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Hey, Nietzsche! Leave them kids alone

Page 33

by Craig Schuftan


  Alone and Palely Loitering

  1. Robert Gittings, John Keats, Penguin, London, 1968.

  2. Ibid.

  3. John Keats, ‘La Belle Dame sans Merci’ in Robert Gittings (ed.), Selected Poems and Letters of Keats, Heinemann, London, 1966.

  4. Ibid.

  5. Gittings, op. cit.

  6. Ibid.

  A Forest

  1. Dave Thompson, In Between Days: An Armchair Guide to the Cure, Helter Skelter, London, 2004.

  2. The Cure, ‘A Forest’, Standing on a Beach, Warner CD, 1986.

  3. The Cure, ibid.

  Lemonade

  1. Robert Gittings, John Keats, Penguin, London, 1968.

  2. John Keats, ‘Ode on Melancholy’ in Robert Gittings (ed.), Selected Poems and Letters of Keats, Heinemann, London, 1966.

  3. Rivers Cuomo, Sleevenotes for Alone: The Home Recordings of Rivers Cuomo, Geffen CD, 2008.

  4. Rivers Cuomo, ‘Lemonade’, Alone: The Home Recordings of Rivers Cuomo, op. cit.

  5. Rivers Cuomo, Sleevenotes for Alone: The Home Recordings of Rivers Cuomo, op. cit.

  6. Ibid.

  7. Rivers Cuomo, ‘Buddy Holly’, Alone: The Home Recordings of Rivers Cuomo, Geffen CD, 2008.

  8. Andy Greenwald, Nothing Feels Good: Punk Rock, Teenagers, and Emo, St Martins Press, New York, 2003.

  9. Jenny Eliscu, ‘Rivers Cuomo’s Encyclopedia of Pop’, Rolling Stone, June 2002.

  10. Alpha, Centri, posted on Songmeanings.com, August 2002.

  11. Brian Hiatt, ‘The Boys with the Car Crash Hearts’, Rolling Stone, March 2007.

  Anatomy of Mellon Collie

  1. William J Long, Outlines of English and American Literature, gutenberg.org

  2. Amy Hanson, Smashing Pumpkins: Tales of a Scorched Earth, Helter Skelter, London, 2004.

  3. Smashing Pumpkins, ‘Disarm’, Siamese Dream, Hut/Virgin CD, 1993.

  4. Billy Corgan, from transcript of 1993 Rage interview, quoted in Starla.org.

  5. Richard Kingsmill, The J-Files Compendium, ABC Books, Sydney, 2002.

  6. Hanson, op. cit.

  7. Ibid.

  8. Dave Thompson, In Between Days: An Armchair Guide to the Cure, Helter Skelter, London, 2004.

  Rock and Roll Suicide

  1. Paul Du Noyer, ‘Contact’, Mojo, July 2002.

  2. David Bowie, ‘Ziggy Stardust’, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA LP, 1972.

  3. W A Mozart, Don Giovanni, CBS Masterworks, 1979.

  4. Ibid.

  5. David Bowie, ‘Rock and Roll Suicide’, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA LP, 1972.

  6. AFI, ‘Miss Murder’, Decemberunderground, Interscope CD, 2006.

  7. AFI, ‘Prelude’, Decemberunderground, Interscope CD, 2006.

  8. Matt Diehl, My So-Called Punk, St Martin’s Griffin Press, New York, 2007.

  Screamin’ Lord Byron

  1. David Bowie, ‘Blue Jean’ (music video, dir. Julian Temple), Best of Bowie, EMI DVD, 2002.

  Lord Byron

  1. Robert Gittings, John Keats, Penguin, London, 1968.

  2. Peter Quennell, Byron: The Years of Fame, Penguin, London, 2001.

  3. Ibid.

  4. George Gordon Byron, ‘Childe Harold’s Pilgrimage’ in The Poetical Works of Lord Byron, Murray, London, 1948.

  5. Ibid.

  6. Quennell, op. cit.

