POP!
What was that? I drop the watch, and the pendant thunks to my chest. I whip around, hugging the stolen files tight.
It’s Green.
I gasp. The tracker! They’re tracking me!
Green holds up a taser. “Don’t move!” he yells.
My hand fumbles for the chain of the necklace. I find the watch and snap it shut.
Green disappears, and I’m plunged into darkness. My body is yanked apart again as I fly up into the future. I scream. It hurts. It hurts so much.
I land again and open my eyes. Where am I?
I’m not in a forest. I’m in Boston. Colonial Boston. It has to be. It looks exactly like it did when Zeta and I went to the Boston Massacre. I’m even standing in front of Hancock Manor. I have to be sometime in the eighteenth century.
Why am I standing here? I have to move! I tear across a dirt-covered Beacon Street into Boston Common while already turning the year dial.
POP!
Here we go again!
I whip my head around as I run. It’s Violet.
“Iris, stop!” she yells.
“Screw you!” I slam the watch shut.
I hear Violet’s voice screaming, “You can’t run forever!” as I fly through darkness. Pain rips at my entire body.
I’m in Boston Common again. It doesn’t look that different. There are a few more buildings and more people around, and—oh no. People around. They’re screaming. Why are they screaming? And then I realize. It’s me. They’re screaming at me. Because I’m wearing clothes from 1962 and have just materialized out of thin air.
I keep running with my head down. People jump out of my way. They’re afraid of me.
POP!
No! Not again!
I look back as I run. Orange is on my trail, and he’s fast. He’s too fast. I pop open the watch face and spin the year dial. I need to get closer to the present! I don’t fit in here.
“Stop or I’ll shoot!” Orange yells behind me.
I snap the watch shut. I didn’t turn it nearly enough. I’m only going a few years. I fly for a few seconds. My body barely has time to register the pain when it stops.
I gasp when I land. The Boston before me hasn’t changed that much, but there are even more people now. They scream. A woman faints. I throw myself out of Boston Common and onto Tremont Street. There are horses clomping through the cobblestone streets.
Violet is right. I can’t run forever. I have to get this tracker out of my arm. But how?
And then I see a man selling cheese and eggs from a wooden pushcart. There’s a knife sitting right beside him.
Oh my God. Can I do this?
POP!
I have to. I spin the year dial a half turn, grab the knife, and shut the lid as Yellow lurches toward me.
My body explodes again. I can’t take this.
I’m gasping for breath on the side of Tremont Street. People are still yelling. It’s a never-ending symphony of screams, a cacophony of horrors, shrieks following me through time. I run down a side street. I don’t know when I am. Sometime when women wore long dresses and men wore top hats. But there’s no time to process. I have to do this.
I yell and plunge the knife into my forearm. Pain explodes through my entire body. I scream like I’ve never screamed before, and people on the street run away from me with horrified looks on their faces. I twist the knife into my arm and choke back tears.
I don’t have much more time. A few seconds.
Blood spills out onto my light-pink sweater, and I drop the knife and press on the wound. I move the skin around, looking, searching. Every movement is agony. My vision is getting blurry, but I focus on something green and metallic. The size of a computer chip. I blink. That’s it! I pull it out.
POP!
I hold on to the tracker with my left hand while spinning the year, month, and day dials with my right.
“Iris!”
My heart skips a beat. I don’t need to look. I can tell by the voice. It’s Indigo.
“Iris, stop running!” He holds up a taser as he charges toward me. His eyes are sad. Regretful. “I don’t want to have to . . .”
I push myself up from the wall, cradling my blood-soaked arm. I sway to the side. I’ve never been this dizzy before.
“You don’t have to,” I tell him. “We’re done here.”
I throw the blood-spattered tracker at his feet and shut the watch. And I’m gone.
I land in a crumpled heap on the street. Tears flow down my cheeks, and I don’t try to stop them. Blood seeps out of my arm, and my body feels as if it’s just been stretched on the rack. I take short, shallow breaths.
