by Len Deighton
'If I may be personal,' I said to the woman. 'How did you get along with Hank Dean?'
'I met him only twice,' said Lucie Valentin.
'Lucie wanted to get the whole thing out in the open,' said the boy. 'Lucie and I are going to be married, and real soon, but I've got to make it O.K. with Dad.'
'And he objects to Lucie?'
'He liked her,' said the boy. 'I know he did, and still does'. He patted her arm, looked at her and smiled. 'But the truth is that Dad would like me to marry an American girl.'
'Really?' I said.
'Oh, sure, Dad comes on very strong about how cosmopolitan he is, but Dad is an American, his French marks him as an American, and he's very self-conscious about that.'
'And your French is fluent?'
'I've grown up here. Most of the people I work with think I am a Parisian. And I think like a Frenchman — it hurts Dad when I say that, but it's true — I could never be really happy in the United States… nor married to an American girl.'
He smiled. The way that he'd said 'girl' was a way of saying that he preferred a 'woman'. Lucie Valentin was a lot older than the boy; he didn't have to say that Hank Dean didn't like that either.
'And there is Lucie's divorce,' said the boy. 'That is the real difficulty. The Church doesn't recognize it' — he shrugged — 'and neither does Dad.'
'But your father divorced your mother,' I said.
For a moment I thought the boy was angry that I had mentioned it, but he smiled at Lucie, and then said to me, 'He wrote that he was divorced on all the official forms and stuff but the truth of it is that he's always refused to give my mother a divorce — that's what caused all the bad feeling.'
'On religious grounds?'
'Mom said it was easy for Dad to have religious scruples — he didn't want to get married again.'
'But your mother did?'
They never got on. They separated too long ago for me to remember anything about it but I can never imagine them getting along together. Mom digs the high-life. This guy Reid-Kennedy is just rolling in money. He's always wanted me to take an allowance but I wouldn't feel right about that; after all, he's not even my stepfather.'
'What does he do for a living?'
'He's in electronics.'
I said, 'That can mean anything from repairing a broken TV to walking on the moon.'
'His factories make complicated junk for communications satellites. They did a lot of work for this one French TV use to get live news coverage from the States. And there are the weather satellites too… I guess it's not military secrets, if that's what you guys are thinking.'
'You'll be too late for the hospital, cheri,' said the woman.
'I'll skip it today,' said the boy. 'I was due to give blood at the hospital on the Boulevard but I can easily do that tomorrow.'
Mann nodded. 'You keep in touch with your mother?'
'We write.'
'When was the last time you saw her?'
'One,' said the boy, 'no, what am I saying, two years ago.'
Lucie Valentin got up from the arm of the chair and walked over to the window and took a sudden interest in the falling snow.
'And she doesn't write or phone?' Mann persisted.
'A couple of times in this last year,' said the boy. 'She's beginning to accept the situation for what it is.'
Lucie Valentin walked back to him and slipped a hand into the pocket of the overalls he was wearing, took his cigarettes out and lit one. It was an intimate gesture and yet it lacked the spontaneity that such actions usually have. He felt it too. 'What's the matter, darling?'
She turned away from him and shrugged. She puffed the cigarette and said, 'Your mother was here yesterday.'
'Are you sure?' he said incredulously.
Lucie still didn't turn. 'Of course I'm sure. She came here looking for you. Of course I'm sure.'
'Take it easy, baby.'
'I'm sorry, darling,' she said in a voice that showed no sign of regret. 'She hasn't accepted anything. She's determined to part us. I dreamed about her last night.'
'You're being silly.'
Lucie Valentin rounded on him. 'I'm not being silly, and don't call me baby.' She opened the handbag that was on the window-sill and produced from it a slip of paper. 'Call her!' said Lucie. 'That's what you want to "do, isn't it?'
He didn't take the slip of paper. 'I love you, Lucie.'
She shrugged and turned away.
It was Major Mann who took the slip of paper from her. He didn't pass it on to the boy. He read it himself. Neither of them were aware of us any more.
'You should have told me, Lucie.'
