.'
'I'm not frightened,' said Bekuv. He put the pick-up arm back on the record. There was a loud hissing before he reduced the volume a little. It was still very loud. Mann leaned forward and lifted the pick-up off the record. 'I don't give a good goddamn whether you are frightened or not frightened,' he said. 'In fact I don't give a damn whether you are alive or dead, but I'm going to make sure it happens after you are moved out of here, and I've got a receipt for you.'
'Is that going to happen?' asked Bekuv. He began looking through his loose-leaf notebook.
'It might,' said Mann.
'I can't go anywhere for the time being,' said Bekuv. 'I have work to do.'
'What work?', I said.
Bekuv looked at me as if only just realizing that I was present. 'My work on interstellar communication,' he said, sarcastically. 'Have you forgotten that I have a chair at New York University?'
'No,' I said.
'I've calculated for the initial programme of transmissions. It would cost very little money, and it will focus attention on the work we are doing.'
'Transmissions?' said Mann.
'In space there are clouds of hydrogen. They vibrate to make a hum of radio noise. You pick it up on any radio set at 1,420 megacycles. My theory is that this would be the best frequency to use for our first messages to outer space. Other civilizations are certain to notice any change in that hum of hydrogen vibrations.'
'Sure to,' said Mann.
'Not on that exact wavelength,' added Bekuv. 'They would be obliterated. We must transmit near to the wavelength, not on it.'
'Near to it; not on it,' said Mann. He nodded.
'It would cost very little,' said Bekuv. 'And I could have it working inside six months.'
'That's well before the flying-saucer men go to summer camp,' said Mann.
Bekuv looked up at Mann. His voice was harsh, and it was as if he was answering a long list of unspoken questions when he shouted, 'Twice I have attended meetings of the 1924 Society. Only twice! The last tune was nearly five years ago. Science is not the cosy little club you believe it is. Don't keep pressurizing me. I recognized no one, and we did not exchange names and addresses, for obvious reasons.'
'For obvious reasons,' said Mann. 'Because those sons of bitches were betraying the whole of America's military electronics programme.'
'And will it get your secrets back if you keep me a prisoner here?' yelled Bekuv. 'Not allowed to go out… Not allowed to make phone calls.'
Mann walked quickly to the door, as if frightened he would lose his temper. He turned. 'You'll stay here as long as I think fit,' he said. 'Behave yourself and I'll send you a packet of phonograph needles and a subscription to Little Green Men Monthly.' Bekuv spoke quietly, 'You don't like cosmology, you don't like high-fidelity, you don't like Shostakovich, you don't like blinis…" Bekuv smiled. I couldn't decide whether he was trying to needle Mann or not.
'I don't like Russians,' explained Mann. 'White Russians, Red Russians, Ukrainians, Muscovite liberals, ballet dancers or faggy poets — I just don't like any of them. Get the picture?'
'I get it,' said Bekuv sulkily. 'Is there anything more?'
'One thing more,' said Mann. 'I'm not an international expert cm the design of electronic masers. All I know about them is that a maser is some kind of crystal gimmick that gets pumped up with electronic energy so that it amplifies the weakest of incoming radio signals. That way you get a big fat signal compared with the background of electronic static noise and interference.'
"That's right,' said Bekuv. It was the first time he'd shown any real interest.
'I was reading that your liquid helium bath technique, that keeps the maser at minus two hundred and sixty-eight degrees centigrade, will amplify a signal nearly two million times.'
Bekuv nodded.
'Now I see the day when every little two-bit transistor could be using one of these gadgets and pulling in radio transmissions from anywhere in the world. Of course, we know that would just mean hearing a D.J. spinning discs in Peking, instead of Pasadena, but a guy collecting a royalty on such a gadget could make a few million. Right, Professor?'
'I didn't defect for money,' said Bekuv.
Major Mann smiled.
'I didn't defect to make money,' shouted Bekuv. If Mann had ben trying to make Bekuv very, very angry, he'd discovered an effective way to do it.
Mann took my arm and led me from the room, closing the door silently and with exaggerated care. I didn't speak as we both walked downstairs to my sitting-room. Mann took off his dark raincoat and bundled it up to throw it into a corner. From upstairs there came the sudden crash of Shostakovich. Mann closed the door to muffle it.