When am I? I need to figure this out. I need to get to a hospital. I’m losing too much blood.
I push myself up and stumble back onto Tremont Street. A horse trots past, pulling a carriage. Horses still? I didn’t go very far. But then a car whizzes past. An old Ford Model T. And then another.
So I’m in the twentieth century. The early-twentieth century. The 1920s. The 1930s. I don’t know. I can’t breathe.
There’s a man ahead wearing a white butcher’s apron. He’s standing outside his shop hammering a board with meat prices onto a rail. Dead, skinned animals hang in the window. I stumble over to him, and he gasps and drops his hammer.
“Miss, are you all right? Let me help you!” He grabs hold of my waist, and I have to fight every impulse in my body not to allow myself to sink into his arms and drift off to sleep. . . .
“What year is this?” I whisper.
“Ssh,” the butcher says. “Don’t speak. Rogers!” he yells to a man down the street. “Come help me! This girl needs help!”
“What year is this?” I repeat.
“It’s 1921,” he says. “What happened to you? Were you attacked? Can you describe your attacker? Where else are you hurt?”
“What’s the date?” I whisper. I’m so dizzy. Faint. I’m fading.
“May the fourth,” he says.
The other man rushes up, takes one look at me, and gasps. “Why, she’s been stabbed!”
May 4, 1921.
“She needs the hospital!” the butcher says. “Flag down a car. We’ll take her to Mass General.”
The hospital. I do need the hospital. But not in 1921. I need blood. I’m losing too much. I don’t know if they have blood in 1921 like they do in the present.
“Help me up,” I whisper, pushing away from the butcher. The files and notebook start to slip from my hands, so I hug them closer to my chest.
“Let me take those,” the other man says. He grabs at the files and tries to pull them away, but I yank back.
“No!” I croak. So dizzy. So weak. Blood is seeping from my arm. “I have to go.”
“We’re taking you to the hospital,” the first man says. He loops a hand under my knees and I’m in his arms, still holding the files. They’re slipping.
“Let me down!” In my mind I scream it, but in reality it’s barely a whisper. The cobblestone street is swirling in front of me as we walk. I have to get out of here. I don’t have much longer until I pass out. If I pass out here, I’m dead.
The files are plastered to my chest, and I can feel the watch pressing into my sternum. I slide one hand under the files and grab hold of the pendant with my pinky finger, then bring it to the front. I pop open the lid and turn the dial one whole rotation. Sixty years. That will take me to 1981. When did they start screening blood? I don’t know.
I keep turning, concentrating and counting as best I can. Black spots cloud my vision. I think I’ve turned it so that I’ll go back a year before I left. But I don’t know. Now I have to get free from these men so I can disappear.
“You have to let me down,” I whisper.
He doesn’t hear me.
“
Sir, please,” I whisper. “You have to let me down.”
He doesn’t even look at me. Am I really speaking or am I only thinking the words in my head?
But I have to go. I’m fading.
“I’m sorry.” I shut the watch.
The pain is blinding. I can’t take this. It’s too much. I’m fading. I’m flying. I’m done.
When I come to, I’m in a sterile, pale-green room with linoleum floors. There are two IVs stuck in my arm, one pumping blood into my body, the other giving me fluids. I’m wearing a hospital gown. I gasp and bolt up. When am I? Did I make it? My eyes dart around the room. I’m in a hospital bed. I’m in a hospital. Where are my files?
A nurse rushes in.
“Honey, lie down!” she commands. “Now! You lost a lot of blood.”
“The files I had with me,” I gasp. “Where are they?”
“You need to lie down,” the nurse says. She takes hold of my shoulders and guides me to the pillow. She’s bony and thin, with flabby arms. Under normal circumstances, I could push her off me and get out of here. But today she feels like a linebacker.
“The files—”
“Are right there.” The nurse points to a small wooden table a few feet away from the bed.