  7. Colin Wilson, The Misfits: A study of sexual outsiders, Grafton Books, London, 1989.

  8. Quennell, op. cit.

  9. Wilson, op. cit.

  10. Quennell, op. cit

  11. Quennell, op. cit.

  12. Ibid.

  13. Ibid.

  14. George Gordon Byron, Selected Poetry and Prose of Byron, W H Auden (ed.), Signet Classics, New York, 1966.

  15. Ibid.

  16. Selected Poetry and Prose of Byron W H Auden (ed.), op. cit.

  17. Bertrand Russell, History of Western Philosophy, Routledge, London, 2006.

  18. Quennell, op. cit.

  19. Ibid.

  Give Them Blood

  1. David Bowie, ‘Ziggy Stardust’, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA LP, 1972.

  2. Norman Davies, Europe: A History, Pimlico, London, 1997.

  3. My Chemical Romance, ‘Blood’, The Black Parade, Warner/Reprise CD, 2006.

  4. Smashing Pumpkins, ‘Bullet With Butterfly Wings’, Mellon Collie and the Infinite Sadness, Hut/EMI CD, 1995.

  5. X V Scott, ‘My Chemical Romance’ posted on mychemicalromanceweb.yaia.com

  The Vampyre

  1. Martin Swales, ‘Goethe’s Prose Fiction’ in Lesley Sharpe, The Cambridge Companion to Goethe, Cambridge University Press, Cambridge, 2002.

  2. Gerhart Hoffmeister, Gerhart, ‘Reception in Germany and Abroad’ in Lesley Sharpe, The Cambridge Companion to Goethe, Cambridge University Press, Cambridge, 2002.

  3. Johann Wolfgang von Goethe, Faust (Part Two), Penguin, London, 1959.

  4. George Gordon Byron, Selected Poetry and Prose of Byron, W H Auden (ed.), Signet Classics, New York, 1966.

  5. Frederic Raphael, Byron, Thames and Hudson, London, 1982.

  6. Mary Shelley, Frankenstein in Peter Fairclough (ed.), Three Gothic Novels, Penguin, London,1986.

  7. Rapahel, op. cit.

  8. Christopher Frayling, Vampyres: Lord Byron to Count Dracula, Faber and Faber, London, 1991.

  9. Christopher Sandford, Bowie: Loving the Alien, Warner Books, London, 1996.

  Goths

  1. David Johnson, ‘Dean Street’ in Hanif Kureshi and Jon Savage (eds), The Faber Book of Pop, Faber and Faber, London, 1995.

  2. George Gimarc, Post-Punk Diary 1980–1982, St Martin’s Press, New York, 1997.

  3. Johnson, op. cit.

  4. Susan Colon, ‘The Gloom Generation’, Details magazine, July 1997.

  5. Sounds magazine, August 1983.

  6. Dave Thompson and Jo-Anne Green, Interview with Ian Astbury, Alternative Press, November 1994.

  7. Norman Davies, Europe: A History, Pimlico, London, 1997

  8. John Ruskin, Stones of Venice, Gutenberg.org, 2003.

  9. Horace Walpole, Letters of Horace Walpole, Gutenberg.org, 2003.

  10. Ibid.

  11. Michael Gamer, Introduction to Horace Walpole, The Castle of Otranto, Penguin, London, 2001.

  12. Ibid.

  13. Ibid.

  14. Ibid.

  15. Davies, op. cit.

  Rocky Horror

  1. Michael Gamer, Introduction to Horace Walpole, The Castle of Otranto, Penguin, London, 2001.

  2. Ibid.

  3. Simon Reynolds, Rip it Up and Start Again: Post-punk 1978–1984, Faber and Faber, London, 2005.

  4. Austin Scaggs, Davey Havok Q&A, Rolling Stone, June 2006.

  5. Gerard Way, MTV ‘VMA Virgins’ interview, 2005.

  6. Misfits video [YouTube]

  Vincent

  1. ‘Vincent’, Cinema 16, American Short Films, Warp DVD, 2006.