Lucie dabbed at her eyes with a tiny handkerchief. 'She only stayed in France for three hours. She was going back to the airport again. It seemed silly to risk all we have when she was only here for a few minutes.'
'She didn't cross the Atlantic just to pay one short visit,' said the boy. He was flattered by the idea, and his voice betrayed it.
'No,' she said. 'They are in Europe.'
'This is hotel stationery,' said Mann holding up the note. 'No message, just "Please phone" and the printed note-paper. The Gresham Hotel, Dublin. What would she be doing in Ireland, do you know?'
'No,' said the boy.
'Well, think about it!' said Mann angrily. The tension in the room had got to all of us, and now Mann became unreasonably impatient with the boy. 'Think about it. Is she interested in stud farms or shark fishing? What's she doing in Ireland in the depths of winter?'
The boy shook his head, and Lucie Valentin answered on his behalf. 'His mother had come on the Irish Airlines direct flight: Dublin-Paris. She said not to tell her husband about the trip. He thought she was shopping in Dublin, and going on to the theatre in the evening.'
'So where the hell was he?' said Mann. 'Crazy kind of vacation where you send your wife to a show alone.'
'She didn't say anything about that,' said Lucie Valentin.
Major Mann reached for his hat and buttoned his coat 'You're not planning to leave town, are you?'
Neither of them answered but as we went through the door that Lucie held open for us, the boy said, 'She's not trying to part us, baby. Quit worrying about that. It's having secrets from each other… that's what does the damage,' and after the door closed they switched to a gabble of French.
From below there came the music of the same tango that we'd heard when we arrived. Either the autochange was stuck, or they were learning to dance. Mann didn't talk as we went down the narrow stone stairs. Some of the light bulbs were missing and the ones that worked gave no more than a glimmer of light. There is a false gaiety to the tango: it's really a very melancholy rhythm.
It was late afternoon but the low clouds darkened the street so that some of the cars had their lights on. We walked until we got to our rented Mercedes. The thin layer of snow that had collected on it was coloured yellow by the brick-dust of the demolition, and someone had drawn a hammer and sickle in it. Mann defaced it before getting in. Then he operated the wipers to make a clear patch of glass but even as he did so there was a thunderous crash from a collapsing wall and a great cloud of dust enveloped us. We were tightly boxed but Mann shunted us clear and joined the traffic that sped along the rue de Flandres towards central Paris. We were in the Place de Stalingrad before Mann said anything. 'Suppose the kid really is the courier?' he said.
'I can't believe that was all an act. Those two weren't doing all that for us?'
'And the kid's mother?'
'When a professional network makes a mistake, it's always this kind of mistake,' I said. 'It's always a jealous lover or a suspicious wife.'
'Or a cast-off wife who wants to remarry. So you think the wife framed Hank?'
'It was a way of putting pressure on you,' I said. 'It was a way of making you vulnerable.'
'But was it intended to get us off Bekuv's tail? Or is this a red herring — this junk about Dublin?'
'A good question,' I said. He nodded. We b
oth knew that we'd got to go to Dublin — an investigator follows his lead, no matter how much he suspects it might be a false trail.
By the time we got back to the hotel, near the Ministry of the Interior, the snow was getting a grip upon the city. Major Mann strode into- the hotel shaking the ice from his raincoat. There was a message awaiting him. It was via the French police. Someone had been trying to reach us urgently. There was a contact phone number. I recognized it as one of the accommodation numbers used by the C.I.A. floor of the Paris embassy. Mann rang it, and the messenger arrived within ten minutes. It had been through the cipher machine but it was still enigmatic enough to require explanation.
JONATHAN TO SHOESHINE TRIPLE STAR URGENT. FABIAN REGRETS PROSPECT DEAN NAMED IN ERROR STOP HE NOW SAYS BETTERCAR CAR RENTALS OFFICE IS IN BOSTON MASSACHUSETTS STOP RED SENDS LOVE STOP BRING COGNAC SIGNATURE JONATHAN ENDS
Fabian was the code name for Andrei Bekuv, and Jonathan was the C.I.A. man responsible for the safety of the two Russians while we were away. 'Bring cognac' was the check code that Mann had arranged with Jonathan personally (different for every message and committed to memory by the three of us). How Red had persuaded security to add a personal message of love was beyond my understanding.