I blow out every ounce of air that had been housed in my lungs. They’re safe. Now if this nurse will just get out of here, I can grab them and go.
“Don’t you want to know how you got here?” the nurse asks, hands on her hips.
I shake my head. Not really. All that’s important is that I’ve been stitched up and pumped full of blood, and now I’m ready to disappear again.
“An ambulance brought you.” Her voice drips with no-nonsense attitude. “You were found lying in the middle of Tremont Street with a huge gash in your arm. What happened to you?”
“I don’t know,” I mumble. God, just leave already!
“What’s your name?”
What is my name? That’s an excellent question. It sure as hell isn’t Iris. Maybe it’s Amanda again, but I’m not going to tell her that.
“Jane Smith.”
The nurse raises an eyebrow. “We’ll chat later.”
The door hasn’t even fully shut when I rip the fluid IV out of my arm. I leave in the one giving me blood. There’s half the bag left. I’ll wait until it’s drained, then I’m out.
The IV is on a wheeling cart, so I get out of bed and slide the cart over to the table. I grab all three files and the notebook and toss them onto the bed. My necklace is there, too. I slip it over my head, then tuck it inside the hospital gown.
I slide Alpha’s notebook inside my grandfather’s file for safekeeping and grab my dad’s. I almost don’t expect to find it. This all has to be a dream. A weird, very sick dream. But there it is. Mitchell Obermann. Delta from Annum Guard Two.
Born on May 1. Killed on November 2.
The word cuts me straight through.
Killed.
Every mission he’s ever been on is in this file, but I flip straight to the back. To Dallas. And I gasp. There’s a report on my father’s death. Everything I’ve ever wanted to know. And the report is authored by Alpha the day after my father died.
Name of Reporter: Alpha
Summary of Events: Only a short time ago, in the late evening hours of November 2, the tracker injected in Annum Guardian Delta went off. Delta was tracked to Dallas, Texas, on November 22, 1963. Delta did not have any missions scheduled on that date, which is immediately apparent as the date President John F. Kennedy was assassinated.
My breath catches in my throat. My dad was trying to stop the Kennedy assassination?
I immediately dispatched Guardian Beta to assess the situation and escort Delta back to Annum Guard Headquarters before he could inflict any permanent alterations on the course of American history.
Why didn’t Alpha just go himself? That doesn’t make sense.
At approximately 1:00 p.m., Guardian Beta arrived back with the body of Delta. Delta had been shot once in the chest at close range. I debriefed Beta immediately.
When Beta arrived in 1963, he located Delta staked out in front of the Texas School Book Depository at 12:15 p.m. He confronted Delta, who told him he was on a covert mission that came directly from President Clinton, funneled down through me, to stop the Kennedy assassination. I had already briefed Beta that no such mission was authorized, and Beta ordered Delta to surrender his weapon and return to the present.
Delta refused to do so, and Beta attempted to subdue him with force. Delta knocked Beta onto the sidewalk outside of the depository and escaped into the building. Beta pursued him on foot through the building and up the stairs. It was on the landing below the sixth floor that Beta ordered Delta to drop his weapon and surrender. Delta refused, and Beta shot him once in the torso. Delta died almost instantly.
My hands shake, and the file drops to the bed. My father was killed by a member of his fellow Guard. By Beta, who’s also now dead. My mind is flying a million miles a minute, trying to process what I’ve just read. My dad was sent on a covert mission. Or he acted on his own. Why did they kill him? They didn’t need to kill him.
I have more questions than answers. This doesn’t make sense. None of it makes sense.
The door opens behind me, and I shut the file. I turn to tell the nurse to back off and let me be, but then there’s this weird whirring sound that stops my heart. It’s wrong. All wrong for a hospital. Someone steps into the room. It’s not the nurse.
It’s Yellow.
I scramble backward on the bed and rip the IV out of my arm.