  2. Ibid.

  3. Ibid.

  4. Mark Salisbury, Burton on Burton, Faber and Faber, London, 1997.

  5. Ibid.

  6. Ibid.

  Frankenstein

  1. Bride of Frankenstein, Universal DVD, 2001.

  2. Ibid

  3. Mary Shelley, Frankenstein in Three Gothic Novels, Penguin, London, 1986.

  4. Ibid

  5. Bertrand Russell, History of Western Philosophy, Routledge, London, 2006.

  6. George Gordon Byron, Selected Poetry and Prose of Byron, W H Auden (ed.), Signet Classics, New York, 1966.

  7. Mary Shelley, op. cit.

  8. Russell, op. cit.

  9. Mary Shelley, op. cit.

  10. Ibid.

  11. Smashing Pumpkins, ‘Disarm’, Siamese Dream, Virgin CD, 1993.

  12. Billy Corgan, from transcript of 1993 Rage interview, quoted in Starla.org

  13. Mary Shelley, op. cit.

  Edward S
cissorhands

  1. Mark Salisbury, Burton on Burton, Faber and Faber, London, 1997.

  2. Ibid.

  3. Ibid.

  4. Ibid.

  5. Ibid.

  6. Edward Scissorhands, Twentieth Century Fox DVD, 2007.

  7. Salisbury, op. cit.

  8. Beetlejuice, Warner Brothers DVD, 2000.

  9. Ibid.

  10. Ibid.

  ‘The Dark Side of Human Things

  1. Rupert Christiansen, Romantic Affinities, Pimlico, London, 2004.

  Mystery

  1. Simon Reynolds, Blissed Out, Serpents Tail, London, 1990.

  2. Ibid.

  3. Ibid.

  4. Karen Armstrong, A History of God, Vintage, London, 2000.

  5. Yasmine Gooneratne, Alexander Pope, Cambridge University Press, Cambridge, 1976.

  6. Voltaire, Candide: or, Optimism, Penguin, London, 1947.

  7. Norman Davies, Europe: A History, Pimlico, London, 1997

  8. Nicholas Dent, Rousseau, Routledge, New York, 2005.

  9. Armstrong, op. cit.

  10. Nick Cave, ‘The Secret Life of the Love Song’ in Nick Cave: The Complete Lyrics, Penguin, London, 2007.

  Utopia

  1. Antoine Nicolas de Condorcet, ‘Sketch’ in John Carey (ed.), The Faber Book of Utopias, Faber and Faber London, 1999.

  2. Toby Creswell, 1001 Songs: The Great Songs of All Time, Hardie Grant Books, Melbourne, 2005.

  3. Gang of Four, ‘Love Like Anthrax’, Entertainment!, EMI LP, 1980.

  4. Simon Reynolds, Blissed Out, Serpents Tail, London, 1990.

  5. Ibid.

  Utopiate

  1. Nick Cave, ‘The Secret Life of the Love Song’ in Nick Cave: The Complete Lyrics, Penguin, London, 2007.

  2. Simon Reynolds, Blissed Out, Serpents Tail, London, 1990.

  3. Clinton Walker, Stranded: The Secret History of Australian Independent Music, Pan McMillan, Sydney, 1996.

  4. Nick Cave, ‘Zoo Music Girl’ in Nick Cave: The Complete Lyrics, Penguin, London, 2007.

  5. Nick Cave, ‘Hamlet Pow Pow Pow!’ in Nick Cave: The Complete Lyrics, Penguin, London, 2007.

  6. Janine Barrand, Nick Cave Stories, Victorian Arts Centre Trust, Melbourne, 2007.

  7. Reynolds, op. cit.

  8. Barrand, op. cit.

  9. Nick Cave, ‘Mutiny in Heaven’ in Nick Cave: The Complete Lyrics, Penguin, London, 2007.

  10. Ibid.

  The Degraded Present