I walked over to the window, so that I could look down into Washington Square! It was sunny: the sort of New York City winter's day when the sun coaxes you out without your long underwear, so that the cross-town wind can slice you into freeze-dried salami. Even the quartet echo-singing under the Washington arch had the hoods of their parkas up. But no street sounds came through the double-glazing; just soft Shostakovich from upstairs. Mann sat in my most comfortable chair and- picked up the carbon of my report. I could tell that he'd already been to his office and perused the overnights. He gave my report no more than a moment or two, then he lifted the lid of my pigskin document case and put a fingertip on the Hart and Greenwood files that had arrived by special messenger in the early hours. They were very thin files.
'The car had a foreign consul plate?'
'Yes,' I said.
'And you read that stuff on the telex?'
'The two Russians are staying in a house leased to the Second Secretary of the Soviet Trade Delegation… Yes, I read it, but that doesn't make them K.G.B. or even diplomatic. They might just be visiting relatives, or sub-tenants or squatters or something.'
Mann said, 'I'd like to bring in the owners of that car and sweat them.'
'And what would you charge them with? Leaving the scene of an accident?'
'Very funny,' said Mann. 'But the foreign consul plate on that car ties them to the stick-up artists.'
'You mean K.G.B. heavies lend their official car to three hoods?'
Mann pouted and shook his head slowly, as if denying a treat to a spoiled child. 'Not the way you'd arrange it, maybe,' he said. 'But there was no reason for them to think it would all foul up. They figured it would be a pushover, and the official car would provide them with the kind of getaway that no cop would dare stop. It was a good idea.'
'That went wrong.'
'That went wrong.' He ran his fingers through the urgent paperwork inside my document case. 'Are we going to get some of this junk down the chute today?'
'Does that "we" mean you're about to break the seal on a new box of paper-clips? '
Mann smiled.
I put the case beside me on the sofa and began to sort it into three piles: urgent, very urgent and phone.
Mann leaned over the sofa back. He lifted a corner of the neatly stacked documents, each one bearing a coloured marking slip that explained to me what I was signing.
Mann sucked his teeth. 'Those typewriter commandos downstairs don't know a microdot from a Playboy centrefold but give them a chance to bury you in paperwork and — goddamn, what an avalanche!' He let the paperwork slip out of his hands with enough noise to illustrate this theory.
I moved the trayful of papers before Mann decided to repeat his demonstration; already the slips and paper-clips were falling apart.
'Well, I'll leave y
ou to it,' Mann said. 'I've got to catch an airplane. Anybody wants me tell them to try the Diplomat Hotel, Miami, Florida.'
'Don't use your right name,' I said.
'I won't even be there, bird-brain. That's just being set up.'
I reached for the first pile of paperwork.
'Before I go,' Mann said still standing in the doorway watching me, 'Bessie says will you spend Christmas with us.'
'Great,' I said without looking up from my desk work.
'I'd better warn you that Bessie is asking that girl Red Bancroft along… Bessie is a matchmaker…'
'You're checking out a place to hide Bekuv, aren't you?' I said.
Mann bared his teeth in the sort of fierce grimace that he believes is a warm and generous smile.
I worked on until about noon and then one of the I.-Doc people looked in. 'Where's Major Mann?'
'Out.' I continued to go through the documents.
'Where did he go?'
"No idea,' I said without looking up.
'You must know.,'
'Two little guys in white coats came in and dragged him out with his feet kicking.'
'There's a phone call,' said the man from downstairs. 'Someone asking for you.' He looked round the room to be sure I wasn't hiding Mann anywhere. 'I'll tell the switchboard to put it through.'
'There's a caller named Gerry Hart coming through on the Wall Street line,' the operator told me. 'Do you want us to patch it through to here, and connect you?'
'I'll take it,' I said. If it had taken Hart only twenty-four hours to winkle-out the phone number of the merchant bank in Wall Street that I was using as my prime cover, how long would it take to prise open the rest of it? I pushed the police documentation to one side. 'Let's have lunch,' suggested Hart. His voice had the sort of warm resonance contrived by men who spend all day speaking on the telephone.
'Why?'
'There's a development.'
'Talk to my boss.'
'Tried that, but he's in Miami.' Hart's tone of voice made it clear that he didn't believe that Mann was in Miami.