“What are you doing here?” I spring up and inch my way to the window.
“Those don’t open, in case you were thinking of trying to leap out,” Yellow says. Her voice is as flat as a calm sea.
“How did you find me?”
Yellow shrugs. “It was pretty easy. After you so dramatically flung your tracker at Indigo’s feet, we realized you’d need medical attention and that you’d probably look for it fairly close to the present. So we’ve just been working backward and following up on any traumatic arm injuries reported at the major hospitals over the past few years. We’ve been on quite a few wild-goose chases, but now here you are.” She slowly nods her head with a smug, telling look in her eyes. “And now I’m going to take you back.”
“I don’t think so.” I just need to get out my necklace, and I’m gone.
But before I can make a move, Yellow throws herself straight at me. I grab onto her shoulders and spin her around, slamming her back into the wall. She gasps, then drops down and rolls away. I whip around, and my head explodes with light. I put my arms out to steady myself. And then Yellow kicks me—hard—with the heel of her foot, right in my solar plexus.
I double over onto the floor. The room is spinning. I don’t know the ceiling from the floor. I groan and try to push myself up, and Yellow appears over me, her face only a few inches from mine.
“Submit. Submit now, and I’ll take it easy on you. Continue to fight, and I’ll—” She doesn’t get a chance to finish, as I ram the palm of my right hand up into her nose.
Yellow screams and doubles over.
“My nose!” she screams. “I swear to God, if you broke my nose, I will kill you. I will kill you dead.”
There’s banging on the door.
“Open this door!” the nurse yells. “Open it now!”
I look at the door. The latch is broken. It’s been dismantled. A cheap electric screwdriver lies abandoned by the door. I look back at Yellow. She smiles and nods her head. But then she flies at me again, and I don’t have time to duck. She slams me onto the ground and pins my arms over my head. A flash of pain stabs at my newly stitched wound. Blood pours from Yellow’s nose, ruining her ivory cashmere sweater. I try to lift my arms, but Yellow has them pinned too hard. I’m normall
y stronger than she is, but I’m too weak in this moment. I roll from side to side, but I’m stuck.
The nurse gives three sharp raps on the door.
“Tell her everything is fine,” Yellow orders.
“Because she’ll just believe me and leave?” I suck in air, and my head spins.
“Fine, whatever,” Yellow says. Her hands are pressed into my wrists. “Take out your necklace. We’re going home.”
“I’m not going anywhere. They all lied to me. I’m one of you, Yellow. I was born into this.”
Yellow’s face contorts into a confused expression, and she presses my wrists even harder. It hurts. “What are you talking about?”
“My father was Delta.”
“Shut up!” Yellow commands. “You’re a liar!”
“I’m not! It’s all there, in the files on the bed. All of it! My dad was Delta; my grandfather was Four. I have the genetics, and I always have. Alpha lied to me. Zeta lied to me. Everyone lied to me.”
“I said shut up!”
“Go look at them.” My head is spinning. Yellow’s pressing into my arms so hard my hands are tingling. “Go and see for yourself. Everything is right there in those files.”
“Nice try,” Yellow says. “I let go of you to read the files, and the next thing I know, your hands are around my neck.”
“I won’t.”
“Yeah, like I’m going to trust you. I know what happened. Alpha told us. The experiment failed because you suck at life, and you freaked out when he told you and ran.”
“There was no experiment, Yellow!”
The banging on the door gets louder.
“Open this door this instant!” the nurse yells. “Open it or I’m going to have security break it down. They’re already here!”
Yellow looks back at me. “Where’s your necklace? I’m taking you back now. Screw the files.”
I smile at her. “The necklace is under my gown. You’re going to have to unhand me to get it.”
Yellow’s eyes travel down to my chest, and I see the exact moment appear on her face when she realizes I’m right. “Crap!”
A big THUMP! comes from the door. They really are breaking it down.
The Eighth Guardian (Annum Guard) Page 19