  1. Nick Cave, ‘Release the Bats’ in Nick Cave: The Complete Lyrics, Penguin, London, 2007.

  2. Simon Reynolds, Rip it Up and Start Again: Post-punk 1978–1984, Faber and Faber, London, 2005.

  3. Keith Cameron, ‘Siouxsie Sioux — The Mojo Interview’, Mojo, October 2007.

  4. Andy Greenwald, Nothing Feels Good: Punk Rock, Teenagers, and Emo, St Martins Press, New York, 2003.

  5. Alex De Jonge, Dostoyevsky and the Age of Intensity, Secker and Warburg, London, 1975.

  6. Siouxsie and the Banshees, ‘Spellbound’, Juju, Polydor CD, 1989.

  7. Norman Davies, Europe: A History, Pimlico, London, 1997

  Blasphemous Rumours

  1. Depeche Mode, ‘Blasphemous Rumours’, Some Great Reward, Mute LP, 1984.

  2. Dave Thompson, Depeche Mode: Some Great Reward, Sidgwick and Jackson, London, 1995.

  3. Depeche Mode, ‘Blasphemous Rumours’, op. cit.

  4. Thompson, op. cit.

  Paradise Lost

  1. Mary Shelley, Frankenstein in Three Gothic Novels, Penguin, London, 1986.

  2. Ibid.

  3. Ibid.

  4. Ibid.

  5. Karen Armstrong, A History of God, Vintage, London, 2000.

  6. Ibid.

  The Disappearing God

  1. Karen Armstrong, A History of God, Vintage, London, 2000.

  2. Bertrand Russell, History of Western Philosophy, Routledge, London, 2006.

  3. Armstrong, op. cit.

  4. Ibid.

  5. Robert Gittings, John Keats, Penguin, London, 1968.

  6. Ibid.

  7. Ibid.

  The Age of Simple Faith

  1. Depeche Mode, ‘Stripped’, 101, Mute LP, 1988.

  2. Eric Hobsbawm, The Age of Revolution: Europe 1789–1848, Weidenfeld and Nicolson, London, 1962.

  3. John Ruskin in Elizabeth Gilmore Holt, From the Classicists to the Impressionists: Volume III of A Documentary History of Art, Doubleday Anchor, New York.

  4. William Morris, The House of the Wolfings, Gutenberg.org, 2005.

  5. The Pre-Raphaelites, Tate Gallery, London, 1973.

  6. Ibid.

  7. Ibid.

  8. Ibid.

  Faith

  1. 24 Hour Museum Staff, ‘Rare Wordsworth Manuscript Secured by Wordsworth Trust’, 24hourmuseum.org.uk, April 2007.

  2. Karen Armstrong, A History of God, Vintage, London, 2000.

  3. William Wordsworth, ‘Tintern Abbey’ in William Wordsworth, Lyrical Ballads, with other poems, (1800 edition) Gutenberg.org

  4. The Cure, ‘All Cats Are Grey’, Faith, 7 Records LP, 1981.

  5. The Cure, ‘Faith’, Faith 7 Records LP, 1981.

  6. Ibid.

  7. The Cure, ‘The Holy Hour’, Faith, 7 Records LP, 1981.

  8. The Cure, ‘Faith’, Faith, 7 Records LP, 1981.

  World in My Eyes

  1. Matthew Arnold, ‘Dover Beach’ in Matthew Arnold: Selected Poems, Crofts Classics, New York, 1951.

  2. William J. Long, Outlines of English and American Literature, Gutenberg.org

  3. Arnold, op. cit.

  4. Ibid.

  5. Depeche Mode, ‘Nothing’, 101, Mute LP, 1988.

  6. James Thomson, ‘City of Dreadful Night’ in John Hayward (ed.), The Penguin Book of English Verse, Penguin, London, 1958.