'Did you decode Boston, Mass., for me?' Mann asked.
'Yes, sir,' said the courier. He was a diffident young man. 'I looked it up. It's a little town in Ireland — Drogheda, if that's the way you pronounce it.'
'Drogheda,' said Mann, and nodded. 'And I suppose the code for Boston, Mass., is Drogheda, Ireland.' The courier smiled politely. Mann took the message sheet, and a packet of matches, and made a thorough job of burning the paper to ash. Mann was like that: he liked a chance to show what a well-trained operator he was.
'Is there anything else?' said the courier.
'Henry Hope Dean; I want his blood group,' said Mann. 'He's a blood donor, so it shouldn't be difficult.'
'Drogheda in Ireland,' he said again when the courier had departed. 'Well, the Bekuvs are really talking.'
'Are you going to tell me what Bettercar is, or are we going to play secret agents all evening?'
'Easy baby,' he said, imitating Henry Hope Dean's anxious voice.
'I'm going to eat,' I said. 'See you later.'
'Bettercar Car Rentals is the agreed code for the 1924 Society,' said Mann, 'and I'm buying the drinks.'
Chapter Twelve
You turn left out of, Dublin airport, following the Belfast road. Major Mann had arranged for an Irish Special Branch officer to meet us at Drogheda. It was only a twenty-mile drive from the airport and Mann promised to do it in as many minutes, but he didn't count on the narrow, meandering route, the pot-holed surface or on the gigantic articulated trucks that had to reduce speed to a snail's pace in getting through the narrow streets of the villages en route. Nor did he expect the thunderstorm that greeted us. He cursed and fumed all the way. Finally he let me drive.
Drogheda, a colourless town of stone and slate, shone under the steady downpour of rain that in Ireland is called 'a soft day'. A soldier with an automatic rifle and a policeman in a flak jacket sheltered from the rain in the bank doorway. On the wall alongside them there was white spray-can writing: 'No Extradition'.
The Special Branch police inspector was waiting for us with the politeness and patience with which Irishmen meet delay. He was a tall, thin man with fair hair, and was dressed in the sort of dark, plain clothes that policemen wear when they want you to know that they are policemen. He got into the car and sat silent for a moment, wiping the rain off his face with a handkerchief. He removed his hat so that rainwater did not drip into the document case that he now opened on his knees. He found the papers he wanted and tapped them reassuringly. There was a roll of thunder that echoed through the town like a cannonade.
'Mr and Mrs Reid-Kennedy checked into the Gresham Hotel in Dublin four nights ago. His wife stayed there to do some shopping. She checked out yesterday. It's not easy to be sure which nights your man was there with her — the double room was paid for all the time.' He referred to his papers again. 'Mr Reid-Kennedy hired a small van from a hire company in O'Connell Street. He went to a fishing tackle and sporting-goods shop. They say he didn't buy a shot-gun or ammunition but we can never be sure of that, not in Ireland! He did buy a pair of thigh-length rubber boots. Waders — the sort anglers wear for river-fishing. And a waterproof jacket,'
'Rod? Line? Flies?' Mann asked.
'Just the boots and jacket. Then he drove the van up here. He didn't stay at any of the hotels in Drogheda, but two people saw the van he'd hired. A farm labourer saw it being driven back towards town at seven o'clock yesterday morning. He thumbed it, but the van wouldn't stop.'
'Did he identify Reid-Kennedy?' Mann asked.
'Positively. He was disappointed. In this part of the world, people always stop for a hitch-hiker, especially a local man. And it was raining too. Yes, a positive identification.'
The other?'
'The baker's delivery-man saw the empty van parked in the lane at the entrance to a farm — the O'Connor property. He had difficulty getting past, the lane is very narrow there.'
'Tell me about this farm,' said Mann. There was a sudden crackle of lightning that lit the whole street, freezing every movement with its cruel blue light.
'A syndicate of Germans own it,' said the policeman. 'A farm, beef cattle, about five hundred acres.'
There was another rumble of thunder. Down the street came tractors, stray dogs, schoolchildren, dilapidated cars and a religious procession; everyone braved the rain as if they did not notice it.
The policeman put his papers away and locked his case. 'The only thing that bothers me is the petrol. The hire company say he used enough to get as far north as Dundalk, or over the border even.'
Mann grunted and turned to watch a boy on a bicycle. The boy had a shoulder resting against a brick wall, and was flicking the pedals with his toe. 'Where is this O'Connor property?' Mann asked. 'Let's turn it over.'
The policeman looked at the rain. 'There's nothing hard and fast,' said the policeman. 'I'd better telephone Dublin if you want to search.'
'Nothing doing,' said Mann. 'These sort of people we're after could pay a thousand dollars for news about your phone call to Dublin.'
'I'm surprised you trust me,' said the policeman irritably.
'I don't trust you,' said Mann. 'Now let's get on with it — tell them we're looking for blue films or checking foot and mouth disease, or something.'
Condensation was steaming up the windscreen. The policeman produced a handkerchief and wiped a panel clear. 'Straight up this road,' he said eventually. I turned the ignition key, and after a couple of tries I got the car going. 'The next side road on the left,' said the policeman.
We turned off the main road, and climbed through silent villages and a lonely landscape. The rainwashed hilltops were shiny and unkempt in the afternoon light but the ruins of some long-forgotten abbey were only just visible in the gloomy folds of the valley floor. 'Tell me more about this farm,' said Mann.
'This might not be your man,' said the police inspector. 'This syndicate of Germans — Frankfurt, it was — bought the O'Connor farm about two years ago. There was talk of a stud, and then of flying lobsters to Paris but never did anything come of the talk. People called Gerding live there now — man, wife and grown-up son — people come to see them regularly… described as shareholders in the syndicate: well-dressed foreigners come, not just Germans: Americans, a Dutchman, some Swedes and a man who said he was from the Argentine — according to what the taxi-drivers tell us.'
Mann sniffed. 'Sounds like what we're looking for,' he said.
'No neighbours for miles around,' said the police inspector. 'The Gerdings are Protestants — keep themselves to themselves. Hard-working people, the neighbours say. They go into the village for petrol and bread and milk, and into Drogheda once a week for groceries.' He tapped my shoulder. 'We'd better leave the car by the gate. We'
ll get her stuck in the mud if we try the lane in this sort of weather. Have you got raincoats?'
The farmhouse was on the brow of a hill, with the outbuildings forming a rectangle on the shallower slope to the east of it. The track that was too muddy for our car followed the ridge of the hill. There was a magnificent view from here for anyone prepared to look into the blinding rainstorm. But in spite of the noise of the wind, the dogs heard us. Their barks turned to howls as Mann struggled with the rusty bolt on the farmyard gate.
'Not exactly what the Lufthansa ads would lead us to expect,' said Mann. He clawed at the bolt angrily and its sharp edge took the skin off his thumb. He swore.
The yard was also lacking that sort of orderliness that one expects from a syndicate registered in Frankfurt. The uneven cobblestones were strewn with spilled feed, matted hay, and puddles of rainwater over blocked drains. The farmhouse door was locked.
The birds have flown,' said the police inspector, but he unbuttoned his coat and loosened his jacket. It was the sort of thing a man might do if he was reassuring himself about the availability of his pistol.
I tried the window and slid it up without difficulty.
'Hullo there,' shouted the policeman through the open window. The wind blew the net curtain so that it billowed over his face. There was no sound from within the farmhouse but the dogs barked as if in response to the call. I tugged at the skirt of my raincoat so that I could get one leg over the window-sill. The policeman pushed me gently to one side. 'This is my patch,' he said. 'I'm used to the kind of things that might be about to happen.' He smiled.
I suppose all three of us had done that kind of thing before. I covered him. Mann remained outside. We went through every room and inevitably there was the silly feeling when you look under the beds. 'No one at all,' said the policeman as he opened the last cupboard and rapped its wooden interior to make sure there were no hollow sounds. I went over to the window, raised it and called down to Mann in the yard to tell him the house was empty. By that time he'd taken a quick look around the out-buildings.