  7. Depeche Mode, ‘Black Celebration’, 101, Mute LP, 1988.

  8. Depeche Mode, ‘World in My Eyes’, Violator, Mute LP, 1990.

  9. Depeche Mode, ‘Personal Jesus’, Violator, Mute LP, 1990.

  We Can Be Heroes

  1. David Bowie, ‘Heroes’, Heroes, RCA LP, 1977.

  2. Peter and Leni Gillman, Alias David Bowie, Henry Holt and Co., London, 1987.

  3. David Bowie, ‘Heroes’, op. cit.

  4. Michael Tanner, Wagner, Harper Collins, London,1996.

  5. Ibid.

  6. Ibid.

  7. Ibid.

  8. Ibid.

  9. Ibid.

  10. Ibid.

  11. Ibid.

  12. Ibid.

  13. Ibid.

  Wagnerian

  1. www.theatreworldawards.org

  2. Don Root, 1980s Rock ’n’ Roll knowledge cards, Pomegranate Communications, Petaluma CA, 2006.

  3. OscarWilde, The Picture of Dorian Grey, Gutenberg.org

  4. New York Times, 22 June 1874.

  5. Phil Hardy, The Faber Companion to Twentieth Century Popular Music, Faber and Faber, London, 1995.

  6. Philip Dodd, The Book of Rock, Pavilion Books, London, 2001.

  Born to Run

  1. Greil Marcus, In the Fascist Bathroom, Penguin, London, 1993.

  2. Mark Hagen, ‘The Midnight Cowboy’, Mojo, January 1999.

  3. Robert Spillane, An Eye for an I: Living Philosophically, Michelle Anderson Publishing, Melbourne, 2007.

  4. Bruce Springsteen, ‘Born to Run’, Born to Run, CBS LP, 1975.

  5. Ibid.

  6. Ibid.

  7. Michael Tanner, Wagner, Harper Collins, London,1996.

  8. Bruce Springsteen, ‘Thunder Road’, Born to Run, CBS LP, 1975.

  9. Ibid.

  Pressure

  1. Peter and Leni Gillman, Alias David Bowie, Henry Holt and Co., London, 1987.

  2. Daryl Easley, ‘Under Pressure’ in Mojo Classic: Queen, The Inside Story, 2005.

  3. Ibid.

  4. Queen and David Bowie, ‘Under Pressure’, Greatest Hits, Elektra LP, 1981.

  5. Arthur Schopenhauer, Essays and Aphorisms, Penguin, Lon
don, 2004.

  6. Ibid.

  Schopenhauer

  1. R J Hollingdale, Introduction to Arthur Schopenhauer, Essays and Aphorisms, Penguin, London, 2004.

  2. Ibid.

  3. Barker Fairley, A Study of Goethe, Oxford University Press, London, 1950.

  4. Robert Spillane, An Eye for an I: Living Philosophically, Michelle Anderson Publishing, Melbourne, 2007.

  5. Ibid.

  6. Robert Gutman, Richard Wagner: The Man, His Mind and His Music, Penguin, London, 1971.

  7. Arthur Schopenhauer, Essays and Aphorisms, Penguin, London, 2004.

  Pinkerton

  1. William Ashbrook, The Operas of Puccini, Oxford University Press, Oxford, 1985.

  2. Ibid.

  3. Ibid.

  4. Ibid.

  5. Ibid.

  Butterfly

  1. William Ashbrook, The Operas of Puccini, Oxford University Press, Oxford, 1985.

  2. Ibid.

  3. Weezer, ‘Butterfly’, Pinkerton, Geffen CD, 1996.

  4. Weezer, ‘Tired of Sex’, Pinkerton, Geffen CD, 1996.

  5. Arthur Schopenhauer, Essays and Aphorisms, Penguin, London, 2004.

  Satisfaction

  1. Andrew Loog Oldham, 2Stoned, Vintage, London, 2002.

  2. Ibid.

  3. Arthur Schopenhauer, Essays and Aphorisms, Penguin, London, 2004.

  4. Robert Gutman, Richard Wagner: The Man, His Mind and His Music, Penguin, London, 1971.

  5. Toby Creswell, 1001 Songs: The Great Songs of All Time, Hardie Grant Books, Melbourne, 2005.

  6. Schopenhauer, op. cit.

  Boredom

  1. The Stooges, ‘No Fun’, No Fun, Elektra LP, 1980.

  2. The Stooges, ‘1969’, No Fun, Elektra LP, 1980.

  3. Jon Savage, England’s Dreaming, Faber and Faber, London, 1991.

  4. Jon Savage, Time Travel, Vintage, London, 1996

  5. Ibid.

  6. Magazine, ‘Song From Under the Floorboards’, Virgin LP, 1980.

  7. Savage, Time Travel, op. cit.

  8. Michael Bracewell, The Nineties: When Surface was Depth, Flamingo, London, 2003.

  9. Savage, Time Travel, op. cit.

  10. Magazine, op. cit.

  Notes from Underground

  1. Morrissey, ‘Live at the Olympia Theatre, Paris, 11 April 2006’, YouTube.com

  2. Ibid.

  3. Fyodor Dostoyevsky, Notes from Underground, London: Penguin, London, 1972.

  4. Ibid.

  5. Ibid.

  6. Ibid.

  How Soon Is Now?

  1. Toby Creswell, 1001 Songs: The Great Songs of All Time, Hardie Grant Books, Melbourne, 2005.

  2. Creswell, op. cit.

  3. Andrew Loog Oldham, 2Stoned, Vintage, London, 2002.

  4. Ibid.

  5. The Rolling Stones, ‘Not Fade Away’, Rolled Gold, Decca LP, 1979.

 

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